Yellowstone Wildlife is a natural history of the wildlife species that call Yellowstone National Park and the Greater Yellowstone Ecosystem their home. Illustrated with stunning images by renowned wildlife photographer Thomas Mangelsen, Yellowstone Wildlife describes the lives of species in the park, exploring their habitats from the Grand Tetons to Jackson Hole.

 From charismatic megafauna like elk, bison, wolves, bighorn sheep, and grizzly bears, to smaller mammals like bats, pikas, beavers, and otters, to some of the 279 species of birds, Johnsgard describes the behavior of animals throughout the seasons, with sections on what summer and autumn mean to the wildlife of the park, especially with the intrusion of millions of tourists each year. Enhanced by Mangelsen’s wildlife photography, Yellowstone Wildlife reveals the beauty and complexity of these species’ intertwined lives and that of Yellowstone’s greater ecosystem.

The protection and accumulation of intellectual property rights—like property rights in general—is one of the most important contemporary American values. In his cogent book, The Cultural Production of Intellectual Property Rights, Sean Johnson Andrews shows that the meaning, power, and value of intellectual properties are the consequence of an extended process of cultural production. 

Johnson Andrews argues that it is deeper ideological and historical roots which demand that, in the contemporary global, digital economy, all property rights be held sacrosanct and all value must flow back to the legal owner.  

Johnson Andrews explains that if we want to rebalance the protection of copyrights and trademarks, we should focus on undermining the reified culture of property that underpins capitalism as a whole. He outlines a framework for analyzing culture; situates intellectual property rights in the history of capitalist property relations; synthesizes key theories of media, politics, and law; and ultimately provides scholars and activists a path to imagining a different future where we prioritize our collective production of value in the commons.

This elegantly written narrative traces Arkansas's evolution from a primarily rural society in the early 1900s to its expanding manufacturing economy and its growing prosperity and parity with the rest of the nation. Ben Johnson explores the influence of federal-state relations, beginning with the New Deal programs of President Franklin Roosevelt and continuing through the administrations of native son Bill Clinton. With particular sensitivity, he examines organized labor in the timber industry and in row crop agriculture; school desegregation, "white flight," and the private academy movement in the delta region; the growth of Wal-Mart and the poultry industry in the northwest section of the state; and the expansion of outdoor recreation and tourism as lakes were constructed and game populations rejuvenated. This book is particularly impressive for the breadth of its scope. Johnson offers detailed information on women, music and literature, organized religion, environmental trends, and other important cultural influences. Third in the popular Histories of Arkansas series, Arkansas in Modern America extends the narrative into the contemporary era with a format aimed at students and general readers. This important book will set the standard, for years to come, for analysis and interpretation of Arkansas's place in the twentieth century.

This second edition of Arkansas in Modern America since 1930 represents a significant rewriting of and elaboration on the first edition, published in 2000. Historian Ben F. Johnson fills in gaps, reconsiders his original conclusions, and reflects on new developments in historical scholarship, extending the book’s analysis of the political, economic, social, and cultural positions into 2018.

Particularly impressive for the breadth of its scope, Arkansas in Modern America since 1930 offers an overview of the factors that moved Arkansas from a primarily rural society to one more in step with the modern economy and perspectives of the nation as a whole. The narrative covers the roles of Daisy Bates, Sam Walton, Don Tyson, Bill Clinton, and other influential figures in the state’s history to reveal a state shaped by global as much as by local forces. The second edition of this important book will continue to set the standard for analysis and interpretation of Arkansas’s place in the contemporary world.

 

As the traditional British folk song that the rock group Traffic made famous in the 1970s and that lends its name to this book’s title demonstrates, the battle against John Barleycorn was a losing one: “And little Sir John and the nut-brown bowl / Proved the strongest man at last.” Ben Johnson’s sweeping, highly readable, and extensively illustrated “spirited” overview of Arkansas’s efforts to regulate and halt the consumption of alcohol reveals much about the texture of life and politics in the state—and country—as Arkansas grappled with strong opinions on both sides. After early attempts to keep drink from the American Indians during the colonial period, temperance groups’ efforts switched to antebellum towns and middle-class citizens. After the Civil War new federal taxes on whiskey production led to violence between revenue agents and moonshiners, and the state joined the growing national movement against saloons that culminated in 1915 when the legislature approved a measure to halt the sale, manufacture, and distribution of alcohol—including that of Arkansas’s substantial wine industry. The state supported national prohibition, but people became disillusioned with the widespread violations of the law. However, the state didn’t repeal its own prohibition law until a fiscal crisis in 1935 required it in order to raise revenue. The new law only authorized retail liquor stores, not the return of taverns or bars. A final effort to restore laws against John Barleycorn in 1950 was rebuffed by voters. Still, there are a number of counties in Arkansas that remain dry and disputes over the granting of private club licenses continue to make news.

Solving Problems in Technical Communication collects the latest research and theory in the field and applies it to real-world problems faced by practitioners—problems involving ethics, intercultural communication, new media, and other areas that determine the boundaries of the discipline. The book is structured in four parts, offering an overview of the field, situating it historically and culturally, reviewing various theoretical approaches to technical communication, and examining how the field can be advanced by drawing on diverse perspectives. Timely, informed, and practical, Solving Problems in Technical Communication will be an essential tool for undergraduates and graduate students as they begin the transition from classroom to career.

In most countries, educated women have fewer children and have them later than uneducated women. In Uncertain Honor, Jennifer Johnson-Hanks argues that this demographic fact has social causes by offering a rich case study of contraception, abortion, and informal adoption among educated, ethnic Beti women in southern Cameroon.

Combining insights from demography and cultural anthropology, Johnson-Hanks argues that Beti women delay motherhood as part of a broader attempt to assert a modern form of honor only recently made possible by formal education, Catholicism, and economic change. Through itinerant school careers and manipulations of marriage, educated Beti women now manage their status as mothers in order to coordinate major life events in the face of social and economic uncertainty.

Carefully researched and clearly written, Uncertain Honor offers an intimate look at the lives of African women trying to reconcile motherhood with new professional roles in a context of dramatic social change.

Funmilayo Ransome-Kuti was a Nigerian activist who fought for suffrage and equal rights for her countrywomen long before the second wave of the women's movement in the United States. Her involvement in international women's organizations led her to travel the world in the period following World War II. She championed the causes of the poor and downtrodden of both sexes as she joined the anticolonial movement struggling for Nigeria's independence.
 
