In eight short stories, travelers and locals become entangled in situations that send their moral compasses spinning.

A grieving American father visits Dharamsala to investigate the murder of the son he’s never understood and finds himself delving into the mystery of the young man’s life. A Turkish-Cypriot teacher is tasked with making an inventory of household goods in an occupied tourist resort the inhabitants have fled. A Greek sculptor whose marriage is failing covers for a student from the US who, instead of learning the art, engages in an affair. A Buddhist nun enlists the help of a Peace Corps worker to kill a suffering dog. A wannabe eco-activist in Kentucky writes confessional letters to Boyan Slat, the young CEO of The Ocean Cleanup. A woman in a Rajasthan tourist caravan bears helpless witness to a dire culture clash.

As Closson Buck’s characters encounter circumstances that challenge their understanding of themselves and the world around them, they are forced to negotiate fallout stemming from religious dogma, environmental crisis, and political violence. Ranging from fabulism to realism, the stories in The Dalai Lama’s Smile invite us to explore the perils and the possibilities that come from engaging the unknown.

The biblical image of David and Goliath captures fittingly the nature of the war that Russia, the world’s largest country by surface area, unleashed on neighboring Ukraine, a country that—while still the largest on the European continent—is almost thirty times smaller and has only over a quarter of Russia’s population. Yet Ukraine’s stubborn resistance proves that it is possible to mount a successful defense against an enormously larger, more populous, and better equipped enemy, even despite its threats of nuclear apocalypse should Ukraine refuse to submit and the West dare to interfere. This volume shows that history can help reveal the reasons for Ukraine’s resolve and success on the battlefield and in the public arena.

Collected in David and Goliath for the first time are short essays, commentaries, and interviews written and given by Serhii Plokhy, the world’s preeminent scholar of Ukrainian history, on the eve and during the first two years of Russia’s full-scale invasion of Ukraine. Plokhy draws our attention to the unique nature of the truly historic events of the largest war in Europe since the end of World War II.

In a lively collection of feature obituaries and related news stories, longtime newspaper reporter George Hesselberg celebrates life, sharing the most fascinating stories that came from decades of covering the obit and public safety beats. 

In more than forty years at the Wisconsin State Journal, Hesselberg frequently found himself writing about fatal accidents, crime investigations, and the deaths of the wealthy, famous, or notorious. But he was most drawn to the curious, the unknown, and the unsung—the deaths that normally wouldn’t make much of a splash, if any mention at all, in the news columns of a daily paper. 

Digging deeper, he uncovered the extraordinary among the ordinary, memorializing the lives of a sword designer, a radio villain, a pioneering female detective, a homeless woman who spoke fluent French, a beloved classroom tarantula, and many more. Their stories are alternately amusing, sad, surprising, and profound. Together they speak to a shared human experience and inspire us to see the people around us with new eyes, valuing the lives while they are still being lived. 

In Deadline: 200 Years of Violence against Journalists in the United States, Elizabeth Atwood offers the first comprehensive look at the history of fatal attacks against journalists in the United States between 1829 and the present. Atwood describes the political, technological, and economic context of these assaults, and includes brief biographies of the victims and accounts of what happened both them and to their assailants after the attacks.
 
To help us understand these attacks, Atwood presents a framework for categorizing them, built on John Nerone’s studies on assaults on American media workers. Atwood categorizes attacks against journalists as attacks against individuals, ideas, and media institutions, and undertaken to suppress reporting on certain topics and in the context of wars and other international or conflicts. Crucially, Deadline utilizes this framework to offer possible solutions to the issue of violence against journalists.
 
Atwood was inspired to explore the pressing issue of violence against American journalists after the tragic death of one of her colleagues at the Baltimore Sun, Rob Hiaasen, in the Capital Gazette shooting in 2018. Throughout, she demonstrates that distrust of the media and violence against the press in the United States are hardly new developments. Her work examines how intimidation, violence, and censorship have, in fact, been used against the American press since both its and the nation’s founding.
 

Defender of the Faith offers a reinterpretation of William Jennings Bryan in his last years as an unchanging Progressive whose roots were deeply embedded in agrarian populism. It changes the standard picture of Bryan in his final years as that of a crusader for social and economic reform sadly transformed into a reactionary champion of anachronistic rural evangelism, cheap moralistic panaceas, and Florida real estate. He pleaded for for progressive labor laws, liberal taxes, government aid to farmers, public ownership of railroads, telegraphs, and telephones, federal development of water resources, minimum wages for labor, and other advanced causes.

Over the early 21st century, democracy worldwide has deteriorated significantly. At the same time, new populist forces have appeared that challenge democracies through legal reforms. The stark contrast between Eastern and Western Europe in this respect is the focus of this collection of essays.

The authors consider the 2008-2012 economic crisis to be at the root of the success of the populist parties and the rise of cultural backlash against liberal values. In turn, European governments’ responses to the crisis—mainly austerity measures demanded by IMF and the EU— help explain desenchantment with the European Union. These policies made the wider public feel that they were being left out of politics, and populist parties promised to return power to them. 

The contributors argue that polarization of the electorate can set in motion a radicalization that strengthens authoritarians at the expense of democrats. They also demonstrate that Eastern and Western Europe differ in their attitudes to the decline in quality of democracy. The studies consider how satisfied people are with the political changes they witness, and argue that seemingly more authoritarian attitudes in the East explain why people feel more satisfied with a defective democracy that empowers the populist-authoritarian political actors that they support.

