front cover of Teaching Mindful Writers
Teaching Mindful Writers
Brian Jackson
Utah State University Press, 2020

Teaching Mindful Writers introduces new writing teachers to a learning cycle that will help students become self-directed writers through planning, practicing, revising, and reflecting. Focusing on the art and science of instructing self-directed writers through major writing tasks, Brian Jackson helps teachers prepare students to engage purposefully in any writing task by developing the habits of mind and cognitive strategies of the mindful writer.

Relying on the most recent research in writing studies and learning theory, Jackson gives new teachers practical advice about setting up writing tasks, using daily writing, leading class discussions, providing feedback, joining teaching communities, and other essential tools that should be in every writing teacher’s toolbox. Teaching Mindful Writers is a timely, fresh perspective on teaching students to be self-directed writers.

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Teaching through the Archives
Text, Collaboration, and Activism
Edited by Tarez Samra Graban and Wendy Hayden
Southern Illinois University Press, 2022

Disruptive pedagogies for archival research

In a cultural moment when institutional repositories carry valuable secrets to the present and past, this collection argues for the critical, intellectual, and social value of archival instruction. Graban and Hayden and 37 other contributors examine how undergraduate and graduate courses in rhetoric, history, community literacy, and professional writing can successfully engage students in archival research in its many forms, and successfully model mutually beneficial relationships between archivists, instructors, and community organizations.

Combining new and established voices from related fields, each of the book’s three sections includes a range of form-disrupting pedagogies. Section I focuses on how approaching the archive primarily as text fosters habits of mind essential for creating and using archives, for critiquing or inventing knowledge-making practices, and for being good stewards of private and public collections. Section II argues for conducting archival projects as collaboration through experiential learning and for developing a preservationist consciousness through disciplined research. Section III details praxis for revealing, critiquing, and intervening in historic racial omissions and gaps in the archives in which we all work. 

Ultimately, contributors explore archives as sites of activism while also raising important questions that persist in rhetoric and composition scholarship, such as how to decolonize research methodologies, how to conduct teaching and research that promote social justice, and how to shift archival consciousness toward more engaged notions of democracy. This collection highlights innovative classroom and curricular course models for teaching with and through the archives in rhetoric and composition and beyond.

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Television and Criticism
Edited by Solange Davin and Rhona Jackson
Intellect Books, 2008
Television and Criticism unites distinguished scholars from the fields of literary criticism, media studies, and film studies to challenge the traditional boundaries between high and low culture. Through a theoretical lens, this volume addresses such topics as the blurring of genres, television and identity, and the sophistication of television audiences by examining examples from soap operas, televised adaptations of classic novels, film noir, and popular shows like Queer as Folk, Seinfeld, and Ally McBeal. Ranging from Shakespeare to Dragnet, this comprehensive study will interest cultural studies scholars and media buffs alike.
 
 
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Texas by Terán
The Diary Kept by General Manuel de Mier y Terán on His 1828 Inspection of Texas
Edited by Jack Jackson
University of Texas Press, 2000
Texas was already slipping from the grasp of Mexico when Manuel Mier y Terán made his tour of inspection in 1828. American settlers were pouring across the vaguely defined border between Mexico’s northernmost province and the United States, along with a host of Indian nations driven off their lands by American expansionism. Terán’s mission was to assess the political situation in Texas while establishing its boundary with the United States. Highly qualified for these tasks as a soldier, scientist, and intellectual, he wrote perhaps the most perceptive account of Texas’s people, politics, natural resources, and future prospects during the critical decade of the 1820s. This book contains the full text of Terán’s diary—which has never before been published—edited and annotated by Jack Jackson and translated into English by John Wheat. The introduction and epilogue place the diary in historical context, revealing the significant role that Terán played in setting Mexican policy for Texas between 1828 and 1832.
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front cover of Theatre History Studies 2008, Vol. 28
Theatre History Studies 2008, Vol. 28
Edited by Rhona Justice-Malloy
University of Alabama Press, 2008

Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.