For Women and the Nation is the story of this courageous woman. One of a handful of full-length biographies of African women, let alone of African women activists, it will be welcomed by students of women's studies, African history, and biography, as well as by those interested in exploring the historical background of Nigeria.
 

Ray and Barbara Bane worked as teachers in Barrow and Wainwright, Alaska, in the early 1960s—but they didn’t simply teach the children of their Iñupiat Eskimo and Koyukon friends and neighbors: they fully embraced their lifestyle. Doing so, they realized how closely intertwined life in the region was with the land, and, specifically, how critical wilderness was to the ancient traditions and wisdom that undergirded the Native way of life. That slow realization came to a head during a 1,200-mile dogsled trip from Hughes to Barrow in 1974—a trip that led them to give up teaching in favor of working, through the National Park Service, to preserve Alaska’s wilderness.

This book tells their story, a tale of dedication and tireless labor in the face of suspicion, resistance, and even violence. At a time when Alaska’s natural bounty remains under threat, Our Perfect Wild shows us an example of the commitment—and love—that will be required to preserve it.

In the late nineteenth century, the Brazilian army staged several campaigns against the settlement of Canudos in northeastern Brazil. The colony’s residents, primarily disenfranchised former slaves, mestizos, landless farmers, and uprooted Indians, followed a man known as Antonio Conselheiro (“The Counselor”), who promoted a communal existence, free of taxes and oppression. To the fledgling republic of Brazil, the settlement represented a threat to their system of government, which had only recently been freed from monarchy. Estimates of the death toll at Canudos range from fifteen thousand to thirty thousand.

Sentencing Canudos offers an original perspective on the hegemonic intellectual discourse surrounding this monumental event in Brazilian history. In her study, Adriana Michele Campos Johnson offers a close examination of nation building and the silencing of “other” voices through the reinvisioning of history. Looking primarily to Euclides da Cunha’s Os Sertões, which has become the defining—and nearly exclusive—account of the conflict, she maintains that the events and people of Canudos have been “sentenced” to history by this work. Johnson investigates other accounts of Canudos such as local oral histories, letters, newspaper articles, and the writings of Cunha’s contemporaries, Afonso Arinos and Manoel Benício, in order to strip away political agendas. She also seeks to place the inhabitants and events of Canudos within the realm of “everydayness” by recalling aspects of daily life that have been left out of official histories.

Johnson analyzes the role of intellectuals in the process of culture and state formation and the ensuing sublimation of subaltern histories and populations. She echoes recent scholarship that posits subalternity as the product of discourse that must be disputed in order to recover cultural identities and offers a view of Canudos and postcolonial Latin America as a place to think from, not about.

Swedish missionary Albin Johnson arrived in Alaska just before the turn of the twentieth century, thousands of miles from home and with just two weeks’ worth of English classes under his belt. While he intended to work among the Tlingit tribes of Yakutat, he found himself in a wave of foreign arrivals as migrants poured into Alaska seeking economic opportunities and the chance at a different life. While Johnson came with pious intentions, others imposed Western values and vices, leaving disease and devastation in their wake.

Seventeen Years in Alaska is Johnson’s eyewitness account of this tumultuous time. It is a captivating narrative of an ancient people facing rapid change and of the missionaries working to stem a corrupting tide. His journals offer a candid look at the beliefs and lives of missionaries, and they ultimately reveal the profound effect that he and other missionaries had on the Tlingit. Tracing nearly two decades of spiritual hopes and earthbound failures, Johnson’s memoir is a fascinating portrait of a rapidly changing world in one of the most far-flung areas of the globe.

How do you use your local library? Does it arrive at your door on the back of an elephant? Can it float down the river to you? Or does it occupy a phone booth by the side of the road?

Public libraries are a cornerstone of modern civilization, yet like the books in them, libraries face an uncertain future in an increasingly digital world. Undaunted, librarians around the globe are thinking up astonishing ways of reaching those in reading need, whether by bike in Chicago, boat in Laos, or donkey in Colombia. Improbable Libraries showcases a wide range of unforgettable, never-before-seen images and interviews with librarians who are overcoming geographic, economic, and political difficulties to bring the written word to an eager audience. Alex Johnson charts the changing face of library architecture, as temporary pop-ups rub shoulders with monumental brick-and-mortar structures, and many libraries expand their mission to function as true community centers. To take just one example: the open-air Garden Library in Tel Aviv, located in a park near the city’s main bus station, supports asylum seekers and migrant workers with a stock of 3,500 volumes in sixteen different languages.  

Beautifully illustrated with two hundred and fifty color photographs, Improbable Libraries offers a breathtaking tour of the places that bring us together and provide education, entertainment, culture, and so much more. From the rise of the egalitarian Little Free Library movement to the growth in luxury hotel libraries, the communal book revolution means you’ll never be far from the perfect next read.

New Third Edition!

If sociology could teach everyone just one thing, what would it be? The Forest and the Trees is one sociologist's response to the hypothetical-the core insight with the greatest potential to change how people see the world and themselves in relation to it.
 
This Third Edition features:
• Updated key references, data, resources, and examples, from global warming, Obama's election, and gay marriage to transgender/cisgender and the Occupy Movement
• A glossary of terms
• The short essays in Chapter 6, framed around the power of sociology, dig beneath easy and popular understandings to reveal what lies beneath
• An additional analysis of how men's violence is made invisible even though most violence is perpetrated by men
• Chapter 7's focus on sociology as a worldview with an analysis of the origins of white privilege 

If sociology could teach everyone just one thing, what would it be? The Forest and the Trees is one sociologist's response to the hypothetical—the core insight with the greatest potential to change how people see the world and themselves in relation to it.

This revised and updated edition features:

• A new chapter that brings together the various aspects of the sociological model described in previous chapters with a detailed application to the origins of racism in the United States

•A discussion of how individuals can participate in social change by stepping off paths of least resistance

•The addition of graphics to illustrate the sociological model of systems and individuals

The Gender Knot, Allan Johnson's response to the pain and confusion that men and women experience by living with gender inequality, explains what patriarchy is and isn't, how it works, and what gets in the way of understanding and doing something about it. Johnson's simple yet powerful approach avoids the paralyzing trap of guilt, blame, anger, and defensive denial that often result from conversations about gender. He shows how we all participate in an oppressive system we didn't create and how each of us can contribute towards its dissolution. He argues persuasively that something much better is possible and that our individual choices matter more than we can ever know. This revised, and updated edition features expanded discussions of:

* the core characteristics of patriarchy and its power as a social system
* the relationship between individuals and social systems
* "men's movement" assessments of patriarchy and gender inequality
* key—and controversial—terms such as sexism, privilege, and political correctness

New Third Edition!

