Introduction
Gunnar Iversen and Mariah Larsson
Section 1: General overview
Section 1 Introduction
Gunnar Iversen and Mariah Larsson
Chapter 1: The Sámi Film Wave: Sápmi and Sámi Film Culture
Stine Agnete Sand
Chapter 2: Ultrasmall Cinemas of the North Atlantic: Greenland and the
Faroe IslandsAnders Grønlund
Chapter 3: What Makes a Film Nordic? The Evolution of ‘Immigrant’ Filmmaking in the Nordic Countries
Linda Haverty Rugg
Chapter 4: Nordic Cinema and Film Politics: The Norwegian Case
Ove Solum and Dag Asbjørnsen
Chapter 5: Sustainable Nordic Screens: Environmental Content, Banal Materialism and Sustainable Production Practice in Nordic Film, TV, and Streaming Media
Pietari Kääpä
Section 2: Nation, Identities, History
Section 2 Introduction
Mariah Larsson and Gunnar Iversen
Chapter 6: Norwegian Apocalypse: The Happiest People in the World Imagines Disasters
Gunnar Iversen
Chapter 7: The Auteur as Bergman’s Persona
Jan Holmberg
Chapter 8: Vikings and Nordic Film Culture
Bodil Petersson and Jes Wienberg
Chapter 9: Sweden’s Top Comedians. An Introduction to Hasse & Tage for Non-Swedish Audiences
Emilio Audissino
Chapter 10: The Danish Bedside comedies
Isak Thorsen
Chapter 11: Heroes, Collaborators, Fighters, and Right-wing Populists: A Comparative Study of Contemporary Nordic Second World War-Films
Erik Hedling
Section 3 Gender and Sexuality
Section 3 Introduction
Mariah Larsson and Gunnar Iversen
Chapter 12: Curating the Archive of Nordic Queer Cinema
Dagmar Brunow
Chapter 13: Feminist Interventions and Film Policy: The Work for Gender Equality in Nordic Film Production
Ingrid S. Holtar
Chapter 14: “One must alternately reconstruct as an archaeologist, search as a criminalist, or try to decipher like a psychoanalyst of the unconscious”: The Reception of “Homosexual” Film Characters in the 1940s and 50s
Ingrid Ryberg
Chapter 15: Obscene Films and Obscenity Law in the Nordic Countries
Mariah Larsson
Section 4: Social Critique and Documentary
Section 4 Introduction
Gunnar Iversen and Mariah Larsson
Chapter 16: Framing the Nation. Spaces of Everyday Life in Scandinavian Documentaries
Ib Bondebjerg
Chapter 17: Radical Scandinavian Documentary Culture in the 1970s
Bjørn Sørenssen
Chapter 18: Screen Stories of Growing Up: Nordic Children’s and Youth Films
Anders Lysne
Chapter 19: On the Critical Edge of Nordic Cinemas: Award-Winning Nordic Films as Social Critique
Jonathan Rozenkrantz
Chapter 20: Competing Screens? The Relation Between Cinema and Television in a Swedish Context
Per Vesterlund
5. Futures
Section 5 Introduction
Gunnar Iversen and Mariah Larsson
Chapter 21: Piracy and Digital Film Culture
Pelle Snickars
Chapter 22: Negotiating Content Rights with Global Streamers in Small Markets: A Case Study of Denmark’s ‘Streaming Crisis’
Nina Vindum Rasmussen and Vilde Schanke Sundet
Chapter 23: Nordic Animation and the Digital Revolution
Jonas Lindkvist
Chapter 24: Nordic Film History, Digitization and Online Access
Eirik Frisvold Hanssen
Bibliography
Index