ABOUT THIS BOOK

An examination of the failures of the Mexican Revolution through the visual and material records.

The Mexican Revolution (1910–1920) introduced a series of state-led initiatives promising modernity, progress, national grandeur, and stability; state surveyors assessed land for agrarian reform, engineers used nationalized oil for industrialization, archaeologists reconstructed pre-Hispanic monuments for tourism, and anthropologists studied and photographed Indigenous populations to achieve their acculturation. Far from accomplishing their stated goals, however, these initiatives concealed violence, and permitted land invasions, forced displacement, environmental damage, loss of democratic freedom, and mass killings. Mónica M. Salas Landa uses the history of northern Veracruz to demonstrate how these state-led efforts reshaped the region's social and material landscapes, affecting what was and is visible. Relying on archival sources and ethnography, she uncovers a visual order of ongoing significance that was established through postrevolutionary projects and that perpetuates inequality based on imperceptibility.

AUTHOR BIOGRAPHY

Mónica M. Salas Landa is an assistant professor of anthropology and sociology at Lafayette College.

REVIEWS

This book is a fascinating and wide-ranging study of state projects in post-revolutionary Mexico. Salas Landa takes us to the lowlands of northern Veracruz to reveal how the Mexican government’s practices left behind legacies of violence against humans and the environment. Theoretically sophisticated, eloquent, and well-researched, her book is a model for conceptualizing the process of state-making both within Mexico and beyond.

— Christina Bueno, Northeastern Illinois University, author of The Pursuit of Ruins: Archaeology, History, and the Making of Modern Mexico

Visible Ruins is an engaging and important contribution to the understanding of the visual orders of post-revolutionary Mexico. Through a rich montage that weaves together pre-Hispanic ruins, oil infrastructures, land regimes, environmental ruination, photographs, murals, and violence, Mónica Salas Landa demonstrates how political regimes are produced and challenged through practices of visibility and invisibility. She shows that the tension between what is made visible and what is concealed by an aesthetics of neoliberal-state governance creates landscapes regularly disrupted by that which cannot be fully hidden.

— Gastón R. Gordillo, University of British Columbia, author of Rubble: The Afterlife of Destruction

TABLE OF CONTENTS

List of Illustrations
Acknowledgments
Introduction: Governing through Perception
Chapter 1. Documents: The Aesthetics of Agrarian Reform
Chapter 2. Infrastructures: The Aesthetics of Economic Nationalism
Chapter 3. Pre-Hispanic Remains: The Aesthetics of Monumental Reconstruction
Chapter 4. Photographs: The Aesthetics of Indigenismo
Epilogue: Reconfiguring Dissent
Notes
Bibliography
Index