The Gender Knot, Allan Johnson's response to the pain and confusion that men and women experience by living with gender inequality, explains what patriarchy is and isn't, how it works, and what gets in the way of understanding and doing something about it. Johnson's simple yet powerful approach avoids the paralyzing trap of guilt, blame, anger, and defensive denial that often results from conversations about gender.
 
This edition features:
• Updated references, data, resources, and examples, especially in relation to issues of sexual orientation and gender identity (e.g., gay marriage, transgender/cisgender)
• A glossary of terms
• A new chapter, "What Changes and What Does Not: Manhood and Violence," that provides an extended analysis of the causes of men's violence as a patriarchal phenomenon 

When Allan Johnson asked his dying father where he wanted his ashes to be placed, his father replied—without hesitation—that it made no difference to him at all. In his poignant, powerful memoir, Not from Here, Johnson embarks on an extraordinary, 2,000-mile journey across the Upper Midwest and Northern Plains to find the place where his father’s ashes belonged.
 
As a white man with Norwegian and English lineage, Johnson explores both America and the question of belonging to a place whose history holds the continuing legacy of the displacement, dispossession, and genocide of Native peoples.
 
More than a personal narrative, Not from Here illuminates the national silence around unresolved questions of accountability, race, and identity politics, and the dilemma of how to take responsibility for “a past we did not create.” Johnson’s story—about the past living in the present; of redemption, fate, family, tribe, and nation; of love and grief—raises profound questions about belonging, identity, and place.

In the past twenty years, the number of educational tests with high-stakes consequences—such as promotion to the next grade level or graduating from high school—has increased. At the same time, the difficulty of the tests has also increased. In Texas, a Latina state legislator introduced and lobbied for a bill that would take such factors as teacher recommendations, portfolios of student work, and grades into account for the students—usually students of color—who failed such tests. The bill was defeated.

Using several types of ethnographic study (personal interviews, observations of the Legislature in action, news broadcasts, public documents from the Legislature and Texas Education Agency), Amanda Walker Johnson observed the struggle for the bill’s passage. Through recounting this experience, Objectifying Measures explores the relationship between the cultural production of scientific knowledge (of statistics in particular) and the often intuitive resistance to objectification of those adversely affected by the power of policies underwritten as "scientific."

Darktown Follies, Amaud Jamaul Johnson’s daring and surprising new collection of poems, responds to Black Vaudeville, specifically the personal and professional challenges African American variety performers faced in the early twentieth century. Johnson is fascinated by jokes that aren’t funny — particularly, what it means when humor fails or reveals something unintended about our national character. Darktown Follies is an act of self-sabotage, a poet’s willful attempt at recklessness, abandoning the “good sense” God gave him, as an effort to explore the boundaries and intersections of race and humor.

Imperial Liquor is a chronicle of melancholy, a reaction to the monotony of racism. These poems concern loneliness, fear, fatigue, rage, and love; they hold fatherhood held against the vulnerability of the black male body, aging, and urban decay. Part remembrance, part swan song for the Compton, California of the 1980s, Johnson examines the limitations of romance to heal broken relationships or rebuild a broken city. Slow Jams, red-lit rooms, cheap liquor, like seduction and betrayal—what’s more American? This book tracks echoes, rides the residue of music “after the love is gone.”

Just as more and more people enjoy watching birds and butterflies, watching the many shimmering dragonflies and damselflies—collectively called odonates, from Odonata, the name of this order of aquatic insects—has become a popular pastime. Now Dragonflies and Damselflies in Your Pocket introduces us to 50 of the showiest odonates of the Upper Midwest.

Ann Johnson’s text is clear and informative and her photographs are stunning; it is impossible to look at them without wanting to head out for the nearest stream and search for the living insects. In addition to providing useful general information about broad-winged damsels, spreadwings, pond damsels, darners, clubtails, cruisers, emeralds, and skimmers, she includes common and scientific names, sizes, general flight seasons, and the best habitats in which to find each species: rocky rivers, wetlands, ponds, still waters, and so on.

With their extremely large eyes, elongated transparent wings, long and slender abdomens, and prehensile extendible jaws, dragonflies and damselflies are efficient hunters and quick, darting fliers. Their beauty and their behavior make them delightful subjects for birdwatchers and other nature lovers. Dragonflies and Damselflies in Your Pocket will greatly enhance your appreciation of these winged marvels.

In Hitting the Brakes, Ann Johnson illuminates the complex social, historical, and cultural dynamics of engineering design, in which knowledge communities come together to produce new products and knowledge. Using the development of antilock braking systems for passenger cars as a case study, Johnson shows that the path to invention is neither linear nor top-down, but highly complicated and unpredictable. Individuals, corporations, university research centers, and government organizations informally coalesce around a design problem that is continually refined and redefined as paths of development are proposed and discarded, participants come and go, and information circulates within the knowledge community. Detours, dead ends, and failures feed back into the developmental process, so that the end design represents the convergence of multiple, diverse streams of knowledge.

The development of antilock braking systems (ABS) provides an ideal case study for examining the process of engineering design because it presented an array of common difficulties faced by engineers in research and development. ABS did not develop predictably. Research and development took place in both the public and private sectors and involved individuals working in different disciplines, languages, institutions, and corporations. Johnson traces ABS development from its first patents in the 1930s to the successful 1978 market introduction of integrated ABS by Daimler and Bosch. She examines how a knowledge community first formed around understanding the phenomenon of skidding, before it turned its attention to building instruments to measure, model, and prevent cars’ wheels from locking up. While corporations’ accounts of ABS development often present a simple linear story, Hitting the Brakes describes the full social and cognitive complexity and context of engineering design.

