front cover of Afterlife
Afterlife
Angela Woodward
University of Alabama Press, 2026

A kaleidoscopic meditation on grief, memory, and the uncanny, where dreams, histories, and forgotten encyclopedias blur the line between life and afterlife.

In this luminous novel, Angela Woodward chronicles the meaning of death, the illusions of truth, and the strange, shimmering persistence of the self beyond the ordinary boundaries of life. Through fictional encyclopedia entries, surreal vignettes, and personal narratives, Afterlife blurs fact and imagination, the material and the ghostly, with poetic precision and biting wit.

Woodward’s speaker journeys through museums of bird art, cults and conformity, environmental chemicals, and lost loves. What emerges is an elegiac, deeply intelligent inquiry into how we continue to haunt the world—and how the world haunts us back.

A work of literary art that will appeal to readers of experimental fiction, creative nonfiction, and lyric essay, Afterlife invites comparison to writers like Jenny Boully, W. G. Sebald, and Anne Carson. This book is ideal for readers drawn to feminist, hybrid, and formally inventive literature; for those fascinated by the interplay between language and grief; and for anyone who has ever felt the uncanny persistence of the past in corners of the present.

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front cover of Natural Wonders
Natural Wonders
A Novel
Angela Woodward, Foreword by Stacey Levine
University of Alabama Press, 2016
Winner of the FC2 Catherine Doctorow Innovative Fiction Prize

Natural Wonders is a novel in the form of a series of lectures about the earth and its prehistory. In it, a grieving widow assembles an idiosyncratic history of the earth’s history based on her understanding and impressions of her deceased husband’s papers.

In Natural Wonders, Jenny is given the task of assembling a memorial edition of her recently deceased husband Jonathan’s lecture series about the physical history of the earth. With little knowledge of his work or of Jonathan himself, Jenny constructs from his fragmentary and disorganized notes her own version of our planet’s past.
 
Presented as a series of lectures, Jenny’s earth history is an amalgam of stories from science and about scientists—a Serbian mathematician and his theory of the ice ages, a Swiss doctor camped on a glacier, the mysterious materia pinguis thought to have drifted down from stars to form fossils. Into these stories she interweaves scenes from their marriage as well as material she finds on Jonathan’s shelves. In her history, an explanation of continental drift becomes enmeshed with a schoolboy’s erotic encounter with an older woman. Icebergs in an Andean lake launch a woman’s jealous affair with a third-rate actor, and H. G. Wells’s Island of Dr. Moreau is dramatically recounted in new form.
 
Natural Wonders mixes mythology, popular fiction, and a misfired romance with the story of the earth hurtling around the sun. From intimately human to geologic to cosmic, it explores change, love, and loss.
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