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front cover of Theatre History Studies 2012, Vol. 32
Theatre History Studies 2012, Vol. 32
Edited by Rhona Justice-Malloy
University of Alabama Press, 2012
Theatre History Studies, currently edited by Rhona Justice-Malloy, is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.
 
 
Contributors
Penny Farfan / Victor Holtcamp / Lisa Jackson-Schebetta / Richard
L. Poole / Bill Rauch / Thomas Robson / Marlis Schweitzer / Virginia
Scott / Christine Woodworth
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Theatre History Studies 2014, Vol. 33
Theatres of War
Elizabeth Reitz Mullenix
University of Alabama Press, 2014
Volume 33 of Theatre History Studies explores war. War is a paradox—horrifying and compelling, galvanizing and devastating, a phenomenon that separates and decimates while at the same time creating and strengthening national identity and community bonds. War is the stuff of great drama.
 
War and theatre is a subject of increasing popularity among scholars of theatre. The essays in this special edition of Theatre History Studies brings together a unique collection of work by thirteen innovative scholars whose work explores such topics as theatre performances during war times, theatre written and performed to resist war, and theatre that fosters and promotes war.
 
The contributors to this volume write poignantly about nationhood and about how war—through both propaganda and protest—defines a people. The contributors also delve into numerous fascinating themes that transcend time, peoples, nations, and particular conflicts: the foundations of nationalism and the concepts of occupied and occupier, nostalgia and utopia, and patriotism and revolution.
 
These essays survey a march of civil and international wars spanning three centuries. Arranged chronologically, they invite comparisons between themes and trace the development of the major themes of war. Ideas manifest in the theatre of one period recall ideologies and propaganda of the past, reflect those of the present, and anticipate wars to come.
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Theatre History Studies 2017, Vol. 36
Edited by Sara Freeman
University of Alabama Press, 2017
A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference.

Theatre History Studies is devoted to research in all areas of theatre studies, with special interest in archival research, historical documentation, and historiography. Many issues feature a special section curated around a special theme or topic; for 2017 that special section focus on histories of new writing for the theatre.

Featured in THEATRE HISTORY STUDIES 2017, VOLUME 36
  • “Resisting Arlecchino’s Mask: The Case of Marcello Moretti” by Gabrielle Houle
  • “Making Space for Performance: Theatrical-Architectural Nationalism in Postindependence Ghana” by David Afriyie Donkor
  • “Preparing Boys for War: J. M. Barrie’s Peter Pan Enlists in World War I’s ‘Great Adventure’” by Laura Ferdinand Feldmeyer
  • “Not Just Rock ‘n’ Roll: Chicago Theatre, 1984–1990” by Julie Jackson
  • “New Writing and Theatre History” by Sara Freeman
  • “New Plays in New Tongues: Bilingualism and Immigration at the New Italian Theatre in France” by Matthew McMahan
  • “The Waterloo Summer of the Prince of Wales’s Theatre: New Writing, Old Friends, and Early Realism in the Victorian Theatre” by Shannon Epplett
  • “Chekhov’s Three Sisters: A Proto-Poststructuralist Experiment” by Sarah Wyman
  • “Historicizing Shakesfear and Translating Shakespeare Anew” by Lezlie C. Cross
  • “A New Noble Kinsmen: The Play On! Project and Making New Plays Out of Old” by Martine Kei Green-Rogers and Alex N. Vermillion
  • “Making New Theatre Together: The First Writers’ Group at the Royal Court Theatre and Its Legacy Within the Young Writers’ Programme” by Nicholas Holden
  • “New Writing in a Populist Context: A Play,a Pie, and a Pint” by Deana Nichols
  • “American Playwriting and the Now New” by Todd London
  • The Robert A. Schanke Award-Winning Essay: “Black Folk’s Theatre to Black Lives Matter: The Black Revolution on Campus” by La Donna L. Forsgren
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front cover of Theatre History Studies 2020, Vol. 39
Theatre History Studies 2020, Vol. 39
Edited by Lisa Jackson-Schebetta
University of Alabama Press, 2020
Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference
 