This Reader collects in a single volume some of the most influential essays written by Barbara Johnson over the course of her thirty-year career as a pioneering literary theorist and cultural critic. Johnson achieved renown early in her career, both as a brilliant student of the Yale School of literary criticism and as the translator of Jacques Derrida's Dissemination. She went on to lead the way in extending the insights of structuralism and poststructuralism into newly emerging fields now central to literary studies, fields such as gender studies, African American studies, queer theory, and law and literature. Stunning models of critical reading and writing, her essays cultivate rigorous questioning of universalizing assumptions, respect for otherness and difference, and an appreciation of ambiguity.

Along with the classic essays that established her place in literary scholarship, this Reader makes available a selection of Johnson's later essays, brilliantly lucid and politically trenchant works exploring multilingualism and translation, materiality, ethics, subjectivity, and sexuality. The Barbara Johnson Reader offers a historical guide through the metamorphoses and tumultuous debates that have defined literary study in recent decades, as viewed by one of critical theory's most astute thinkers.  
 

This biography of John Gould Fletcher examines his Modernist work as poet and critic and his life as child, writer, husband, and lover. Fletcher moved in high literary circles, often causing confusion among his critics and followers with his writing—was he Imagist, Agrarian, or Modernist? Or was he simply John Gould Fletcher, the man, caught up in tumultuous times and events, seeking no particular label to pin on his writing, but rather reflecting the changing world as he saw and lived it?

Focusing on the specific case of Acolhuacan in the eastern Basin of Mexico, Pueblos within Pueblos is the first book to systematically analyze tlaxilacalli history over nearly four centuries, beginning with their rise at the dawn of the Aztec empire through their transformation into the “pueblos” of mid-colonial New Spain. Even before the rise of the Aztecs, commoners in pre-Hispanic central Mexico set the groundwork for a new style of imperial expansion. Breaking free of earlier centralizing patterns of settlement, they spread out across onetime hinterlands and founded new and surprisingly autonomous local communities called, almost interchangeably, tlaxilacalli or calpolli.

Tlaxilacalli were commoner-administered communities that coevolved with the Acolhua empire and structured its articulation and basic functioning. They later formed the administrative backbone of both the Aztec and Spanish empires in northern Mesoamerica and often grew into full and functioning existence before their affiliated altepetl, or sovereign local polities. Tlaxilacalli resembled other central Mexican communities but expressed a local Acolhua administrative culture in their exacting patterns of hierarchy. As semiautonomous units, they could rearrange according to geopolitical shifts and even catalyze changes, as during the rapid additive growth of both the Aztec Triple Alliance and Hispanic New Spain. They were more successful than almost any other central Mexican institution in metabolizing external disruptions (new gods, new economies, demographic emergencies), and they fostered a surprising level of local allegiance, despite their structural inequality. Indeed, by 1692 they were declaring their local administrative independence from the once-sovereign altepetl. Administration through community, and community through administration—this was the primal two-step of the long-lived Acolhua tlaxilacalli, at once colonial and colonialist.

Pueblos within Pueblos examines a woefully neglected aspect of pre-Hispanic and early colonial Mexican historiography and is the first book to fully demonstrate the structuring role tlaxilacalli played in regional and imperial politics in central Mexico. It will be of interest to students and scholars of Latin American ethnohistory, history, and anthropology.

Despite a shared interest in using borders to explore the paradoxes of state-making and national histories, historians of the U.S.-Canada border region and those focused on the U.S.-Mexico borderlands have generally worked in isolation from one another. A timely and important addition to borderlands history, Bridging National Borders in North America initiates a conversation between scholars of the continent’s northern and southern borderlands. The historians in this collection examine borderlands events and phenomena from the mid-nineteenth century through the mid-twentieth. Some consider the U.S.-Canada border, others concentrate on the U.S.-Mexico border, and still others take both regions into account.

The contributors engage topics such as how mixed-race groups living on the peripheries of national societies dealt with the creation of borders in the nineteenth century, how medical inspections and public-health knowledge came to be used to differentiate among bodies, and how practices designed to channel livestock and prevent cattle smuggling became the model for regulating the movement of narcotics and undocumented people. They explore the ways that U.S. immigration authorities mediated between the desires for unimpeded boundary-crossings for day laborers, tourists, casual visitors, and businessmen, and the restrictions imposed by measures such as the Chinese Exclusion Act of 1882 and the 1924 Immigration Act. Turning to the realm of culture, they analyze the history of tourist travel to Mexico from the United States and depictions of the borderlands in early-twentieth-century Hollywood movies. The concluding essay suggests that historians have obscured non-national forms of territoriality and community that preceded the creation of national borders and sometimes persisted afterwards. This collection signals new directions for continental dialogue about issues such as state-building, national expansion, territoriality, and migration.

Contributors: Dominique Brégent-Heald, Catherine Cocks, Andrea Geiger, Miguel Ángel González Quiroga, Andrew R. Graybill, Michel Hogue, Benjamin H. Johnson, S. Deborah Kang, Carolyn Podruchny, Bethel Saler, Jennifer Seltz, Rachel St. John, Lissa Wadewitz

Published in cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University.

In this innovative revisiting of Don Quixote and the Novelas ejemplares, Carroll B. Johnson investigates in detail the cultural and material environment in which Cervantes placed his characters.
 
Cervantes and the Material World reveals a recurrent preoccupation with the clash of two different economic systems: a reenergized feudalism and an incipient capitalism. Overturning the common assumption that Don Quixote, Sancho Panza, and myriad other colorful characters carry out their adventures in a timeless social milieu, Johnson demonstrates how their perspectives and experiences are shaped by the events and crises of their immediate historical context.
 
Johnson examines how questions of the distribution of wealth, the ownership of the means of production, and membership in one or another economic order permeate Cervantes's fiction. Thoughtfully contextualizing key excerpts, he suggests how business activities, legal codes, and other materialist practices actively impinge on the lives of the characters, influencing and in some cases determining their motivations and their possibilities for action.
 
A major study that will change the face of Cervantes scholarship, Cervantes and the Material World is also an important resource for students of the Spanish Golden Age and Renaissance and baroque literature and culture.
 

Standing at the Water’s Edge chronicles the life of a unique, and perhaps unlikely, political figure in Oregon’s history: former Governor Robert W. Straub.

