front cover of Loss within Loss
Loss within Loss
Artists in the Age of AIDS
Edited by Edmund White; In Cooperation with the Estate Project for Artists with AIDS, a project of the Alliance for the Arts
University of Wisconsin Press, 2002
When an artist dies we face two great losses: the person and the work he did not live to do. Loss within Loss  is a moving collaboration by some of America's most eloquent writers, who supply wry, raging, sorrowful, and buoyant accounts of artist friends and lovers struck down by AIDS. These essayists include Maya Angelou, Alan Gurganus, Brad Gooch, John Berendt, Craig Lucas, Robert Rosenblum, and eighteen others. Many of the subjects of the essays were already prominent—James Merrill, Paul Monette, David Wojnarowicz—but many others died young, before they were able to fulfil the promise of their lives and art. Loss within Loss spans all of the arts and includes portraits of choreographers, painters, poets, actors, playwrights, sculptors, editors, composers, and architects.

This landmark book is published in association with the Estate Project for Artists with AIDS, a national organization that preserves art works created by artists living with HIV or lost to AIDS. Loss within Loss stands as a powerful reminder of the devastating impact of the AIDS epidemic on the arts community and as the first real survey of that devastation. Though these accounts are often intensely sad, Loss within Loss is an invigorating, sometimes even exuberant, testimony to the sheer joy of being an artist . . . and being alive.

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front cover of States of Desire Revisited
States of Desire Revisited
Travels in Gay America
Edmund White
University of Wisconsin Press, 2014
States of Desire Revisited looks back from the twenty-first century at a pivotal moment in the late 1970s: Gay Liberation was a new and flourishing movement of creative culture, political activism, and sexual freedom, just before the 1980s devastation of AIDS. Edmund White traveled America, recording impressions of gay individuals and communities that remain perceptive and captivating today. He noted politicos in D.C. working the system, in-fighting radicals in New York and San Francisco, butch guys in Houston and self-loathing but courteous gentlemen in Memphis, the "Fifties in Deep Freeze" in Kansas City, progressive thinkers with conservative style in Minneapolis and Portland, wealth and beauty in Los Angeles, and, in Santa Fe, a desert retreat for older gays and lesbians since the 1920s.
            White frames those past travels with a brief, bracing review of gay America since the 1970s ("now we were all supposed to settle down with a partner in the suburbs and adopt a Korean daughter"), and a reflection on how Internet culture has diminished unique gay places and scenes but brought isolated individuals into a global GLBTQ community.
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