THEATRE HISTORY STUDIES, VOLUME 38
 
PART I: Studies in Theatre History
 
MATTHIEU CHAPMAN
Red, White, and Black: Shakespeare’s The Tempest and the Structuring of Racial Antagonisms in Early Modern England and the New World
 
MICHAEL CHEMERS AND MICHAEL SELL
Sokyokuchi: Toward a Theory, History, and Practice of Systemic Dramaturgy
 
JEFFREY ULLOM
The Value of Inaction: Unions, Labor Codes, and the Cleveland Play House
 
CHRYSTYNA DAIL
When for “Witches” We Read “Women”: Advocacy and Ageism in Nineteenth-Century Salem Witchcraft Plays
 
MICHAEL DENNIS
The Lost and Found Playwright: Donald Ogden Stewart and the Theatre of Socialist Commitment
 
Part II: HEMISPHERIC HISTORIOGRAPHIES
 
EMILY SAHAKIAN, CHRISTIANA MOLLDREM HARKULICH, AND LISA JACKSON-SCHEBETTA
Introduction to the Special Section
 
PATRICIA YBARRA
Gestures toward a Hemispheric Theatre History: A Work in Progress
 
ERIC MAYER- GARCÍA
Thinking East and West in Nuestra América: Retracing the Footprints of a Latinx Teatro Brigade in Revolutionary Cuba
 
ANA OLIVAREZ-LEVINSON AND ERIC MAYER-GARCÍA
Intercambio: A Visual History of Nuevo Teatro from the Ana Olivarez-Levinson Photography Collection
 
JESSICA N. PABÓN-COLÓN
Digital Diasporic Tactics for a Decolonized Future: Tweeting in the Wake of #HurricaneMaria
 
LEO CABRANES-GRANT
Performance, Cognition, and the Quest for an Affective Historiography
 
Part III: Essays from the Conference
 
The Robert A. Schanke Award-Winning Essay, from the 2019 Mid-America Theatre Conference
 
JULIE BURRELL
Reinventing Reconstruction and Scripting Civil Rights in Theodore Ward’s Our Lan’
 
The Robert A. Schanke Honorable Mention Essay, MATC 2019
 
MATTHEW MCMAHAN
 
Projections of Race at the Nouveau Cirque: The Clown Acts of Foottit and Chocolat
 
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front cover of Theatre History Studies 2021, Vol 40
Theatre History Studies 2021, Vol 40
Edited by Lisa Jackson-Schebetta
University of Alabama Press, 2021
A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference

Introduction
—LISA JACKSON-SCHEBETTA, WITH ODAI JOHNSON, CHRYSTYNA DAIL, AND JONATHAN SHANDELL

PART I
STUDIES IN THEATRE HISTORY

Un-Reading Voltaire: The Ghost in the Cupboard of the House of Reason
—ODAI JOHNSON

Caricatured, Marginalized,
and Erased: African American Artists and Philadelphia’s Negro Unit of the FTP, 1936–1939               
—JONATHAN SHANDELL

Stop Your Sobbing: White Fragility, Slippery Empathy, and Historical Consciousness in Branden Jacobs-Jenkins’s Appropriate
—SCOTT PROUDFIT

Asia and Alwin Nikolais: Interdisciplinarity, Orientalist Tendencies, and Midcentury American Dance
—ANGELA K. AHLGREN

PART II
WITCH CHARACTERS AND WITCHY PERFORMANCE

Editor’s Introduction to the Special Section
Shifting Shapes: Witch Characters and Witchy Performances
—CHRYSTYNA DAIL

To Wright the Witch: The Case of Joanna Baillie’s Witchcraft
—JANE BARNETTE

Nothing Wicked This Way Comes: Shakespeare’s Subversion of Archetypal Witches in The Winter’s Tale
—JESSICA HOLT

