This is the first biography of Dale L. Morgan, preeminent Western historian of the fur trade, historic trails, and the Latter Day Saint movement. The book explores how, despite personal struggles, Morgan committed his life to tracking down sources and interpreting the past on the strength of documentary evidence. Connecting Morgan’s life with some of the broad cultural changes that shaped his experiences, this book engages with methodological shifts in the historical profession, the mid-twentieth-century collision of interpretations within Latter Day Saint history, and the development of a descriptive, scholarly approach to that history.
 
Morgan’s body of work and commitment to serious scholarship signaled the start of new ways of understanding, studying, and retelling history, and he motivated a generation of historians from the 1930s to the 1970s to transform their historical approaches. Sounding board, mentor, and close friend to Nels Anderson, Fawn Brodie, Juanita Brooks, Bernard DeVoto, Wallace Stegner, and Leonard Arrington, Dale Morgan is the common factor linking this influential generation of mid-twentieth-century historians of western America.

This Faustian tale of the spiritual disintegration of a young minister, written in the 1890s, deals subtly and powerfully with the impact of science on innocence and the collective despair that marked the transition into the modern age. In its realism, The Damnation of Theron Ware foreshadows Howells; in its conscious imagery it prefigures Norris, Crane, Henry James, and the "symbolic realism" of the twentieth century. Its author, Harold Frederic, internationally famous as London correspondent for the New York Times, wrote the novel two years before his death.

George Dell’s Dance unto the Lord is a compelling fusion of history and fiction. Set in 1848 to 1852, when Ohio was considered to be the West, Dance unto the Lord transports the readers to Union Village, a Shaker community in southwestern Ohio. The novel traces the coming of age of Richard and Ruth, young people who wish to marry but are forbidden to do so by Richard’s parents. In desperation, Richard runs away to Cincinnati. Ruth, too, leaves her family. She settles in Union Village and eventually becomes a teacher at the Shaker school. Torn between her desire for freedom and the security of life with the Shakers, Ruth becomes increasingly more immersed in the Shaker society while dreaming of Richard and a life outside the community. Meanwhile, through his experiences with an ill-fated blacksmith’s shop and its owners, Richard learns that life in the city can be complicated and painful.

As he traces Richard’s and Ruth’s experiences, Dell vividly re-creates the texture of rural and city life in mid-nineteenth-century Ohio, providing a fascinating, well-researched account of a long-gone era. Dance unto the Lord provides wonderfully detailed descriptions of a Shaker community and life style. This book will be compelling reading for anyone interested in the time period, the Shakers, or simply a good story.

A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship.

Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the stone mason who accidentally discovered them, and the opportunistic sculptor who accomplished what princes, popes, and politicians could not: delivering to Florence a precious relic of the native son it had banished.

In Dante’s Bones, Guy Raffa narrates for the first time the complete course of the poet’s hereafter, from his death and burial in Ravenna in 1321 to a computer-generated reconstruction of his face in 2006. Dante’s posthumous adventures are inextricably tied to major historical events in Italy and its relationship to the wider world. Dante grew in stature as the contested portion of his body diminished in size from skeleton to bones, fragments, and finally dust: During the Renaissance, a political and literary hero in Florence; in the nineteenth century, the ancestral father and prophet of Italy; a nationalist symbol under fascism and amid two world wars; and finally the global icon we know today.

This book explores the Daoist encounter with modernity through the activities of Chen Yingning (1880–1969), a famous lay Daoist master, and his group in early twentieth-century Shanghai. In contrast to the usual narrative of Daoist decay, with its focus on monastic decline, clerical corruption, and popular superstitions, this study tells a story of Daoist resilience, reinvigoration, and revival.

Between the 1920s and 1940s, Chen led a group of urban lay followers in pursuing Daoist self-cultivation techniques as a way of ensuring health, promoting spirituality, forging cultural self-identity, building community, and strengthening the nation. In their efforts to renew and reform Daoism, Chen and his followers became deeply engaged with nationalism, science, the religious reform movements, the new urban print culture, and other forces of modernity.

