“Howard's enchanting Hospice obeys its own magical inner logic with excellent prose and a sadness that will split open hearts. You have in your hands a story that is inquisitive, gripping, and triumphant.”
—Deb Olin Unferth, author of Revolution, Vacation, and Minor Robberies
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“In Gregory Howard’s beautiful, brilliant first novel, stories spill out of other stories to swim, swirl, dance (sometimes giggling, sometimes smiling gravely), and collide. One thinks of the Calvino of Invisible Cities, to be sure, but also of Bruce Chatwin and his In Patagonia, in each of which a highly inventive voyager goes wandering through the world and/or through the world’s endless tales of itself. Still, deeply felt loss is the engine of the ludic impulse in Hospice, and the many games played, rituals enacted and songs sung by its characters evoke, with grace and power, our oldest truths, our most challenging conundrums, and the exhilarating ebb and flow of our sleep-wrapped lives.”
—Laird Hunt, author of Kind One and Neverhome
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