Dazzled by the model of Japan’s Western-style constitutional government, Chinese officials and elite activists made plans to establish locally elected councils. By October 1911, government agencies had reported the establishment of about 5,000 councils.

Throughout the period, data on self-government reforms collected from localities were compiled in provincial capitals, then collated, summarized, and archived in Beijing. Simultaneously, directives were being sent from the capital to the provinces. From this wealth of previously unexamined material, Roger R. Thompson draws a portrait-in-motion of the reforms. He demonstrates the energy and significance of the late-Qing local-self-government movement, while making a compelling case that it was separate from the well-studied phenomenon of provincial assemblies and constitutionalism in general.

As the world is drawn together with increasing force, our long-standing isolation from—and baffling ignorance of—China is ever more perilous. This book offers a powerful analysis of China and the transformations it has undertaken since 1989.

Wang Hui is unique in China’s intellectual world for his ability to synthesize an insider’s knowledge of economics, politics, civilization, and Western critical theory. A participant in the Tiananmen Square movement, he is also the editor of the most important intellectual journal in contemporary China. He has a grasp and vision that go beyond contemporary debates to allow him to connect the events of 1989 with a long view of Chinese history. Wang Hui argues that the features of contemporary China are elements of the new global order as a whole in which considerations of economic growth and development have trumped every other concern, particularly those of democracy and social justice. At its heart this book represents an impassioned plea for economic and social justice and an indictment of the corruption caused by the explosion of “market extremism.”

As Wang Hui observes, terms like “free” and “unregulated” are largely ideological constructs masking the intervention of highly manipulative, coercive governmental actions on behalf of economic policies that favor a particular scheme of capitalist acquisition—something that must be distinguished from truly free markets. He sees new openings toward social, political, and economic democracy in China as the only agencies by which the unstable conditions thus engendered can be remedied.

In February 1967, at the height of the Cultural Revolution, the American Society of International Law organized a study panel of legal scholars, social scientists, lawyers, and government officials to consider problems relating to “China and International Order.” The panel was founded in the belief that the turmoil in China would not endure and that the People's Republic might soon wish to participate fully in the world community. To prepare for this day, the panel commissioned and reviewed a number of studies of China's interpretation and application of international law.

The ten essays in this volume—written by twelve scholars including Jerome Alan Cohen, who has also written a substantial introduction—are the fruit of this effort. Four of the essays deal with basic problems relating to Peking's international conduct: recognition and the establishment of diplomatic relations, the regulation of foreign diplomats serving in China, manipulation of the concept of “unequal treaties,” and the PRC's conditions for participation in international organizations. The other six essays focus on legal problems that have arisen in China's relations with a given country or international organization.

The present confrontation of Communist China and the United States, on which the future of peace in Asia hinges, is merely the latest phase in a continuing historical process--the remaking of China's ancient society under the stimulus of Western contact. How does it happen that a century of foreign trade and missionary evangelism, of modern education and the training of Chinese students in Western ways, has now resulted in a seeming rejection of the West? What has been the real nature of "China's response to the West" during the past century of our contact?

This volume gives the first inside account, on so broad a scale, of how China's leaders reacted to the invasion of Western arms and goods, persons and ideas, during the three generations from the Opium War to the rise of the Kuomintang. In 28 chapters, with translations of 65 key documents, the authors trace the stages by which the scholar-officials of the Middle Kingdom were brought to recognize successively the need for Western arms to defend their country, Western technology for making arms, modern science to support technology, its application in modern industry to strengthen the nation, and all the attendant new ideas which led them eventually into great movements for institutional reform, political revolution, and ideological reconstruction.

From the famous Commissioner un's first study of Western geography during his anti-opium crusade, through the efforts of Li Hungchang and others at "self-strengthening" by industrialization, down to the critical thought of Dr. Hu Shih and the eclecticism of Sun Yat-sen in the early 20th century, the writings of China's leaders ring the changes on a central theme how to remake their heritage and create a modern nation capable of meeting the West on equal terms. The provincial viceroys, the Reformers of 1898, the Boxers in 1900, the old Empress Dowager, and the eager students studying abroad, each in their own way, all grapple with this absorbing problem. The varied Chinese responses to the West in the formative century here analyzed give us a new insight into the springs of social action among one-fifth of mankind.

The companion volume, for the research specialist, provides Notes and Sources, Bibliography, and a Glossary of Chinese names and terms, essential bases for further exploration of this new field.

The present confrontation of Communist China and the United States, on which the future of peace in Asia hinges, is merely the latest phase in a continuing historical process--the remaking of China's ancient society under the stimulus of Western contact. How does it happen that a century of foreign trade and missionary evangelism, of modern education and the training of Chinese students in Western ways, has now resulted in a seeming rejection of the West? What has been the real nature of "China's response to the West" during the past century of our contact?

This volume gives the first inside account, on so broad a scale, of how China's leaders reacted to the invasion of Western arms and goods, persons and ideas, during the three generations from the Opium War to the rise of the Kuomintang. In 28 chapters, with translations of 65 key documents, the authors trace the stages by which the scholar-officials of the Middle Kingdom were brought to recognize successively the need for Western arms to defend their country, Western technology for making arms, modern science to support technology, its application in modern industry to strengthen the nation, and all the attendant new ideas which led them eventually into great movements for institutional reform, political revolution, and ideological reconstruction.

From the famous Commissioner un's first study of Western geography during his anti-opium crusade, through the efforts of Li Hungchang and others at "self-strengthening" by industrialization, down to the critical thought of Dr. Hu Shih and the eclecticism of Sun Yat-sen in the early 20th century, the writings of China's leaders ring the changes on a central theme how to remake their heritage and create a modern nation capable of meeting the West on equal terms. The provincial viceroys, the Reformers of 1898, the Boxers in 1900, the old Empress Dowager, and the eager students studying abroad, each in their own way, all grapple with this absorbing problem. The varied Chinese responses to the West in the formative century here analyzed give us a new insight into the springs of social action among one-fifth of mankind.

The companion volume, for the research specialist, provides Notes and Sources, Bibliography, and a Glossary of Chinese names and terms, essential bases for further exploration of this new field.

The development of modern China’s most important export commodity, silk, is traced from the opening of the treaty ports to the 1930s. This study examines the silk industry, one of China’s most advanced traditional economic enterprises, as it moved into large-scale trade with the West. And it especially considers whether traditional economic organizations and practices encouraged or inhibited the expansion of the industry and its technological modernization.

The silk industry is presented as a microcosm of China’s encounter with the modern world market, focusing on such topics as the role of the state, the relationship between treaty ports and rural producers, the domestic market, and the financing and organization of the modern sector. Such important issues as the “sprouts of capitalism” argument and Japan’s assumption of first position in the modern world silk market are authoritatively and convincingly illuminated.

The rise of China as a great power is one of the most important developments in the twenty-first century. But despite dramatic economic progress, China’s prospects remain uncertain. In a book sure to provoke debate, Minxin Pei examines the sustainability of the Chinese Communist Party’s reform strategy—pursuing pro-market economic policies under one-party rule.

Pei casts doubt on three central explanations for why China’s strategy works: sustained economic development will lead to political liberalization and democratization; gradualist economic transition is a strategy superior to the “shock therapy” prescribed for the former Soviet Union; and a neo-authoritarian developmental state is essential to economic take-off. Pei argues that because the Communist Party must retain significant economic control to ensure its political survival, gradualism will ultimately fail.