Since Chen and his fellow practitioners conceived of the Daoist self-cultivation tradition as a public resource, they also transformed it from an “esoteric” pursuit into a public practice, offering a modernizing society a means of managing the body and the mind and of forging a new cultural, spiritual, and religious identity.

In the spring of 1927, Andrew Kehoe, the treasurer for the school board in Bath, Michigan, spent weeks surreptitiously wiring the public school, as well as his farm, with hundreds of pounds of dynamite. The explosions on May 18, the day before graduation, killed and maimed dozens of children, as well as teachers, administrators, and village residents, including Kehoe’s wife, Nellie. A respected member of the community, Kehoe himself died when he ignited his truck, which he had loaded with crates of explosives and scrap metal. Decades later, one survivor, Beatrice Marie Turcott, recalls the spring of 1927 and how this haunting experience leads her to the conviction that one does not survive the present without reconciling hard truths about the past. In its portrayal of several Bath school children, Day of Days examines how such traumatic events scar one’s life long after the dead are laid to rest and physical wounds heal, and how an anguished but resilient American village copes with the bombing, which at the time seemed incomprehensible, and yet now may be considered a harbinger of the future.

The deeply personal story of a historic time in Chicago, Robert B. McKersie’s A Decisive Decade follows the unfolding action of the Civil Rights Movement as it played out in the Windy City. McKersie’s participation as a white activist for black rights offers a unique, firsthand viewpoint on the debates, boycotts, marches, and negotiations that would forever change the face of race relations in Chicago and the United States at large.

Described within are McKersie’s intimate observations on events as they developed during his participation in such historic occasions as the impassioned marches for open housing in Chicago; the campaign to end school segregation under Chicago Schools Superintendent Benjamin Willis; Operation Breadbasket’s push to develop economic opportunities for black citizens; and dialogs with corporations to provide more jobs for blacks in Chicago. In addition, McKersie provides up close and personal descriptions of the iconic Civil Rights leaders who spearheaded some of the most formative battles of Chicago’s Civil Rights movement, including Dr. Martin Luther King, Jr., Reverend Jesse Jackson, Timuel Black Jr. and W. Alvin Pitcher. The author illumines the tensions experienced by two major institutions in responding to the demands of the civil rights movement: the university and the church. Packed with historical detail and personal anecdotes of these history-making years, A Decisive Decade offers a never-before-seen perspective on one of our nation’s most tumultuous eras. 

Formed in the aftermath of WWI, Yugoslavia was founded as the Kingdom of Serbs, Croats and Slovenes ("three tribes of the same people"). But in the early 1990s, following a series of violent conflicts on Slovenian and Croatian soil, the two republics successfully succeeded from Yugoslavia, which would later be followed by Bosnia-Herzegovina and Macedonia.Mesic was member, later head of the Presidency of the Yugoslav Federation from August 1990. His memoir details an intricately woven storyline, which analyzes events, personalities and motivations inside Yugoslavia and its former nations, as well as in the international arena. The narrative is rich with excerpts from Mesic's personal diaries during times of heated conflict and bloodshed. Extensive notes and a short chronology assist the interested reader and scholar in disentangling the complicated plot.After years of relative political passivity, Mesic was elected independent Croatia's second president in 2000, following the death of former President Franjo Tudman.

A narrative of the life of Arminius Vámbéry.

Who was Arminius Vámbéry? A poverty-stricken, Jewish autodidact; a linguist, traveler, and writer—or a sometime Zionist, inspiration for Dracula’s nemesis, and British secret agent? Vámbéry wrote his own story many times over, and it was these often highly embroidered accounts of journeys through Persia and Central Asia that saw him acclaimed in Victorian England as an intrepid explorer and daring adventurer. Against the backdrop of the “Great Game,” in which Russia and Britain jostled for territory, influence, and control of the borders and gateways to India and its wealth, Vámbéry played the roles of hero and double-dealer, of fascinated witness and imperialist charlatan.

