"Glimpses of medieval belief and culture, trade, relationships with nature, and – most of all – individual medieval lives: Sara J. Charles’s brilliant book reveals the world of the Middle Ages through the pages of its manuscripts."
— Catherine Clarke, director of the Centre for the History of People, Place and Community at the Institute of Historical Research, London
“From squirrel hair brushes to scripts, Charles offers a comprehensive and engagingly accessible introduction to medieval book production. At times strikingly imaginative in form, this book brings together creative vignettes, intermittent chronologies, illustrations, and lucid prose to trace the contours of manuscript making in this period.”
— Hannah Ryley, Balliol College, University of Oxford, and author of "Re-using Manuscripts in Late Medieval England"
"In this compellingly written, fascinating must-read, Charles leads us on sensory journey of the tactile, unexpectedly smelly, excruciatingly painful, and divinely jubilant reality of manuscript-making in medieval Europe. A joyous page-turner!"
— Elizabeth Savage, senior lecturer in book history and communications, Institute of English Studies, School of Advanced Study, University of London
"The Medieval Scriptorium vividly recreates the techniques and processes that underlay the production of books over the thousand-year period of the Middle Ages. Charles’s intimate grasp of her subject gives us a volume that is filled with delightful detail while offering a richly insightful overview of its compelling topic."
— Timothy Graham, distinguished professor of history, University of New Mexico, and coauthor of "Introduction to Manuscript Studies"
“In The Medieval Scriptorium—an engaging and beautifully illustrated volume—Charles traces the evolution of the book from the early Christian centuries to the development of printing, a story covering some 1,500 years. . . . The author’s love of these books shines through and her enthusiasm and appreciation of the skill involved in making these works of art are infectious. The reader will learn much about medieval books, their makers and their making.”
— Methodist Recorder
"A fascinating look at manuscript making in the Middle Ages. . . . In The Medieval Scriptorium, Charles, a book historian at the University of London, illuminates the old, even ancient origins of concepts that remain familiar today. . . . The book introduces us not just to the way that texts have been passed down through the centuries, but how that phenomenon happened."
— Financial Times
"A lively and very readable illustrated survey . . . of all aspects of medieval manuscript production in the Latin Christian world, charting the decline and fall of the scriptorium and its makers over more than a millennium."
— Fine Books
"This book is a successful attempt to take its readers into the scriptorium for a close look, introducing them to the ‘blood, urine, excrement and earwax’ needed in the writing of a medieval manuscript.
— Church Times
"Charles is particularly good in describing the manufacture of parchment, inks and colours (including the deadly, arsenic-based yellow-orpiment). . . . Another of the author's virtues is care in briefly explaining terms such as uncial and minuscule."
— The Oldie