Why human rights don’t work

In The Effluent Eye, Rosemary J. Jolly argues for the decolonization of human rights, attributing their failure not simply to state and institutional malfeasance but to the very concept of human rights as anthropocentric—and, therefore, fatally shortsighted. In an engaging mix of literary and cultural criticism, Indigenous and Black critique, and substantive forays into the medical humanities, Jolly proposes right-making in the demise of human rights.

Using what she calls an “effluent eye,” Jolly draws on “Fifth Wave” structural public health to confront the concept of human rights—one of the most powerful and widely entrenched liberal ideas. She builds on Indigenous sovereignty work from authors such as Robin Wall Kimmerer, Leanne Betasamosake Simpson, and Mark Rifkin as well as the littoral development in Black studies from Christine Sharpe, Saidiya Hartman, and Tiffany Lethabo King to engage decolonial thinking on a range of urgent topics such as pandemic history and grief; gender-based violence and sexual assault; and the connections between colonial capitalism and substance abuse, the Anthropocene, and climate change. 

Combining witnessed experience with an array of decolonial texts, Jolly argues for an effluent form of reading that begins with the understanding that the granting of “rights” to individuals is meaningless in a world compromised by pollution, poverty, and successive pandemics.

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El Salvador Reborn examines the nation’s efforts to reshape its identity after the Peace Accords amid declining Cold War tensions. The book explores the criminalization of abortion and environmental activism in postwar El Salvador by focusing on two key organizations, Agrupación Ciudadana por la Despenalización del Aborto and Foro del Agua, highlighting their political strategies during a critical moment in El Salvador’s formation.

Author Mellissa Linton-Villafranco critically analyzes the political shift under the right-wing party, which sought to redefine notions of life and sovereignty. Historically associated with death squads, the right repositioned itself as a pro-life force by criminalizing abortion, amending the constitution to declare life begins at conception, and imposing penalties of up to thirty years. These measures marginalized women’s autonomy, creating a repressive legal environment centered on fetal rights. In response, feminist groups mobilized through protests, online campaigns, transnational alliances, and public art, advocating for reproductive justice that encompasses gender-based violence, health, and environmental sustainability.

Linton-Villafranco makes the case for a holistic conception of life that integrates land, body, and community sovereignty, weaving reproductive justice with environmental activism to promote a broader, interconnected understanding of life and rights in El Salvador.

The United States detains and deports several hundred thousand migrants every year. Many spend significant amounts of time in immigration detention as they await adjudication of their immigration cases. The Elizabeth Detention Center in New Jersey is located in a converted warehouse, managed by a private, for-profit prison company. Over three decades, migrants and asylum seekers have been brought to EDC directly from Newark Airport or have been transferred to the site from elsewhere in the United States, including from the US-Mexico border region.

Through a longitudinal, site-specific study unique in its kind, this volume unites the voices and perspectives of formerly detained migrants, scholars, journalists, lawyers, and social and faith movement leaders, who share their experiences of Elizabeth Detention Center and reconstruct its social history and its location in New Jersey's political economy and in the changing legal landscapes of immigration detention in the United States.

Characters with disabilities are often overlooked in fiction, but many occupy central places in literature by celebrated authors like Chinua Achebe, Salman Rushdie, J. M. Coetzee, Anita Desai, Jhumpa Lahiri, Edwidge Danticat, and others. These authors deploy disability to do important cultural work, writes Christopher Krentz in his innovative study, Elusive Kinship.  Such representations not only relate to the millions of disabled people in the global South, but also make more vivid such issues as the effects of colonialism, global capitalism, racism and sexism, war, and environmental disaster. 

Krentz is the first to put the fields of postcolonial studies, studies of human rights and literature, and literary disability in conversation with each other in a book-length study. He enhances our appreciation of key texts of Anglophone postcolonial literature of the global South, including Things Fall Apart and Midnight’s Children. In addition, he uncovers the myriad ways fiction gains energy, vitality, and metaphoric force from characters with extraordinary bodies or minds. 

Depicting injustices faced by characters with disabilities is vital to raising awareness and achieving human rights.  Elusive Kinship nudges us toward a fuller understanding of disability worldwide.

Leading writer Boris Kagarlitsky offers an ambitious account of 1000 years of Russian history. Encompassing all key periods in Russia's dramatic development, the book covers everything from early settlers, through medieval decline, Ivan the Terrible - the 'English Tsar', Peter the Great, the Crimean War and the rise of capitalism, the revolution, the Soviet period, finally ending with the return of capitalism after 1991.

Setting Russia within the context of the 'World System', as outlined by Wallerstein, this is a major work of historical Marxist theory that is set to become a future classic.

The failure of attempts to tackle global poverty have bred cynicism and 'compassion fatigue'. Eradicating Extreme Poverty provides an urgently needed fresh approach which will re-energise action on this issue.

Rejecting traditional 'top-down' approaches, Xavier Godinot and his colleagues start from the experiences, capabilities and strategies of the poor themselves. They argue that the first step is a close connection with poor communities followed by a commitment to take action alongside them. Life-stories from Burkina Faso, France, Peru and the Philippines are used to show that the poor must be involved in their own liberation.

After decades of failed development policies, this book outlines a radical new approach which will enliven debate amongst policy-makers, researchers, students and academics.

Ethical Encounters is an exploration of the intersection of feminism, human rights, and memory to illuminate how visual practices of recollecting violent legacies in Bangladeshi cinema can conjure a global cinematic imagination for the advancement of humanity. 

By examining contemporary, women-centered Muktijuddho cinema—features and documentaries that focus on the Bangladesh Liberation War of 1971—Elora Chowdhury shows how these films imagine, disrupt, and reinscribe a gendered nationalist landscape of trauma, freedom, and agency. Chowdhury analyzes Bangladeshi feminist films including Meherjaan, and Itihaash Konna (Daughters of History), as well as socially-engaged films by activist-filmmakers including Jonmo Shathi (Born Together), and Shadhinota (A Certain Liberation), to show how war films of Bangladesh can generate possibilities for gender justice. 

Chowdhury argues that justice-driven films are critical to understanding and negotiating the layered meanings and consequences of catastrophic human suffering yet at the same time they hint at subjectivities and identities that are not reducible to the politics of suffering. Rather, they are key to creating an alternative and disruptive archive of feminist knowledge—a sensitive witnessing, responsible spectatorship, and just responsibility across time, and space. 

Drawing on Black and transnational feminist critiques, Chowdhury explores questions around women’s place, social roles, and modes of participation in war as well as the visual language through which they become legible as victims/subjects of violence and agents of the nation. Ethical Encounters illuminates the possibilities of film as a site to articulate an ethics that acknowledges a founding violence of the birth of a nation, recuperates it even if in fragments, and imagines differently the irreconcilable relationship between humanity, liberty, and justice.