The Dervish Bowl is the story of these competing narratives and a compelling investigation of both the ever-changing persona Vámbéry created for himself and the man who emerges from his private correspondence and the accounts of both his friends and his enemies, many of whom were themselves major players in the geopolitical adventures of the volatile nineteenth century—a time when Britain’s ambitions for her empire were at their height, yet nothing and no one was quite as they seemed.
 

2020 Reading the West Book Awards, Longlist for Fiction
2020 Association for Morman Letters Finalist, Fiction

The Desert Between Us is a sweeping, multi-layered novel based on the U.S. government’s decision to open more routes to California during the Gold Rush. To help navigate this waterless, largely unexplored territory, the War Department imported seventy-five camels from the Middle East to help traverse the brutal terrain that was murderous on other livestock.

Geoffrey Scott, one of the roadbuilders, decides to venture north to discover new opportunities in the opening of the American West when he—and the camels—are no longer needed. Geoffrey arrives in St. Thomas, Nevada, a polygamous settlement caught up in territorial fights over boundaries and new taxation. There, he falls in love with Sophia Hughes, a hatmaker obsessed with beauty and the third wife of a polygamist. Geoffrey believes Sophia wants to be free of polygamy and go away with him to a better life, but Sophia’s motivations are not so easily understood. She had become committed to Mormon beliefs in England and had moved to Utah Territory to assuage her spiritual needs.

The death of Sophia’s child and her illicit relationship with Geoffrey generate a complex nexus where her new love for Geoffrey competes with societal expectations and a rugged West seeking domesticity. When faced with the opportunity to move away from her polygamist husband and her tumultuous life in St. Thomas, Sophia becomes tormented by a life-changing decision she must face alone.

2020 Reading the West Book Awards, Longlist for Fiction
2020 Association for Morman Letters Finalist, Fiction

The Desert Between Us is a sweeping, multi-layered novel based on the U.S. government’s decision to open more routes to California during the Gold Rush. To help navigate this waterless, largely unexplored territory, the War Department imported seventy-five camels from the Middle East to help traverse the brutal terrain that was murderous on other livestock.

Geoffrey Scott, one of the roadbuilders, decides to venture north to discover new opportunities in the opening of the American West when he—and the camels—are no longer needed. Geoffrey arrives in St. Thomas, Nevada, a polygamous settlement caught up in territorial fights over boundaries and new taxation. There, he falls in love with Sophia Hughes, a hatmaker obsessed with beauty and the third wife of a polygamist. Geoffrey believes Sophia wants to be free of polygamy and go away with him to a better life, but Sophia’s motivations are not so easily understood. She had become committed to Mormon beliefs in England and had moved to Utah Territory to assuage her spiritual needs.

The death of Sophia’s child and her illicit relationship with Geoffrey generate a complex nexus where her new love for Geoffrey competes with societal expectations and a rugged West seeking domesticity. When faced with the opportunity to move away from her polygamist husband and her tumultuous life in St. Thomas, Sophia becomes tormented by a life-changing decision she must face alone.

One of the most important documents in southern history, this is a day-by-day diary of the Civil War years. It rings with authenticity while evoking the nostalgia, bitterness, and comedy of the Confederacy.

The period of June 1836 to February 1840, from Charles Francis Adams’s twenty-eighth to thirty-second year, was characterized by his turn from the political activities that had occupied him for the preceding several years. The course of the Van Buren administration he had helped to elect dissatisfied him, the Massachusetts Whig leadership had earned his distrust, positions on political issues that would either echo or oppose those being vigorously espoused by his father, John Quincy Adams, he felt inhibited from avowing publicly. So confronted, Charles found occupation in preparing and expressing himself on economic matters of moment—banking and currency—and moral questions generated by the slavery issue. With increasing effectiveness he employed the lecture platform and the press for the expression of views to which he felt free to attach his name. On all these matters he found his opinions at odds with the prevailing ones held among those prominent in the Boston scene, as John Adams and John Quincy Adams had found before him. Yet, despite a sense of loneliness, so induced, his participation in the varied social life of the city has its place in the Diary.