Of Women and Witches: Performing the Female Body in Caryl Churchill’s Vinegar Tom
—MAMATA SENGUPTA

(Un)Limited: The Influence of Mentorship and Father-Daughter Relationships on Elphaba’s Heroine Journey in Wicked
—REBECCA K. HAMMONDS

Immersive Witches: New York City under the Spell of Sleep No More and Then She Fell
—DAVID BISAHA

PART III
Essay from the Conference

The Robert A. Schanke Award-Winning Essay, MATC 2020
New Conventions for a New Generation: High School Musicals and Broadway in the 2010s
—LINDSEY MANTOAN
 
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front cover of Theatre History Studies 2022, Vol 41
Theatre History Studies 2022, Vol 41
edited by Lisa Jackson-Schebetta
University of Alabama Press, 2023
The official journal of the Mid-America Theatre Conference
 
Theatre History Studies is the official journal of the Mid-America Theatre Conference, Inc. (MATC). The conference is dedicated to the growth and improvement of all forms of theatre throughout a twelve-state region that includes the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, and Wisconsin. Its purposes are to unite people and organizations within this region and elsewhere who have an interest in theatre and to promote the growth and development of all forms of theatre.
 
Published annually since 1981, Theatre History Studies provides critical, analytical, and descriptive essays on all aspects of theatre history and is devoted to disseminating the highest quality peer-review scholarship in the field.

CONTRIBUTORS
Angela K. Ahlgren / Samer Al-Saber / Kelly I. Aliano / Gordon Alley-Young / Melissa Blanco Borelli / Trevor Boffone / Jay Buchanan / Matthieu Chapman / Joanna Dee Das / Ryan J. Douglas / Victoria Fortuna / Christiana Molldrem Harkulich / Alani Hicks-Bartlett / Jeanmarie Higgins / Lisa Jackson-Schebetta / Erin Rachel Kaplan / Heather Kelley / Patrick Maley / Karin Maresh / Lisa Milner / Courtney Elkin Mohler / Heather S. Nathans / Heidi L. Nees / Sebastian Samur / Michael Schweikardt / Teresa Simone / Dennis Sloan / Guilia Taddeo / Kyle A. Thomas / Alex Vermillion / Bethany Wood

 
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front cover of Theatre History Studies 2023, Vol. 42
Theatre History Studies 2023, Vol. 42
edited by Lisa Jackson-Schebetta
University of Alabama Press, 2024

The official journal of the Mid-America Theatre Conference

Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member of the Council of Editors of Learned Journals and is included in the MLA Directory of Periodicals. THS is indexed in Humanities Index, Humanities Abstracts, Book Review Index, MLA International Bibliography, International Bibliography of Theatre, Arts & Humanities Citation Index, IBZ International Bibliography of Periodical Literature, and IBR International Bibliography of Book Reviews. Full texts of essays appear in the databases of both Humanities Abstracts Full Text and SIRS.

Along with book reviews on the latest publications from established and emerging voices in the field, this issue of Theatre History Studies contains three sections with fourteen essays total. In the general section, three essays offer an array of insights, methods, and provocations. In the special section on care, contributors capture their experience as scholars, humans, and citizens in 2022. In Part III, the 2022 Robert A. Schanke Research Award-winning paper by Heidi L. Nees asks historians to rethink Western constructions of time. Taken together, volume 42 captures how this journal serves theatre historians as scholars and laborers as they work to attend and tend to their field.