A man of intelligence, drive, creativity, and fascinating contradictions, Straub overcame personal challenges and inevitable comparisons to his charismatic predecessor and friendly Republican rival, Tom McCall, to have a lasting impact on Oregon and the nation. Charles Johnson shares insights into Straub’s significant legacy, focusing on his leading role in the state’s financial and environmental issues and his influence on McCall. Johnson also reveals much of Straub’s warm personal story, along with his secret struggles, including his battle with depression while Governor.

Standing at the Water’s Edge offers rich descriptions of other intriguing political figures of the time as well, capturing the flavor of what has been called Oregon’s political “golden age” of the sixties and seventies—created in part by the symbiotic relationship between Straub and McCall—and describing how and why it ended.

Standing at the Water’s Edge is an essential addition to the literature about Oregon’s political leaders for historians, political scientists, and general readers interested in Oregon history.

In the golden age of polar exploration (from the mid-1800s to the early 1900s), many an expedition set out to answer the big question—was the Arctic a continent, an open ocean beyond a barrier of ice, or an ocean covered with ice? No one knew, for the ice had kept its secret well; ships trying to penetrate it all failed, often catastrophically. Norway’s charismatic scientist-explorer Fridtjof Nansen, convinced that it was a frozen ocean, intended to prove it in a novel if risky way: by building a ship capable of withstanding the ice, joining others on an expedition, then drifting wherever it took them, on a relentless one-way journey into discovery and fame . . . or oblivion. Ice Ship is the story of that extraordinary ship, the Fram, from conception to construction, through twenty years of three epic expeditions, to its final resting place as a museum. It is also the story of the extraordinary men who steered the Fram over the course of 84,000 miles: on a three-year, ice-bound drift, finding out what the Arctic really was; in a remarkable four-year exploration of unmapped lands in the vast Canadian Arctic; and on a two–year voyage to Antarctica, where another famous Norwegian explorer, Roald Amundsen, claimed the South Pole. Ice Ship will appeal to all those fascinated with polar exploration, maritime adventure, and wooden ships, and will captivate readers of such books as The Endurance, In the Heart of the Sea, and The Last Place on Earth. With more than 100 original photographs, the book brings the Fram to life and light.

What makes bogs so interesting yet so misunderstood? This generously illustrated book presents many of the exciting, almost enthralling, facets of bogs--unusual plants, intricate ecological relationships, animals, myths and folklore, and the myriad history recorded in the peats. Despite the fascinating bogs hold, until now there has been no popular book that deals with them in a comprehensive yet authoritative manner. The Northeastern United States has a wonderful diversity of bogs: some are southern in nature, others are very arctic, and still others maritime. And although this is a book primarily about peatlands in New York, New Jersey, Pennsylvania, and the six New England states, it will interest a much wider audience seeking an exciting and attractive approach to these often-neglected areas of our natural heritage.

On a wintry white day, a small boy and a red sled step out for an adventure. As they slip through the snowy woods, their imagined journey takes place against real black-and-white photos of Eagle River, Alaska. Told entirely in haiku, this gentle book evokes both joy and calm. The black, red, and white color scheme is perfect for very young children, but readers of all ages will find the lyrical tone and captivating pictures a delightful invitation to explore the forest again and again.

This is the complex story of New Hampshire's White Mountains, from the range's days as the majestic homeland of the Abenaki, first seen by English colonists four centuries ago, to its unassailable standing today as one of America's most beloved national forests, comprising 112,000 acres of protected wilderness.

Christopher Johnson, an avid hiker intimately familiar with the White Mountains, achieves two important objectives in This Grand and Magnificent Place. He lovingly explores their rich ecological, political, economic, and cultural history and, more broadly, opens a panoramic window on the evolution of American attitudes and policies toward wilderness over time.

Two competing visions of wilderness historically have coexisted in America: the instrumental, in which the wilderness is seen as a conglomeration of resources to be exploited for the benefit of entrepreneurs and consumers, and the aesthetic, in which the wilderness is appreciated for its natural beauty, the personal growth that it stimulates, the national pride it engenders, and the spiritual truth it offers. Johnson never loses sight of this fundamental dichotomy as he shares marvelous true tales of the first intrepid European settlers who "tamed" the Whites. He discusses Ethan Allen Crawford, the area's first innkeeper, the emergence of tourism, and America's love affair with the "wilderness experience"; and he explores tales of Thomas Cole, Nathaniel Hawthorne, and other renowned artists who immortalized these mountains in their works. He considers the coming of grand resort hotels—and the contemporaneous wilderness revival—in the late nineteenth century and the passing of the landmark 1911 Weeks Act, which was instrumental in preserving American wilderness in the face of development and threats of irreparable environmental damage. Johnson traces the perilous course of the twentieth-century movement toward wilderness preservation, which has successfully conserved the Whites, an extraordinary American treasure, for future generations. Finally, he poses thoughtful and essential questions regarding the destiny of this American wilderness, exploring the balance between maintaining its usefulness while conserving its glorious heritage.

This skillful and accessible history will rivet general readers, students, and professionals interested in the history, culture, and politics of the White Mountains, as well as those fascinated by environmental history and wilderness protection everywhere.

Published by the Center for Literary Publishing at Colorado State University
Mountain West Poetry Series
 
In his first collection of poems, &luckier, Christopher J Johnson explores the depths to which we can know our most intimate friends, habits, and—even more so—selves. From a mosaic of coffee cups, dinner engagements, razors, walks around his city, and the wider realm of nature, the poet continually asks to what degree our lives can be understood, our joys engaged with, and our sorrows mitigated. In a voice that is at once contemporary and yet almost primal, these poems seek an affinity with the natural world, the passing of history, and the deepness and breadth of ancestry; they do not question the mystery of life but ask rather how we have become separated from and might return to a more aware place within the frame of it. These are poems rich with metaphor and music but also direct in their voice. Johnson exhibits a poetic tradition that—rather than employing academic allusions and direct personal statements—remains elusive in its use of the poetic “I.” The reader is never certain if they are reading about the poet, their friends, or themselves.

In the wake of the French Revolution, Edmund Burke argued that civil order depended upon nurturing the sensibility of men—upon the masculine cultivation of traditionally feminine qualities such as sentiment, tenderness, veneration, awe, gratitude, and even prejudice. Writers as diverse as Sterne, Goldsmith, Burke, and Rousseau were politically motivated to represent authority figures as men of feeling, but denied women comparable authority by representing their feelings as inferior, pathological, or criminal. Focusing on Mary Wollstonecraft, Ann Radcliffe, Frances Burney, and Jane Austen, whose popular works culminate and assail this tradition, Claudia L. Johnson examines the legacy male sentimentality left for women of various political persuasions.