The lack of democratic reforms in China has led to pervasive corruption and a breakdown in political accountability. What has emerged is a decentralized predatory state in which local party bosses have effectively privatized the state’s authority. Collusive corruption is widespread and governance is deteriorating. Instead of evolving toward a full market economy, China is trapped in partial economic and political reforms.

Combining powerful insights with empirical research, China’s Trapped Transition offers a provocative assessment of China’s future as a great power.

When Japan invaded China in the summer of 1937, many Chinese journalists greeted the news with euphoria. For years, the Chinese press had urged Chiang Kai-shek to resist Tokyo’s aggressive overtures. This was the war they wanted, convinced that their countrymen would triumph.

Parks Coble recaptures the experiences of China’s war correspondents during the Sino–Japanese War of 1937–1945. He delves into the wartime writing of reporters connected with the National Salvation Movement—journalists such as Fan Changjiang, Jin Zhonghua, and Zou Taofen—who believed their mission was to inspire the masses through patriotic reporting. As the Japanese army moved from one stunning victory to the next, forcing Chiang’s government to retreat to the interior, newspaper reports often masked the extent of China’s defeats. Atrocities such as the Rape of Nanjing were played down in the press for fear of undercutting national morale.

By 1941, as political cohesion in China melted away, Chiang cracked down on leftist intellectuals, including journalists, many of whom fled to the Communist-held areas of the north. When the People’s Republic was established in 1949, some of these journalists were elevated to prominent positions. But in a bitter twist, all mention of their wartime writings disappeared. Mao Zedong emphasized the heroism of his own Communist Revolution, not the war effort led by his archrival Chiang. Denounced as enemies during the Cultural Revolution, once-prominent wartime journalists, including Fan, committed suicide. Only with the revival of Chinese nationalism in the reform era has their legacy been resurrected.

Chinese–American relations are often viewed through the prism of power rivalry and civilization clash. But China and America’s shared history is much more than a catalog of conflicts. Using culture rather than politics or economics as a reference point, Xu Guoqi highlights significant yet neglected cultural exchanges in which China and America have contributed to each other’s national development, building the foundation of what Zhou Enlai called a relationship of “equality and mutual benefit.”

Xu begins with the story of Anson Burlingame, Abraham Lincoln’s ambassador to China, and the 120 Chinese students he played a crucial role in bringing to America, inaugurating a program of Chinese international study that continues today. Such educational crosscurrents moved both ways, as is evident in Xu’s profile of the remarkable Ge Kunhua, the Chinese poet who helped spearhead Chinese language teaching in Boston in the 1870s. Xu examines the contributions of two American scholars to Chinese political and educational reform in the twentieth century: the law professor Frank Goodnow, who took part in making the Yuan Shikai government’s constitution; and the philosopher John Dewey, who helped promote Chinese modernization as a visiting scholar at Peking University and elsewhere. Xu also shows that it was Americans who first introduced to China the modern Olympic movement, and that China has used sports ever since to showcase its rise as a global power. These surprising shared traditions between two nations, Xu argues, provide the best roadmap for the future of Sino–American relations.

Chinese Animation: Multiplicities in Motion is the first edited volume that explores the multiple histories, geographies, industries, technologies, media, and transmedialities of Chinese animation, from early animated special effects to socialist classics, from computer-generated-imagery (CGI) blockbusters to edgy independent films, and from stop-motion to virtual reality.

Its fifteen chapters, grouped under the five themes of junctures, gender, identities, digitality, and practices, span a century of animation since the 1920s across mainland China, Hong Kong, Taiwan, Singapore, and the diasporic world. Derived from the 2021 Inaugural Conference of the Association for Chinese Animation Studies (ACAS), this volume as a whole defines Chinese animation studies as a new field of research emerging from the peripheries of modern Chinese literature and film studies on the one hand, and from the margins of Western and Japanese animation studies on the other. Incorporating diverse academic approaches and perspectives, this groundbreaking book is an indispensable guide for a rapidly growing community of scholars, students, animators, fans, and general readers interested in Chinese and world animation.

Ellis Joffe has drawn on a lifetime of experience as an analyst of Chinese military affairs in this authoritative assessment of a highly elusive subject: military modernization and the politics of civilian-military relations in the post-Mao period. He has sifted vast amounts of evidence, primary and secondary, to show that during the past few years the Chinese army has been transformed into a relatively modern and professional force that will be the basis for future growth of China’s military power.

The author begins by describing the development of the People’s Liberation Army in the Maoist era and explains the reasons for its decline. He analyzes the political changes and the shifts in strategic outlook of Mao’s successors that have made possible a new policy of military modernization: a policy of raising the combat capability of the PLA through slow improvements of technology—including buying some material abroad—and a thorough upgrading of the nontechnological components of military power.

Joffe examines all aspects of the PLA’s modernization, focusing on the wide-ranging changes in doctrine, weapons, organization, structure, and modes of operation, and concludes with an analysis of the PLA’s political role and the state of civil–military relations. There is a particularly perspicacious chapter dissecting Deng’s maneuvers to remove the military influence in politics that had burgeoned during and after the Cultural Revolution.

For many Westerners, the words "Chinese art" evoke visions of willow pattern landscapes on porcelain plates and teapots, Chinese wallpaper decorated with flowers, birds, and pagodas, and perhaps silk brocades. This beautiful book allows readers to see beyond such ornamental exports to the true nature of the art produced in China over millennia for a Chinese audience, whether the Emperor, the scholarly elite, the ordinary folk, or the furnishing of tombs and temples.

Drawing on the British Museum's extensive collection, Chinese Art in Detail explores the traditional hierarchy of materials and techniques reaching back as far as the Han Dynasty in the third century B.C.—with calligraphy and painting most revered, followed by jades and bronzes, decorative arts such as lacquer, porcelain, and silk, and, finally, sculpture for religious and funerary use. Images of complete artifacts set against magnified details give readers the rare opportunity to appreciate the delicacies of technique and material that characterize much of Chinese art—and distinguish one form, as well as one period, from another. Illuminated throughout by two scholars thoroughly and deeply versed in the history and character of the works under scrutiny, this sumptuously illustrated book conveys an understanding of Chinese art in all its great variety, its simplicities, its complexities, its splendors, and its mysteries of craft and inspiration reaching back to Neolithic times.

Chinese Asianism examines Chinese intellectual discussions of East Asian solidarity, analyzing them in connection with Chinese nationalism and Sino–Japanese relations. Beginning with texts written after the first Sino–Japanese War of 1894 and concluding with Wang Jingwei’s failed government in World War II, Craig Smith engages with a period in which the Chinese empire had crumbled and intellectuals were struggling to adapt to imperialism, new and hegemonic forms of government, and radically different epistemes. He considers a wide range of writings that show the depth of the pre-war discourse on Asianism and the influence it had on the rise of nationalism in China.

Asianism was a “call” for Asian unity, Smith finds, but advocates of a united and connected Asia based on racial or civilizational commonalities also utilized the packaging of Asia for their own agendas, to the extent that efforts towards international regionalism spurred the construction of Chinese nationalism. Asianism shaped Chinese ideas of nation and region, often by translating and interpreting Japanese perspectives, and leaving behind a legacy in the concepts and terms that persist in the twenty-first century. As China plays a central role in regional East Asian development, Asianism is once again of great importance today.

