A SCHOLARLY BOOK REPOSITORY
This book addresses different aspects of the Soviet army’s twenty-year presence in Czechoslovakia between 1968 and 1991. It explores the circumstances of the Soviet settling in the country, immediately related to the invasion of the Warsaw Pact armies in August 1968; its active interference in the political developments in the early stage of the “normalization” era; and the universal support provided by the normalization era regime. It examines the darker side of this support when the constant favoring of Soviet interests—often to the detriment of the local population and the environment—went hand in hand with the resignation of the Czechoslovak state to lawfulness and the execution of effective administration on its territory.
Based on extensive local and national primary sources, the volume describes the often problematic coexistence of the Soviet garrisons and local inhabitants, who did not have sufficient protection at the central level. In this context, it points out the contradictory logic that framed the mutual coexistence: the official policy of friendship on the one hand and the counter-intelligence protection of Soviet military premises on the other. Marie Cerná records the traces that the presence of the Soviet army left in the collective memory and examines the circumstances of its departure from the country in 1990 and 1991, which began immediately after the change of the political regime. She presents the long-term presence of the Soviet army as a fundamentally political and politicized matter, which was first the subject of power controversies and later of propaganda and intentional manipulation.
National symbols, modern totems with ancient roots, remain entities for which men and women continue to march, debate, fight, and die. Modern political leaders still drape their campaigns in such symbols; modern revolutionaries still defile them. Identity Designs explores the source of this long-standing power––the way national symbols are selected, the manner in which their meaning is conveyed, their potential effects, and the sustenance of their power.
In particular, the book charts the role of design in the selection of symbolic images, thus demonstrating that symbols are chosen not just for what they convey, but how they convey their message. Karen Cerulo shows that the symbolic designs of a nation's identity are not simply the products of indigenous characteristics, as conventional wisdom might suggest. Rather, the banners and songs by which nations represent themselves are generated by broad social forces that transcend the peculiarities of any one nation. Cerulo's analysis acquaints readers with a set of social structural factors that delimit rules of symbolic expression. Further, the book suggests the benefits of adhering to these rules and explores the costs of violating them.
People—especially Americans—are by and large optimists. They're much better at imagining best-case scenarios (I could win the lottery!) than worst-case scenarios (A hurricane could destroy my neighborhood!). This is true not just of their approach to imagining the future, but of their memories as well: people are better able to describe the best moments of their lives than they are the worst.
Though there are psychological reasons for this phenomenon, Karen A.Cerulo, in Never Saw It Coming, considers instead the role of society in fostering this attitude. What kinds of communities develop this pattern of thought, which do not, and what does that say about human ability to evaluate possible outcomes of decisions and events?
Cerulo takes readers to diverse realms of experience, including intimate family relationships, key transitions in our lives, the places we work and play, and the boardrooms of organizations and bureaucracies. Using interviews, surveys, artistic and fictional accounts, media reports, historical data, and official records, she illuminates one of the most common, yet least studied, of human traits—a blatant disregard for worst-case scenarios. Never Saw It Coming, therefore, will be crucial to anyone who wants to understand human attempts to picture or plan the future.
“In Never Saw It Coming, Karen Cerulo argues that in American society there is a ‘positive symmetry,’ a tendency to focus on and exaggerate the best, the winner, the most optimistic outcome and outlook. Thus, the conceptions of the worst are underdeveloped and elided. Naturally, as she masterfully outlines, there are dramatic consequences to this characterological inability to imagine and prepare for the worst, as the failure to heed memos leading up to both the 9/11 and NASA Challenger disasters, for instance, so painfully reminded us.”--Robin Wagner-Pacifici, Swarthmore College
“Katrina, 9/11, and the War in Iraq—all demonstrate the costliness of failing to anticipate worst-case scenarios. Never Saw It Coming explains why it is so hard to do so: adaptive behavior hard-wired into human cognition is complemented and reinforced by cultural practices, which are in turn institutionalized in the rules and structures of formal organizations. But Karen Cerulo doesn’t just diagnose the problem; she uses case studies of settings in which people effectively anticipate and deal with potential disaster to describe structural solutions to the chronic dilemmas she describes so well. Never Saw It Coming is a powerful contribution to the emerging fields of cognitive and moral sociology.”--Paul DiMaggio, Princeton University
Caribbean Migration to Western Europe and the United States features a diverse group of scholars from across academic disciplines studying the transnational paths of Caribbean migration. How has the colonial path of the Caribbean influenced migration with regard to power relations, ethnic identities and transnational processes?
Through a series of case studies, the contributors to this volume examine the experiences of Caribbean immigrants to Spain, France, the United Kingdom and the Netherlands as well as the United States. They show the demographic, socioeconomic, political and cultural impact migrants have, as well as their role in the development of transnational social fields. Caribbean Migration to Western Europe and the United States also examines how contrasting discourses of democracy and racism, xenophobia and globalization shape issues pertaining to citizenship and identity.
Contributors: Elizabeth Aranda, Mary Chamberlain, Michel Giraud, Lisa Maya Knauer, John R. Logan, Monique Milia-Marie-Luce, Laura Oso Casas, Livio Sansone, Nina Glick Schiller,Charles (Wenquan) Zhang and the editors.
Working-class girls in Ciudad Juárez grow up in a context marked by violence against women, the devastating effects of drug cartel wars, unresponsive and abusive authorities, and predatory U.S. capitalism: under constantly precarious conditions, these girls are often struggling to shape their lives and realize their aspirations. Juárez native Claudia G. Cervantes-Soon explores the vital role that transformative secondary education can play in promoting self-empowerment and a spirit of resistance to the violence and social injustice these girls encounter.
Bringing together the voices of ten female students at Preparatoria Altavista, an innovative urban high school founded in 1968 on social justice principles, Cervantes-Soon offers a nuanced analysis of how students and their teachers together enact a transformative educational philosophy that promotes learning, self-authorship, and hope. Altavista’s curriculum is guided by the concept of autogestión, a holistic and dialectical approach to individual and collective identity formation rooted in the students’ experiences and a critical understanding of their social realities. Through its sensitive ethnography, this book shows how female students actively construct their own meaning of autogestión by making choices that they consider liberating and empowering.
Juárez Girls Rising provides an alternative narrative to popular and often simplistic, sensationalizing, and stigmatizing discourses about those living in this urban borderland. By merging the story of Preparatoria Altavista with the voices of its students, this singular book provides a window into the possibilities and complexities of coming of age during a dystopic era in which youth hold on to their critical hope and cultivate their wisdom even as the options for the future appear to crumble before their eyes.
In this book, noted transportation expert Robert Cervero provides an on-the-ground look at more than a dozen mass transit success stories, introducing the concept of the "transit metropolis"—a region where a workable fit exists between transit services and urban form. The author has spent more than three years studying cities around the world, and he makes a compelling case that metropolitan areas of any size and with any growth pattern—from highly compact to widely dispersed—can develop successful mass transit systems.
Following an introductory chapter that frames his argument and outlines the main issues, Cervero describes and examines five different types of transit metropolises, with twelve in-depth case studies of cities that represent each type. He considers the key lessons of the case studies and debunks widely held myths about transit and the city. In addition, he reviews the efforts underway in five North American cities to mount transit programs and discusses the factors working for and against their success. Cities profiled include Stockholm; Singapore; Tokyo; Ottawa; Zurich; Melbourne; Mexico City; Curitiba, Brazil; Portland, Oregon; and Vancouver, British Columbia.
