Through more than 150 striking and original images from the John Johnson Collection of Printed Ephemera at the Bodleian Library, Illustrating Empire tells the history of the British Empire from the age of discovery through World War II. This wealth of visual material was used to promote, record, and celebrate the development of the Empire, which by 1922 included more than thirteen million square miles—or almost a quarter of the Earth. The captions that accompany the illustrations reveal the narrative of the Empire and unlock the history and meaning behind the images.
Following a general introduction that provides an overarching discussion of the many facets of the Empire’s long history, the book is structured around eight major themes: emigration and settlement; imperial authority; exploration and knowledge; trade and commerce; travel and communications; popular culture; exhibitions and jubilees; and politics. Along the way, Illustrating Empire examines the significance of media in conveying and creating ideas about empire and the non-European world. It also provides a clear summary of debates regarding the significance of empire in British culture.
This informative and accessible visual history represents a significant contribution to the literature on culture and empire and will be an engaging and useful source of historical information for general readers and scholars alike.
Though the Revolutionary United Front (R.U.F.) ostensibly fought its war (1991–2002) against corrupt government, the people of Sierra Leone were its victims. By the time the war was over, more than fifty thousand were dead, thousands more had been maimed, and over one million were displaced. Jackson relates the stories of political leaders and ordinary people trying to salvage their lives and livelihoods in the aftermath of cataclysmic violence. Combining these with his own knowledge of African folklore, history, and politics and with S. B.’s bittersweet memories—of his family’s rich heritage, his imprisonment as a political detainee, and his position in several of Sierra Leone’s post-independence governments—Jackson has created a work of elegiac, literary, and philosophical power.
Throughout Latin America, indigenous peoples are responding to state violence and pro-democracy social movements by asserting their rights to a greater measure of cultural autonomy and self-determination. This volume's rich case studies of movements in Colombia, Guatemala, and Brazil weigh the degree of success achieved by indigenous leaders in influencing national agendas when governments display highly ambivalent attitudes about strengthening ethnic diversity.
The contributors to this volume are leading anthropologists and indigenous activists from the United States and Latin America. They address the double binds of indigenous organizing and "working within the system" as well as the flexibility of political tactics used to achieve cultural goals outside the scope of state politics. The contributors answer questions about who speaks for indigenous communities, how indigenous movements relate to the popular left, and how conflicts between the national indigenous leadership and local communities play out in specific cultural and political contexts. The volume sheds new light on the realities of asymmetrical power relations and on the ways in which indigenous communities and their representatives employ Western constructions of subjectivity, alterity, and authentic versus counterfeit identity, as well as how they manipulate bureaucratic structures, international organizations, and the mass media to advance goals that involve distinctive visions of an indigenous future.
Was Moteuczoma really as weak as history portrayed him? As Susan D. Gillespie instead suggests in "Blaming Moteuczoma," the representation of Moteuczoma as a scapegoat for the Aztec defeat can be understood as a product of indigenous resistance and accommodation following the imposition of Spanish colonialism. Chapters address the various roles (real and imagined) of Moteuczoma, Cortés, and Malinche in the fall of the Aztecs; the representation of history in colonial art; and the complex cultural transformations that actually took place.
Including full-color reproductions of seventeenth-century paintings of the Conquest, Invasion and Transformation will appeal to scholars and students of Latin American history and anthropology, art history, colonial literature, and transatlantic studies. Contributors include Rebecca P. Brienen, Louise M. Burkhart, Ximena Chávez Balderas, Constance Cortez, Viviana Diáz Balsera, Martha Few, Susan D. Gillespie, Margaret A. Jackson, Diana Magaloni Kerpel, Matthew Restall, Michael Schreffler.
The Iowa Breeding Bird Atlas—the first comprehensive statewide survey of Iowa's breeding birds—provides a detailed record of the composition and distribution of the avifauna of the Hawkeye State. The atlas documents the presence of 199 species, 158 of which were confirmed breeding. This landmark volume will alert Iowans to the limited distribution of numerous species and serve as a guide to the management practices—such as forest and wetland management, set-aside programs, reduction in farm chemical use, and crop diversity—which could help insure that many future changes are positive ones. The Iowa Breeding Bird Atlas provides a welcome and much-needed baseline for future comparisons of changes in Iowa's birdlife and, by extension, the lives of all animals in the state.
2015 PEN Open Book Award Finalist
Angela Jackson’s latest collection of poetry borrows its title from a lyric in Barbara Lewis’s 1963 hit single “Hello Stranger,” recorded at Chess Records in Chicago. Like the song, Jackson’s poems are a melodic ode to the African American experience, informed by both individual lives and community history, from the arrival of the first African slave in Virginia in 1619 to post-Obama America.
It Seems Like a Mighty Long Time reflects the maturity of Jackson’s poetic vision. The Great Migration, the American South, and Chicago all serve as signposts, but it is the complexity of individual lives—both her own and those who have gone before, walk beside, and come after—that invigorate this collection. Upon surveying so vast a landscape, Jackson finds that sorrow meets delight, and joy lifts up anger and despair. And for all this time, love is the agent, the wise and just rule and guide.
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