However, activities in Boston and its environs that provided a focus for the record of the preceding years give way in these volumes to wider scenes made available by train and ship. An extensive journey with his wife by way of the Hudson River and the Erie Canal to Niagara and Canada, a visit of some length and interest in Washington, and stays of lesser length in New York City are recounted.

Wide and persistent reading, the theater, numismatics, and the building of a summer home in Quincy also occupied him and are fully reflected in his journal. Family tragedies are not absent from its pages. As the period comes to its close his long and distinguished labors as editor of the family’s papers had begun. A new self-assurance has become evident.

A man’s twenty-seventh year is “critical,” according to Charles Francis Adams. And so his proved to be. Twenty-five at the start of these volumes, Adams had yet to embark on the public career that would mark him a statesman, but by their conclusion he had been drawn into the maelstrom of politics. It was an unwilling plunge, dictated by what both he and his father, John Quincy Adams, regarded as betrayal of the elder Adams by Daniel Webster and his Whigs. Once in, however, he showed himself politically adept.

This diary, kept from January 1833 to June 1836 and hitherto unpublished, has elements of hidden personal drama. Through private meetings and caucuses and newspaper articles signed with pseudonyms, the younger Adams found effective means to carry on political activities in the face of dilemmas posed by his father’s public prominence, his father-in-law’s contrary persuasions, and his own preferences. He emerged with growing self-respect and solid accomplishment as political journalist—his initial vocation.

The diary has fresh disclosures also about the personality of John Quincy Adams, shrewdly assessed by an observer uniquely placed to interpret domestic scenes as well as the greatly waged struggles in Washington against the Southern “slaveocracy” and “gag rules.”

Colorful figures in Boston’s political and social life are finely etched in outspoken appraisals characteristic of the Adamses. The diarist shows acuteness too in comments on books, sermons, paintings, the theater, and opera.

In these volumes the second decade of the sixty-year diary of Charles Francis Adams, the third of the family’s statesmen, is begun. As was true of the two earlier volumes of the Diary, the section appearing here has not before reached print.

Covering the period from Adams’s marriage in September 1829 to the end of 1832, these volumes record the early years of his maturity during which he was seeking to find his vocation. Engaged in the day-to-day management of John Adams’s business interests in Boston, he nevertheless had no inclination toward commerce or the active practice of law. Son and grandson of presidents, proud heir to a name already great and controversial in American politics, he also at this time considered himself “not fitted for the noise of public life.” Dependent for support on his father and father-in-law but determined to maintain his independence, he devoted his available time to a program of studies and writing that would prepare him for a career he hesitated to name but in which he wished distinction. His own public career still years away, he was drawn at this period to the study of American history and his famous grandparents’ papers, an effort that would continue and that would make him the family’s archivist and editor.

These volumes offer manifold opportunities for an enlarged understanding of a complex and able man who was later to assume positions of high responsibility. In addition to furnishing innumerable personal and familial insights, this portion of the diary is of capital importance for the historian of society and culture. Probably no more detailed and faithful record exists of Boston life in the period.

Third and last of the Adams dynasty of statesmen, Charles Francis Adams followed in his grandfather’s and father’s footsteps by keeping a diary from youth to old age. With only a few gaps in the earliest years, Charles Francis Adams’s diary extends from 1820 to 1880, furnishing a massively detailed and intensely personal record of the writer’s life as an undergraduate at Harvard, manager of the Adams family’s business affairs, historian and biographer, Free Soil political leader and Republican Congressman, United States minister in London during the Civil War, arbitrator of the Alabama claims at the Geneva Tribunal, and father of a whole constellation of gifted sons.