The Transit Metropolis provides practical lessons on how North American cities can manage sprawl and haphazard highway development by creating successful mass transit systems. While many books discuss the need for a sustainable transportation system, few are able to present examples of successful systems and provide the methods and tools needed to create such a system. This book is a unique and invaluable resource for transportation planners and professionals, urban planners and designers, policymakers and students of planning and urban design.
Beyond Mobility is about prioritizing the needs and aspirations of people and the creation of great places. This is as important, if not more important, than expediting movement. A stronger focus on accessibility and place creates better communities, environments, and economies. Rethinking how projects are planned and designed in cities and suburbs needs to occur at multiple geographic scales, from micro-designs (such as parklets), corridors (such as road-diets), and city-regions (such as an urban growth boundary). It can involve both software (a shift in policy) and hardware (a physical transformation). Moving beyond mobility must also be socially inclusive, a significant challenge in light of the price increases that typically result from creating higher quality urban spaces.
There are many examples of communities across the globe working to create a seamless fit between transit and surrounding land uses, retrofit car-oriented suburbs, reclaim surplus or dangerous roadways for other activities, and revitalize neglected urban spaces like abandoned railways in urban centers.
The authors draw on experiences and data from a range of cities and countries around the globe in making the case for moving beyond mobility. Throughout the book, they provide an optimistic outlook about the potential to transform places for the better. Beyond Mobility celebrates the growing demand for a shift in global thinking around place and mobility in creating better communities, environments, and economies.
This study develops a new interpretation of The Decameron, Giovanni Boccaccio’s masterpiece, which has found new popularity in the wake of COVID. Dino S. Cervigni offers an inclusive and novel reading of the collection, theorizing that the first ninety tales offer a parodic rewriting of the Christian Middle Age, while the last ten tales craft a reconstruction of society based on human and liberal principles such as generosity and sacrifice.
Still relevant to this day, The Decameron offers a notable description of the bubonic plague of 1348 which devastated Western Europe—drawing striking parallels with the current global pandemic. Furthermore, Boccaccio’s concluding message applies to all of us in the present moment, plunged as we are into a world of intellectual and ethical chaos, exhorting us to practice forgiveness, compassion, tolerance, mutual acceptance, and generous open-mindedness. No other book on The Decameron offers such a relevant, up-to-date reading of the classic work.
Electrifying athletes like Olga Korbut and Nadia Comăneci helped make women’s artistic gymnastics one of the most popular events in the Olympic Games. But the transition of gymnastics from a women’s sport to a girl’s sport in the 1970s also laid the foundation for a system of emotional, physical, and sexual abuse of gymnasts around the world. Georgia Cervin offers a unique history of women's gymnastics, examining how the high-stakes diplomatic rivalry of the Cold War created a breeding ground for exploitation. Yet, a surprising spirit of international collaboration arose to decide the social values and image of femininity demonstrated by the sport. Cervin also charts the changes in style, equipment, training, and participants that transformed the sport, as explosive athleticism replaced balletic grace and gymnastics dominance shifted from East to West.
Sweeping and revelatory, Degrees of Difficulty tells a story of international friction, unexpected cooperation, and the legacy of abuse and betrayal created by the win-at-all-cost attitudes of the Cold War.
Cervone describes how the Inca Atahualpa contested racial subordination by intervening in matters of resource distribution, justice, and cultural politics. Considering local indigenous politics and indigenous mobilization at the national and international levels, she explains how, beginning in the 1960s, state-led modernization created political openings by generating new economic formations and social categories. Long Live Atahualpa sheds new light on indigenous peoples operating at the crossroads of global capitalism and neoliberal reforms as they redefine historically rooted relationships of subordination.
Scholars have long recognized that ethnographic method is bound up with the construction of theory in ways that are difficult to teach. The reason, Allaine Cerwonka and Liisa H. Malkki argue, is that ethnographic theorization is essentially improvisatory in nature, conducted in real time and in necessarily unpredictable social situations. In a unique account of, and critical reflection on, the process of theoretical improvisation in ethnographic research, they demonstrate how both objects of analysis, and our ways of knowing and explaining them, are created and discovered in the give and take of real life, in all its unpredictability and immediacy.
Improvising Theory centers on the year-long correspondence between Cerwonka, then a graduate student in political science conducting research in Australia, and her anthropologist mentor, Malkki. Through regular e-mail exchanges, Malkki attempted to teach Cerwonka, then new to the discipline, the basic tools and subtle intuition needed for anthropological fieldwork. The result is a strikingly original dissection of the processual ethics and politics of method in ethnography.
Annette Smith and Dominic Thomas’s new translations of Aimé Césaire’s Like a Misunderstood Salvation and Solar Throat Slashed (poems deleted) expose to a new audience a pivotal figure in twentieth-century French literature. This collection presents the early and last stages of a poet’s course, encapsulating in one volume Césaire’s entire literary career and creative evolution as perhaps the only French poet writing simultaneously at the crossroads of the avant-garde and classical movements.
This volume’s inclusion of previously deleted poems from Solar Throat Slashed is politically important; despite their initial exclusion from a French republication of Soleil Cou Coupé in 1961, these thirty-one poems are crucial to understanding Césaire’s legacy and remain of tremendous pertinence today as they provide helpful ways of thinking about and contextualizing discussions on race, identity, global identities, and the links between “black consciousness” and “social consciousness.”
The South Slavs of Michigan—Slovenes, Croats, Serbs, Macedonians, and Bosnian Muslims—are a microcosm of the immigration waves of southern and eastern Europeans who came to the United States between 1880 and 1924. History has almost forgotten these immigrants, who were instrumental in developing the large urban centers of Michigan and the United States, and who specifically contributed to development of the auto industry and struck in 1913–1914 for better working conditions in the copper mines of the Upper Peninsula. While labor problems were the primary obstacles confronting Michigan’s South Slavs, the painful process of acculturation has since dimmed their very real accomplishments. As Daniel Cetinich shows, South Slavs helped shape both a regional and national civilization in North America with their hands, backs, feet, and the labor organizations they helped create.
Sundiata Keita Cha-Jua traces Brooklyn's transformation from a freedom village into a residential commuter satellite that supplied cheap labor to the city and the region. He examines why Brooklyn remained unindustrialized while factories and industrial complexes were built in nearly all the neighboring white-majority towns. As Brooklyn's population tilted more heavily toward single young men employed in the factories and as the city's cheaper retail businesses drew the town's consumer dollars, local businesses--except those catering to nightlife and vice--withered away.
Drawing on town records, regional and African American newspapers, census data, and other sources, Cha-Jua provides a detailed social and political history of America's first Black town. He places Brooklyn in the context of Black-town development and African American nationalism and documents the dedicated efforts of its Black citizens to achieve political control and build a thriving, autonomous, Black-majority community.
America's First Black Town challenges scholarly assumptions that Black political control necessarily leads to internal unity and economic growth. Outlining dynamics that presaged the post-1960s plight of Gary, Detroit, and other Black-dominated cities, Cha-Jua confirms that, despite Brooklyn's heroic struggle for autonomy, Black control was not enough to stem the corrosive tide of internal colonialism.
Sharing a focus on reparations as an issue of justice, the contributors provide a historical primer of the movement; introduce the philosophical, political, economic, legal and ethical issues surrounding reparations; explain why government, corporations, universities, and other institutions must take steps to rehabilitate, compensate, and commemorate African Americans; call for the restoration of Black people’s human and civil rights and material and psychological well-being; lay out specific ideas about how reparations can and should be paid; and advance cutting-edge interpretations of the complex long-lasting effects that enslavement, police and vigilante actions, economic discrimination, and other behaviors have had on people of African descent.
