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Film Museum Practice and Film Historiography: The Case of the Nederlands Filmmuseum (1946-2000)
Amsterdam University Press, 2017
eISBN: 978-90-485-2674-1 | Cloth: 978-90-8964-826-6 Library of Congress Classification PN1993.43.A45L36 2017
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC
ABOUT THIS BOOK
Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. The result is a compelling argument that film archives can never be viewed simply as innocent or neutral sources of film history. See other books on: 1875-1956 | Amsterdam | Case | Film archives | Netherlands See other titles from Amsterdam University Press |
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Nearby on shelf for Literature (General) / Drama / Motion pictures:
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Film Museum Practice and Film Historiography: The Case of the Nederlands Filmmuseum (1946-2000)
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC
Amsterdam University Press, 2017
eISBN: 978-90-485-2674-1
Cloth: 978-90-8964-826-6
eISBN: 978-90-485-2674-1
Cloth: 978-90-8964-826-6
Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. The result is a compelling argument that film archives can never be viewed simply as innocent or neutral sources of film history.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC
