The notion of academic freedom dates back to the creation of universities and has long been understood to be central to their vocation. This freedom has come under attack by different actors throughout its history. In the current context, rising threats to democracy and human liberties, the corporatization of research, concerns about diversity and increased societal polarization, are putting a considerable pressure on its exercise. However, academic freedom is also a concept that suffers from persistent ambiguities associated with the general notion of freedom as well as debates about the function of universities.
This edited collection addresses the question of academic freedom by situating it in its broader global context. More conceptual treatments contribute to an understanding of academic freedom as distinct and separate from, although related to, freedom of expression, or student rights. These conceptual treatments are combined with studies of actual struggles over the scope of academic freedom in specific universities. The contributions come from a broad variety of sites seek to deprovincialize the conversation beyond North America or the English-speaking world.

Academic freedom—the institutional autonomy of scientific, research and teaching institutions, and the freedom of individual scholars and researchers to pursue controversial research and publish controversial opinions—is a cornerstone of any free society.  Today this freedom is under attack from the state in many countries—Russia, Turkey, Venezuela, Hungary, China—but it is also under question from within academe. Bitter disputes have erupted on American campuses, for example, about the limits of free speech and about whether liberal academic freedoms have degenerated into a form of coercive political correctness. Beyond the academy itself, among the general public, academic freedom is contested ground. As Robert Post of Yale Law School has put it, academic freedom is "the price the public must pay in return for the social good of advancing knowledge." Populist currents of political opinion are questioning the price a society pays for the freedom of its 'experts' and professors.

Besides providing a historical record of the long road from the economic agenda of the 1917 Bolshevik revolution to the present transition from communism, this book can be considered a staunch defense of market capitalism and liberal democracy. Any celebration of the current transition in Eastern Europe necessarily affirms the superiority of a market system over a non-market one and of a democratic system over a non-democratic one. The author does not deny the failures, shortcomings or imperfections of market economy and democracy. Nor does he take the survival of market capitalism and liberal democracy for granted. On the contrary, by highlighting the valiant and painful process of transition and attempting to understand its economics and culture, he seeks to contribute to the theoretical (academic) and practical (political) defense of Western civilization.

Following the constitutional and political reforms in Central and Eastern Europe of the last decade, the time has now come for the whole-scale reform of public administration and the creation of a professional civil service. What is needed is a clear sense of the objectives to be achieved by the administration; and the provision of adequate resources to perform the tasks of public administration. In addition, and perhaps most importantly of all, there must be a sound legal basis for public administration. Recognizing these realities, this book examines administrative law and administrative institutions in Central and Eastern Europe. In a series of case studies, discussing each country in the region in turn, it looks at the ways in which a range of administrative decisions are reached and at how the citizens affected by them are treated. The material for each of the fourteen chapters was collected by a person or persons native to the respective country.

In these marvellously written tales, Sindbad, a voyager in the realms of memory and imagination, travels through the centuries in pursuit of an ideal of love that is directed as much at the feminine essence as at his individual lovers. He is by nature a melancholy sensualist, but whether the women he seduces and loves are projections of his desire, or he of theirs, is a moot question.
These short stories flow without a strict narrative framework Sindbad journeys between the past and the present and is merely a ghost in many of his adventures. Although Sindbad can move through time, it is time that proves his chief enemy, and youth that remains his real love. This deeply autumnal book, full of resonances and associations, is an erotic elegy to the dying Habsburg Empire.
The stories are taken from the omnibus triple-volume Hungarian edition published as The Three Books of Sindbad in Hungary in 1944, which includes The Travels of Sindbad (1912), The Resurrection of Sindbad (1916), and The Youth and Grief of Sindbad (1917).

After the Berlin Wall tells the inside story of an international financial institution, the European Bank for Reconstruction and Development (EBRD), created in the aftermath of communism to help the countries of central and eastern Europe transition towards open market-oriented democratic economies. 

The first volume of a history in two parts, After the Berlin Wall charts the EBRD’s life from a fledgling high-risk start-up investing in former socialist countries from 1991 to become an established member of the international financial community, which (as of April 2020) operates in almost 40 countries across three continents. 