CONTRIBUTORS
Cheryl Black / Shelby Brewster / Matthieu Chapman / Meredith Conti / Zach Dailey / Michael DeWhatley / Whit Emerson / Katherine Gillen / Miles P. Grier / Patricia Herrera / Lisa Jackson-Schebetta / Nancy Jones / Joshua Kelly / Felicia Hardison Londré / Bret McCandless / Marci R. McMahon/ Tom Mitchell / Sherrice Mojgani / John Murillo III / Heidi L. Nees / Jessica N. Pabón-Colón / Kara Raphaeli / Leticia L. Ridley / Cynthia Running-Johnson / Alexandra Swanson / Catherine Peckinpaugh Vrtis / Shane Wood / Christine Woodworth / Robert O. Yates


 
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Their Way of Writing
Scripts, Signs, and Pictographies in Pre-Columbian America
Elizabeth Hill Boone
Harvard University Press, 2011

Writing and recording are key cultural activities that allow humans to communicate across time and space. Whereas Old World writing evolved into the alphabetic system that is now employed around the world, the indigenous peoples in the Americas autonomously developed alternative systems that conveyed knowledge in a tangible medium. New World systems range from the hieroglyphic script of the Maya, to the figural and iconic pictographies of the Aztecs, Mixtecs, and Zapotecs in Mexico and the Moche in Peru, to the abstract knotted khipus of the Andes. Like Old World writing, these systems represented a cultural category that was fundamental to the workings of their societies, one that was heavily impregnated with cultural value.

The fifteen contributors to Their Way of Writing: Scripts, Signs, and Pictographies in Pre-Columbian America consider substantive and theoretical issues concerning writing and signing systems in the ancient Americas. They present the latest thinking about these graphic and tactile systems of communication. Their variety of perspectives and their advances in decipherment and understanding constitute a major contribution not only to our understanding of Pre-Columbian and indigenous American cultures but also to our comparative and global understanding of writing and literacy.

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Thin Description
Ethnography and the African Hebrew Israelites of Jerusalem
John L. Jackson, Jr.
Harvard University Press, 2013

The African Hebrew Israelites of Jerusalem are often dismissed as a fringe cult for their beliefs that African Americans are descendants of the ancient Israelites and that veganism leads to immortality. But John L. Jackson questions what “fringe” means in a world where cultural practices of every stripe circulate freely on the Internet. In this poignant and sophisticated examination of the limits of ethnography, the reader is invited into the visionary, sometimes vexing world of the AHIJ. Jackson challenges what Clifford Geertz called the “thick description” of anthropological research through a multidisciplinary investigation of how the AHIJ use media and technology to define their public image in the twenty-first century.

Moving far beyond the “modest witness” of nineteenth-century scientific discourse or the “thick descriptions” of twentieth-century anthropology, Jackson insists that Geertzian thickness is an impossibility, especially in a world where the anthropologist’s subject is a self-aware subject—one who crafts his own autoethnography while critically consuming the ethnographer’s offerings. Thin Description takes as its topic a group situated along the fault lines of several diasporas—African, American, Jewish—and provides an anthropological account of how race, religion, and ethnographic representation must be understood anew in the twenty-first century lest we reenact old mistakes in the study of black humanity.

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Thornton Wilder
New Perspectives
Lincoln Konkle
Northwestern University Press, 2013
The essays in Thornton Wilder: New Perspectives constitute a comprehensive critical reassessment at a time of renewed interest in the writer. Wilder is best known for Our Town and The Bridge of San Luis Rey, both winners of a Pulitzer Prize, making Wilder still the only writer to be so honored for both drama and fiction. His other fiction, in particular, is far less familiar to a wider readership. The authors of these essays aim to contextualize Wilder’s work historically and to show that Wilder’s handling of questions of religion, American identity, gender, and ethics should vault him into the ranks of major American novelists. Specifically, this anthologyincludes groundbreaking work on the application of queer theory to Our Town; on Wilder’s screenplay for the Alfred Hitchcock film Shadow of a Doubt; and on Wilder’s adaptations of Ibsen’s A Doll’s House, Farquhar’s The Beaux’ Stratagem, and his own The Long Christmas Dinner.
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Time's River
Archaeological Syntheses from the Lower Mississippi Valley
Edited by Janet Rafferty and Evan Peacock
University of Alabama Press, 2008
This volume stands as a key general resource for archaeologists working in the region extending from Louisiana through Mississippi north to Missouri and Kentucky, and it represents an opportunity to influence for decades a large part of the archaeological work to take place in the Southeast.
 
