Curt Flood, former star center fielder for the St. Louis Cardinals, is a hero to many for selflessly sacrificing his career to challenge the legality of baseball’s reserve system. Although he lost his case before the Supreme Court, he has become for many a martyr in the eventually successful battle for free agency. Sportswriters and fans alike have helped to paint a picture of Flood as a larger-than-life figure, a portrait that, unhappily, cannot stand closer inspection. This book reveals the real Curt Flood—more man than myth.

Flood stirred up a hornet’s nest by refusing to be traded from the Cardinals to the Philadelphia Phillies after the 1969 season, arguing that Major League Baseball’s reserve system reduced him to the status of bondage. Flood decided to resist a system in which his contract could be traded without his consent and in which he was not at liberty to negotiate his services in an open market. Stuart Weiss examines the man behind the decision, exploring the span of Flood’s life and shedding light on his relationships with those who helped shape his determination to sue baseball and providing a new perspective on the lawsuit that found its way to the U.S. Supreme Court.

Although a superb player, Flood was known to be temperamental and sensitive; in suing Major League Baseball he transformed his grievances against the Cardinals front office into an attack on how the business of big-league ball was conducted. Weiss shows that Flood was far from the stereotypical “dumb jock” but was rather a proud, multifaceted black man in a business run by white moguls. By illuminating Flood’s private side, rarely seen by the public, he reveals how Flood misled a gullible press on a regular basis and how his 1971 memoir, The Way It Is, didn’t tell it the way it really was.

Drawing on previously untapped sources, Weiss examines more fully and deeply than other writers the complexities of Flood’s decision to pursue his lawsuit—and demonstrates that the picture of Flood as a martyr for free agency is a myth. He suggests why, of all the players traded or sold through the years, it was Flood who brought this challenge. Weiss also explains how Flood’s battle against the reserve system cannot be understood in isolation from the personal experiences that precipitated it, such as his youth in a dysfunctional home, his troubled first marriage, his financial problems, and his unwavering commitment to the Cardinals.

The Curt Flood Story is a realistic account of an eloquent man who presented a warm, even vulnerable, face to the public as well as to friends, while hiding his inner furies. It shows that Flood was neither a hero nor a martyr but a victim of unique circumstances and his own life.

“I here and there o’heard a Coxcomb cry,
Ah, rot—’tis a Woman’s Comedy.”

Thus Aphra Behn ushers in a new era for women in the British Theatre (Sir Patient Fancy, 1678). In the hundred years that were to follow—and exactly those years that Curtain Calls examines—women truly took the theater world by storm.

For each woman who chose a career in the theater world of the eighteenth century, there is a unique tale of struggle, insult, success, good or bad fortune, disaster, seduction, or fame. Whether acting, writing, reviewing, or stage managing, women played a major, if frequently unacknowledged, role in the history of the theater from the late seventeenth through the early nineteenth centuries. From Alpha Behn’s earliest plays through the glorious celebrity of Sara Siddons, women molded the taste of the age and carved out in the theater one of the few available opportunities for independence and renown.

Not all the women who tried succeeded, of course, and even the best faced opposition as they challenged the male stronghold of playwriting and theater managing. Curtain Calls maps the new territory as these pioneering women staked it for their own; it chronicles their lives, their triumphs, and their losses.

We begin with Aphra Behn, whose first play was staged in 1670, and conclude in the early decades of the nineteenth century with Inchbald and Siddons. The one hundred and fifty years encompassed by their lives contain the careers of dozens of lesser–known women, a network, as Dr. Johnson would have it, encompassing both talent and tribulation.

Contributors include: Edward Langhans, Linda R. Payne, Pat Rogers, Maureen e. Mulvihill, Deborah Payne, Betty Rizzo, Ellen Donkin, Frances M. Kavenik, Jessica Munns, nancy Cotton, Edna L. Steevs, Doreen Saar, Jean B. Kern, Katherine M. Rogers, Constance Clark, William J. Burling, Judith Phillips Stanton, Douglas Butler, Rose Zimbardo, and the editors.

Farming and pastoral societies inhabit ever-changing environments. This relationship between environment and rural culture, politics and economy in Tanzania is the subject of this volume which will be valuable in reopening debates on Tanzanian history.

In his conclusion, Isaria N. Kimambo, a founding father of Tanzanian history, reflects on the efforts of successive historians to strike a balance between external causes of change and local initiative in their interpretations of Tanzanian history.

He shows that nationalist and Marxist historians of Tanzanian history, understandably preoccupied through the first quarter-century of the country's post-colonial history with the impact of imperialism and capitalism on East Africa, tended to overlook the initiatives taken by rural societies to transform themselves.

Yet there is good reason for historians to think about the causes of change and innovation in the rural communities of Tanzania, because farming and pastoral people have constantly changed as they adjusted to shifting environmental conditions.

Originally published in 1989, this ground-breaking ethnographic exploration of tattooing—and the art world surrounding it—covers the history, anthropology and sociology of body modification practices; the occupational experience of the tattooist; the process and social consequences of becoming a tattooed person; and the prospects of "serious" tattooing becoming an accepted art form. Curiously, despite the greater prevalence of tattoos and body modification in today’s society, there is still a stigma of deviance associated with people who get or ink tattoos.