This volume describes the multilateral negotiations that created this cosmopolitan institution with a ‘European character’ and the emergence of the EBRD’s unique business model: a focus on the private sector and a mission to deliver development impact with sustainable financial returns. The author recounts the challenges that ‘transition’ countries faced in moving from a defunct to a functioning economic system and maps the EBRD’s response to critical events, from the dissolution of the Soviet Union, to the safe confinement of the Chernobyl disaster site, the debt default in Russia and the onset of the global financial crisis in 2008.

During his reign, Joseph Stalin oversaw the forced resettlement of people by the millions – a maniacal passion that he used for social engineering. The Soviets were not the first to thrust resettlement on its population – a major characteristic of totalitarian systems – but in terms of sheer numbers, technologies used to deport people and the lawlessness which accompanied it, Stalin’s process was the most notable. Six million people of different social, ethnic, and professions were resettled before Stalin's death. Even today, the aftermath of such deportations largely predetermines events which take place in the northern Caucasus, Crimea, the Baltic republics, Moldavia, and western Ukraine. Polian's volume is the first attempt to comprehensively examine the history of forced and semi-voluntary population movements within or organized by the Soviet Union. Contents range from the early 1920s to the rehabilitation of repressed nationalities in the 1990s, dealing with internal (kulaks, ethnic and political deportations) and international forced migrations (German internees and occupied territories). An abundance of facts, figures, tables, maps, and an exhaustively-detailed annex will serve as important sources for further researches.

The book explores representations of the Holocaust in contemporary art practices. Through carefully selected art projects, the author illuminates the specific historical, cultural, and political circumstances that influence the way we speak—or do not speak—about the Holocaust. The book's international focus brings into view film projects made by key artists reflecting critically upon forms of Holocaust memory in a variety of geographical contexts. Kékesi connects the ethical implications of the memory of the Holocaust with a critical analysis of contemporary societies, focusing upon artists who are deeply engaged in doing both of the above within three regions: Eastern Europe (especially Poland), Germany, and Israel. The case studies apply current methods of contemporary art theory, unfolding their implications in terms of memory politics and social critique.

Aleksandr Tvardovskii was not only one of the finest, most popular and most important poets of his epoch, but also the editor of Novyi mir, the most prominent Soviet literary journal of the postwar period until the 1970s. This book is a detailed biography of the writer and journal editor who probably changed the literary culture of the Soviet Union more than any other person in the two decades after Stalin's death. Geoffrey Hosking shows how Tvardovskii gradually evolved from being an ardent Stalinist who renounced his own so-called “kulak” family to becoming a convinced advocate of tolerance, an all-human morality, civil rights, and free literary creativity.
By giving a balanced account of his strengths and weaknesses, his achievements and failures, the author succeeds in giving the fullest picture available anywhere of a controversial man who turns out to be more complex than he has been portrayed so far. To understand him better is to understand why the Soviet intelligentsia changed so fundamentally in the USSR’s final decades, a change that helps to explain the rise of Gorbachev twenty years later. The study—which includes an in-depth analysis of Tvardovskii’s major works—also helps to better understand the fate of culture under an authoritarian regime and the intricacies of the struggle against censorship.

Women’s studies are still in their infancy in Poland and this pioneering book is one of the most comprehensive and well-researched studies on nineteenth-century Polish women prose writers. Selecting writers that reflect the most turbulent time in Polish women’s literature, such as Klementyna Hoffmanowa, Narcyza Zmichovska, Eliza Orzeszkowa and Zofia Nalkowska. Borkowska’s approach of major feminist theories and post-feminist thought results in astonishing findings that throw new light on Polish women writers and their contribution to European thought. The author’s intelligent and effective use of feminist criticism and clarity of thought make Alienated Women a landmark study, suitable for (all students) and scholars of Polish literature, women’s studies and feminist theory.

The River Dnipro (formerly better known by the Russian name of Dnieper) is intimately linked to the history and identity of Ukraine. Cybriwsky discusses the history of the river, from when it was formed and its many uses and modifications by human agencies from ancient times to the present.

From key vantage points along the river’s course—its source in western Russia, through Belarus and Ukraine, to the Black Sea—interesting stories shed light on past and present life in Ukraine. Scenes set along the river from Russian and Ukrainian literature are evoked, as well as musical compositions and works of art. Topics include the legacy of the region’s cultural ancestors as the Kyivan Rus, the period of Cossack dominion, the epic battles for the river’s bridges in World War II, the building of dams and huge reservoirs by the Soviet Union, and the crisis of Chornobyl (Chernobyl). The author argues that the Dnipro and the farmlands along it are Ukraine’s chief natural resources, and that the country's future depends on putting both to good use.