The book responds to a need for a comprehensive archaeological overview of the Lower Mississippi Valley that forms a portion of an interstate corridor spanning nine states that will run from southern Michigan to the Texas-Mexico border. The culturally sensitive Mississippi Delta is one of the richest archaeological areas in North America, and it is crucial that research designs be comprehensive, coordinated, and meet current preservation and future research needs. The authors are well-respected researchers from both within and outside the region with expertise in the full range of topics that comprise American archaeology. They examine matters of method and theory, the application of materials science, geophysics, and other high-tech tools in archaeology that provide for optimum data-recovery.

Contributors:
Ian Brown, Kevin L. Bruce, Philip J. Carr, Robert C. Dunnell,
James Feathers, Gayle J. Fritz, Michael L. Galaty, S. Homes Hogue, H. Edwin Jackson, Jay K. Johnson, Carl P. Lipo, Hector Neff, Evan Peacock, Janet Rafferty, James H. Turner, John R. Underwood, Amy L. Young
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To Advanced Proficiency and Beyond
Theory and Methods for Developing Superior Second Language Ability
Tony Brown and Jennifer Bown, Editors
Georgetown University Press, 2015

To Advanced Proficiency and Beyond: Theory and Methods for Developing Superior Second Language Ability addresses an important issue in Second Language Acquisition—how to help learners progress from Intermediate and Advanced proficiency to Superior and beyond. Due to the pressures of globalization, American society encounters an ever-increasing demand for speakers with advanced language abilities. This volume makes available cutting edge research on working memory and cognition and empirical studies of effective teaching. In addition it can serve as a practical handbook for seasoned and pre-professional instructors alike. The bringing together of the latest in second language acquisition theory, decades of empirical research, and practical classroom application makes for an unprecedented volume examining the achievement of Superior-level foreign language proficiency.

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The Toni Morrison Book Club
Juda Bennett
University of Wisconsin Press, 2020
In this startling group memoir, four friends—black and white, gay and straight, immigrant and American-born—use Toni Morrison’s novels as a springboard for intimate and revealing conversations about the problems of everyday racism and living whole in times of uncertainty. Tackling everything from first love and Soul Train to police brutality and the Black Lives Matter movement, the authors take up what it means to read challenging literature collaboratively and to learn in public as an act of individual reckoning and social resistance.
 
Framing their book club around collective secrets, the group bears witness to how Morrison’s works and words can propel us forward while we sit with uncomfortable questions about race, gender, and identity. How do we make space for black vulnerability in the face of white supremacy and internalized self-loathing? How do historical novels speak to us now about the delicate seams that hold black minds and bodies together?
 
This slim and brilliant confessional offers a radical vision for book clubs as sites of self-discovery and communal healing. The Toni Morrison Book Club insists that we find ourselves in fiction and think of Morrison as a spiritual guide to our most difficult thoughts and ideas about American literature and life.
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The Town of Whispering Dolls
Stories
Susan Neville, Foreword by Shelley Jackson
University of Alabama Press, 2020
WINNER OF FC2’S CATHERINE DOCTOROW INNOVATIVE FICTION PRIZE
 
Stories haunted by the remains of the industrial Midwest, the opioid epidemic, and the technology of war
 
Located somewhere in the rust belt in the early twenty-first century, residents of the town of Whispering Dolls dream of a fabled and illusory past, even as new technologies reshape their world into something different and deeply strange. Dolls walk down the streets, cradling their empty heads and letting the wind turn them into flutes. A politician heads to Washington, DC, and leaves a toxic underground plume in his wake. A woman eats car parts instead of confronting the children who have forgotten her. A young woman falls in love with the robot who took her job at the candy factory.
 
