Acts of Faith and Imagination wagers that fiction written by Catholic authors assists readers to reflect critically on the question: “what is faith?” To speak of a person’s “faith-life” is to speak of change and development. As a narrative form, literature can illustrate the dynamics of faith, which remains in flux over the course of one’s life. Because human beings must possess faith in something (whether religious or not), it inevitably has a narrative structure—faith ebbs and flows, flourishes and decays, develops and stagnates. Through an exploration of more than a dozen Catholic authors’ novels and short stories, Brent Little argues that Catholic fiction encourages the reader to reflect upon their faith holistically, that is, the way faith informs one’s affections, and how a person conceives and interacts with the world as embodied beings. Amidst the diverse stories of modern and contemporary fiction, a consistent pattern emerges: Catholic fiction portrays faith—at its most fundamental, often unconscious, level—as an act of the imagination. Faith is the way one imagines themselves, others, and creation. A person’s primary faith conditions how they live in the world, regardless of the level of conscious reflection, and regardless of whether this is a “religious” faith. Acts of Faith and Imagination investigates the creative depth and vitality of the Catholic literary imagination by bringing late modern Catholic authors into dialogue with more contemporary ones. Readers will then consider well-known works, such as those by Graham Greene, Flannery O’Connor, and Muriel Spark in the fresh light of contemporary stories by Toni Morrison, Alice McDermott, Uwem Akpan, and several others.

Many contemporary discussions of religion take an absolute, intractable approach to belief and nonbelief that privileges faith and dogmatism while treating doubt as a threat to religious values. As Madhuri M. Yadlapati demonstrates, however, there is another way: a faith (or nonfaith) that embraces doubt and its potential for exploring both the depths and heights of spiritual reflection and speculation. Through three distinct discussions of faith, doubt, and hope, Yadlapati explores what it means to live creatively and responsibly in the everyday world as limited, imaginative, and questioning creatures. She begins with a perceptive survey of diverse faith experiences in Islam, Buddhism, Judaism, Hinduism, and Protestant Christianity and then narrows her focus to Protestant Christianity and Hinduism to explore how the great thinkers of those faiths have embraced doubt in the service of spiritual transcendence.

Yadlapati traces religious perspectives on trust, humility, belonging, commitment, and lively skepticism as they relate to faith and doubt. Drawing on various doctrines, scriptures, and the writings of great religious thinkers such as C. S. Lewis, Søren Kierkegaard, Karl Barth, and Raimon Panikkar, Yadlapati demonstrates how doubt can serve to enhance faith, not hinder it. Defending the rich tapestry of faith and doubt against polarization, Against Dogmatism reveals an ecumenical middle way, a spiritual approach native to traditions in which faith and doubt are interwoven in constructive and dynamic ways.

Between 1790 and 1850, waves of Anglo-Americans, African Americans, and European immigrants flooded the Old Northwest (modern-day Ohio, Indiana, Michigan, Illinois, and Wisconsin). They brought with them a mosaic of Christian religious belief. Stephen T. Kissel draws on a wealth of primary sources to examine the foundational role that organized religion played in shaping the social, cultural, and civic infrastructure of the region. As he shows, believers from both traditional denominations and religious utopian societies found fertile ground for religious unity and fervor. Able to influence settlement from the earliest days, organized religion integrated faith into local townscapes and civic identity while facilitating many of the Old Northwest's earliest advances in literacy, charitable public outreach, formal education, and social reform. Kissel also unearths fascinating stories of how faith influenced the bonds, networks, and relationships that allowed isolated western settlements to grow and evolve a distinct regional identity.

Perceptive and broad in scope, America’s Religious Crossroads illuminates the integral relationship between communal and spiritual growth in early Midwestern history.

Abbey Lincoln (1930–2010), one of the greatest jazz vocalists of the twentieth century, was also an acclaimed composer, poet, playwright, actress, and activist and a towering figure within the African American intellectual tradition. Through constant reinvention, she resisted easy stereotyping and helped open a space for Black women artists to invoke their whole selves. Here, with meticulous research and insightful analysis, Ada C. M. Thomas contemplates Lincoln’s music alongside her poetry, plays, and reflections, revealing a multifaceted artist whose philosophical inquiries resonate deeply with the Black experience.

Thomas places Lincoln's albums in the context of both the female jazz and blues singers who influenced her and the male composers she collaborated with, including John Coltrane, Thelonious Monk, and Max Roach. Highlighting Lincoln’s central position within a vibrant global community of Black artists, activists, and writers, it also puts her work into conversation with that of contemporaries and close friends like Maya Angelou, Miriam Makeba, and Toni Morrison. Above all, it traces Lincoln’s extraordinary spiritual and intellectual journey, from her early life in Michigan to her rebirth in the 1970s as Aminata Moseka, meaning “faithful goddess of love,” and her ultimate resurgence in the 1990s as a critically acclaimed jazz artist and composer. With reverence and rigor, Thomas invites readers to rediscover Abbey Lincoln and embrace the transformative power of her words.

Avenues of Faith documents how religion flourished in southern cities after the turn of the century and how a cadre of clergy and laity created a notably progressive religious culture in Richmond, Virginia. Famous as the former capital of the Confederacy, in Avenues of Faith Richmond emerges as a dynamic and growing industrial city invigorated by the social activism of its Protestants.
 
By examining six mainline white denominations—Episcopalians, Methodists, Presbyterians, Baptists, Disciples of Christ, and Lutherans—Samuel C. Shepherd Jr. emphasizes the extent to which the city fostered religious diversity, even as “blind spots” remained regarding Catholics, African Americans, Mormons, and Jews. Shepherd explores such topics as evangelism, interdenominational cooperation, the temperance campaign, the Sunday school movement, the international peace initiatives, and the expanding role of lay people of both sexes. He also notes the community’s widespread rejection of fundamentalism, a religious phenomenon almost automatically associated with the South, and shows how it nurtured social reform to combat a host of urban problems associated with public health, education, housing, women’s suffrage, prohibition, children, and prisons.
 
In lucid prose and with excellent use of primary sources, Shepherd delivers a fresh portrait of Richmond Protestants who embraced change and transformed their community, making it an active, progressive religious center of the New South.