Written without academic pretence in an informal style with dashes of humor, Along Ukraine's River is illustrated with original line drawings, maps, and photographs.

Alternatives to Democracy in Twentieth-Century Europe examines the historical examples of Soviet Communism, Italian Fascism, German Nazism, and Spanish Anarchism, suggesting that, in spite of their differences, they had some key features in common, in particular their shared hostility to individualism, representative government, laissez faire capitalism, and the decadence they associated with modern culture. But rather than seeking to return to earlier ways of working these movements and regimes sought to design a new future – an alternative future – that would restore the nation to spiritual and political health. The Fascists, for their part, specifically promoted palingenesis, which is to say the spiritual rebirth of the nation. 

Takes a comparative perspective on family life and childhood in the past half century in Russia and Eastern Europe, highlighting similarities and differences. Focuses on the problematic domains of the institutions and laws devised to cope with family difficulties, and discusses the social strains created by the transition from communist to post-communist national systems. In addition to the substantial historic analysis, actual challenges are also discussed. The essays examine the changing gender roles, alterations in legal systems, the burdens faced by married and unmarried women who are mothers, the contrasts between government rhteoric and the implementation of policies toward marriage, children and parenthood. By addressing the specifics of welfare politics under the Communist rule and the directions of their transformation in 1990–2000s, this book contributes to the understanding of social institutions and family policies in these countries and the problems of dealing with the socialist past that this region face.

Supernatural phenomena and causalities played an important role in medieval society. Religious practice was relying upon a set of cult images and the sacral status of these depictions of divine or supernatural persons became the object of heated debates and provoked iconoclastic reactions.The miraculous intervention of saints or other divine agents, the wondrous realities beyond understanding, or the manifestations of magic attributed to diabolic forces, were contained by a variety of discourses, described and discussed in religion, philosophy, chronicles, literature and fiction, and also in a large number of pictures and material objects. The nine essays in this collection discusses how supernatural phenomena – especially angels and devils – found visual manifestation in Latin and Eastern Christianity as well as Judaism in the late medieval, early renaissance period.

Contains two very different narratives; both are for the first time presented in an updated Latin text with an annotated English translation.An anonymous notary of King Bela of Hungary wrote a Latin Gesta Hungarorum (ca. 1200/10), a literary composition about the mythical origins of the Hungarians and their conquest of the Carpathian Basin. Anonymus tried to (re)construct the events and protagonists—including ethnic groups—of several centuries before from the names of places, rivers, and mountains of his time, assuming that these retained the memory of times past. One of his major "inventions" was the inclusion of Attila the Hun into the Hungarian royal genealogy, a feature later developed into the myth of Hun-Hungarian continuity.The Epistle to the Sorrowful Lament upon the Destruction of the Kingdom of Hungary by the Tartars of Master Roger includes an eyewitness account of the Mongol invasion in 1241–2, beginning with an analysis of the political conditions under King Bela IV and ending with the king's return to the devastated country.

This book interrogates the nature of anti-Americanism today and over the last century. It asks several questions: How do we define the phenomenon from different perspectives: political, social, and cultural? What are the historical sources and turning points of anti-Americanism in Europe and elsewhere? What are its links with anti-Semitic sentiment? Has anti-Americanism been beneficial or self-destructive to its “believers”? Finally, how has the United States responded and why? The authors, scholars from a multitude of countries, tackle the potential political consequences of anti-Americanism in Eastern and Central Europe, the region that has been perceived as strongly pro-American.

The increasing radicalization of political life in most countries in Europe lends special relevance to studies of the antifascist legacies on the continent. This insightful collection of essays is an in-depth review of antifascism in Slovenia, setting it in the context of related movements elsewhere in Europe. The period treated by the 19 essays comprises the interwar period, World War Two, and the post-war decades. The comparative and transnational perspectives advanced by the volume change our understanding of antifascism.