Groundbreaking and innovative, Reparations and Reparatory Justice offers a multifaceted resource to anyone wishing to explore a defining moral issue of our time.
Contributors: Dedrick Asante-Muhammad, Hilary McDonald Beckles, Mary Frances Berry, Sundiata Keita Cha-Jua, Chuck Collins, Ron Daniels, V. P. Franklin, Danny Glover, Adom Gretachew, Charles Henry, Kamm Howard, Earl Ofari Hutchinson, Jesse Jackson, Sr., Brian Jones, Sheila Jackson Lee, James B. Stewart, the Movement 4 Black Lives, the National African American Reparations Commission, the National Coalition of Blacks for Reparations in America, the New Afrikan Peoples Organization/Malcolm X Grassroots Movement
Culture Troubles is a systematic reevaluation of the role of culture in political analysis. Here, Patrick Chabal and Jean-Pascal Daloz contend that it is unwise to compare different societies without taking into account culture, which in their interpretation is not a system of values, but rather a system of inherited meanings and symbols. This cultural approach, they argue, can attribute meaning to political comparison, and they outline the shape of that approach, one that draws from an eclectic range of sources. Illustrating the sharpness and acuity of their methods, they proceed with a comparative study of the state and political representation in three very different nations—France, Nigeria, and Sweden—to untangle the many ways that culture informs our understanding of political events. As a result, Culture Troubles offers a rational starting point from which we may begin to understand foreign politics.
Here are stories of Latinas living with conditions common to many: hypertension, breast cancer, obesity, diabetes, depression, osteoarthritis, rheumatoid arthritis, dementia, Parkinson’s, lupus, and hyper/hypothyroidism. By bringing these narratives out from the shadows of private lives, they demonstrate how such ailments form part of the larger whole of Latina lives that encompasses family, community, the medical profession, and society. They show how personal identity and community intersect to affect the interpretation of illness, compliance with treatment, and the utilization of allopathic medicine, alternative therapies, and traditional healing practices. The book also includes a retrospective analysis of the narratives and a discussion of Latina health issues and policy recommendations.
These Latina cultural narratives illustrate important aspects of the social contexts and real-world family relationships crucial to understanding illness. Speaking from the Body is a trailblazing collection of personal testimonies that integrates professional and personal perspectives and shows that our understanding of health remains incomplete if Latina cultural narratives are not included.
Coastal Marshes was first published in 1988. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The coastal regions of the United States form a highly diversified environment. In addition to sandy beaches and rocky shorelines, there are lagoons, rivers, estuaries, and marshes. The last are a dominant features of many coastal areas and serve as a transition between sea and uplands. Coastal marshes have been a zone for human development, attractive to industrial and residential building because they provide water frontage. But the public is becoming aware of the great value of these wetlands to fisheries and wildlife and to the local economy that depends on them.
This book describes coastal marshes in terms of form, function, ecology, wildlife value, and management. Robert H. Chabreck's emphasis is on the marshes of the northern coast of the Gulf of Mexico (there are 5,500 square miles of marshland in Louisiana alone), but he also deals with marshes on the Atlantic and Pacific coasts. Plant and animal communities are each given a chapter, and the book concludes with considerations of future uses and needs. The author provides references, a glossary, and a list of scientific names, along with numerous illustrations, including a section of color photographs.
For thirty years, Robert H. Chabreck has been engaged in research and management of coastal marshes and has often served as a consultant in wetland ecology. He is a professor of wildlife at Louisiana State University.
Karen Chace’s book, Story by Story, Building a Storytelling Troupe is a must have for anyone even slightly interested in starting a storytelling group with students. I know I am guilty of sometimes skipping over sections, but every word that Karen writes is important and useful distilled (and therefore potent) information. Ms. Chace not only tells you what to do to run a successful troupe, but also WHY you need to do it. This is, to me, very important. Sometimes one is tempted to skip things, but this book explains how important the steps are. Everything from how many hours Karen thought it would take, to ACTUAL hours, where the funding comes from, how and why to lay foundations and expectations (including ‘no teasing policies’ and group dynamics), right the way through presentation skills to advertising the event and getting bums on seats (emphasis important)!
Over the years Karen has and continues to come up with new and inventive ways of teaching the skills of storytelling, and a great many of these exercises and activities are included in the book. When it comes to research and materials as well as technique, Karen adds new meaning to "thorough". There are links to websites for stories, for grants, for microphone techniques, and how storytelling connects to the school curriculum and more. And if you prefer to read books, there is an extensive bibliography, too.
Basically, I believe if you want to succeed in building a storytelling troupe or group, all you need is Karen Chace’s book, Story by Story, Building a Storytelling Troupe and to do everything Karen suggests. I am sure it would be very hard to fail if you follow her words of wisdom between the covers of her goldmine of a book.
Simon Brooks, storyteller, and educator
All of the chapters advance our knowledge of the causes, extent, and consequences of indigenous violence—including ritualized violence—in Latin America. Each major historical/cultural group in Latin America is addressed by at least one contributor. Incorporating the results of dozens of years of research, this volume documents evidence of warfare, violent conflict, and human sacrifice from the fifteenth century to the twentieth, including incidents that occurred before European contact. Together the chapters present a convincing argument that warfare and ritual violence have been woven into the fabric of life in Latin America since remote antiquity.
For the first time, expert subject-area work on indigenous violence—archaeological, osteological, ethnographic, historical, and forensic—has been assembled in one volume. Much of this work has heretofore been dispersed across various countries and languages. With its collection into one English-language volume, all future writers—regardless of their discipline or point of view—will have a source to consult for further research.
CONTENTS
Acknowledgments
Introduction
Richard J. Chacon and Rubén G. Mendoza
1. Status Rivalry and Warfare in the Development and Collapse of Classic Maya Civilization
Matt O’Mansky and Arthur A. Demarest
2. Aztec Militarism and Blood Sacrifice: The Archaeology and Ideology of Ritual Violence
Rubén G. Mendoza
3. Territorial Expansion and Primary State Formation in Oaxaca, Mexico
Charles S. Spencer
4. Images of Violence in Mesoamerican Mural Art
Donald McVicker
5. Circum-Caribbean Chiefly Warfare
Elsa M. Redmond
6. Conflict and Conquest in Pre-Hispanic Andean South America: Archaeological Evidence from Northern Coastal Peru
John W. Verano
7. The Inti Raymi Festival among the Cotacachi and Otavalo of Highland Ecuador: Blood for the Earth
Richard J. Chacon, Yamilette Chacon, and Angel Guandinango
8. Upper Amazonian Warfare
Stephen Beckerman and James Yost
9. Complexity and Causality in Tupinambá Warfare
William Balée
10. Hunter-Gatherers’ Aboriginal Warfare in Western Chaco
Marcela Mendoza
11. The Struggle for Social Life in Fuego-Patagonia
Alfredo Prieto and Rodrigo Cárdenas
12. Ethical Considerations and Conclusions Regarding Indigenous Warfare and Ritual Violence in Latin America
Richard J. Chacon and Rubén G. Mendoza
References
About the Contributors
Index
The editors argue that a failure to acknowledge the roles of warfare and violence in the lives of indigenous North Americans is itself a vestige of colonial repression—depriving native warriors of their history of armed resistance. These essays document specific acts of Native American violence across the North American continent. Including contributions from anthropologists, archaeologists, historians, and ethnographers, they argue not only that violence existed but also that it was an important and frequently celebrated component of Amerindian life.
CONTENTS
Acknowledgments
Introduction
Richard J. Chacon and Rubén G. Mendoza
1. Traditional Native Warfare in Western Alaska
Ernest S. Burch Jr.
