Essays exploring the lasting impact of Habib Tanvir's pioneering theatre which blended tradition with modernity in the post-Independence Indian theatre scene.
 
This collection of essays delves into the profound legacy of Habib Tanvir (1923–2009), a luminary in the post-Independence Indian theater scene. Tanvir's decades-long contributions as a director, poet, playwright, and actor are explored by a diverse group of scholars, practitioners, and peers. The book examines his pivotal role in founding the Naya Theatre in 1959, a pioneering group blending rural traditions with contemporary theatre, challenging conventional norms.
 
Against the backdrop of contemporary societal and political shifts, the essays reflect on Tanvir's fearless resistance against the right wing in his later years, particularly his challenges to religious dogma and caste discrimination in works like Ponga Pandit. The collection also emphasizes the enduring impact of Tanvir's seminal work, Charandas Chor, highlighting its adaptability across varied cultural landscapes.
 
With international contributors, the book expands beyond national borders, showcasing Tanvir's impact on global theatre and cross-cultural collaborations. The essays in this volume assert Tanvir's continued relevance, positioning his ideals as a guiding force for India amid evolving cultural and political landscapes.

Anjum Katyal is director of the Apeejay Kolkata Literary Festival, curator of Nabanna Earth Weekend at Santiniketan, India, and editor of ArthArt, an art journal by Arthshila Trust. She is also the author of several books on theater and performance. Javed Malick is an academic and theater scholar. His publications include Toward a Theater of the Oppressed: The Dramaturgy of John Arden, the edited volume A Critical Companion to Dario Fo’s ‘The Accidental Death of an Anarchist,’ and an English translation of Habib Tanvir’s play Agra Bazaar.

Prologue
Introduction
Habib Tanvir, Free Spirit of Theatre
A Jugalbandi between the Folk and Modernity: The Poetics and Politics of Tanvir’s Theatre
Life, Art and Activism
A Truly Naya Theatre
Form as the Means, Not an End: Theatre as Political Expression
In Search of the Extra in Ordinary
The Importance of Being Habib
Habib Tanvir and the Actor
Music in Naya Theatre
Looking Back/Moving Forward: Working with Habib Tanvir and Naya Theatre
How Bhopal Became Zahreeli Hawa
Charandas Chor in the International Arena
Acknowledgements
About the Contributors