A study of the Christian philosophy of Jacques Maritain (1882-1973), an influential, creative, and prolific writer. He was widely recognized as one of the most prominent Catholic intellectuals during his own lifetime and was widely seen as a spokesman for the Thomistic revival. This study aims to present Maritain’s thought as a dynamic and coherent philosophy in its own right. This is the only book in English to present Maritain’s philosophy on the full range of topics upon which he wrote. It focusses on Maritain as a twentieth-century philosopher, rather than an interpreter of Aquinas. Accordingly, this book presents Maritain’s philosophy in its own context. Finally, this work is also attentive to the religious context of Maritain’s philosophy and highlights his overlooked contributions to theology and other areas of philosophy that are informed by his theological commitments, e.g. mysticism, ecclesiology, education and philosophy of history. Accordingly, The Christian Philosophy of Jacques Maritain aims at providing the reader with a comprehensive presentation of Maritain’s thought and a clear vision of his philosophy as a whole.

The complete surviving works of Epictetus, the most influential Stoic philosopher from antiquity.

“Some things are up to us and some are not.”
 
Epictetus was born into slavery around the year 50 CE, and, upon being granted his freedom, he set himself up as a philosophy teacher. After being expelled from Rome, he spent the rest of his life living and teaching in Greece. He is now considered the most important exponent of Stoicism, and his surviving work comprises a series of impassioned discourses, delivered live and recorded by his student Arrian, and the Handbook, Arrian’s own take on the heart of Epictetus’s teaching.
 
In Discourses, Epictetus argues that happiness depends on knowing what is in our power to affect and what is not. Our internal states and our responses to events are up to us, but the events themselves are assigned to us by the benevolent deity, and we should treat them—along with our bodies, possessions, and families—as matters of indifference, simply making the best use of them we can. Together, the Discourses and Handbook constitute a practical guide to moral self-improvement, as Epictetus explains the work and exercises aspirants need to do to enrich and deepen their lives. Edited and translated by renowned scholar Robin Waterfield, this book collects the complete works of Epictetus, bringing to modern readers his insights on how to cope with death, exile, the people around us, the whims of the emperor, fear, illness, and much more.

CUSTOMER NOTE: THE HARDCOVER IS FOR LIBRARIES AND HAS NO JACKET.

 

A new reading of Hegel’s Science of Logic through the history of European mathematics.

Conceptual Harmonies develops an original account of G. W. F. Hegel’s perplexing Science of Logic from a simple insight: philosophical and mathematical thought have shaped each other since classical times. Situating Science of Logic within the rise of modern mathematics, Redding stresses Hegel’s attention to Pythagorean ratios, Platonic reason, and Aristotle’s geometrically inspired logic. He then explores how later traditions shaped Hegel’s world, through both Leibniz and new forms of algebraic geometry. This enlightening reading recovers an overlooked stream in Hegel’s philosophy that remains, Redding argues, important for contemporary conceptions of logic.

The first English translation of Foucault’s previously lost master’s thesis, itself an original contribution to the study of Hegel’s philosophy.

On June 11, 1949, a twenty-three-year-old Michel Foucault defended his master’s thesis in philosophy at the Sorbonne entitled The Constitution of a Historical Transcendental in Hegel’s “Phenomenology of Spirit.” Long considered a lost holy grail of French philosophy, the thesis was only recently rediscovered, and it is presented here in English for the first time. 

In his master’s thesis, Foucault offers an original reading of Hegel that understands “absolute knowing,” the famous but enigmatic final figure of experience in the Phenomenology, as inextricably bound to time, language, and historical experience. Indeed, readers will discover how many of Foucault’s famous later concepts—the historical a priori, the episteme, and the limit-experience—are intimately rooted in his early, intense engagement with Hegel’s philosophy.

An introduction and critical apparatus provided by Hegel scholar Christophe Bouton traces previously unknown connections between the thesis and Foucault’s later masterpieces, particularly History of Madness and The Order of Things. Introducing a fundamental shift in our understanding of Foucault’s intellectual trajectory, this book is an essential text for anyone interested in Foucault, Hegel, and the dramatic evolution of twentieth-century continental philosophy.

In this incisive commentary, Mitchell Aboulafia examines the relevance of the American pragmatist philosopher George Herbert Mead to current debates on pluralism, universalism, and the fostering of a democratic temper. Addressing the relationship between Mead's notions of self and society and those of important continental thinkers, The Cosmopolitan Self demonstrates that Mead's ideas not only speak to resolving the tension between universalism and pluralism, they do so in a manner that challenges and advances the positions of these continental theoreticians.

Aboulafia examines how Mead's insights illuminate Hannah Arendt's reading of Immanual Kant's third Critique and Jürgen Habermas's understanding of the relationship among communicative action, universality, and individuation. Teasing out strands of agreement and disagreement among Mead and these theorists on topics such as impartiality and good judgment, Aboulafia develops a conception of universalism that is compatible with contemporary notions of pluralism. He also addresses the serious challenge presented to Mead's approach to pluralism by Emmanuel Levinas, who holds that true pluralism, presupposing an irreducible individualism, is fundamentally irreconcilable with universalism.

The Cosmopolitan Self offers a model of the democratically inclined individual who embodies both a capacity to establish common ground with others and a sensitivity to their uniqueness. This important volume appreciably advances the dialogue between continental thought and classical American philosophy.

Isabel Díaz-Morlán reads the characters of Così fan tutte, an opera by Mozart and Da Ponte, through the lens of René Girard’s theory of unconscious mimetic desire. The opera features couples who resemble those from classical literature, including Ovid’s Collatinus and Lucretia, Cervantes’s Anselmo and Camila, and Shakespeare’s Leonatus and Imogen. The book explores the sources of the libretto, comparing them with each other and with the libretto itself to detect the themes that reveal the mechanism of mimetic desire. This offers the groundwork for the analysis of key moments of the opera, in which the combined action of words, dramatic action and, above all, music, show how Ferrando and Guglielmo as well as Fiordiligi and Dorabella fall into mimetic rivalry, an incitement to desire and hypocrisy, always within a méconnaissance that prevents them from recognizing what is happening to them until the truth is finally unmasked.