2. Barbarism and Ardour of War from the Tenderest Years”: Cree-Inuit Warfare in the Hudson Bay Region
Charles A. Bishop and Victor P. Lytwyn
3. Aboriginal Warfare on the Northwest Coast: Did the Potlatch Replace Warfare?
Joan A. Lovisek
4. Ethnohistoric Descriptions of Chumash Warfare
John R. Johnson
5. Documenting Conflict in the Prehistoric Pueblo Southwest
Polly Schaafsma
6. Cahokia and the Evidence for Late Pre-Columbian War in the North American Midcontinent
Thomas E. Emerson
7. Iroquois-Huron Warfare
Dean R. Snow
8. Desecrating the Sacred Ancestor Temples: Chiefly Conflict and Violence in the American Southeast
David H. Dye and Adam King
9. Warfare, Population, and Food Production in Prehistoric Eastern North America
George R. Milner
10. The Osteological Evidence for Indigenous Warfare in North America
Patricia M. Lambert
11. Ethical Considerations and Conclusions Regarding Indigenous Warfare and Violence in North America
Richard J. Chacon and Rubén G. Mendoza
References
About the Contributors
Index
Set in El Paso and other Latinx-dominant urban spaces, Kafka in a Skirt is an immersive look into the myriad lives of the characters who inhabit these culturally diverse areas. Chacón masterfully weaves elements of the surreal and fantastic through a shining tapestry of fiction, creating moments of touching realism in contrast with scenes that are fascinatingly unfamiliar. Occasionally teasing the ghosts of Jorge Luis Borges and the Argentine poet Alejandra Pizarnik, this collection disregards boundaries and transports readers into a world merely parallel to our own. Kafka in a Skirt unravels the intricacies of culture, sexuality, love, and loneliness in a collection that shows the personal implications of barriers while remaining hopeful and bright.
Longlist finalist, 2015 Historia Nova Prize for Best Book on Russian Intellectual and Cultural History
Julia Bekman Chadaga’s ambitious study posits that glass—in its uses as a material and as captured in culture—is a key to understanding the evolution of Russian identity from the eighteenth century onward. From the contemporary perspective, it is easy to overlook how glass has profoundly transformed vision. Chadaga shows the far-reaching effects of this phenomenon.
Her book examines the similarities between glass and language, the ideological uses of glass, and the material’s associations with modernity, while illuminating the work of Lomonosov, Dostoevsky, Zamyatin, and Eisenstein, among others. In particular, Chadaga explores the prominent role of glass in the discourse around Russia’s contentious relationship with the West—by turns admiring and antagonistic—as the nation crafted a vision for its own future. Chadaga returns throughout to the spectacular aspect of glass and shows how both the tendentious capacity and the playfulness of this material have shaped Russian culture.
Coinciding with Diana Scarisbrick’s ninety-fourth birthday, this work honors her extraordinary career as the “world’s leading jewelry historian.”
Through twenty contributions by noted scholars, Liber Amicorum explores the pioneering research accomplished by jewelry historian Diana Scarisbrick. These collected pieces celebrate both the length of Scarisbrick’s career and its wide-ranging nature, touching upon her work with everything from gems, rings, chalices, bindings, and crown jewels to contemporary jewelry production, jewel theft, and individual collections.
Throughout the book, the insightful historical research of the contributors is beautifully supported by high-quality illustrations. These bring their essays to life, highlighting the splendor and fragility of some of the objects that are discussed as each delves into the work of this eminent scholar.
• “Swedenborg and His Readers”
• “On Translating The True Christian Religion”
• “On Conjugial Love”
• “On The Worlds in Space”
• “The Translator and the Latin Text”
Also included in the volume are “A Personal Tribute to John Chadwick” by G. P. Dawson; an introduction by Stephen McNeilly, a bibliography, and an index.
Beyond its use for scholars of Swedenborg, the Lexicon is also of great assistance to students and academics of history, philosophy, theology and science, and anyone who encounters texts written in Neo-Latin (the branch of Latin that was in use by learned writers and thinkers from the Renaissance period through to the Enlightenment and beyond). The Lexicon is beautifully and simply designed and easy to navigate. In addition to a preface by editor John Chadwick, this edition also features a new introduction by Jonathan S. Rose containing an important section on the morphology of Swedenborg’s Neo-Latin (as distinct from the morphology of classical Latin); an appreciation of the life of John Chadwick by John Elliott; an appendix with a detailed listing of the various Latin editions of Swedenborg’s theological works; and an appendix on Swedenborg’s use of the Latin Bible of Sebastian Schmidt.
The contributions of female artists to the development of literary and artistic modernism in early twentieth century France remain poorly understood. It was during this period that a so-called “modern woman” began occupying urban spaces associated with the development of modern art and modernism’s struggles to define subjectivities and sexualities. Whereas most studies of modernism’s formal innovations and its encouragement of artistic autonomy neglect or omit necessary discussions of gender, race, class, and sexual orientation, the contributors of The Modern Woman Revisited inject these perspectives into the discussion.
Between the two World Wars, Paris served as the setting for unparalleled freedom for expatriate as well as native-born French women, who enjoyed unprecedented access to education and opportunities to participate in public artistic and intellectual life. Many of these women made lasting contributions in art and literature. Some of the artists discussed include Colette, Tamara de Lempicka, Sonia Delaunay, Djuna Barnes, Augusta Savage, and Lee Miller.
Inthis book, an internationally recognized roster of art historians, literary critics, and other scholars offers a nuanced portrait of what it meant to be a modern woman during this decisive period of modernism’s development. Individual essays explore the challenges faced by women in the early decades of the twentieth century, as well as the strategies these women deployed to create their art and to build meaningful lives and careers. The introduction underscores the importance of the contributors’ efforts to engender larger questions about modernity, sexuality, race, and class.
Chafe draws on several decades of research to demonstrate that understanding the nature of consciousness is essential to understanding many linguistic phenomena, such as pronouns, tense, clause structure, and intonation, as well as stylistic usages, such as the historical present and the free indirect style. While the book focuses on English, there are also discussions of the North American Indian language Seneca and the music of Mozart and of the Seneca people.
This work offers a comprehensive picture of the dynamic natures of language and consciousness that will interest linguists, psychologists, literary scholars, computer scientists, anthropologists, and philosophers.
A political leader's decisions can determine the fate of a nation, but what determines how and why that leader makes certain choices? William H. Chafe, a distinguished historian of twentieth century America, examines eight of the most significant political leaders of the modern era in order to explore the relationship between their personal patterns of behavior and their political decision-making process. The result is a fascinating look at how personal lives and political fortunes have intersected to shape America over the past fifty years.
One might expect our leaders to be healthy, wealthy, genteel, and happy. In fact, most of these individuals--from Franklin Delano Roosevelt to Martin Luther King, Jr., from John F. Kennedy to Bill Clinton--came from dysfunctional families, including three children of alcoholics; half grew up in poor or only marginally secure homes; most experienced discord in their marriages; and at least two displayed signs of mental instability. What links this extraordinarily diverse group is an intense ambition to succeed, and the drive to overcome adversity. Indeed, adversity offered a vehicle to develop the personal attributes that would define their careers and shape the way they exercised power.
Chafe probes the influences that forged these men's lives, and profiles the distinctive personalities that molded their exercise of power in times of danger and strife. The history of the United States from the Depression into the new century cannot be understood without exploring the dynamic and critical relationship between personal history and political leadership that these eight life stories so poignantly reveal.
