“Stephen King was among the first generation of horror writers to be overtly influenced by cinematic horror as well as literary, so it’s hardly surprising that he is the most widely adapted horror novelist there is. These adaptations are, as Mark Browning observes in this excellent work, very hit-and-miss. It is a meticulously critical work; scholarly but not pretentious, giving both praise and scorn where it’s due, and acknowledging the greatnesses and flaws of the films as adaptations, suggesting some interesting viewing strategies along the way. An excellent study of why adaptations work/fail, and for any King fan it’s definitive.”
— Andrew McQuade, Gorezone
“The book is refreshingly accessible; no attempt has been made to fit the films into an overarching theoretical paradigm, in the belief that readers would be more interested in approaching King work as ‘a rite-of-passage experience’ that consistently challenges our expectations.”
— Lawrence Raw