Contents
Preface
Acknowledgments
The General Bearings of Kant's Third Critique
Aesthetics and Kant's Hilosophy of Law
The Historical Bckground of Kant's Aesthetics
Substantive and Analytic Aesthetics
Judgment and the Origiins of the four "Moments"
Sensation, the "Moments," and Form
The Hedonic Assumptions of the Kantian Aesthetic
The Distinguishing Characteristics and Presuppositions of the Kantian Sublime
Defects and Inconsistencies in the Kantian Sublime
The Kantian Sublime and Its Ancestors
The Antinomy of Taste
Autonomy and the Sensus Communis
"Aesthetic Ideas" and Genius
Art, Imagination, and Humanity
Concluding Remarks
Notes
Bibliography
Index