Demonstrating the interrelationships among politics, gender, and feeling in the fiction of this period, Johnson provides detailed readings of Wollstonecraft, Radcliffe, and Burney, and treats the qualities that were once thought to mar their work—grotesqueness, strain, and excess—as indices of ideological conflict and as strategies of representation during a period of profound political conflict. She maintains that the reactionary reassertion of male sentimentality as a political duty displaced customary gender roles, rendering women, in Wollstonecraft's words, "equivocal beings."

"The best (and the best written) book about Austen that has appeared in the last three decades."—Nina Auerbach, Journal of English and Germanic Philology

"By looking at the ways in which Austen domesticates the gothic in Northanger Abbey, examines the conventions of male inheritance and its negative impact on attempts to define the family as a site of care and generosity in Sense and Sensibility, makes claims for the desirability of 'personal happiness as a liberating moral category' in Pride and Prejudice, validates the rights of female authority in Emma, and stresses the benefits of female independence in Persuasion, Johnson offers an original and persuasive reassessment of Jane Austen's thought."—Kate Fullbrook, Times Higher Education Supplement

Johnson begins by exploring the most important monuments and portraits of Austen, considering how these artifacts point to an author who is invisible and yet whose image is inseparable from the characters and fictional worlds she created. She then passes through the four critical phases of Austen’s reception—the Victorian era, the First and Second World Wars, and the establishment of the Austen House and Museum in 1949—and ponders what the adoration of Austen has meant to readers over the past two centuries. For her fans, the very concept of “Jane Austen” encapsulates powerful ideas and feelings about history, class, manners, intimacy, language, and the everyday. By respecting the intelligence of past commentary about Austen, Johnson shows, we are able to revisit her work and unearth fresh insights and new critical possibilities.

 

An insightful look at how and why readers have cherished one of our most beloved authors, Jane Austen’s Cults and Cultures will be a valuable addition to the library of any fan of the divine Jane.

 Most studies of lesbian and gay history focus on urban environments. Yet gender and sexual diversity were anything but rare in nonmetropolitan areas in the first half of the twentieth century. Just Queer Folks explores the seldom-discussed history of same-sex intimacy and gender nonconformity in rural and small-town America during a period when the now familiar concepts of heterosexuality and homosexuality were just beginning to take shape. 

Eschewing the notion that identity is always the best measure of what can be known about gender and sexuality, Colin R. Johnson argues instead for a queer historicist approach. In so doing, he uncovers a startlingly unruly rural past in which small-town eccentrics, "mannish" farm women, and cross-dressing Civilian Conservation Corps enrollees were often just queer folks so far as their neighbors were concerned. Written with wit and verve, Just Queer Folks upsets a whole host of contemporary commonplaces, including the notion that queer history is always urban history.

Over a 40-year period, Craig Johnson collected data on chipped stone tools from nearly 200 occupations along the Missouri River in the Dakotas. This book integrates those data with central place foraging theory and exchange models to arrive at broad conclusions supporting archaeological theory. The emphasis is on the last 1,000 years, when the Mandan, Hidatsa, and Arikara farmer-hunters dominated the area, but also looks back some 10,000 years to more nomadic peoples. The long timespan and large number of villages and campsites help define changes through time and over large distances of local and nonlocal tool stone and its manufacture into arrow points, knives, and other tools.
 
Central place foraging theory, through the field processing model, posits that the farther a source material is from the central living area, the more it will be processed before it is transported back, to avoid hauling heavy, nonusable parts on long trips. Johnson’s data support this theory and demonstrate that this model applies not only to nomadic hunter-gatherers but also to semisedentary farmer-hunters. His results also indicate that toolstone usage creates distinctive spatial patterns along the Missouri River, largely related to village distance from the sources. This is best illustrated with Knife River flint, which gradually declines in popularity downriver from its source in west-central North Dakota but increases in central South Dakota because of exchange.

In The Power of Mammon, Curtis D. Johnson describes how the market economy and market-related forces, such as the media, politics, individualism, and consumerism, radically changed the nature of Baptist congregational life in New York State during three centuries. Collectively, these forces emphasized the importance of material wealth over everything else, and these values penetrated the thinking of Baptist ministers and laypeople alike. Beginning in the 1820s, the pastorate turned into a profession, the laity’s influence diminished, closeknit religious fellowships evolved into voluntary associations, and evangelism became far less effective. Men, being the most engaged in the market, secularized the more quickly and became less involved in church affairs. By the 1870s, male disengagement opened the door to increased female participation in church governance. While scientific advances and religious pluralism also played a role, the market and its related distractions were the primary forces behind the secularization of Baptist life.

The Power of Mammon is history from the ground up. Unlike many denominational histories, this book emphasizes congregational life and the importance of the laity. This focus allows the reader to hear the voices of ordinary Baptists who argued over a host of issues. Johnson deftly connects large social trends with exhaustive attention to archival material, including numerous well-chosen records preserved by forty-two New York churches. These records include details related to membership, discipline, finance, and institutional history. Utilizing statistical analysis to achieve even greater clarity, Johnson effectively bridges the gap between the particularity of church records and the broader history of New York’s Baptist churches.

Johnson’s narrative of Baptist history in New York will serve as a model for other regional studies and adds to our understanding of secularization and its impact on American religion.

For many years, the oral performing and dramatic literatures of China from 1200 to 1600 CE were considered some of the most difficult texts in the Chinese corpus. They included ballad medleys, comic farces, Yuan music dramas, Ming music dramas, and the novel Shuihu zhuan. The Japanese scholars who first dedicated themselves to study these works in the mid-twentieth century were considered daring. As late as 1981, no comprehensive dictionary or glossary for this literature existed in any language, Asian or Western.

A Glossary of Words and Phrases fills this gap for Western readers, allowing even a relative novice who has resonable command of Chinese to read, translate, and appreciate this great body of literature with an ease undreamed of even two decades ago. The Glossary is organized into approximately 8,000 entries based on the reading notes and glosses found in various dictionaries, thesauruses, glossaries, and editions of works from the period. Main entries are listed alphabetically in the pinyin romanization system. In addition to glosses, entries include symbolic annotations, guides to pronunciation, and text citations. The result is a broadly useful glossary serving the needs of students of this literature as well as scholars researching Jin and Yuan language and its usage.