In The Town of Whispering Dolls, it is usually the grandmothers and the children who grieve. Feeling invisible, in the story “Here,” a woman who has buried her children looks up at the sky where commercial and military jets fly overhead and tries to express her rage to the rich and powerful: “Keep flying above us in your planes. From one coast to the other, keep right on flying over us! We test your bombs and your beloved warriors. Here. Right here. Look down.”

 
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Transpoetic Exchange
Haroldo de Campos, Octavio Paz, and Other Multiversal Dialogues
Marília Librandi
Bucknell University Press, 2020
Transpoetic Exchange  illuminates the poetic interactions between Octavio Paz (1914-1998) and Haroldo de Campos (1929-2003) from three perspectives--comparative, theoretical, and performative. The poem Blanco by Octavio Paz, written when he was ambassador to India in 1966, and Haroldo de Campos’ translation (or what he calls a “transcreation”) of that poem, published as Transblanco in 1986, as well as Campos’ Galáxias, written from 1963 to 1976, are the main axes around which the book is organized.
 
The volume is divided into three parts. “Essays” unites seven texts by renowned scholars who focus on the relationship between the two authors, their impact and influence, and their cultural resonance by exploring explore the historical background and the different stylistic and cultural influences on the authors, ranging from Latin America and Europe to India and the U.S. The second section, “Remembrances,” collects four experiences of interaction with Haroldo de Campos in the process of transcreating Paz’s poem and working on Transblanco and Galáxias. In the last section, “Poems,” five poets of international standing--Jerome Rothenberg, Antonio Cicero, Keijiro Suga, André Vallias, and Charles Bernstein.

Paz and Campos, one from Mexico and the other from Brazil, were central figures in the literary history of the second half of the 20th century, in Latin America and beyond. Both poets signal the direction of poetry as that of translation, understood as the embodiment of otherness and of a poetic tradition that every new poem brings back as a Babel re-enacted.
 
This volume is a print corollary to and expansion of an international colloquium and poetic performance held at Stanford University in January 2010 and it offers a discussion of the role of poetry and translation from a global perspective. The collection holds great value for those interested in all aspects of literary translation and it enriches the ongoing debates on language, modernity, translation and the nature of the poetic object.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. 
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Trans/Portraits
Voices from Transgender Communities
Jackson Wright Shultz
Dartmouth College Press, 2015
Although transgender people are increasingly represented in academic studies and popular culture, they rarely have the opportunity to add their own voices to the conversation. In this remarkable book, Jackson Shultz records the stories of more than thirty Americans who identify as transgender. They range in age from fifteen to seventy-two; come from twenty-five different states and a wide array of racial, religious, and socioeconomic backgrounds; and identify across a vast spectrum of genders and sexualities. Giving voice to a diverse group of individuals, the book raises questions about gender, acceptance, and unconditional love. From historical descriptions of activism to personal stories of discrimination, love, and community, these touching accounts of gender transition shed light on the uncharted territories that lie beyond the gender binary. Despite encounters with familial rejection, drug addiction, and medical malpractice, each account is imbued with optimism and humor, providing a thoughtful look at the daily joys and struggles of transgender life. With an introduction and explanations from the author, this work will appeal to transgender individuals, their significant others, friends, family, and allies; health-care providers, educators, and legal professionals; and anyone questioning their own gender, considering transition, or setting out on their own transition journey.
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Traveler, There Is No Road
Theatre, the Spanish Civil War, and the Decolonial Imagination in the Americas
Lisa Jackson-Schebetta
University of Iowa Press, 2017
Traveler, There Is No Road offers a compelling and complex vision of the decolonial imagination in the United States from 1931 to 1943 and beyond. By examining the ways in which the war of interpretation that accompanied the Spanish Civil War (1936–1939) circulated through Spanish and English language theatre and performance in the United States, Lisa Jackson-Schebetta demonstrates that these works offered alternative histories that challenged the racial, gender, and national orthodoxies of modernity and coloniality. Jackson-Schebetta shows how performance in the US used histories of American empires, Islamic legacies, and African and Atlantic trades to fight against not only fascism and imperialism in the 1930s and 1940s, but modernity and coloniality itself.