But then again, as Tom Chaffin reveals in this lively tour de force of historiographic sleuthing, like Ruth's alleged "called shot" of 1932, the "four measures" anecdote hangs by the thinnest of evidentiary threads. Indeed, not until the late 1880s, four decades after Polk’s presidency, did the story first appear in print.
In this eye-opening study, Tom Chaffin, author, historian, and, since 2008, editor of the multi-volume series Correspondence of James K. Polk, dispatches the thigh-slap anecdote and other misconceptions associated with Polk. In the process, Chaffin demonstrates how the "four measures" story has skewed our understanding of the 11th U.S. president. As president, Polk enlarged his nation's area by a third—thus rendering it truly a coast-to-coast continental nation-state. Indeed, the anecdote does not record, and effectively obscures complex events, including notable failures—such as Polk's botched effort to purchase Cuba, as well as his inability to shape the terms of California's and the New Mexico territory's admission into the Union. Cuba would never enter the federal Union; and those other tasks would be left for successor presidents. Indeed, debates over the future of slavery in the United States—debates accelerated by Polk's territorial gains—eventually produced perhaps the central irony of his legacy: A president devoted to national unity further sectionalized the nation’s politics, widening geopolitical fractures among the states that soon led to civil war.
Engagingly written and lavishly illustrated, Met His Every Goal?—intended for general readers, students, and specialists—offers a primer on Polk and a revisionist view of much of the scholarship concerning him and his era. Drawing on published scholarship as well as contemporary documents—including heretofore unpublished materials—it presents a fresh portrait of an enigmatic autocrat. And in Chaffin's examination of an oft-repeated anecdote long accepted as fact, readers witness a case study in how historians use primary sources to explore—and in some cases, explode—received conceptions of the past.
Exploring the complex relationship between medieval dance and medieval poetry, Strange Footing argues that the intersection of texts and dance produced an experience of poetic form based in disorientation, asymmetry, and even misstep. Medieval dance guided audiences to approach poetry not in terms of the body’s regular marking of time and space, but rather in the irregular and surprising forces of virtual motion around, ahead of, and behind the dancing body. Reading medieval poems through artworks, paintings, and sculptures depicting dance, Seeta Chaganti illuminates texts that have long eluded our full understanding, inviting us to inhabit their strange footings askew of conventional space and time.
Strange Footing deploys the motion of dance to change how we read medieval poetry, generating a new theory of poetic form for medieval studies and beyond.
In the mid-1960s, Winberg Chai, a young academic and the son of Chinese immigrants, married an Irish-American artist. In Hapa Girl ("hapa" is Hawaiian for "mixed") their daughter tells the story of this loving family as they moved from Southern California to New York to a South Dakota farm by the 1980s. In their new Midwestern home, the family finds itself the object of unwelcome attention, which swiftly escalates to violence. The Chais are suddenly socially isolated and barely able to cope with the tension that arises from daily incidents of racial animosity, including random acts of cruelty.
May-lee Chai's memoir ends in China, where she arrives just in time to witness a riot and demonstrations. Here she realizes that the rural Americans' "fears of change, of economic uncertainty, of racial anxiety, of the unknowable future compared to the known past were the same as China's. And I realized finally that it had not been my fault."
much-needed manifesto for greater civic engagement. Chaillé and Anderson highlight the crucial
role that nonprofits play as pillars of Oregon’s civic structure through their engaging profiles of
the charismatic civic leaders, grassroots organizations, donors, and volunteers who are working
to combat some of Oregon’s most enduring problems, including:
• Education Inequity
• Environmental Conservation
• Social Inequity and Discrimination
• Hunger and Homelessness
• The Urban/Rural Divide
• Arts, Culture, and Heritage Funding
Traversing the state from a remote Great Basin field station to an intercultural center in north
Portland, State of Giving shows the many faces of public engagement in people like education
activist Ron Herndon, volunteer historians Gwen Carr and Willie Richardson, and Wallowa
County philanthropist and rancher Doug McDaniel. Their stories reveal that there are ways
in which we all—regardless of wealth, location, age, or background—can give back to our
communities.
In addition to introducing Oregon’s key areas of need and demonstrating diverse pathways
into civic engagement, the book provides extensive resources for prospective volunteers and
donors. Rousing, accessible, and enlivened by photographs of its people and places, State of Giving
is an essential reference for anyone interested in building a better Oregon, starting today.
We are connected to distant space and time not only by our imaginations but also through a common cosmic heritage. Emerging now from modern science is a unified scenario of the cosmos, including ourselves as sentient beings, based on the time-honored concept of change. From galaxies to snowflakes, from stars and planets to life itself, we are beginning to identify an underlying ubiquitous pattern penetrating the fabric of all the natural sciences--a sweepingly encompassing view of the order and structure of every known class of object in our richly endowed universe.
This is the subject of Eric Chaisson's new book. In Cosmic Evolution Chaisson addresses some of the most basic issues we can contemplate: the origin of matter and the origin of life, and the ways matter, life, and radiation interact and change with time. Guided by notions of beauty and symmetry, by the search for simplicity and elegance, by the ambition to explain the widest range of phenomena with the fewest possible principles, Chaisson designs for us an expansive yet intricate model depicting the origin and evolution of all material structures. He shows us that neither new science nor appeals to nonscience are needed to understand the impressive hierarchy of the cosmic evolutionary story, from quark to quasar, from microbe to mind.
The Hubble Space Telescope is the largest, most complex, and most powerful observatory ever deployed in space, designed to allow astronomers to look far back into our own cosmic past with unprecedented clarity. Yet from its launch in 1990, when it was discovered that a flawed mirror was causing severe “myopia” and sending fuzzy images back to Earth, the HST has been at the center of a controversy over who was at fault for the flaw and how it should be fixed. Now Eric Chaisson, a former senior scientist on the HST project, tells the inside story of the much heralded mission to fix the telescope. Drawing on his journals, Chaisson recreates the day-to-day struggles of scientists, politicians, and publicists to fix the telescope and control the political spin. Illustrated with “before and after” full-color pictures from the telescope and updated with a new preface, The Hubble Wars tells an engaging tale of scientific comedy and error.
In this new edition, coming at the half-way point in the HST’s planned mission of fifteen years, Chaisson has brought the Hubble story up-to-date by sorting out the spectacular from the mundane contributions the HST has made to our knowledge of the Solar System, the Milky Way Galaxy, and the distant galaxies of deep space.
Tenure is the abortion issue of the academy, igniting arguments and inflaming near-religious passions. To some, tenure is essential to academic freedom and a magnet to recruit and retain top-flight faculty. To others, it is an impediment to professorial accountability and a constraint on institutional flexibility and finances. But beyond anecdote and opinion, what do we really know about how tenure works?
In this unique book, Richard Chait and his colleagues offer the results of their research on key empirical questions. Are there circumstances under which faculty might voluntarily relinquish tenure? When might new faculty actually prefer non-tenure track positions? Does the absence of tenure mean the absence of shared governance? Why have some colleges abandoned tenure while others have adopted it? Answers to these and other questions come from careful studies of institutions that mirror the American academy: research universities and liberal arts colleges, including both highly selective and less prestigious schools.
Lucid and straightforward, The Questions of Tenure offers vivid pictures of academic subcultures. Chait and his colleagues conclude that context counts so much that no single tenure system exists. Still, since no academic reward carries the cachet of tenure, few institutions will initiate significant changes without either powerful external pressures or persistent demands from new or disgruntled faculty.
