front cover of The Gothic World of Stephen King
The Gothic World of Stephen King
Landscape of Nightmares
Edited by Gary Hoppenstand and Ray B. Browne
University of Wisconsin Press, 1987
Stephen King’s popularity lies in his ability to reinterpret the standard Gothic tale in new and exciting ways. Through his eyes, the conventional becomes unconventional and wonderful. King thus creates his own Gothic world and then interprets it for us. This book analyzes King’s interpretations and his mastery of popular literature. The essays discuss adolescent revolt, the artist as survivor, the vampire in popular literature, and much more.
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Stephen King on the Big Screen
Mark Browning
Intellect Books, 2009
The Shining. Carrie. Misery. These are just a few of the film adaptations that have been made from the terrifying and eerie work of novelist and short story writer Stephen King. It is nearly impossible to think of another author who has inspired so many, and such diverse filmmakers—yet there has never before been a work by a film specialist that focused solely on Stephen King. Mark Browning, in Stephen King on the Big Screen, takes a film-by-film approach to exploring why some adaptations of King’s work are more successful than others.             Browning discusses every single film adaptation given a global cinematic release—including films by such well-known directors as Stanley Kubrick, George A. Romero, and David Cronenberg. His is the first book to consider in detail Sleepwalkers, Dreamcatcher, and 1408 as well as the much-neglected portmanteau films and touchstones like The Shawshank Redemption and The Green Mile. In a highly readable and engaging style, Browning examines how different film directors have interpreted and translated the original literary texts into a new medium. Throughout, he reveals the elements of style and approach that have helped make King one of the world’s best-selling authors.             This entertaining and accessible guide to the complete corpus of Stephen King films is a must-have for fans of his fiction and of the many directors who have sought to capture his macabre stories and bizarre characters in cinematic form.
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Stephen King on the Small Screen
Mark Browning
Intellect Books, 2011
 

In this follow up to Stephen King on the Big Screen, Mark Browning turns his critical eye to the much-neglected subject of the best-selling author’s work in television, examining what it is about King’s fiction that makes it particularly suitable for the small screen.

By focusing on this body of work, from the highly successful The Stand and The Night Flier to the lesser-known TV films Storm of the Century, Rose Red, Kingdom Hospital, and the 2004 remake of Salem’s Lot, Browning is able to articulate how these adaptations work and, in turn, suggest new ways of viewing them. This book is the first written by a film specialist to consider King’s television work in its own right, and it rejects previous attempts to make the films and books fit rigid thematic categories. Browning examines what makes a written or visual text successful at evoking fear on a case-by-case basis, in a highly readable and engaging way. He also considers the relationship between the big and small screen. Why, for instance, are some TV versions more effective than movie adaptations and vice versa? In the process, Stephen King on the Small Screen is able to shed new light on what it is that makes King’s novels so successful and reveal the elements of style and approach that have helped make King one of the world’s best-selling authors.

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