The Diary of Charles Francis Adams is the second to appear in the Diaries Series of the Belknap Press edition of the Adams Papers. Unlike John Adams’s Diary and Autobiography and John Quincy Adams’s Diary, that of Charles Francis Adams has never before been even selectively published. This is partly because the protracted efforts of the family to prepare a satisfactory edition after the writer’s death finally broke down under the sheer bulk of the material.

The present volume reveals Charles Francis Adams as a sensitive and self-critical young man during his college years, in the social whirl of Washington while his father was Secretary of State and President, during his training as a lawyer in Daniel Webster’s Boston law office, and throughout his prolonged courtship of Abigail B. Brooks, a New England heiress. A central theme of these volumes is the struggle which raged within young Adams’s mind and heart between the warm, poetic heritage of his Southern-born mother and the cold, political, New England legacy of his Adams forebears.

Third and last of the Adams dynasty of statesmen, Charles Francis Adams followed in his grandfather’s and father’s footsteps by keeping a diary from youth to old age. With only a few gaps in the earliest years, Charles Francis Adams’s diary extends from 1820 to 1880, furnishing a massively detailed and intensely personal record of the writer’s life as an undergraduate at Harvard, manager of the Adams family’s business affairs, historian and biographer, Free Soil political leader and Republican Congressman, United States minister in London during the Civil War, arbitrator of the Alabama claims at the Geneva Tribunal, and father of a whole constellation of gifted sons.

The Diary of Charles Francis Adams is the second to appear in the Diaries Series of the Belknap Press edition of the Adams Papers. Unlike John Adams’s Diary and Autobiography and John Quincy Adams’s Diary, that of Charles Francis Adams has never before been even selectively published. This is partly because the protracted efforts of the family to prepare a satisfactory edition after the writer’s death finally broke down under the sheer bulk of the material.

The present volume reveals Charles Francis Adams as a sensitive and self-critical young man: in the social whirl of Washington while his father was Secretary of State and President, during his training as a lawyer in Daniel Webster’s Boston law office, and throughout his prolonged courtship of Abigail B. Brooks, a New England heiress. A central theme of these volumes is the struggle which raged within young Adams’s mind and heart between the warm, poetic heritage of his Southern-born mother and the cold, political, New England legacy of his Adams forebears. The defeat of his father in the 1828 election, the tragic death of his older brother, and his marriage to Abigail in 1829, with which the volume ends, were way stations in his course toward making himself a “New England man.” This complex struggle in a young man’s mind is one of the most fully chronicled and dramatic episodes in the entire body of the Adams family archives at the Massachusetts Historical Society, under whose supervision the Adams Papers are being edited.

Marta doesn’t mean to kill her husband. In fact, she hardly believes that he’s dead. After a dramatic accident leaves him drowned at the bottom of Lake Michigan, she embarks on a grief-fueled descent into the occult, and soon pulls in everyone around her, from her mother-in-law to the private detectives parked outside her home, as she tries to undo her one deadly mistake.

Peter is a young paralegal at the firm hired to investigate Marta’s role in her husband’s death, who is grappling with the recent suicide of his brother and the subsequent distance that seems to have opened between himself and the rest of the world. After learning about Marta’s case, he finds himself haunted by her story and enthralled by her. On an outing to interview her neighbors, he instead warns her that a company of private detectives is preparing to make trouble. Marta slams the door on him, but later sets up a time to hear him out. Neither Marta nor Peter could predict the consequences of their meeting.

A genre-bending story of heartache and devotion that questions where the boundaries begin and end in our closest relationships, The Diver explores the risks and rewards of intimacy, and offers a portrait of love as a catastrophic event.
 