Spanning the first half of the twentieth century, Deportes uncovers the hidden experiences of Mexican male and female athletes, teams and leagues and their supporters who fought for a more level playing field on both sides of the border.  Despite a widespread belief that Mexicans shunned physical exercise, teamwork or “good sportsmanship,” they proved that they could compete in a wide variety of sports at amateur, semiprofessional, Olympic and professional levels. Some even made their mark in the sports world by becoming the “first” Mexican athlete to reach the big leagues and win Olympic medals or world boxing and tennis titles.
 
These sporting achievements were not theirs alone, an entire cadre of supporters—families, friends, coaches, managers, promoters, sportswriters, and fans—rallied around them and celebrated their athletic success. The Mexican nation and community, at home or abroad, elevated Mexican athletes to sports hero status with a deep sense of cultural and national pride. Alamillo argues that Mexican-origin males and females in the United States used sports to empower themselves and their community by developing and sustaining transnational networks with Mexico. Ultimately, these athletes and their supporters created a “sporting Mexican diaspora” that overcame economic barriers, challenged racial and gender assumptions, forged sporting networks across borders, developed new hybrid identities and raised awareness about civil rights within and beyond the sporting world.

Why do people join violent extremist movements? What attracts so many to fight for terrorist groups like al-Shabab, al-Qaida, and the Islamic State? Journalism professor Joseph Weber answers these questions by examining the case of the more than fifty Somali Americans, mostly young men from Minnesota, who made their way to Somalia or Syria, attempted to get to those countries, aided people who did, or financially backed terrorist groups there. Often defying parents who had fled to the United States seeking safety and prosperity for their children, many of these youths ended up dead, missing, or imprisoned. But for every person who went on or attempted this journey believing they were rising to the defense of Islam, more rejected the temptations of terrorism. What made the difference? The book takes a close look at one man from Minneapolis, the American-born son of a couple who had fled Somalia, who came dangerously close to answering the ISIS call. Abdirahman Abdirashid Bashir’s cousins and friends had taken up arms for the group and reached out to him to join them. From 2014 to 2016 he and a dozen friends—some still in their teens—schemed to find ways to get to Syria. Some succeeded. In the end, Bashir made a different choice. Not only did he reject ISIS’s call, he decided to work with the FBI to spy on his friends and ultimately to testify against them in court. Drawing on extensive interviews, Weber explains why.

After laboring in Germany for thirty years, Hüseyin uses his hard-earned savings to purchase a sunny and spacious flat in Istanbul, envisioning the joys of retirement in his home country with his wife, Emine, by his side. But in a cruel twist of fate, he dies of a heart attack on the day he moves in. As Hüseyin’s children and wife travel to Turkey for his funeral, the novel explores their lives and dreams: a teenage son struggling to embrace his sexuality; a college-educated daughter desperate to align conflicting facets of her identity; a first-born son racialized and profiled all his life, forced to perform a role he could not choose for himself; a lonely daughter left behind in rural Turkey who dreams of recapturing her family’s love after joining them in Germany as a teenager; and a mother unable to break free from the cycles of violence that have defined her.

In this epic tale, Fatma Aydemir explores the lives of characters who could not be more different from one another—except in their insatiable desires to be understood. Rather than a seamless narrative, the novel circles around suppressed memories, unspoken trauma, and buried pasts. Turning expectations and stereotypes of the immigrant experience on their side, Aydemir shows how we all grapple with power and beauty, the holes in our lives, and the demons that hover just out of sight.

Finalist for the American Academy of Religion’s Award for Excellence in the Study of Religion, Constructive-Reflexive Studies

In The Dreamer and the Dream: Afrofuturism and Black Religious Thought, Roger A. Sneed illuminates the interplay of Black religious thought with science fiction narratives to present a bold case for Afrofuturism as an important channel for Black spirituality. In the process, he challenges the assumed primacy of the Black church as the arbiter of Black religious life. Incorporating analyses of Octavia Butler’s Parable books, Janelle Monáe’s Afrofuturistic saga, Star Trek’s Captain Benjamin Sisko, Marvel’s Black Panther, and Sun Ra and the Nation of Islam, Sneed demonstrates how Afrofuturism has contributed to Black visions of the future. He also investigates how Afrofuturism has influenced religious scholarship that looks to Black cultural production as a means of reimagining Blackness in the light of the sacred. The result is an expansive new look at the power of science fiction and Afrofuturism to center the diversity of Black spirituality.

In 1956 W. E. B. Du Bois was denied a passport to attend the Présence Africaine Congress of Black Writers and Artists in Paris. So he sent the assembled a telegram. “Any Negro-American who travels abroad today must either not discuss race conditions in the United States or say the sort of thing which our State Department wishes the world to believe.” Taking seriously Du Bois’s allegation, Juliana Spahr breathes new life into age-old questions as she explores how state interests have shaped U.S. literature. What is the relationship between literature and politics? Can writing be revolutionary? Can art be autonomous, or is escape from nations and nationalisms impossible?

Du Bois’s Telegram brings together a wide range of institutional forces implicated in literary production, paying special attention to three eras of writing that sought to defy political orthodoxies by contesting linguistic conventions: avant-garde modernism of the early twentieth century; social-movement writing of the 1960s and 1970s; and, in the twenty-first century, the profusion of English-language works incorporating languages other than English. Spahr shows how these literatures attempted to assert their autonomy, only to be shut down by FBI harassment or coopted by CIA and State Department propagandists. Liberal state allies such as the Ford and Rockefeller foundations made writers complicit by funding multiculturalist works that celebrated diversity and assimilation while starving radical anti-imperial, anti-racist, anti-capitalist efforts.

Spahr does not deny the exhilarations of politically engaged art. But her study affirms a sobering reality: aesthetic resistance is easily domesticated.