Part One of Yuarn Music Dramas presents a detailed analysis of form and structure in Yuarn music drama, with sections on the act, the suite, the aria, the verse, metrics of repeated graph patterns, parallelism, and the matching of suite and mode. [vii]

Part Two presents the first catalogue of arias of its kind to be published in a language other than Chinese. It is a compilation of all of the arias in the northern dramatic style that are found in the 162 titles contained in the Yuarn-chyuu shyuann and the Yuarn-chyuu shyuaan waih-bian. It is modeled on several such catalogues compiled over the past six hundred years. [99]

The McCarthy era is generally considered the worst period of political repression in recent American history. But while the famous question, "Are you now or have you ever been a member of the Communist Party?" resonated in the halls of Congress, security officials were posing another question at least as frequently, if more discreetly: "Information has come to the attention of the Civil Service Commission that you are a homosexual. What comment do you care to make?"

Historian David K. Johnson here relates the frightening, untold story of how, during the Cold War, homosexuals were considered as dangerous a threat to national security as Communists. Charges that the Roosevelt and Truman administrations were havens for homosexuals proved a potent political weapon, sparking a "Lavender Scare" more vehement and long-lasting than McCarthy's Red Scare. Relying on newly declassified documents, years of research in the records of the National Archives and the FBI, and interviews with former civil servants, Johnson recreates the vibrant gay subculture that flourished in New Deal-era Washington and takes us inside the security interrogation rooms where thousands of Americans were questioned about their sex lives. The homosexual purges ended promising careers, ruined lives, and pushed many to suicide. But, as Johnson also shows, the purges brought victims together to protest their treatment, helping launch a new civil rights struggle.

The Lavender Scare shatters the myth that homosexuality has only recently become a national political issue, changing the way we think about both the McCarthy era and the origins of the gay rights movement. And perhaps just as importantly, this book is a cautionary tale, reminding us of how acts taken by the government in the name of "national security" during the Cold War resulted in the infringement of the civil liberties of thousands of Americans.

Africa’s newest nation has a long history. Often considered remote and isolated from the rest of Africa, and usually associated with the violence of slavery and civil war, South Sudan has been an arena for a complex mixing of peoples, languages, and beliefs. The nation’s diversity is both its strength and a challenge as its people attempt to overcome the legacy of decades of war to build a new economic, political, and national future.

Most recent studies of South Sudan’s history have a foreshortened sense of the past, focusing on current political issues, the recently ended civil war, or the ongoing conflicts within the country and along its border with Sudan. This brief but substantial overview of South Sudan’s longue durée, by one of the world’s foremost experts on the region, answers the need for a current, accessible book on this important country.

Drawing on recent advances in the archaeology of the Nile Valley, new fieldwork as well as classic ethnography, and local and foreign archives, Johnson recovers South Sudan’s place in African history and challenges the stereotypes imposed on its peoples.

Performance artist and scholar E. Patrick Johnson’s provocative study examines how blackness is appropriated and performed—toward widely divergent ends—both within and outside African American culture. Appropriating Blackness develops from the contention that blackness in the United States is necessarily a politicized identity—avowed and disavowed, attractive and repellent, fixed and malleable. Drawing on performance theory, queer studies, literary analysis, film criticism, and ethnographic fieldwork, Johnson describes how diverse constituencies persistently try to prescribe the boundaries of "authentic" blackness and how performance highlights the futility of such enterprises.

Johnson looks at various sites of performed blackness, including Marlon Riggs’s influential documentary Black Is . . . Black Ain’t and comedic routines by Eddie Murphy, David Alan Grier, and Damon Wayans. He analyzes nationalist writings by Amiri Baraka and Eldridge Cleaver, the vernacular of black gay culture, an oral history of his grandmother’s experience as a domestic worker in the South, gospel music as performed by a white Australian choir, and pedagogy in a performance studies classroom. By exploring the divergent aims and effects of these performances—ranging from resisting racism, sexism, and homophobia to excluding sexual dissidents from the black community—Johnson deftly analyzes the multiple significations of blackness and their myriad political implications. His reflexive account considers his own complicity, as ethnographer and teacher, in authenticating narratives of blackness.

The follow-up to the groundbreaking Black Queer Studies, the edited collection No Tea, No Shade brings together nineteen essays from the next generation of scholars, activists, and community leaders doing work on black gender and sexuality. Building on the foundations laid by the earlier volume, this collection's contributors speak new truths about the black queer experience while exemplifying the codification of black queer studies as a rigorous and important field of study. Topics include "raw" sex, pornography, the carceral state, gentrification, gender nonconformity, social media, the relationship between black feminist studies and black trans studies, the black queer experience throughout the black diaspora, and queer music, film, dance, and theater. The contributors both disprove naysayers who believed black queer studies to be a passing trend and respond to critiques of the field's early U.S. bias. Deferring to the past while pointing to the future, No Tea, No Shade pushes black queer studies in new and exciting directions.

While over the past decade a number of scholars have done significant work on questions of black lesbian, gay, bisexual, and transgendered identities, this volume is the first to collect this groundbreaking work and make black queer studies visible as a developing field of study in the United States. Bringing together essays by established and emergent scholars, this collection assesses the strengths and weaknesses of prior work on race and sexuality and highlights the theoretical and political issues at stake in the nascent field of black queer studies. Including work by scholars based in English, film studies, black studies, sociology, history, political science, legal studies, cultural studies, and performance studies, the volume showcases the broadly interdisciplinary nature of the black queer studies project.

The contributors consider representations of the black queer body, black queer literature, the pedagogical implications of black queer studies, and the ways that gender and sexuality have been glossed over in black studies and race and class marginalized in queer studies. Whether exploring the closet as a racially loaded metaphor, arguing for the inclusion of diaspora studies in black queer studies, considering how the black lesbian voice that was so expressive in the 1970s and 1980s is all but inaudible today, or investigating how the social sciences have solidified racial and sexual exclusionary practices, these insightful essays signal an important and necessary expansion of queer studies.