In this first-ever comprehensive translation of Chakrabarti’s work, award-winning translator Arunava Sinha masterfully articulates that clarity of vision, retaining the unique cadence and idioms of the Bengali language. Presenting verses and prose poems from all of Chakrabarti’s life—from his first volume, When Will Winter Come, published in 1971, to his last, The Language of Giraffes, published just before his death in 2005, and collecting several unpublished works as well—Things That Happen and Other Poems introduces the world to a brilliant and universal poetic voice of urban life.
Through close readings of more than twelve hundred letters to and from Sarkar along with other archival documents, Dipesh Chakrabarty demonstrates that historians in colonial India formulated the basic concepts and practices of the field via vigorous—and at times bitter and hurtful—debates in the public sphere. He furthermore shows that because of its non-technical nature, the discipline as a whole remains susceptible to pressure from both the public and the academy even today. Methodological debates and the changing reputations of scholars like Sarkar, he argues, must therefore be understood within the specific contexts in which particular histories are written.
Insightful and with far-reaching implications for all historians, The Calling of History offers a valuable look at the double life of history and how tensions between its public and private sides played out in a major scholar’s career.
Chakrabarty argues that we must see ourselves from two perspectives at once: the planetary and the global. This distinction is central to Chakrabarty’s work—the globe is a human-centric construction, while a planetary perspective intentionally decenters the human. Featuring wide-ranging excursions into historical and philosophical literatures, The Climate of History in a Planetary Age boldly considers how to frame the human condition in troubled times. As we open ourselves to the implications of the Anthropocene, few writers are as likely as Chakrabarty to shape our understanding of the best way forward.
Chakrabarty pursues these issues in a series of closely linked essays, ranging from a history of the influential Indian series Subaltern Studies to examinations of specific cultural practices in modern India, such as the use of khadi—Gandhian style of dress—by male politicians and the politics of civic consciousness in public spaces. He concludes with considerations of the ethical dilemmas that arise when one writes on behalf of social justice projects.
Climate change represents a deep conundrum for humans. It is difficult for humans to give up the unequal and yet accelerating pursuit of a good life based on an insatiable appetite for energy sourced mainly from fossil fuel. But the same pursuit, scientists insist, damages the geobiological system that supports the existence of interrelated forms of life, including ours, on this planet. The planet, seen thus, is one. The global sway of financial and extractive capital connects humans technologically, but they remain divided along multiple axes of inequality. Their worlds are many and their politics still global rather than planetary. In the narrative presented here, Chakrabarty continues to explore the temporal and intellectual fault lines that mark the collapse of the global and the planetary in human history.
By examining new archives, proposing new theoretical formulations, and suggesting new possibilities of political practice, the contributors critically probe the concept of cosmopolitanism. On the one hand, cosmopolitanism may be taken to promise a form of supraregional political solidarity, but on the other, these essays argue, it may erode precisely those intimate cultural differences that derive their meaning from particular places and traditions. Given that most cosmopolitan political formations—from the Roman empire and European imperialism to contemporary globalization—have been coercive and unequal, can there be a noncoercive and egalitarian cosmopolitan politics? Finally, the volume asks whether cosmopolitanism can promise any universalism that is not the unwarranted generalization of some Western particular.
Contributors. Ackbar Abbas, Arjun Appadurai, Homi K. Bhabha, T. K. Biaya, Carol A. Breckenridge, Dipesh Chakrabarty, Ousame Ndiaye Dago, Mamadou Diouf, Wu Hung, Walter D. Mignolo, Sheldon Pollock, Steven Randall
With Radical Enfranchisement in the Jury Room and Public Life, Sonali Chakravarti offers a full-throated defense of juries as a democratic institution. She argues that juries provide an important site for democratic action by citizens and that their use should be revived. The jury, Chakravarti argues, could be a forward-looking institution that nurtures the best democratic instincts of citizens, but this requires a change in civic education regarding the skills that should be cultivated in jurors before and through the process of a trial. Being a juror, perhaps counterintuitively, can guide citizens in how to be thoughtful rule-breakers by changing their relationship to their own perceptions and biases and by making options for collective action salient, but they must be better prepared and instructed along the way.
Chakravarti takes up the issue from Adam Smith and Hannah Arendt, who famously understood both the dangers of anger in politics and the costs of its exclusion. Building on their perspectives, she argues that the expression and reception of anger reveal truths otherwise unavailable to us about the emerging political order, the obstacles to full civic participation, and indeed the limits—the frontiers—of political life altogether. Most important, anger and the development of skills needed to truly listen to it foster trust among citizens and recognition of shared dignity and worth. An urgent work of political philosophy in an era of continued revolution, Sing the Rage offers a clear understanding of one of our most volatile—and important—political responses.
This is an auto-narrated audiobook edition of this book.
With Radical Enfranchisement in the Jury Room and Public Life, Sonali Chakravarti offers a full-throated defense of juries as a democratic institution. She argues that juries provide an important site for democratic action by citizens and that their use should be revived. The jury, Chakravarti argues, could be a forward-looking institution that nurtures the best democratic instincts of citizens, but this requires a change in civic education regarding the skills that should be cultivated in jurors before and through the process of a trial. Being a juror, perhaps counterintuitively, can guide citizens in how to be thoughtful rule-breakers by changing their relationship to their own perceptions and biases and by making options for collective action salient, but they must be better prepared and instructed along the way.
Although Indian popular cinema has a long history and is familiar to audiences around the world, it has rarely been systematically studied. This book offers the first detailed account of the popular film as it has grown and changed during the tumultuous decades of Indian nationhood. The study focuses on the cinema’s characteristic forms, its range of meanings and pleasures, and, above all, its ideological construction of Indian national identity.
Informed by theoretical developments in film theory, cultural studies, postcolonial discourse, and “Third World” cinema, the book identifies the major genres and movements within Bombay cinema since Independence and uses them to enter larger cultural debates about questions of identity, authenticity, citizenship, and collectivity. Chakravarty examines numerous films of the period, including Guide (Vijay Anand, 1965), Shri 420 [The gentleman cheat] (Raj Kapoor, 1955), and Bhumika [The role] (Shyam Benegal, 1977). She shows how “imperso-nation,” played out in masquerade and disguise, has characterized the representation of national identity in popular films, so that concerns and conflicts over class, communal, and regional differences are obsessively evoked, explored, and neutralized.
These findings will be of interest to film and area specialists, as well as general readers in film studies.
Chalfen’s “Polaroid People” are recognizable—if ironically viewed—relatives, uncles, aunts, and All-American kids. As members of “Kodak Culture” they watch home movies, take pictures of newborn babies, and even, in their darker moments, scratch out the faces of disliked relatives in group photographs. He examines who shoots these photos and why, as well as how they think (or don’t) of planning, editing, and exhibiting their shots. Chalfen’s analysis reveals the culturally structured behavior underlying seemingly spontaneous photographic activities.
Strokes of Genius traces the history of swimming from the first civilizations to its current worldwide popularity as a sport, fitness pastime, and leisure activity. Chaline explores swimming’s role in ritual, early trade and manufacturing, warfare, and medicine, before describing its transformation in the early modern period into a leisure activity and a competitive sport—the necessary precursors that have made it the most common physical pastime in the developed world.
The book celebrates the physicality and sensuality of swimming—attributes that Chaline argues could have contributed to the evolution of the human species. Swimming, like other disciplines that use repetitive movements to train the body and quiet the mind, is also a means of spiritual awakening—a personal journey of discovery. Swimming has attained the status of a cultural marker, denoting eroticism, leisure, endurance, adventure, exploration, and excellence.
Strokes of Genius shows that there is not a single story of human swimming, but many currents that merge, diverge, and remerge. Chaline argues that swimming will become particularly important as we look toward a warmer future in which our survival may depend on our ability to adapt to life in an aquatic world.
