For more than twenty years, The Age of Johnson has aspired to present to a wide readership a body of influential Johnsonian scholarship “in the broadest sense,” as founder Paul J. Korshin put it. In keeping with this sentiment, volume 25 contains cant-free scholarly articles and essays written by both leaders in the field and emerging scholars, among them a London barrister and a medical school professor. Featuring lively and penetrating work on Johnson’s medical conditions, his edition of Shakespeare, his books in the Hyde Collection at Harvard, and his relation to American writers, as well as fresh work on Boswell’s travel writing and his curious afterlife in mid-twentieth-century Chicago, volume 25 makes a substantial contribution to our understanding of Johnson and his world. Also included are learned and stimulating book reviews on the state of English studies, on Edmund Burke, on Jane Austen, and more.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

ISSN 0884-5816

A study of early Chinese maps using interdisciplinary methods. 

This is the first English-language monograph on the early history of maps in China, centering on those found in three tombs that date from the fourth to the second century BCE and constitute the entire known corpus of early Chinese maps (ditu). More than a millennium separates them from the next available map in the early twelfth century CE. Unlike extant studies that draw heavily from the history of cartography, this book offers an alternative perspective by mobilizing methods from art history, archaeology, material culture, religion, and philosophy. It examines the diversity of forms and functions in early Chinese ditu to argue that these pictures did not simply represent natural topography and built environments, but rather made and remade worlds for the living and the dead. Wang explores the multifaceted and multifunctional diagrammatic tradition of rendering space in early China.

Between 1751 and 1784, the Qianlong emperor embarked upon six southern tours, traveling from Beijing to Jiangnan and back. These tours were exercises in political theater that took the Manchu emperor through one of the Qing empire's most prosperous regions.

This study elucidates the tensions and the constant negotiations characterizing the relationship between the imperial center and Jiangnan, which straddled the two key provinces of Jiangsu and Zhejiang. Politically, economically, and culturally, Jiangnan was the undisputed center of the Han Chinese world; it also remained a bastion of Ming loyalism and anti-Manchu sentiment. How did the Qing court constitute its authority and legitimate its domination over this pivotal region? What were the precise terms and historical dynamics of Qing rule over China proper during the long eighteenth century?

In the course of addressing such questions, this study also explores the political culture within and through which High Qing rule was constituted and contested by a range of actors, all of whom operated within socially and historically structured contexts. The author argues that the southern tours occupied a central place in the historical formation of Qing rule during a period of momentous change affecting all strata of the eighteenth-century polity.

This book comprises ten invited expert contributions on the theory and applications of genetic algorithms in a variety of engineering systems. In addition to addressing the simple formulation of GAs, the chapters include original material on the design of evolutionary algorithms for particular engineering applications. Chosen for their experience in the field, the authors are drawn from both academia and industry worldwide, and provide extensive insight into their respective fields. The volume is suitable for researchers and postgraduates who need to be up-to-date with developments in this important subject, as well as practitioners in industry who are eager to find out how to solve their particular real-life problems.

In Racial Beings, Michelle N. Huang brings a feminist new materialist lens to bear on contemporary Asian American literature’s innovative play with discourses of science and technology. She argues that emerging from these works is a “molecular aesthetics”—formal experimentation that diminishes the boundaries of the human—which challenge the perception of racial identity as a trait of an individual human. Instead, molecular aesthetics reveals how race permeates the matter of the world. Reading works by authors such as Ruth Ozeki, Larissa Lai, Mei-mei Berssenbrugge, and Julie Otsuka through the language of scientific discourses like quantum physics, genetic engineering, and elemental chemistry, Huang develops a synthetic reading practice which shows both that the nexus of race and science is not reducible to scientific racism and that science can provide an unlikely creative reservoir for Asian American writers and artists which allows us to imagine alternative ways of understanding racial being beyond the limits of the human individual.

A new poetry collection from award-winning author Michael Chang
 
A vital breath of life arrives in American poetry with Synthetic Jungle, the latest collection from acclaimed poet Michael Chang. With poems in a register both hilarious and scathing, Synthetic Jungle effortlessly bashes convention while simultaneously rebuilding the language we use to communicate our fears and joys.
 
Synthetic Jungle is a collection written by a brilliant jester who winks at you as you catch their every reference before sharing a laugh at your own self-satisfaction. Themes of identity, sexuality, and literacy play out in a dizzying rhythm of microtheaters. Readers will find themselves giggling, snorting, and guffawing their way through this work: whether at a repudiation of the literary landscape or a critique of a failing justice system, to laugh along with Chang is to recognize your mistakes and, ultimately, grow from them.
 
Fractal and kinetic in the quick-witted spirit of John Ashbery and Emily Dickinson, Chang’s tender poems dance around, between, and through the personal and philosophical. Synthetic Jungle is as sweet as it is grand, and beneath its sarcastic grin reverberates an immense, open heart.