Chiang Yee’s Chinese Calligraphy: An Introduction to Its Aesthetic and Technique remains the classic introduction to Chinese calligraphy. In eleven richly illustrated chapters, Chiang explores the aesthetics and the technique of this art in which rhythm, line, and structure are perfectly embodied. He measures the slow change from pictograph to stroke to the style and shape of written characters by the great calligraphers.

In addition to aesthetic considerations, the text deals with more practical subjects such as the origin and construction of the Chinese characters, styles, technique, strokes, composition, training, and the relations between calligraphy and other forms of Chinese art.

Chinese Calligraphy is a superb appreciation of beauty in the movement of strokes and in the patterns of structure—and an inspiration to amateurs as well as professionals interested in the decorative arts.

Communistic doctrine and Communist leadership as they developed in China, and their changing relations to the Kremlin, are the subjects of this documented, readable—and controversial—book. Benjamin Schwartz points out that we have witnessed in China not only an elemental upsurge of the masses, but also the rise to power of a vigorous new ruling group basing itself on a forceful new strategy neither planned in advance nor anticipated by the Kremlin.

Schwartz studies the beginnings of Communism in China. He then analyzes the peculiar nature of the Communist-Kuomintang alliance of 1924 and the cause of its collapse, and discusses the role played by Mao Tse-tung during these years. He goes on to trace the growing isolation of the Chinese Communist Party from the urban proletariat; the shift of power to Mao Tse-tung in the countryside; and the emergence of a new strategy whose relation to the Kremlin's party line is more a matter of faith than of fact. For, under the leadership of Mao, the Chinese Party, while firmly convinced of its own orthodoxy, came to realize in the face of Marxist-Leninist doctrine that the peasantry could provide the mass basis and the motive power for a revolutionary transformation—and acted on that belief. The nature and extent of “'Titoism”' in China and elsewhere is the subject of Schwartz' thought-provoking final chapter.

Winner of the Stanislas Julien Prize
Winner of the Joseph Levenson Prize for Scholarship on Pre-1900 China

Dreaming is a near-universal human experience, but there is no consensus on why we dream or what dreams should be taken to mean. In this book, Robert Ford Campany investigates what people in late classical and early medieval China thought of dreams. He maps a common dreamscape—an array of ideas about what dreams are and what responses they should provoke—that underlies texts of diverse persuasions and genres over several centuries. These writings include manuals of dream interpretation, scriptural instructions, essays, treatises, poems, recovered manuscripts, histories, and anecdotes of successful dream-based predictions.

In these many sources, we find culturally distinctive answers to questions peoples the world over have asked for millennia: What happens when we dream? Do dreams foretell future events? If so, how might their imagistic code be unlocked to yield predictions? Could dreams enable direct communication between the living and the dead, or between humans and nonhuman animals? The Chinese Dreamscape, 300 BCE–800 CE sheds light on how people in a distant age negotiated these mysteries and brings Chinese notions of dreaming into conversation with studies of dreams in other cultures, ancient and contemporary. Taking stock of how Chinese people wrestled with—and celebrated—the strangeness of dreams, Campany asks us to reflect on how we might reconsider our own notions of dreaming.

With the Qing Dynasty reform efforts (1901–1911), abolition of the civil service examination (1905), and the end of the monarchy (1912), the first three decades of the twentieth century brought important changes to the elite of Zhejiang Province. This book examines the social backgrounds, public activities, careers, and decision-making of local and provincial elites—that is, nonprofessional men who had taken on public duties when the multiplying problems of government had resulted in a general breakdown of public functions.

While elites in early twentieth-century China have often been caricatured as militarists, corrupt bureaucrats, evil landlords, and ineffectual reformers, they have not been clearly understood or closely analyzed. Since the seventeenth century, elites had been assuming increasing responsibility for funding and managing public projects, and by the twentieth century had expanded their activities still further. In the first three decades of the century, they experienced substantial personal and communitarian development; it was the structures and processes developed by these elites that subsequent regimes—Guomindang, Japanese, or Communist—had to build upon and adapt.

Keith Schoppa divides the counties of Zhejiang Province into four zones according to level of political and economic development and scrupulously analyzes the complex processes of remolding society at the local and provincial levels. By delving beneath the heroic figures and large movements of Chinese political life in this century, he reveals the common factors that make China a part of the worldwide story of reconstruction, reform, and developmental change.

Dense with winding paths, dominated by huge rock piles and buildings squeezed into small spaces, the characteristic Chinese garden is, for many foreigners, so unlike anything else as to be incomprehensible. Only on closer acquaintance does it offer up its mysteries; and such is the achievement of Maggie Keswick's celebrated classic that it affords us--adventurers, armchair travelers, and garden buffs alike--the intimate pleasures of the Chinese garden.

In these richly illustrated pages, Chinese gardens unfold as cosmic diagrams, revealing a profound and ancient view of the world and of humanity's place in it. First sensuous impressions give way to more cerebral delights, and forms conjure unending, increasingly esoteric and mystical layers of meaning for the initiate. Keswick conducts us through the art and architecture, the principles and techniques of Chinese gardens, showing us their long history as the background for a civilization--the settings for China's great poets and painters, the scenes of ribald parties and peaceful contemplation, political intrigues and family festivals.

Updated and expanded in this third edition, with an introduction by Alison Hardie, many new illustrations, and an updated list of gardens in China accessible to visitors, Keswick's engaging work remains unparalleled as an introduction to the Chinese garden.

Endymion Wilkinson’s bestselling Chinese History: A New Manual has been continuously in print for fifty years. It has achieved this unusual distinction because the author expanded its scope with each new edition. In the process it has grown from a modest research guide to Chinese imperial history into an encyclopedic, 1.7-million-word introduction to Chinese civilization and the primary and secondary resources and research problems for all periods of Chinese history. In recognition of its unique value, the Académie des Inscriptions et Belles-Lettres (France) awarded the third edition the Stanislas Julien Prize, and in 2016, Peking University Press published the entire Manual in a three-volume Chinese edition.

The sixth edition of the Manual has been revised and expanded throughout to include the latest developments in digital tools and the two dozen ancillary disciplines essential for work on Chinese history. In addition, its temporal coverage has been extended to the death of Chairman Mao.

In celebration of a half century of continuous publication, the enlarged sixth edition consists of two volumes. Volume 1 covers topics ranging from Language, Education, and the Arts to Science, Technology, and the Environment. Volume 2 presents primary and secondary sources chronologically by period from the Neolithic to 1976.

Endymion Wilkinson’s bestselling Chinese History: A New Manual has been continuously in print for fifty years. It has achieved this unusual distinction because the author expanded its scope with each new edition. In the process it has grown from a modest research guide to Chinese imperial history into an encyclopedic, 1.7-million-word introduction to Chinese civilization and the primary and secondary resources and research problems for all periods of Chinese history. In recognition of its unique value, the Académie des Inscriptions et Belles-Lettres (France) awarded the third edition the Stanislas Julien Prize, and in 2016, Peking University Press published the entire Manual in a three-volume Chinese edition.

The sixth edition of the Manual has been revised and expanded throughout to include the latest developments in digital tools and the two dozen ancillary disciplines essential for work on Chinese history. In addition, its temporal coverage has been extended to the death of Chairman Mao.