Retaining the core of the original book, this revised and expanded edition offers a new preface by the author and a new chapter focusing on the changes that have occurred in the tattoo world. A section on the new scholarly literature that has emerged, as well as the new modes of body modification that have come into vogue are included along with a new gallery of photographs that shows some splendid examples of contemporary tattoo art. A directory of artists' websites invites readers to discover the range of work being done around the world—from “suits” (full body tattoos) to skulls.

Although breakups—whether celebrity or everyday—are a constant source of fascination, surprisingly little attention has been given to women who are cut loose in their later years. This is a book about (mostly) long-term relationships that have come apart. Each woman involved, the majority of whom are over sixty, tells of her experience through journal entries, essays, poetry, or stories. Although in many senses they have been abandoned, they have also been set free, untethered, and, for some, liberated sexually, mentally, or emotionally.

The book is divided into two major sections. The pieces in the first part are personal narratives. Among the varied voices, we hear from women in both heterosexual and same-sex relationships who have been left by their partners or who have decided to leave them. In the second section, the contributors look at being left and leaving from psychological, sociological, economic, sexual, medical, anthropological, and literary perspectives. Other essays explore the shared experiences of specific classes of women, such as single women, widows, or abandoned daughters.

The English middle class in the late nineteenth century enjoyed an increase in the availability and variety of material goods. With that, the visual markers of class membership and manly behavior underwent a radical change. In The Cut of His Coat: Men, Dress, and Consumer Culture in Britain, 1860–1914, Brent Shannon examines familiar novels by authors such as George Eliot, Anthony Trollope, Thomas Hughes, and H. G. Wells, as well as previously unexamined etiquette manuals, period advertisements, and fashion monthlies, to trace how new ideologies emerged as mass-produced clothes, sartorial markers, and consumer culture began to change.

While Victorian literature traditionally portrayed women as having sole control of class representations through dress and manners, Shannon argues that middle-class men participated vigorously in fashion. Public displays of their newly acquired mannerisms, hairstyles, clothing, and consumer goods redefined masculinity and class status for the Victorian era and beyond.

The Cut of His Coat probes the Victorian disavowal of men’s interest in fashion and shopping to recover men’s significant role in the representation of class through self-presentation and consumer practices.

A critical look at the political economy of urban bicycle infrastructure in the United States

Not long ago, bicycling in the city was considered a radical statement or a last resort, and few cyclists braved the inhospitable streets of most American cities. Today, however, the urban cyclist represents progress and the urban “renaissance.” City leaders now undertake ambitious new bicycle infrastructure plans and bike share schemes to promote the environmental, social, and economic health of the city and its residents. Cyclescapes of the Unequal City contextualizes and critically examines this new wave of bicycling in American cities, exploring how bicycle infrastructure planning has become a key symbol of—and site of conflict over—uneven urban development. 

John G. Stehlin traces bicycling’s rise in popularity as a key policy solution for American cities facing the environmental, economic, and social contradictions of the previous century of sprawl. Using in-depth case studies from San Francisco, Philadelphia, and Detroit, he argues that the mission of bicycle advocacy has converged with, and reshaped, the urban growth machine around a model of livable, environmentally friendly, and innovation-based urban capitalism. While advocates envision a more sustainable city for all, the deployment of bicycle infrastructure within the framework of the neoliberal city in many ways intensifies divisions along lines of race, class, and space.

Cyclescapes of the Unequal City speaks to a growing interest in bicycling as an urban economic and environmental strategy, its role in the politics of gentrification, and efforts to build more diverse coalitions of bicycle advocates. Grounding its analysis in both regional political economy and neighborhood-based ethnography, this book ultimately uses the bicycle as a lens to view major shifts in today’s American city.

Disasters as historical processes shaping identity, governance, and diasporic memory in colonial and postcolonial Mauritius

In a world marked by increasingly destructive ecological and meteorological upheavals, Cyclonic Lives in an Indian Ocean World offers a historical analysis of how these catastrophes shape people’s understanding of themselves, their collective history, and their relationship to the institutions that govern them. An examination of cyclonic disasters in the multiethnic Indian Ocean island of Mauritius throws into stark relief how deep histories of diasporic identity formation, of imperial governance, and of the informal practices of racial difference making graft onto how everyday people interpret these moments of loss and the futures that emerge in their wake.

Cyclonic Lives shows that disasters are not only events; they are also processes through which people evaluate and rethink the most elemental social and cultural categories that give meaning to their lives. Beginning in the late nineteenth century and continuing until the early postcolonial era, this book tracks, for example, how Mauritians of African descent integrated these disasters into broader collective histories and memories of the Indian Ocean slave trade, how Hindu Indo-Mauritians understood cyclones’ ecological effects as material elements to be accounted for in a broader Hindu diasporic space, and how the late colonial and early postcolonial state built infrastructures—material, conceptual, and financial—to mitigate the threats posed by these storms and ensure their own long-term durability.

The increasing political, social, and economic instability that climate change has already triggered demands that humanists develop analytical geographies and methodologies that shed light on how power can modulate in asymmetrical ways at moments of crisis. If there is one central takeaway from this historical study of this small island in a big ocean, it is that catastrophic events are not things that merely happen to people; they are processes that remake them.