This book offers a unique perspective on 1930s theatre and performance, encompassing the theatrical work of the Cuban, Puerto Rican, and Spanish diasporas in the United States, as well as the better-known Anglophone communities. Jackson-Schebetta situates well-known figures, such as Langston Hughes and Clifford Odets, alongside lesser-known ones, such as Erasmo Vando, Franca de Armiño, and Manuel Aparicio. The milicianas, female soldiers of the Spanish Republic, stride on stage alongside the male fighters of the Lincoln Brigade. They and many others used the multiple visions of Spain forged during the civil war to foment decolonial practices across the pasts, presents, and futures of the Americas. Traveler conclusively demonstrates that theatre and performance scholars must position US performances within the Americas writ broadly, and in doing so they must recognize the centrality of the hemisphere’s longest-lived colonial power, Spain. 
 
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Treasure Hill
Portrait Of A Silver Mining Camp
W. Turrentine Jackson
University of Nevada Press, 2000
In 1868, the discovery of an exceptionally rich silver ore on Treasure Hill in eastern Nevada led to an intense but short-lived boom. The White Pine Mining District was quickly organized, and in time a new Nevada county was created with that name. The boom lasted only two seasons, but dogged investors, mostly British, spent more than twenty years pursuing the dream of making White Pine a prosperous mining district before they withdrew and left behind only disappointment and ghost towns. W. Turrentine Jackson’s study of Treasure Hill, first published in 1963, has endured as a classic case study of a typical mining district in the western United States. Much more than events at the Comstock Lode in Virginia City, the rush to White Pine, its brief season of glory and excitement followed by sudden decline, typifies the pattern of development in the majority of mining districts in the West. Far more than a tale of sudden wealth and lawlessness—although both were abundant—Treasure Hill encompasses the impact of growing international capitalism and labor movements on the mining West, the bitter politics surrounding the creation of towns and counties, and the human costs of boom and bust. Available again in a new paperback edition, with a foreword by mining historian Joseph V. Tingley,Treasure Hill offers readers a lively, thoroughly researched account of one of Nevada’s richest and briefest mining booms.
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Treatise on the Theory and Practice of Landscape Gardening
Fourth Edition, 1849
Andrew Jackson Downing
Harvard University Press, 1991

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Truth Be Told
Linda Susan Jackson
Four Way Books, 2024
A stunning sophomore release, Linda Susan Jackson’s newest poetry collection, Truth be Told, looks at the myriad treasures and complexities of Black womanhood by channeling an eclectic cast whose rich interactions testify to the timeless neglect of girlhood, the bond of long-term friendship and the responsibilities of authorship.  Here Pecola Breedlove, the protagonist from The Bluest Eye, addresses herself directly to Toni Morrison and connects, over time and space, with Persephone, a girl herself, cycling always toward the seasons, caught between an overbearing mother, an incomprehensible father and a grooming god; Lot’s wife sets the record straight about turning back; and our speaker writes to and through her lineage, memorializing her great-grandmother’s distilled wisdom and others who have impacted her, such as when she writes to the great blues singer, Etta James.  In a meticulous inventory of our world and its historical inheritance, Jackson makes an undaunted cartographer, mapping “here: rag-wicked IED” to “there: t-shaped IUD,” from “here: the mother I longed for” to “ there: the mother I had.”  If Jackson recognizes the distance between our ideals and our reality as a kind of tragedy, she also resists despair, enjoining us to close the gap with hope for the future and to: “Step here: light the fire/ Step there: fire the cannon.” Every poem is a spark struck, a cannonade hailing the resilient and enigmatic joy of language.  “After decades with no history,” Jackson sagely celebrates, “That I sing at all is a mystery.” A mystery, yes, but moreover — a blessing for those of us enthralled by her song of love.
 
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