The essays deal with the right-wing but also left-wing instrumentalization of antifascism, with a particular focus on the communist and post-communist periods. The authors point out that antifascism comes in various strains, whether inspired by liberalism, social democracy, communism, monarchism, anarchism, or even Christian conservatism. The contributors bring to light several overlooked antifascist actors, campaigns, and organisations, mostly in Slovenia and the Adriatic area.

The last volume of the Discourses of Collective Identity in Central and Southeast Europe 1770–1945 series presents 46 texts under the heading of "antimodernism". In a dynamic relationship with modernism, from the 1880s to the 1940s, and especially during the interwar period, the antimodernist political discourse in the region offered complex ideological constructions of national identification. These texts rejected the linear vision of progress and instead offered alternative models of temporality, such as the cyclical one as well as various narratives of decline. This shift was closely connected to the rejection of liberal democratic institutionalism, and the preference for organicist models of social existence, emphasizing the role of the elites (and charismatic leaders) shaping the whole body politic. Along these lines, antimodernist authors also formulated alternative visions of symbolic geography: rejecting the symbolic hierarchies that focused on the normativity of Western European models, they stressed the cultural and political autarchy of their own national community, which in some cases was also coupled with the reevaluation of the Orient. At the same time, this antimodernist turn should not be confused with rightwing radicalism—in fact, the dialogue with the modernist tradition was often very subtle and the anthology also contains texts which offered a criticism of 'modern' totalitarianism in an antimodernist key.

The attack on the World Trade Center in 2001, followed by similarly dreadful acts of terror, prompted a new interest in the field of the apocalyptic. There is a steady output of literature on the subject (also referred to as “the End Times.) This book analyzes this continuously published literature and opens up a new perspective on these views of the apocalypse. The thirteen essays in this volume focus on the dimensions, consequences and transformations of Apocalypticism. The authors explore the everyday relevance of the apocalyptic in contemporary society, culture, and politics, side by side with the various histories of apocalyptic ideas and movements. In particular, they seek to better understand the ways in which perceptions of the apocalypse diverge in the American, European, and Arab worlds. Leading experts in the field re-evaluate some of the traditional views on the apocalypse in light of recent political and cultural events, and, go beyond empirical facts to reconsider the potential of the apocalyptic. This last point is the focal point of the book.

The volume investigates the registers of fifteenth-century supplications to the Apostolic Penitentiary of the Holy See and presents an analysis of a multiplicity of issues in which a context of the local needs of Western Christians and the central power of the Pope occurred. The contributions make it clear that local and individual factors and the Christian faith and religion in practice must not be seen as separate from the global power of the Roman curia. The latter's influence could become directly important for any individual in any local space, even ...et usque ad ultimum terrae (Acts 1:8), in the utmost peripheries of the Christian world. It is shown that the assistance of the Apostolic Penitentiary was indispensable in a large variety of cases. Such cases were dealt with both in the local, regional space and in the globalized centre of the Holy See.

The long twelfth century, from the seizure of the throne by Alexius I Comnenus in 1081, to the sack of Constantinople by the Fourth Crusade in 1204, is a period recognized as fostering the most brilliant cultural development in Byzantine history, especially in its literary production. It was a time of intense creativity as well as of rising tensions, and one for which literary approaches are a lively area in current scholarship. This study focuses on the prose dialogues in Greek from this period—of very varying kinds—and on what they can tell us about the society and culture of an era when western Europe was itself developing a new culture of schools, universities, and scholars. Yet it was also the period in which Byzantium felt the fateful impact of the Crusades, which ended with the momentous sack of Constantinople in 1204. Despite revisionist attempts to play down the extent of this disaster, it was a blow from which, arguably, the Byzantines never fully recovered.

This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe’s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists’ strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period.

This volume discusses documentary film, theatre, and literature from the 1960s to the 2020s in Belarus, Russia, Ukraine, and the Baltic states. It presents new developments in documentary aesthetics in the region but also expands on the political, medial, and aesthetic developments that shaped Soviet attitudes towards documentary arts and their legacy. Russia’s full-blown invasion of Ukraine has given documentary practices a new urgency. All over the region, documentary art has become a tool to counter-act the media and memory conflict waged, evidence practices of decolonization and address the archival heritage of totalitarian times. The book reflects on documentary approaches as an interdisciplinary and collaborative artistic tool in politically transformative and violent times. The innovative volume is designed as a research monograph for scholars and students of literature, culture, film, theatre, memory and trauma studies, but also at general readers interested in the documentary arts.

