My Kitchen Table: Sketches from My Life
University of Utah Press, 2007
Paper: 978-0-87480-896-4
Library of Congress Classification ND237.P723A2 2007
Dewey Decimal Classification 759.13
Paper: 978-0-87480-896-4
Library of Congress Classification ND237.P723A2 2007
Dewey Decimal Classification 759.13
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Pilar Pobil was born on the island of Mallorca, off the Mediterranean coast of Spain, and it was there that she first learned to love the colors that suffuse her art. The tales contained here are those she later related to her own children around the kitchen table; many of them describe her childhood and young adulthood in Mallorca, filled with mystery and excitement, privilege and deprivation, and always a fierce will to face life on her own terms.
Other stories describe her meeting in Mallorca with the Utah man who would become her husband, her journey to a faraway country, the birth of her children, and her discovery of her artistic impulses and abilities. All are woven with the threads of color and culture of her two homes. Filled with wit and insight, My Kitchen Table reveals foremost the voice of a woman determined to be true to herself and to her art.
Accompanying the narrative are some fifty color reproductions of the paintings and sculptures for which Pilar Pobil has become known. This is a volume that art lovers everywhere will treasure.
"Like her paintings, Pilar’s stories overflow their pages. They fold us into their embrace, so we feel and see her dancing in and out of our minds, a curious and mischievous child, a young woman in love coming to a foreign land with a foreign culture and tongue, the heartbreak of her losses, and the continual renewals that have ripened her art. Pilar’s book, like her house, is a magic kingdom and she is the fairy princess who presides. She paints her shoes for social engagements. The seats of her chairs beam faces. Her electrical wiring metamorphoses into fantastic snakes. The garden that leads to her studio is Salt Lake City’s Giverny. Paintings are everywhere and talk to each other with glittering non sequiturs. At the center of it all is her kitchen table, the place from which she serves the voices and visions of her life. The subtleties of her telling, like the bold clarity of her judgments, are those of an artist whose inspirations are a feast she graciously invites us to share."
— from the Foreword by Robert D. Newman, Dean of the College of Humanities, University of Utah
A finalist for the Utah Book Award in Nonfiction.
Other stories describe her meeting in Mallorca with the Utah man who would become her husband, her journey to a faraway country, the birth of her children, and her discovery of her artistic impulses and abilities. All are woven with the threads of color and culture of her two homes. Filled with wit and insight, My Kitchen Table reveals foremost the voice of a woman determined to be true to herself and to her art.
Accompanying the narrative are some fifty color reproductions of the paintings and sculptures for which Pilar Pobil has become known. This is a volume that art lovers everywhere will treasure.
"Like her paintings, Pilar’s stories overflow their pages. They fold us into their embrace, so we feel and see her dancing in and out of our minds, a curious and mischievous child, a young woman in love coming to a foreign land with a foreign culture and tongue, the heartbreak of her losses, and the continual renewals that have ripened her art. Pilar’s book, like her house, is a magic kingdom and she is the fairy princess who presides. She paints her shoes for social engagements. The seats of her chairs beam faces. Her electrical wiring metamorphoses into fantastic snakes. The garden that leads to her studio is Salt Lake City’s Giverny. Paintings are everywhere and talk to each other with glittering non sequiturs. At the center of it all is her kitchen table, the place from which she serves the voices and visions of her life. The subtleties of her telling, like the bold clarity of her judgments, are those of an artist whose inspirations are a feast she graciously invites us to share."
— from the Foreword by Robert D. Newman, Dean of the College of Humanities, University of Utah
A finalist for the Utah Book Award in Nonfiction.
See other books on: 1926- | Collections, Catalogs, Exhibitions | Life | Painters | Sketches
See other titles from University of Utah Press