In celebration of a half century of continuous publication, the enlarged sixth edition consists of two volumes. Volume 1 covers topics ranging from Language, Education, and the Arts to Science, Technology, and the Environment. Volume 2 presents primary and secondary sources chronologically by period from the Neolithic to 1976.

Endymion Wilkinson’s bestselling Chinese History: A New Manual has been continuously in print for fifty years. It has achieved this unusual distinction because the author expanded its scope with each new edition. In the process it has grown from a modest research guide to Chinese imperial history into an encyclopedic, 1.7-million-word introduction to Chinese civilization and the primary and secondary resources and research problems for all periods of Chinese history. In recognition of its unique value, the Académie des Inscriptions et Belles-Lettres (France) awarded the third edition the Stanislas Julien Prize, and in 2016, Peking University Press published the entire Manual in a three-volume Chinese edition.

The sixth edition of the Manual has been revised and expanded throughout to include the latest developments in digital tools and the two dozen ancillary disciplines essential for work on Chinese history. In addition, its temporal coverage has been extended to the death of Chairman Mao.

In celebration of a half century of continuous publication, the enlarged sixth edition consists of two volumes. Volume 1 covers topics ranging from Language, Education, and the Arts to Science, Technology, and the Environment. Volume 2 presents primary and secondary sources chronologically by period from the Neolithic to 1976.

Endymion Wilkinson’s bestselling Chinese History: A New Manual has been continuously in print for fifty years. It has achieved this unusual distinction because the author expanded its scope with each new edition. In the process it has grown from a modest research guide to Chinese imperial history into an encyclopedic, 1.7-million-word introduction to Chinese civilization and the primary and secondary resources and research problems for all periods of Chinese history. In recognition of its unique value, the Académie des Inscriptions et Belles-Lettres (France) awarded the third edition the Stanislas Julien Prize, and in 2016, Peking University Press published the entire Manual in a three-volume Chinese edition.

The sixth edition of the Manual has been revised and expanded throughout to include the latest developments in digital tools and the two dozen ancillary disciplines essential for work on Chinese history. In addition, its temporal coverage has been extended to the death of Chairman Mao.

In celebration of a half century of continuous publication, the enlarged sixth edition consists of two volumes. Volume 1 covers topics ranging from Language, Education, and the Arts to Science, Technology, and the Environment. Volume 2 presents primary and secondary sources chronologically by period from the Neolithic to 1976.

THIS EDITION HAS BEEN REPLACED BY A NEWER EDITION.

A comprehensive and up-to-date guide on the basic problems encountered in researching traditional Chinese civilization and history, this manual includes discussions of over 1,000 primary sources as well as 1,000 reference works. The first part covers the basics of language, geography, dates, time, statistics, and primary sources. The second part treats primary sources, such as archives, legal codes, literature, and science. The third part lists key sources by historical period, from the pre-Qin period through the Qing.

Endymion Wilkinson’s bestselling manual of Chinese history has long been an indispensable guide to all those interested in the civilization and history of China. In this latest edition, now in a bigger format, its scope has been dramatically enlarged by the addition of one million words of new text.

Twelve years in the making, the new manual introduces students to different types of transmitted, excavated, and artifactual sources from prehistory to the twentieth century. It also examines the context in which the sources were produced, preserved, and received, the problems of research and interpretation associated with them, and the best, most up-to-date secondary works. Because the writing of history has always played a central role in Chinese politics and culture, special attention is devoted to the strengths and weaknesses of Chinese historiography.

The new manual comprises fourteen book-length parts subdivided into a total of seventy-six chapters: Books 1–9 cover Language; People; Geography and the Environment; Governing and Educating; Ideas and Beliefs, Literature, and the Fine Arts; Agriculture, Food, and Drink; Technology and Science; Trade; and Historiography. Books 10–13 present primary and secondary sources chronologically by period. Book 14 is on historical bibliography. Electronic resources are covered throughout.

Endymion Wilkinson’s bestselling manual of Chinese history has long been an indispensable guide to all those interested in the civilization and history of China. The hugely enlarged third edition won the Stanislas Julien Prize for 2014. In the fourth edition the entire work has been corrected and updated and many sections rewritten.

Fifteen years in the making, Chinese History introduces students to different types of transmitted, excavated, and artifactual sources from prehistory to the twenty-first century. It also examines the context in which the sources were produced, preserved, and received, the problems of research and interpretation associated with them, and the best, most up-to-date secondary works. Because history has always played a central role in Chinese politics and culture, special attention is devoted to the strengths and weaknesses of Chinese historiography.

Chinese History comprises fourteen book-length parts subdivided into a total of seventy-six chapters: Books 1–9 cover Language; People; Geography and the Environment; Governing and Educating; Ideas and Beliefs, Literature, and the Fine Arts; Agriculture, Food, and Drink; Technology and Science; Trade; and Historiography. Books 10–13 present primary and secondary sources chronologically by period. Book 14 is on historical bibliography. Electronic resources are covered throughout.

Written Chinese served as a prestigious, cosmopolitan script across medieval East Asia, from as far west as the Tarim Basin to the eastern kingdom of Heian period Japan (794–1185). In this book, Brian Steininger revisits the mid-Heian court of the Tale of Genji and the Pillow Book, where literary Chinese was not only the basis of official administration, but also a medium for political protest, sermons of mourning, and poems of celebration.

Chinese Literary Forms in Heian Japan reconstructs the lived practice of Chinese poetic and prose genres among Heian officials, analyzing the material exchanges by which documents were commissioned, the local reinterpretations of Tang aesthetic principles, and the ritual venues in which literary Chinese texts were performed in Japanese vocalization. Even as state ideology and educational institutions proclaimed the Chinese script’s embodiment of timeless cosmological patterns, everyday practice in this far-flung periphery subjected classical models to a string of improvised exceptions. Through careful comparison of literary and documentary sources, this book provides a vivid case study of one society’s negotiation of literature’s position—both within a hierarchy of authority and between the incommensurable realms of script and speech.

Chinese Medicine and Healing is a comprehensive introduction to a rich array of Chinese healing practices as they have developed through time and across cultures. Contributions from fifty-eight leading international scholars in such fields as Chinese archaeology, history, anthropology, religion, and medicine make this a collaborative work of uncommon intellectual synergy, and a vital new resource for anyone working in East Asian or world history, in medical history and anthropology, and in biomedicine and complementary healing arts.

This illustrated history explores the emergence and development of a wide range of health interventions, including propitiation of disease-inflicting spirits, divination, vitality-cultivating meditative disciplines, herbal remedies, pulse diagnosis, and acupuncture. The authors investigate processes that contribute to historical change, such as competition between different types of practitioner—shamans, Daoist priests, Buddhist monks, scholar physicians, and even government officials. Accompanying vignettes and illustrations bring to life such diverse arenas of health care as childbirth in the Tang period, Yuan state-established medical schools, fertility control in the Qing, and the search for sexual potency in the People’s Republic.

The two final chapters illustrate Chinese healing modalities across the globe and address the challenges they have posed as alternatives to biomedical standards of training and licensure. The discussion includes such far-reaching examples as Chinese treatments for diphtheria in colonial Australia and malaria in Africa, the invention of ear acupuncture by the French and its worldwide dissemination, and the varying applications of acupuncture from Germany to Argentina and Iraq.

