At the VA offers an unflinching and deeply humane portrait of combat veterans—primarily from the Vietnam era—as they seek care within Veterans Affairs hospitals. These imagistic, lyrical pieces focus not on the battlefield but on its aftermath.
Author H. Lee Barnes, a veteran himself, addresses familiar wounds such as PTSD, moral injury, and survivor’s guilt while also bringing attention to underexamined experiences, including those of women veterans who have survived sexual assault. The collection honors sacrifice without sentimentality and resilience without oversimplifying the challenges veterans face.
At its center is a quiet irony: the VA can be frustrating and imperfect, yet to be there at all is to have survived. In that tension, Barnes finds a measured sense of hope that will resonate with readers who understand any type of trauma and recovery. Thoughtful and timely, At the VA asks what we owe our veterans long after their service ends.
Atlas of Nevada Conifers is a major scientific contribution to our understanding of the ecology of Nevada. It documents in great detail the distribution of all native conifer species in the state—critical information because of the primary ecological importance of conifers for all organisms and because of the lack of documentation of these distributions in the scientific literature before now. Charlet maps and documents the exact location of herbarium records for 1,600 individual trees. The data found in 23 tables and 22 range maps will serve as a primary reference for botanists, land managers, and conservation biologists for years to come.
The advent of the Atomic Age challenged purveyors of popular culture to explain to the general public the complex scientific and social issues of atomic power. Atomic Comics examines how comic books, comic strips, and other cartoon media represented the Atomic Age from the early 1920s to the present. Through the exploits of superhero figures such as Atomic Man and Spiderman, as well as an array of nuclear adversaries and atomic-themed adventures, the public acquired a new scientific vocabulary and discovered the major controversies surrounding nuclear science. Ferenc Morton Szasz’s thoughtful analysis of the themes, content, and imagery of scores of comics that appeared largely in the United States and Japan offers a fascinating perspective on the way popular culture shaped American comprehension of the fissioned atom for more than three generations.
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