A virtuosic epic applauded by Stanley Crouch as “an adventurous masterwork that provides our literature with a signal moment,” back in print in a definitive new edition

“I have an awful memory for faces, but an excellent one for voices,” muses Joubert Jones, the aspiring playwright at the center of Divine Days. A kaleidoscopic whorl of characters, language, music, and Black experience, this saga follows Jones for one week in 1966 as he pursues the lore and legends of fictional Forest County, a place resembling Chicago’s South Side. Joubert is a veteran, recently returned to the city, who works for his aunt Eloise’s newspaper and pours drinks at her Night Light Lounge. He wants to write a play about Sugar-Groove, a drifter, “eternal wunderkind,” and local folk hero who seems to have passed away. Sugar-Groove’s disappearance recalls the subject of one of Joubert’s earlier writing attempts—W. A. D. Ford, a protean, diabolical preacher who led a religious sect known as “Divine Days.” Joubert takes notes as he learns about both tricksters, trying to understand their significance.

Divine Days introduces readers to a score of indelible characters: Imani, Joubert’s girlfriend, an artist and social worker searching for her lost siblings and struggling to reconcile middle class life with her values and Black identity; Eloise, who raised Joubert and whose influence is at odds with his writerly ambitions; (Oscar) Williemain, a local barber, storyteller, and founder of the Royal Rites and Righteous Ramblings Club; and the Night Light’s many patrons. With a structure inspired by James Joyce and jazz, Leon Forrest folds references to African American literature and cinema, Shakespeare, the Bible, and classical mythology into a heady quest that embraces life in all its tumult and adventure.

This edition brings Forrest’s masterpiece back into print, incorporating hundreds of editorial changes that the author had requested from W. W. Norton, but were not made for their editions in 1993 and 1994. Much of the inventory from the original printing of the book by Another Chicago Press in 1992 had been destroyed in a disastrous warehouse fire.

A photographer and a historian explore a vast archive of Spanish colonial history.

At a time when Western nations are being urged to confront their colonial past, this book examines a major archive, revealing the scale of the Spanish colonial enterprise in South and Central America.
 
Established in 1785, the Archivo General de Indias in Seville holds roughly three hundred years of Spanish colonial history in the Americas. It houses 8,000 charts and around ninety million documents—among them Christopher Columbus’s logbook and the famous Treaty of Tordesillas which, mediated by the Pope and signed in 1494, entitled the Spanish and Portuguese kings to divide the world between them. With this treaty as a starting point, the historian Martin Zimmermann journeys into the age of discovery and recounts stories of dangerous passages, encounters with the unknown, colonial brutality, and the power of cartographers, illustrating the insatiable lust of colonialists to conquer, exploit, and own the world. Ursula Schulz-Dornburg’s photographs show the archive before its redevelopment in 2002, offering a unique view into one of Europe’s most significant archives.

Italian doctor Leonardo Pazzi and Alcesta, his “future lover,” travel through the picturesque, hilly region of Sloboda, near Kharkiv in northeast Ukraine. They experience a series of encounters with local Ukrainians and nature, disappearances, and transformations filled with paradoxes. The characters are bright, marionette-like caricatures whom the author constructs and moves ostentatiously in full view of the reader, revealing his artistic devices with a sense of absurd, mischievous humor.

A novel of exuberance and whim that deconstructs the very principles of writing and estranges everyday phenomena, Dr. Leonardo’s Journey marks the highpoint of Ukrainian modernism right before it was violently cut down by Stalin’s repressions. The novel shifts away from character or plot as such and instead celebrates the places and spaces in which these things come into being, and the sheer joy of movement and experience. In this sense, Maik Yohansen’s heroes echo Mykola Hohol, whose tour through Russia’s vast spaces in Nikolai Gogol’s Dead Souls is an obvious reference point, and Laurence Sterne, whose irreverent narrative style and textual games Yohansen emulates. Presented here in a contemporary, deft English translation, the novel is a must read for everyone interested in discovering the rich heritage of Ukrainian modernism.

Martha Hughes Cannon (1857–1932) may best be known as the first female state senator in the United States, elected in Utah in 1896, nearly a quarter century before most women in the country could vote. She was also a suffragist, physician, gifted speaker, plural wife, faithful member of the Church of Jesus Christ of Latter-day Saints, and mother of three. This short biography examines what drove Cannon to accomplish so much. Following two periods of self-imposed exile to avoid prosecution for polygamy, and a subsequent career in partisan politics, she died in California, surrounded by her children and grandchildren but virtually forgotten by the larger world. She had much to say during her lifetime and has much to say to us today about persevering in spite of adversity. Constance Lieber chronicles the important story of one of the American West’s and Mormonism’s most intriguing characters.

