Acknowledgments
 
Introduction
1 Imagining Male Subjects: Representing Argentine Masculinities in Nineteenth-Century Poetry Anthologies, by Marcos Campillo Fenoll
2 “Maricas” and “Lunfardos” in Buenos Aires: A Critique of the Latino-Mediterranean Model of Sexuality, by Pablo Ben
3 Masculinities, Modernity and the City in Roberto Arlt’s “El juguete rabioso”, by Gorica Majstorovic
4 Afro-Argentines, “Papas”, “Malevos” and “Patotas”: Characterizing Masculinity on the Stages and in the Audiences of Buenos Aires, 1880—1920, by Kristen McCleary
5 Pariahs in the Wilderness: Abject Masculinity in Horacio Quiroga, by Todd S. Garth
6 The Military, Movies and Masculinity: “Su major alumno” and “Pampa bárbara”, by Currie K. Thompson
7 Masculinity, Performance and Peronist Nationalism in “La traicion de Rita Hayworth”, by Erin H. Redmond
8 Marginalized Masculinity and Spaces of the Delinquent in Early New Argentine Cinema, by Nicolas Poppe
9 From Competing Masculinities to Male Bonding: Father-Son Relationships and Nation in Three Argentine Films, by Viviana Plotnik
10 “Money to Burn, Burnt Money”: Crime, Violence and Nonheteronormative Masculinities, by Assen Kokalov
11 Middle-Class Masculinities in Juan José Campanella’s “El hijo de la novia” and “Luna de Avellaneda”, by Carolina Rocha
12 Vulnerable Beings/Vulnerable Subjectivities: An Approach to Masculinities in the Narrative of Rodolfo Fogwill, by Karina E. Vasquez
13 Melting Masculinities in Carlos Busqued’s “Bajo este sol tremendo”, by Leila Lehnen
14 Masculinities at War: The Military versus the Neoliberal in Accounts of the Falklands/Malvinas War, by Paola Ehrmantraut
15 Basic Instincts, Violence and Sex-Driven Creatures: New Argentine Masculinity or Old “Macho” Culture?, by Hugo Hortiguera and Mara Favoretto
16 Popular Music and Macho Representation: The Case of “Cumbia Villera”, by Mara Favoretto and Hugo Hortiguera
 
Contributors