In this book, Sherman Cochran reconsiders the nature and role of consumer culture in the spread of cultural globalization. He moves beyond traditional debates over Western influence on non-Western cultures to examine the points where Chinese entrepreneurs and Chinese-owned businesses interacted with consumers. Focusing on the marketing of medicine, he shows how Chinese constructed consumer culture in China and Southeast Asia and extended it to local, national, and transnational levels. Through the use of advertisements, photographs, and maps, he illustrates the visual forms that Chinese enterprises adopted and the far-flung markets they reached.

Cochran brings to light enduring features of the Chinese experience with consumer culture. Surveying the period between the 1880s and the 1950s, he observes that Chinese businesses surpassed their Western counterparts in capturing Chinese and Southeast Asian sales of medicine in both peacetime and wartime. He provides revealing examples of Chinese entrepreneurs’ dealings with Chinese and Japanese political and military leaders, particularly during the Sino–Japanese War of 1937–45. The history of Chinese medicine men in pre-socialist China, he suggests, has relevance for the twenty-first century because they achieved goals—constructing a consumer culture, competing with Western-based corporations, forming business-government alliances, capturing national and transnational markets—that their successors in contemporary China are currently seeking to attain.

Winner of the Ray Allen Billington Prize
Winner of the Ellis W. Hawley Prize
Winner of the Sally and Ken Owens Award
Winner of the Vincent P. DeSantis Book Prize
Winner of the Caroline Bancroft History Prize

“A powerful argument about racial violence that could not be more timely.”
—Richard White

“A riveting, beautifully written account…that foregrounds Chinese voices and experiences. A timely and important contribution to our understanding of immigration and the border.”
—Karl Jacoby, author of Shadows at Dawn

In 1885, following the massacre of Chinese miners in Wyoming Territory, communities throughout California and the Pacific Northwest harassed, assaulted, and expelled thousands of Chinese immigrants. The Chinese Must Go shows how American immigration policies incited this violence, and how this gave rise to the concept of the “alien” in America.

Our story begins in the 1850s, before federal border control established strict divisions between citizens and aliens—and long before Congress passed the Chinese Restriction Act, the nation’s first attempt to bar immigration based on race and class. When this unprecedented experiment failed to slow Chinese migration, armed vigilante groups took the matter into their own hands. Fearing the spread of mob violence, policymakers redoubled their efforts to seal the borders, overhauling immigration law and transforming America’s relationship with China in the process. By tracing the idea of the alien back to this violent era, Lew-Williams offers a troubling new origin story of today’s racialized border.

“The Chinese Must Go shows how a country that was moving, in a piecemeal and halting fashion, toward an expansion of citizenship for formerly enslaved people and Native Americans, came to deny other classes of people the right to naturalize altogether…The stories of racist violence and community shunning are brutal to read.”
—Rebecca Onion, Slate

The Chinese overseas now number 25 to 30 million, yet the 2,000-year history of Chinese attempts to venture abroad and the underlying values affecting that migration have never before been presented in a broad overview. Despite centuries of prohibition against leaving the land and traveling and settling overseas, the "earthbound" Chinese--first traders, then peasants and workers--eventually found new sources of livelihood abroad. The practice of sojourning, being always temporarily away from home, was the answer the Chinese overseas found to deal with imperial and orthodox concerns. Today their challenge is to find an alternative to either returning or assimilating by seeking a new kind of autonomy in a world that will come to acknowledge the ideal of multicultural states.

In pursuing this story, international scholar Wang Gungwu uncovers some major themes of global history: the coming together of Asian and European civilizations, the ambiguities of ethnicity and diasporic consciousness, and the tension between maintaining one's culture and assimilation.

The political novel, which enjoyed a steep yet short rise to international renown between the 1830s and the 1910s, is primarily concerned with the nation’s political future. It offers a characterization of the present, a blueprint of the future, and the image of the heroes needed to get there. With the standing it gained during its meteoric rise, the political novel helped elevate the novel altogether to become the leading literary genre of the twentieth century worldwide.

Focusing on its adaptation in the Chinese context, Catherine Vance Yeh traces the genre from Disraeli’s England through Europe and the United States to East Asia. Her study goes beyond comparative approaches and nation-state- and language-centered histories of literature to examine the intrinsic connections among literary works. Through detailed studies, especially of the Chinese exemplars, Yeh explores the tensions characteristic of transcultural processes: the dynamics through which a particular, and seemingly local, literary genre goes global; the ways in which such a globalized literary genre maintains its core features while assuming local identity and interacting with local audiences and political authorities; and the relationship between the politics of form and the role of politics in literary innovation.

Imperialism, pernicious as it was in most respects, served as the prime catalyst for social change in China throughout the turbulent period from 1895 to 1913. Starting with this premise, Edward Rhoads traces the social, political, and economic history of the republican revolution. In his view, after the Boxer uprising, the Manchu court, usually called supine and reactionary, instituted a program of reform that was a serious, comprehensive, and often successful attempt at radical social transformation. It failed, but it politicized the Chinese people to an unprecedented degree--and it marks the entrance of China into the modern era.

The post-Boxer reforms attracted many revolutionaries and defused a serious revolutionary threat. Contrary to traditional accounts, Sun Yat-sen and his Revolutionary Alliance did not move easily from success to success. On the eve of the 1911 revolution, in fact, the movement was disorganized and demoralized. Its ultimate victory came less from its own efforts than from the failure of the incumbent rulers to win the support of the nonrevolutionary elite.

During the centuries of its popularity, early Chinese vernacular fiction was never adequately preserved or even documented. The great popular appeal of the short stories saved them from oblivion, but it was only in the sixteenth and seventeenth centuries that they were first collected and published.

Mr. Hanan's erudite study is the first thorough attempt to uncover the history of the Chinese short story. Using a variety of techniques, but principally that of stylistic analysis, the author solves the fundamental problem of dating the stories in terms of periods. He is able to place each story in one of three broad categories, early (ca. 1250-1450), middle (ca. 1400-1575), and late (ca. 1550-1627), and to assign some of them to,the earlier or later part of the time span. In many,cases he offers evidence of sources and influences, place of origin, and possible or probable authorship.

On the basis of the author's research, it is possible to see in minutely researched detail how the short story developed in China, what kind of men composed it, its relationship to other kinds of literature, and the main social preoccupations with which it deals.

The results of Mr. Hanan's study are vitally important to all scholars of Chinese literature. Historians and linguists will also find it valuable as a model of the innovative use of stylistic analysis.

By the late 1970s, state communism was everywhere in retreat. First in Eastern Europe, then in China and the Soviet Union, party leaders were compelled to devise fundamental departures from the economic procedures and structures they had confidently installed at the outset of their revolutionary victories. Perhaps no country departed more rapidly from communist economic structures than China.

Within five years of Mao Zedong’s death, reformers led by Deng Xiaoping had dismantled the people’s communes and created a range of markets that established the institutional foundations for a new form of socialism. But, unlike the Soviets and Eastern Europeans, the Chinese reformers refused to consider parallel changes in political institutions. The demonstrations in Beijing in 1989 made it clear that post-Mao economic policies had created unavoidable political consequences for the society and its leaders. In individual case studies, the twelve contributors to this volume document the uneven decollectivization and decentralization of China’s economy in the post-Mao years and the great diversity of the social and political consequences. They deal with the effects of the more materialistic and individualistic reward system on both public and private life in the countryside and in urban settings and the new expectations that economic changes engendered.