In this unconventional tale of Las Vegas during the two delirious boom decades before the bust of the Great Recession, failed actor “C. D.” Reinhart, who has launched a new career in hotel marketing, is gradually losing his moral and existential compass. Working on The Strip during an era when Sin City’s population growth was outpacing any other place in America, C. D. climbs the industry ladder while modeling himself after a Pyramid Resorts top executive, Lance Sheperd. C. D.’s professional choices lead him down a tumultuous road, as Sheperd, a complex and, at times, visionary figure, pilots his ventures through the tangled wheeling and dealing of finance and corporate politics straight into catastrophe.

As the story progresses, C. D. comes to understand how his personal losses and the losses of his cohort of hard driving executives on the make—especially the tragic life of his work partner, Greta Olsson, the only woman to break through into their male dominated world—are a result of the make-believe environment he has helped to create, a world where representation replaces reality. Hoping to piece together his faltering marriage and family relationships, C. D. must find a new path as he struggles to hold onto his dreams.

In this fictionalized version of the city of glittering lights, author Douglas Unger pits the ideologies of marketing and consumerism in the casino economy of America against the erosion of individual and humane values that success in that world demands. Unger reveals the hard truth that Las Vegas, a blue-collar town considered by many to be “the most honest city,” can be a temple for self-deceptions, emblematic of a service economy that knows the price of everything and too often the value of little else. Dream City becomes both a love song and an elegy for Las Vegas that sets it apart from any other literary novel previously written about this global entertainment attraction that in so many ways represents postmodern America. Sooner or later, the challenge that faces everyone is to discover what matters most, and to learn how to bet on the better angels of our natures.  

A gripping tale of education, violence, and hope, in which one man's dream for a better future collides with a community on the edge of transformation.

Set in 1842, this novel foregrounds a Haiti that is grappling with the weight of an onerous debt imposed by France, forcing its citizens to pay reparations to French colonists in exchange for diplomatic recognition of the first Black republic of the Americas. In the town of Boën, a prosperous notary, Ludovic Possible, decides to take a bold step to secure the future of his community. He opens a schoolhouse where local children can learn both artisanal skills and the essential ability to read and write. For Ludovic, education represents the best chance for the people of Boën to rise above their hardships and build a prosperous future—especially for Aïda, a quiet and enigmatic girl whose mother’s marvelous stories captivate him.

The tranquility of Boën is soon shattered, however, by a series of duels that pit families, neighbors, and even animals against each other. As tensions rise, Ludovic’s vision for a better future is threatened by the escalating violence. In Duels, Néhémy Pierre-Dahomey introduces readers to a rich and unforgettable cast of characters—Aïda, Ludovic, Balthazar Possible, Pépé the Tempest, and many others—who find themselves at the crossroads of a nation on the brink of transformative change.

Catherine Fowler chronicles a significant yet little-known program for Girl Scouts in post–WWII America. At a time when women were just beginning to enter fields traditionally dominated by men, these two-week camping caravans and archaeological excavations introduced teenage girls not only to the rich cultural and scientific heritage of the American Southwest but to new career possibilities. Dr. Bertha Dutton, curator at the Museum of New Mexico, served as trip leader.

While on the road and in camp, Dutton and other experts in anthropology, archaeology, geology, natural history, and more helped the campers appreciate what they were seeing and learning. This book details the history of the program, sharing trip itineraries and selected memories from the nearly three hundred girls who attended the camps. It also serves as a mini-biography and tribute to Bertha Dutton, who, through her knowledge, teaching, and strong persona, provided a role model for these young women, many of whom later pursued careers in anthropology and related fields.