Ascensions on high took many forms in Jewish mysticism and they permeated most of its history from its inception until Hasidism. The book surveys the various categories, with an emphasis on the architectural images of the ascent, like the resort to images of pillars, lines, and ladders. After surveying the variety of scholarly approaches to religion, the author also offers what he proposes as an eclectic approach, and a perspectivist one. The latter recommends to examine religious phenomena from a variety of perspectives. The author investigates the specific issue of the pillar in Jewish mysticism by comparing it to the archaic resort to pillars recurring in rural societies. Given the fact that the ascent of the soul and pillars constituted the concerns of two main Romanian scholars of religion, Ioan P. Culianu and Mircea Eliade, Idel resorts to their views, and in the Concluding Remarks analyzes the emergence of Eliade's vision of Judaism on the basis of neglected sources.

At the Village is the second volume of Polish poet and novelist Józef Lobodowski’s Ukrainian Trilogy, written between 1955 and 1960. The most lyrical and evocative installment of the cycle, it offers the fullest and most sympathetic portrait of Cossack life in all of modern Slavic literature. Lobodowski immerses the reader in the world of a fiercely independent people whose destiny has long been shaped by the competing gravitational pulls of the Russian Empire and the old Polish-Lithuanian Commonwealth.
The book’s protagonist, Stas, finds himself the guest of the Cossack Jakov Antonovich, a scholar as well as a military leader and an agricultural potentate. His time at Antonovich’s stanitsa provides him with an incomparable education in the history of the old Polish Commonwealth of nations, which at its height encompassed Poland, Ukraine, Belarus, Lithuania, Latvia and Estonia. It is a lesson all the more engaging to the reader in that it is presented from a perspective that is neither Polish nor Russian, but Cossack. Through Lobodowski’s interweaving of historical reflection with sumptuous descriptions of agricultural life on the well-ordered stanitsa, At the Village is sometimes compared to the Polish national epic, Adam Mickiewicz’s Pan Tadeusz (1834), upon which Lobodowski is said to have consciously modelled the novel.

This monograph provides an analysis of the economic performance and living standard in Czechoslovakia and its successor states, Hungary, and Poland since 1945. The novelty of the book lies in its broad comparative perspective: it places East Central Europe in a wider European framework that underlines the themes of regional disparities and European commonalities. Going beyond the traditional growth paradigm, the author systematically studies the historical patterns of consumption, leisure, and quality of life—aspects that Tomka argues can best be considered in relation to one other. By adopting this “triple approach,” he undertakes a truly interdisciplinary research drawing from history, economics, sociology, and demography.

As a result of Tomka’s three-pillar comparative analysis, the book makes a major contribution to the debates on the dynamics of economic growth in communist and postcommunist East Central Europe, on the socialist consumer culture along with its transformation after 1990, and on how the accounts on East Central Europe can be integrated into the emerging field of historical quality of life research.

One of the few autobiographies to have survived from the Middle Ages, this life history of one of the most influential rulers of the fourteenth century, Charles IV of Bohemia, covers his life from birth until his election as King of Germany in 1346.

Charles IV describes his childhood, spent mainly in the court of French kings, his juvenile years, his marriage and his first steps into the international political scene during the early part of the fourteenth century.

A unique addition to this volume is the first ever English translation of the Legend of Saint Wenceslas, written by Charles IV of Luxemburg.

In Avala Is Falling, Jovanović’s breakout success in 1978, a young woman challenges the expectations that teachers, parents, bus drivers, and doctors have for her. The “Avala” of the title refers to a mountain south of Belgrade which is home to some of Serbia’s most important nationalist monuments and shrines; it is also the site of the main mental hospital for the region, and its “falling” is the unexpected fulfillment of a prophecy from a traditional Serbian folk song. Jovanović’s use of stream of consciousness in her characters’ thinking and speaking, as well as of intertextuality in description and plot advancement heralded the arrival of an innovative new writer who was determined to break with the of traditional concerns of earlier women writers.

This book is now recognized as much more than “jeans prose,” although the fame the book achieved under that characterization eventually pushed it to cult status. Jovanović is now considered a major avant-garde writer, whose stylistic innovations were as challenging as her women-centered themes.