The huaben, or vernacular story, was one of the richest, most varied, and appealing genres in all Chinese literature, often reaching a larger audience than works in Classical Chinese. And yet, because of its very popularity, the huaben was almost entirely disregarded by official, learned society. Now, Patrick Hanan brings this intriguing half-buried literature to light, tracing its development from the thirteenth through the seventeenth century—when it became, indeed, the most vital form of Chinese fiction.

Hanan begins by explaining the position of vernacular language within Chinese language and literature as a whole. He then goes on to show how the huaben acquired a tremendous range of subjects and interests from the most serious moral and philosophical problems to crime stories, romances, and ribald satires. Hanan consistently relates the stories and their authors to China’s changing social and political life. At the same time, he carefully evaluates the best of the stories, giving fresh and detailed information about their composition, performance, and reception.

Sanchun (a pseudonym) is a small rural market center in Malaysia made up of predominantly Chinese shopkeepers, wage laborers, and rubber tappers and small holders. It is one of the so-called “new villages” originally set up during the communist insurgency as forced relocation camps to contain rural Chinese. Judith Strauch lived in Sanchun for eighteen months, conducting lengthy socioeconomic family surveys, examining local records, documents, and census data, and participating in community life.

This study offers detailed analysis of the manipulative strategies of local rivals active over several decades in the competition for local status and power. But significantly, it treats relevant aspects of the broader Malaysian political environment as well, situating local-level politics firmly in the larger context of national politics. Special attention is given to a rural mass-mobilization movement undertaken by the major Chinese-Malaysian political party in the early 1970s. The focus is on the interconnections between the various levels of a modern multi-ethnic political system, demonstrating the ways in which local political actors are both constrained and supported by power structures and resources that lie outside the local system.

The book draws together in an innovative manner important intellectual strands of both anthropology and political analysis. It should be of interest not only to Southeast Asia area specialists and students of contemporary ethnic Chinese society but also to those concerned with the problems of plural societies everywhere.

Drawing from literary, historical, dramatic, and anecdotal sources, Yenna Wu conducts a rich exploration of an unusually prominent theme in premodern Chinese prose fiction and drama: that of jealous and belligerent wives, or viragos, who dominate their husbands and abuse other women. Focusing on Chinese literary works from the sixteenth to the eighteenth centuries, she presents many colorful perspectives on this type of aggression, reviewing early literary and historical examples of the phenomenon.

Wu argues that although the various portraits of the virago often reveal the writers' insecurities about strong-willed women in general, the authors also satirize the kind of man whose behavioral patterns have been catalysts for female aggression. She shows that various elements of these portraits constitute a subversive form of parody that casts a revealing light on the patriarchal hierarchy of premodern China.

How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China?

Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there.

Popular views of medieval chivalry—knights in shining armor, fair ladies, banners fluttering from battlements—were inherited from the nineteenth-century Romantics. This is the first book to explore chivalry’s place within a wider history of medieval England, from the Norman Conquest to the aftermath of Henry VII’s triumph at Bosworth in the Wars of the Roses.

Saul invites us to view the world of castles and cathedrals, tournaments and round tables, with fresh eyes. Chivalry in Medieval England charts the introduction of chivalry by the Normans, the rise of the knightly class as a social elite, the fusion of chivalry with kingship in the fourteenth century, and the influence of chivalry on literature, religion, and architecture. Richard the Lionheart and the Crusades, the Black Death and the Battle of Crecy, the Magna Carta and the cult of King Arthur—all emerge from the mists of time and legend in this vivid, authoritative account.

Thomas Schelling is a political economist “conspicuous for wandering”—an errant economist. In Choice and Consequence, he ventures into the area where rationality is ambiguous in order to look at the tricks people use to try to quit smoking or lose weight. He explores topics as awesome as nuclear terrorism, as sordid as blackmail, as ineffable as daydreaming, as intimidating as euthanasia. He examines ethical issues wrapped up in economics, unwrapping the economics to disclose ethical issues that are misplaced or misidentified.

With an ingenious, often startling approach, Schelling brings new perspectives to problems ranging from drug abuse, abortion, and the value people put on their lives to organized crime, airplane hijacking, and automobile safety. One chapter is a clear and elegant exposition of game theory as a framework for analyzing social problems. Another plays with the hypothesis that our minds are not only our problem-solving equipment but also the organ in which much of our consumption takes place.

What binds together the different subjects is the author’s belief in the possibility of simultaneously being humane and analytical, of dealing with both the momentous and the familiar. Choice and Consequence was written for the curious, the puzzled, the worried, and all those who appreciate intellectual adventure.

For the last two centuries, literature has tested the authority of the individual and the community. During this time, in David Bromwich’s words, “A motive for great writing…has been a tension, which is felt to be unresolvable, between the claims of social obligation and of personal autonomy. That these had to be experienced as rival claims was the discovery of Burke and Wordsworth. Our lives today and our choices are made in a culture where any settlement of the contest for either side is bound to be provisional. There is nothing to approve or regret in such a situation; it is the way things are; and in a time like ours, it is what great writing lives on.”

With a historical as well as an interpretative emphasis, Bromwich explores this tension. He shows why the public-mindedness of the eighteenth century is as limited a model for readers now as the individualism of the nineteenth century. Calling attention to the ambivalence of the great writers, he cites Emerson’s sense of the conflict between “spirit” and “commodity” and Burke’s conviction that human nature is at once given and chosen. Elsewhere, he describes the attenuation of social concern even in the truest modern followers of the romantics as in the conscious turn away from Wordsworth’s morality in poems by Stevens and Frost. Other topics include Keats’s politics, Whitman’s prose, William Cobbett’s journalism, and the standards of the Edinburgh Review.

In some widely discussed general essays, Bromwich addresses such issues as the uses of biography, the idea that authors create their own worlds, and the political ambitions of recent literary theory. His own criticism is powerfully eclectic, combining history, philosophy, biography, and a subtle awareness of how literature performs its work of implication. He brings to the task an authentic understanding of intellectual culture and the ability to leap from textual detail to cultural observation with an understated grace.

As in his other writing, Bromwich aims to join aesthetic theory and moral thought. He rethinks the relationship between genius and talent, and defines genius in terms of its capacity to bring about change, rather than simply its quality of inward and spiritual uniqueness. His sustained defense here of that conception, and his elegant argument for a new approach to criticism generally, make this thoughtful book a controversial one as well.

Kotaro Suzumura is one of the world’s foremost thinkers in social choice theory and welfare economics. Bringing together essays that have become classics in the field, Choice, Preferences, and Procedures examines foundational issues of normative economics and collective decision making.

Social choice theory seeks to critically assess and rationally design economic mechanisms for improving human life. An important part of Suzumura’s contribution over the past forty years has entailed fusion of abstract microeconomic ideas with an understanding of real-world economies in a coherent analysis. This volume of selected essays reveals the evolution of Suzumura’s thinking over his career. Groundbreaking papers explore the nature of individual and social choice and the idea of assigning value to freedom of choice, different forms of rationality, and concepts of individual rights, equity, and fairness.