Contributors. Bryant K. Alexander, Devon Carbado, Faedra Chatard Carpenter, Keith Clark, Cathy Cohen, Roderick A. Ferguson, Jewelle Gomez, Phillip Brian Harper, Mae G. Henderson, Sharon P. Holland, E. Patrick Johnson, Kara Keeling, Dwight A. McBride, Charles I. Nero, Marlon B. Ross, Rinaldo Walcott, Maurice O. Wallace

The collection solo/black/woman features seven solo performances by emerging and established feminist performance artists from the past three decades. The scripts are accompanied by interviews and critical essays, as well as a DVD showcasing the performances. The performers range from Robbie McCauley and Rhodessa Jones, who were at the leading edge of the solo monologue boom of the 1980s, to new talents such as Stacey Robinson and Misty DeBerry. Collectively, their work displays an enormous range of aesthetic approach and thematic emphasis. The anthology offers a comprehensive, stimulating introduction to the beauty, richness, urgency, pleasure, and political promise of black feminist performance.

Justice and Reform is the first study of the origins, philosophy, creation, management, and impact of the Office of Economic Opportunity Legal Services Program. As such, it clearly and concisely describes the Program's role both as an instrument of equal justice and as a strategy for overcoming poverty. Timely, important, and unique, it tells the story behind the OEO Legal Services Program—an endeavor that has been called both the most successful element of the war on poverty and the most stimulating development to occur in the American legal profession during the Twentieth Century. The early chapters in the book reveal the nature and motivations of the two groups which joined to create the Program: the conservative, American Bar Association sponsored 89-year-old legal aid movement and the Ford Foundation-financed neighborhood lawyer experiments that started in 1962 under the direction of young activist lawyers. Why they merged and how they merged forms the background for a description of how the partners persuaded the OEO bureaucracy to start a legal services program and convinced over 200 communities (including most large cities) to set up a federally funded legal assistance agency. Legal Services Program established policy, how it settled upon "law reform" as the priority function of the Program, how it preserved the integrity of its policies within OEO, and how it caused its grantees to engage in law reform. Chapter 8 evaluates, for the first time, the economic, political, and social impact of the Program as of 1972. The final chapter speculates on the future of government-subsidized legal assistance in the United States from the perspective of the OEO program's twin goals of equal justice and social reform.

One of the most challenging goals for welfare reformers has been improving the collection of child support payments from noncustodial parents, usually fathers. Often vilified as deadbeats who have dropped out of their children's lives, these fathers have been the target of largely punitive enforcement policies that give little consideration to the complex circumstances of these men's lives. Fathers' Fair Share presents an alternative to these measures with an in-depth study of the Parents Fair Share Program. A multi-state intervention run by the Manpower Demonstration Research Corporation, the program was designed to better the life skills of nonpaying fathers with children on public assistance, in the belief that this would encourage them to improve their level of child support. The men chosen for the program frequently lived on the margins of society. Chronically unemployed or underemployed, undereducated, and often earning their money on the streets, they bore the scars of drug or alcohol abuse, troubled family lives, and arrest records. Among those of African American and Hispanic descent, many felt a deep-rooted distrust of the mainstream economy. The Parents Fair Share Program offered these men the chance not only to learn the social skills needed for stable employment but to participate in discussions about personal difficulties, racism, and problems in their relationships with their children and families. Fathers' Fair Share details the program's mix of employment training services, peer support groups, and formal mediation of disputes between custodial and noncustodial parents. Equally important, the authors explore the effect of the participating fathers' expectations and doubts about the program, which were colored by their often negative views about the child support and family law system. The voices heard in Fathers' Fair Share provides a rare look into the lives of low-income fathers and how they think about their struggles and prospects, their experiences in the workplace, and their responsibilities toward their families. Parents Fair Share demonstrated that, in spite of their limited resources, these men are more likely to make stronger efforts to improve support payments and to become greater participants in their children's lives if they encounter a less adversarial and arbitrary enforcement system. Fathers' Fair Share offers a valuable resource to the design of social welfare programs seeking to reach out to this little-understood population, and addresses issues of tremendous importance for those concerned about welfare reform, child support enforcement, family law, and employment policy.

Literary scholars often avoid the category of the aesthetic in discussions of ethics, believing that purely aesthetic judgments can vitiate analyses of a literary work’s sociopolitical heft and meaning. In Practicing Literary Theory in the Middle Ages, Eleanor Johnson reveals that aesthetics—the formal aspects of literary language that make it sense-perceptible—are indeed inextricable from ethics in the writing of medieval literature.

 

Johnson brings a keen formalist eye to bear on the prosimetric form: the mixing of prose with lyrical poetry. This form descends from the writings of the sixth-century Christian philosopher Boethius—specifically his famous prison text, Consolation of Philosophy—to the late medieval English tradition. Johnson argues that Boethius’s text had a broad influence not simply on the thematic and philosophical content of subsequent literary writing, but also on the specific aesthetic construction of several vernacular traditions. She demonstrates the underlying prosimetric structures in a variety of Middle English texts—including Chaucer’s Troilus and Criseyde and portions of the Canterbury Tales, Thomas Usk’s Testament of Love, John Gower’s Confessio amantis, and Thomas Hoccleve’s autobiographical poetry—and asks how particular formal choices work, how they resonate with medieval literary-theoretical ideas, and how particular poems and prose works mediate the tricky business of modeling ethical transformation for a readership.

What does it mean to contemplate? In the Middle Ages, more than merely thinking with intensity, it was a religious practice entailing utter receptiveness to the divine presence. Contemplation is widely considered by scholars today to have been the highest form of devotional prayer, a rarified means of experiencing God practiced only by the most devout of monks, nuns, and mystics.
            Yet, in this groundbreaking new book, Eleanor Johnson argues instead for the pervasiveness and accessibility of contemplative works to medieval audiences. By drawing together ostensibly diverse literary genres—devotional prose, allegorical poetry, cycle dramas, and morality plays—Staging Contemplation paints late Middle English contemplative writing as a broad genre that operated collectively and experientially as much as through radical individual disengagement from the world. Johnson further argues that the contemplative genre played a crucial role in the exploration of the English vernacular as a literary and theological language in the fifteenth century, tracing how these works engaged modes of disfluency—from strained syntax and aberrant grammar, to puns, slang, code-switching, and laughter—to explore the limits, norms, and potential of English as a devotional language. Full of virtuoso close readings, this book demonstrates a sustained interest in how poetic language can foster a participatory experience of likeness to God among lay and devotional audiences alike.