As Chaline shows, how we take care of our bodies has long been based on a complex mix of spiritual beliefs, moral discipline, and aesthetic ideals that are all entangled with political, social, and sexual power. Today, training in a gym is seen primarily as part of the pursuit of individual fulfillment. As he shows, however, the gym has always had a secondary role in creating men and women who are “fit for purpose”—a notion that has meant a lot of different things throughout history. Chaline surveys the gym’s many incarnations and the ways the individual, the nation-state, the media, and the corporate world have intersected in its steamy confines, sometimes with unintended consequences. He shows that the gym is far more than a factory for superficiality and self-obsession—it is one of the principle battlefields of humanity’s social, sexual, and cultural wars.
Exploring the gym’s history from a multitude of perspectives, Chaline concludes by looking toward its future as it struggles to redefine itself in a world in thrall to quick fixes—such as plastic surgery and pharmaceuticals—meant to attain the gym’s ultimate promises: physical fitness and beauty.
Among Greek histories of the fall of Constantinople in 1453, the work of Laonikos (ca. 1430–ca. 1465) has by far the broadest scope. Born to a leading family of Athens under Florentine rule, he was educated in the classics at Mistra by the Neoplatonist philosopher Plethon.
In the 1450s, Laonikos set out to imitate Herodotos in writing the history of his times, a version in which the armies of Asia would prevail over the Greeks in Europe. The backbone of The Histories, a text written in difficult Thucydidean Greek, is the expansion of the Ottoman Empire from the early 1300s to 1464, but Laonikos’s digressions give sweeping accounts of world geography and ethnography from Britain to Mongolia, with an emphasis on Spain, Italy, and Arabia. Following the methodology of Herodotos and rejecting theological polemic, Laonikos is the first Greek writer to treat Islam as a legitimate cultural and religious system. He followed Plethon in viewing the Byzantines as Greeks rather than Romans, and so stands at the origins of Neo-Hellenic identity.
This translation makes the entire text of The Histories available in English for the first time.
Among Greek histories of the fall of Constantinople in 1453, the work of Laonikos (ca. 1430–ca. 1465) has by far the broadest scope. Born to a leading family of Athens under Florentine rule, he was educated in the classics at Mistra by the Neoplatonist philosopher Plethon.
In the 1450s, Laonikos set out to imitate Herodotos in writing the history of his times, a version in which the armies of Asia would prevail over the Greeks in Europe. The backbone of The Histories, a text written in difficult Thucydidean Greek, is the expansion of the Ottoman Empire from the early 1300s to 1464, but Laonikos’s digressions give sweeping accounts of world geography and ethnography from Britain to Mongolia, with an emphasis on Spain, Italy, and Arabia. Following the methodology of Herodotos and rejecting theological polemic, Laonikos is the first Greek writer to treat Islam as a legitimate cultural and religious system. He followed Plethon in viewing the Byzantines as Greeks rather than Romans, and so stands at the origins of Neo-Hellenic identity.
This translation makes the entire text of The Histories available in English for the first time.
How severe is the literacy gap in our schools? Why does the nine-year-old child from a culturally disadvantaged background so often fall victim to the fourth-grade slump? Although the cognitive abilities of these “children at risk” may be consistent with the norm, their literacy development lags far behind that of other children. In The Reading Crisis, the renowned reading specialist Jeanne Chall and her colleagues examine the causes of this disparity and suggest some remedies.
Using Chall’s widely applied model of reading development, the authors examine the strengths and weaknesses in the reading, writing, and language development of children from low-income families in an attempt to identify the onset of their difficulties. They show how, in the transition from learning the medium to understanding the message, the demands on children’s reading skills become significantly more complex. The crucial point is fourth grade, when students confront texts containing unfamiliar words and ideas that are beyond the range of their own experience. According to Chall’s findings, the lack of specific literacy skills—not cognitive factors—explains the deceleration in the reading and writing development of low-income children. The authors outline an active role for the schools in remedying weaknesses in literacy development, and give suggestions for the home and the community. Their recommendations address both practical issues in instruction and the teacher–student dynamic that fosters literacy development.
With The Cell: A Visual Tour of the Building Block of Life, Jack Challoner treats readers to a visually stunning tour of these remarkable molecular machines. Most of the living things we’re familiar with—the plants in our gardens, the animals we eat—are composed of billions or trillions of cells. Most multicellular organisms consist of many different types of cells, each highly specialized to play a particular role—from building bones or producing the pigment in flower petals to fighting disease or sensing environmental cues. But the great majority of living things on our planet exist as single cell. These cellular singletons are every bit as successful and diverse as multicellular organisms, and our very existence relies on them.
The book is an authoritative yet accessible account of what goes on inside every living cell—from building proteins and producing energy to making identical copies of themselves—and the importance of these chemical reactions both on the familiar everyday scale and on the global scale. Along the way, Challoner sheds light on many of the most intriguing questions guiding current scientific research: What special properties make stem cells so promising in the treatment of injury and disease? How and when did single-celled organisms first come together to form multicellular ones? And how might scientists soon be prepared to build on the basic principles of cell biology to build similar living cells from scratch.
As Jew gained accolades and advanced through the ranks at Iowa, she was met with increasingly vicious attacks on her character by her white male colleagues—implying that her sexuality had opened doors for her. After years of being subjected to demoralizing sexual, racial, and ethnic discrimination, finding herself without any higher-up departmental support, and noting her professional progression beginning to suffer by the hands of hate, Jean Jew decided to fight back. Carolyn Chalmers was her lawyer.
This book tells the inside story of pioneering litigation unfolding during the eight years of a university investigation, a watershed federal trial, and a state court jury trial. In the face of a university determined to defeat them and maintain the status quo, Jew and Chalmers forged an exceptional relationship between a lawyer and a client, each at the top of their game and part of the first generation of women in their fields. They Don’t Want Her There is a brilliant, original work of legal history that is deeply personal and shows today’s professional women just how recently some of our rights have been won—and at what cost.
The Economic Analysis of Substance Use and Abuse brings these distinctive fields of study together and presents for the first time an integrated assessment of their data and results. Unique and innovative, this multidisciplinary volume will serve as an important resource in the current debates concerning alcohol and drug use and abuse and the impacts of legalizing illicit drugs.
A witty take on what’s wrong--and right--with cynicism today, now in paperback!
We are now living in the midst of the most cynical era in American history. Disaffection from government institutions is at an all-time high. Ordinary citizens perceive political leaders to be more manipulative and jaded than ever. Skepticism pervades our cultural and social attitudes and interactions, and is prominently featured in the films we see, the books we read, and the media we experience. In this biting and controversial analysis, William Chaloupka scrutinizes the cynicism that is our common condition, examining both its uses in the politics of backlash and resentment and its surprisingly positive aspects.
Everybody Knows traces cynicism from its classical origins but emphasizes its recent emergence in American culture and politics, following a trajectory from H. L. Mencken to Richard Nixon to Bill Clinton to Fargo. Cutting neatly across ideological divisions, Chaloupka discusses the ways in which cynicism is rooted in all democratic politics and analyzes the role of the media-in particular, television news, political ads and speeches, and books such as E. J. Dionne’s Why Americans Hate Politics and William Bennett’s The Book of Virtues-in dissecting and encouraging cynicism.Chaloupka describes mass cynicism, which permeates popular culture; outsider cynicism, capable of cranky, even violent disruption; and the cynicism of those in power. He argues that those who issue broad pleas for civility or a renewal of community spirit usually misunderstand the cynicism they wish to treat. He also discusses the value of a cheeky, subversive “kynicism” to evoke the lively democratic practice American society must foster.Early reviews call Everybody Knows “original and compelling,” “pithy, engaging, and funny,” and “the best book on American politics in quite a while.” Sure to be widely read and debated, this entertaining book will inspire readers to take a new look at the cynicism prevalent in contemporary American society.