Suzumura elucidates his innovative approach for recognizing interpersonal comparisons in the vein of Adam Smith’s notion of sympathy and expounds the effect of paying due attention to nonconsequential features, such as the opportunity to choose and the procedure for decision making, along with the standard consequential features. Analyzing the role of economic competition, Suzumura points out how restricting competition may, in some circumstances, improve social welfare. This is not to recommend government regulation rather than market competition but to emphasize the importance of procedural features in a competitive context. He concludes with illuminating essays on the history of economic thought, focusing on the ideas of Vilfredo Pareto, Arthur Pigou, John Hicks, and Paul Samuelson.

You are old, ill, in pain, and your doctor asks you what you want to do about it. You may be uncertain but you're definitely not alone. By the year 2020, some 50 million Americans will be over sixty-five, and as the nation ages we must all ask what we ought to do about the health and medical care of our elderly. Our response will have profound consequences, not just for individuals and families, but for society as a whole. This book helps us start to form an answer.

To make decisions about medical care in old age, we need to know more about the reality of being elderly and sick, and Choosing Medical Care in Old Age gives us the opportunity. Muriel Gillick, a noted physician who specializes in the care of the elderly and in medical ethics, presents a panoply of stories drawn from her clinical experience. These encounters, with the robust and the frail, the demented and the dying, capture the texture of the experience of being old and faced with critical medical questions. From the stories of older people struggling to make choices in the face of acute illness, stories that are often poignant and sometimes tragic, Gillick develops broad guidelines for medical decision–making for the elderly. Within this framework, she confronts particular concerns and questions. When are certain procedures too burdensome to be justified? What are unacceptable risks? Should family members serve as exclusive spokespersons for relatives who can no longer speak for themselves? Gillick's bold and personal prescription for medical care for the elderly calls for a change in the way medicine is understood and practiced, as well as for changes in the institutions that serve the elderly, such as hospitals and nursing homes. An intelligent and deeply compassionate inquiry into the difficult issues and real–life dilemmas raised by current practices, her book offers a first step toward those changes.

Between the eighteenth and mid-twentieth centuries, countless African Americans passed as white, leaving behind families and friends, roots and community. It was, as Allyson Hobbs writes, a chosen exile, a separation from one racial identity and the leap into another. This revelatory history of passing explores the possibilities and challenges that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions. It also tells a tale of loss.

As racial relations in America have evolved so has the significance of passing. To pass as white in the antebellum South was to escape the shackles of slavery. After emancipation, many African Americans came to regard passing as a form of betrayal, a selling of one’s birthright. When the initially hopeful period of Reconstruction proved short-lived, passing became an opportunity to defy Jim Crow and strike out on one’s own.

Although black Americans who adopted white identities reaped benefits of expanded opportunity and mobility, Hobbs helps us to recognize and understand the grief, loneliness, and isolation that accompanied—and often outweighed—these rewards. By the dawning of the civil rights era, more and more racially mixed Americans felt the loss of kin and community was too much to bear, that it was time to “pass out” and embrace a black identity. Although recent decades have witnessed an increasingly multiracial society and a growing acceptance of hybridity, the problem of race and identity remains at the center of public debate and emotionally fraught personal decisions.

Palm mats and pilgrim tokens, manuscript illuminations and church frescoes, gold and enamel reliquaries and papier-mâché figurines, Russian icons and Mexican murals: What makes these works of art Christian? And what, as such, distinguishes them from other works? These are the questions at the center of this book, which is at once a sumptuously illustrated survey of Christian art over time and across the globe and a probing study of what "Christian art" really means, how it functions, where it arises, and whom it serves.

Rowena Loverance draws extensively on the vast international collections of the British Museum, with its remarkable examples of Christian art in the fourth-century Roman empire, the meeting of Eastern and Western art during the Crusades, Christian missionary art and its reception in sixteenth-century Africa, India, and Japan, and twentieth-century Christian popular art from Latin America and Oceania. The Museum's collections of decorative arts yield original and lesser-known Christian iconography, allowing the author to show how Christian and other artists have responded to a variety of visual traditions. Within the European convention, the book considers the assaults of post-Renaissance scientific and philosophical discoveries and concludes with an assessment of the current state of Christian art at the beginning of the twenty-first century.

Created in the tenth century, most likely as an imperial commission, the Menologion is a collection of rewritings of saints’ lives originally intended to be read at services for Christian feast days. Yet Symeon Metaphrastes’s stories also abound in transgression and violence, punishment and redemption, love and miracles. They resemble Greek novels of the first centuries of the Common Era, highlighting intense emotions and focusing on desire, both sacred and profane.

Symeon Metaphrastes was celebrated for rescuing martyrdom accounts and saints’ biographies that otherwise may have been lost. His Menologion, among the most important Byzantine works, represents the culmination of a well-established tradition of Greek Christian storytelling. A landmark of Byzantine religious and literary culture, the Menologion was revered for centuries—copied in hundreds of manuscripts, recited publicly, and adapted into other medieval languages. This edition presents the first English translation of six Christian novels excerpted from Symeon’s text, all of them featuring women who defy social expectations.

A Publishers Weekly Best Religion Book of the Year
A Choice Outstanding Academic Title

For many Americans, being Christian is central to their political outlook. Political Christianity is most often associated with the Religious Right, but the Christian faith has actually been a source of deep disagreement about what American society and government should look like. While some identify Christianity with Western civilization and unfettered individualism, others have maintained that Christian principles call for racial equality, international cooperation, and social justice. At once incisive and timely, Christian delves into the intersection of faith and political identity and offers an essential reconsideration of what it means to be Christian in America today.

“Bowman is fast establishing a reputation as a significant commentator on the culture and politics of the United States.”
—Church Times

“Bowman looks to tease out how religious groups in American history have defined, used, and even wielded the word Christian as a means of understanding themselves and pressing for their own idiosyncratic visions of genuine faith and healthy democracy.”
—Christian Century

“A fascinating examination of the twists and turns in American Christianity, showing that the current state of political/religious alignment was not necessarily inevitable, nor even probable.”
—Deseret News

The dramatic story of Christianity from its origins to the present day, told through more than one hundred stunning color maps.

With over two billion practicing believers today, Christianity has taken root in almost all parts of the globe. Its impact on Europe and the Americas in particular has been fundamental. Through more than one hundred beautiful color maps and illustrations, Christianity traces the history of the religion, beginning with the world of Jesus Christ. From the consolidation of the first Christian empire—Constantine’s Rome—to the early Christian states that thrived in Ireland, Ethiopia, and other regions of the Roman periphery, Christianity quickly proved dynamic and adaptable.

After centuries of dissemination, strife, dogmatic division, and warfare in its European and Near Eastern heartland, Christianity conquered new worlds. In North America, immigrants fleeing persecution and intolerance rejected the established Church, and in time revivalist religions flourished and spread. Missionaries took the Christian message to Latin America, Africa, and Asia, bringing millions of new converts into the fold.

Christianity has served as the inspiration for some of the world’s finest monuments, literature, art, and architecture, while also playing a major role in world politics and history, including conquest, colonization, conflict, and liberation. Despite challenges in the modern world from atheism and secularism, from scandals and internal divisions, Christianity continues to spread its message through new technologies while drawing on a deep well of history and tradition.

Christianity, not religion in general, has been important for American democracy. With this bold thesis, Hugh Heclo offers a panoramic view of how Christianity and democracy have shaped each other.

