Acknowledgments
Introduction: Challenges of Installation Art
On Changes and Challenges
Installation Art and the Museum
Decisions and Discussions
Doing Artworks
Outline of the Book
1. Key Concepts and Developments in Conservation Theory and Practice
Introduction
The Emergence of Conservation as a Profession
Authenticity and Artist’s Intent: Key Concepts and Stumbling Blocks
Conclusion
2. From Singularity to Multiplicity: Authenticity in Practice
2.1 Introduction
2.2 More than One One Candle?
2.3 Authenticity as a Matter of Perspective
2.4 From Perspectives to Practices
2.5 One Candle as Singular
2.6 Disruptions and Dispersion
2.7 External Multiple One Candles
2.8 One Candle: More than One, Less than Many
3. From Intention to Interaction: Artist’s Intention Reconsidered
3.1 Introduction
3.2 Problems of Reinstallation: Artist’s Intent in Practice
3.3 By Means of Measuring: A Stretch Museum Scale 1:1
3.4 Never Stop Starting: ensemble autor de mur
3.5 Conclusion: Multiple Practices
4. From Object to Collective, from Artists to Actants: Ownership Reframed
4.1 Introduction
4.2 The Emergence of No Ghost Just a Shell
4.3 Searching for New Concepts
4.4 Acquiring No Ghost Just a Shell: From Artists to Museum
4.5 A New Artwork: Travelling Pod
4.6 The Museum System
4.7 ‘What Exactly Have We Acquired?’
4.8 Another No Ghost Just a Shell
4.9 By Way of Conclusion
Conclusion: Challenges and Potentialities of Installation Art
On Challenges and Potentialities
Foregrounding Practices
New Vistas
List of Illustrations
References
Interviews
Index