Countering critics who charge that postmodern positions on language, authority, and power cannot inform effective political responses, this compelling analysis employs these same methods to examine antinuclear politics. Star Wars (the movie and the antimissile system), the Freeze movement, Reaganism, and “lifestyle” politics all receive new treatments.
This idiosyncratic London construct is particularly prominent in Ackroyd’s novels, in which his ideas about the city’s nature and his connection to English literary sensibilities combine to create a distinct chronotope with its own spatial and temporal properties. A Horror and a Beauty explores this world through six defining aspects of the city as Ackroyd identifies them: the relationship between London’s past and present, its uncanny manifestations, its felonious tendencies, its inhabitants’ psychogeographic and antiquarian strategies, its theatricality, and its inherently literary character.
The time of crisis presented by the amateur writers was not one of war, famine, or disease—it was the millennial dilemma of representation. In a world plagued by alienation, individualization, and a lack of mobility, how can members of a society combat their declining senses of self?
Although the contestants wrote about life in France, their concerns and struggles have a distinctly universal ring. A lucid, witty writer, Chalvon-Demersay offers a clear, if still developing, photograph of the contemporary imagination.
This collection of poetry by the celebrated southern Iranian poet and filmmaker Roja Chamankar (b. 1981) introduces English-speaking readers to one of the most accomplished and well-loved poets of her generation. Chamankar’s work blends surrealism and the southern coastal landscape of the poet’s upbringing with everyday experiences in rapidly urbanizing Tehran. While locating herself in the modernist tradition of Iranian poets like Forugh Farrokhzad and Ahmad Shamlu through form and imagery, Chamankar infuses this tradition with concerns unique to a generation that grew up in post-revolutionary Iran and endured the effects of the Iran-Iraq war. Seascapes, love and eroticism, the disconnection of modern life, and myths and fairytales figure prominently in these vivid, lyrical poems.
In the rich miniature worlds of Chamankar’s poetry, readers become privy to a range of experiences, from desire and pain to rage and humor. Sometimes abstract, other times surreal—Chamankar’s unique poetic voice, like the sea she returns to again and again, combines and sweeps these experiences to shore with assurance, strength, and beauty.
As in the ever-changing English language, Brazilian Portuguese is colorful and ever-changing in its gíria or slang (from the simply conversational to the vulgar)—and advanced students are often only exposed to the formal or classic literary forms of the language. A Dictionary of Informal Brazilian Portuguese, originally published in 1983, remains a profitable reference tool to help bridge the gap between the classroom and the streets and contemporary literature of Brazil. Beyond students and researchers, this dictionary, containing over 7500 Brazilian expressions, will be invaluable to travelers, businesspeople, translators and others who are seeking insight into the rich nuances to be found in informal Brazilian Portuguese. Enhanced often with Portuguese sentences to place the words or phrases in context, this dictionary will reward the reader with the colorful inventiveness of the language—and this is not bafo-de-boca (hot air!).
Though widely recognized as the founder of the legendary Fluxus movement, George Maciunas has long been a puzzling figure in the history of twentieth-century art. Many have questioned whether he should be considered an artist at all. In Fluxus Administration, critic and art historian Colby Chamberlain reveals the consistent artistic practice hidden behind Maciunas’s varied work in architecture, music, performance, publication, graphic design, film, and real estate as an attempt to create models for community through structures of bureaucracy.
In this deeply researched study, Chamberlain traces how Maciunas’s art insinuated itself into settings as unlikely as the routes of the postal service, the fine print of copyright law, the zoning strictures of urban planning, and the corridors of hospitals. These shifting frames of reference expand our understanding of where an artistic practice can operate and what forms it might assume. In particular, Chamberlain draws on media theory to highlight Maciunas’s ingeniously crafted paperwork, much of which is beautifully reproduced here for the first time.
Chamberlain's classic work, now in its eighth edition, continues to influence the fundamental thinking of economists and businessmen, and for the best of reasons: It is a basic treatise in theory which, unlike traditional theories of “perfect competition,” deals with the economic world we live in, including both price and nonprice competition, oligopoly, various degrees of monopoly, “differentiated” products, advertising, etc. Its influence has spread extensively as well as intensively—to new theoretical problems, such as economic dynamics and development, and to the analysis of an increasingly wide range of the so-called “applied” fields.
In this eighth edition of The Theory of Monopolistic Competition Professor Chamberlain has added three new appendices: The Definition of Selling Costs; Numbers and Elasticities; and The Origin and Early Development of Monopolistic Competition Theory. The index has been extensively revised and expanded. In successive earlier editions the author compiled a bibliography of 1497 items. He also added a new treatment of the cost curve of the firm, discussing in particular some current misconceptions as to the role of the laws of proportions and of the divisibility of factors in relation to economics and diseconomies of scale, and advancing a broader theory which assigns to both proportions and scale their proper roles.
Later in life, Johnson befriended comics journalist and artist Henry Chamberlain, and the two had long chats about his amazing life and career. Now Chamberlain pays tribute to his late friend in the graphic novel George’s Run, which brings Johnson’s creative milieu to life in vividly illustrated color panels. The result feels less like reading a conventional biography and more like sitting in on an intimate conversation between friends as they recollect key moments in pop culture history, as well as the colorful band of writers known as the “Rat Pack of Science Fiction.”
Veteran script consultant Jill Chamberlain discovered in her work that an astounding 99 percent of first-time screenwriters don’t know how to tell a story. These writers may know how to format a script, write snappy dialogue, and set a scene. They may have interesting characters and perhaps some clever plot devices. But, invariably, while they may have the kernel of a good idea for a screenplay, they fail to tell a story. What the 99 percent do instead is present a situation. In order to explain the difference, Chamberlain created the Nutshell Technique, a method whereby writers identify eight dynamic, interconnected elements that are required to successfully tell a story.
Now, for the first time, Chamberlain presents her unique method in book form with The Nutshell Technique: Crack the Secret of Successful Screenwriting. Using easy-to-follow diagrams (“nutshells”), she thoroughly explains how the Nutshell Technique can make or break a film script. Chamberlain takes readers step-by-step through thirty classic and contemporary movies, showing how such dissimilar screenplays as Casablanca, Chinatown, Pulp Fiction, The Usual Suspects, Little Miss Sunshine, Juno, Silver Linings Playbook, and Argo all have the same system working behind the scenes, and she teaches readers exactly how to apply these principles to their own screenwriting. Learn the Nutshell Technique, and you’ll discover how to turn a mere situation into a truly compelling screenplay story.
Arc of Utopia offers a fresh look at these German philosophical origins of the Russian Revolution. In the book, Lesley Chamberlain explains how influential German philosophers like Kant, Schiller, and Hegel were dazzled by contemporary events in Paris, and how this led a century later to an explosion of art and philosophy in the Russian streets, with a long-repressed people reinventing liberty, equality, and fraternity in their own cultural image. Chamberlain examines how some of the greatest Russian names of the nineteenth-century—from Alexander Herzen to Mikhail Bakunin, Ivan Turgenev to Fyodor Dostoevsky—defined their visions for Russia in relationship to their views on German enthusiasm for revolutionary France.
With the centenary of the Russian Revolution approaching, Arc of Utopia is an important and timely revisioning of this tumultuous moment in history.
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