Heclo shows that amid deeply felt religious differences, a Protestant colonial society gradually convinced itself of the truly Christian reasons for, as well as the enlightened political advantages of, religious liberty. By the mid-twentieth century, American democracy and Christianity appeared locked in a mutual embrace. But it was a problematic union vulnerable to fundamental challenge in the Sixties. Despite the subsequent rise of the religious right and glib talk of a conservative Republican theocracy, Heclo sees a longer-term, reciprocal estrangement between Christianity and American democracy.

Responding to his challenging argument, Mary Jo Bane, Michael Kazin, and Alan Wolfe criticize, qualify, and amend it. Heclo’s rejoinder suggests why both secularists and Christians should worry about a coming rupture between the Christian and democratic faiths. The result is a lively debate about a momentous tension in American public life.

What can Christianity as a tradition contribute to the struggle to secure the future well-being of the earth community? This collaborative volume, the third in the series on religions of the world and the environment, announces that an ecological reformation, an eco-justice reorientation of Christian theology and ethics, is prominent on the ecumenical agenda.

The authors explore problematic themes that contribute to ecological neglect or abuse and offer constructive insight into and responsive imperatives for ecologically just and socially responsible living.

This book—the first full-length study of the “last and most beautiful” apology against paganism, Theodoret’s Therapeutic for Hellenic Maladies—combines close readings of the text with detailed analysis of Theodoret’s arguments against Greek religion, philosophy, and culture and the ways in which that Greek influence interacts with other diverse ideas, practices, and developments in the fifth-century Roman empire.

The book’s larger underlying themes—the continuing debate between Christianity and Hellenism, and the relationship between classical and Christian literature—offer insights into more general late Roman and early Byzantine religious and cultural attitudes and issues, including the relations between pagan and Christian paideia, the cult of the martyrs, and the role of Christianity in the Roman empire.

When early Christians began to study the Bible, and to write their own history and that of the Jews whom they claimed to supersede, they used scholarly methods invented by the librarians and literary critics of Hellenistic Alexandria. But Origen and Eusebius, two scholars of late Roman Caesarea, did far more. Both produced new kinds of books, in which parallel columns made possible critical comparisons previously unenvisioned, whether between biblical texts or between national histories. Eusebius went even farther, creating new research tools, new forms of history and polemic, and a new kind of library to support both research and book production.

Christianity and the Transformation of the Book combines broad-gauged synthesis and close textual analysis to reconstruct the kinds of books and the ways of organizing scholarly inquiry and collaboration among the Christians of Caesarea, on the coast of Roman Palestine. The book explores the dialectical relationship between intellectual history and the history of the book, even as it expands our understanding of early Christian scholarship. Christianity and the Transformation of the Book attends to the social, religious, intellectual, and institutional contexts within which Origen and Eusebius worked, as well as the details of their scholarly practices--practices that, the authors argue, continued to define major sectors of Christian learning for almost two millennia and are, in many ways, still with us today.,

These studies examine writings by Protestant missionaries in China from 1819 to 1890. The initial aim of the missionaries was religious--to bring the Gospel message to a Chinese audience. The social and cultural milieu tempered missionary efforts, however, and the scope of their writings--tracts, translations of scripture, periodicals, and books in Chinese--enlarged to include secular topics and information for the Chinese about the world outside. Simultaneously, Protestant missionaries wrote about China for American readers at home and thus became the strongest link between village China and small-town America.

Nine historians contribute to this composite picture of the missionary pioneers, the literature they produced, the changes they sustained through immersion in Chinese culture, and their efforts to interpret that culture for their constituencies at home.

Chronic Condition provides a compelling analysis of the causes of the current health care crisis and of the shortcomings of reform proposals. It also offers an ingenious new framework for reform that, while minimizing government interference, would provide a means for financing care for the less affluent.

Sherry Glied shows that rising health care spending is consistent with a rising standard of living. Since we can, as a nation, afford more health care, reform must address not the overall level of health care costs but the distribution of health care spending.

Prior reform proposals, Glied argues, have failed to account for the tension between the clearly manifested desire for improving the quality of health care and the equally widespread interest in assuring that the less fortunate share in these improvements. After careful analysis of the ill-fated Clinton plan, Glied proposes a new solution that would make the willingness to pay for innovation the means of financing health care improvements for the less affluent. While rejecting the idea that the distribution of health care should be perfectly equal, Glied's proposal would enable all Americans to benefit from the dynamics of the free market.

Chronic pain is the leading cause of disability in the United States, affecting as many as 48 million people in this country alone. It can demoralize and depress both patient and family, especially when there is no effective pain control and no hope for relief. Improperly managed, chronic pain can lead to substance abuse (usually painkillers) and to acute psychological and emotional distress. Pain begets stress and stress begets pain in a wretched downward spiral.

Silver reviews the causes and characteristics of chronic pain and explores its impact on individual family relationships and on the extended family, covering such issues as employment, parenting, childbearing and inheritance, and emotional health. Silver treats aspects of chronic pain not covered in a typical office visit: how men and women differ in their experience of chronic pain, the effect of chronic pain on a toddler's behavior or an older child's performance in school, the risks of dependence on and addiction to pain medications, and practical ways for relatives beyond the immediate family circle to offer help and support to the person in pain.

A Chronicle of the Last Pagans is a history of the triumph of Christianity in the Roman Empire as told from the perspective of the defeated: the adherents of the mysteries, cults, and philosophies that dominated Greco–Roman culture.

With a sovereign command of the diverse evidence, Pierre Chuvin portrays the complex spiritual, intellectual, and political lives of professing pagans after Christianity became the state religion. While recreating the unfolding drama of their fate—their gradual loss of power, exclusion from political, military, and civic positions, their assimilation, and finally their persecution—he records a remarkable persistence of pagan religiosity and illustrates the fruitful interaction between Christianity and paganism. The author points to the implications of this late paganism for subsequent developments in the Byzantine Empire and the West. Chuvin's compelling account of an often forgotten world of pagan culture rescues an important aspect of our spiritual heritage and provides new understanding of Late Antiquity.

A religious studies scholar argues that in antebellum America, evangelicals, not Transcendentalists, connected ordinary Americans with their spiritual roots in the natural world.

We have long credited Emerson and his fellow Transcendentalists with revolutionizing religious life in America and introducing a new appreciation of nature. Breaking with Protestant orthodoxy, these New Englanders claimed that God could be found not in church but in forest, fields, and streams. Their spiritual nonconformity had thrilling implications but never traveled far beyond their circle. In this essential reconsideration of American faith in the years leading up to the Civil War, Brett Malcolm Grainger argues that it was not the Transcendentalists but the evangelical revivalists who transformed the everyday religious life of Americans and spiritualized the natural environment.

Evangelical Christianity won believers from the rural South to the industrial North: this was the true popular religion of the antebellum years. Revivalists went to the woods not to free themselves from the constraints of Christianity but to renew their ties to God. Evangelical Christianity provided a sense of enchantment for those alienated by a rapidly industrializing world. In forested camp meetings and riverside baptisms, in private contemplation and public water cures, in electrotherapy and mesmerism, American evangelicals communed with nature, God, and one another. A distinctive spirituality emerged pairing personal piety with a mystical relation to nature.

As Church in the Wild reveals, the revivalist attitude toward nature and the material world, which echoed that of Catholicism, spread like wildfire among Christians of all backgrounds during the years leading up to the Civil War.