A SCHOLARLY BOOK REPOSITORY16 start with E start with E
Through commissions, patrons sought to promote a vision of the world and their place in it. The unique social norms, laws, educational backgrounds, and life experiences of female patrons meant the expression of a worldview that differed significantly from that of their male counterparts. Joining exceptional archival research with telling analysis of significant examples of music, art, and drama, Kelley Harness challenges the prevailing view that Florence saw a political and artistic decline during this period. She argues convincingly that the female domination of these years brought forth artistic patronage that was both continuous and well-conceived.
Fascination with ancient Egypt is a recurring theme in Western culture, and here Brian Curran uncovers its deep roots in the Italian Renaissance, which embraced not only classical art and literature but also a variety of other cultures that modern readers don’t tend to associate with early modern Italy. Patrons, artists, and spectators of the period were particularly drawn, Curran shows, to Egyptian antiquity and its artifacts, many of which found their way to Italy in Roman times and exerted an influence every bit as powerful as that of their more familiar Greek and Roman counterparts.
Curran vividly recreates this first wave of European Egyptomania with insightful interpretations of the period’s artistic and literary works. In doing so, he paints a colorful picture of a time in which early moderns made the first efforts to decipher Egyptian hieroglyphs, and popes and princes erected pyramids and other Egyptianate marvels to commemorate their own authority. Demonstrating that the emergence of ancient Egypt as a distinct category of historical knowledge was one of Renaissance humanism’s great accomplishments, Curran’s peerless study will be required reading for Renaissance scholars and anyone interested in the treasures and legacy of ancient Egypt.
This book explores the diplomatic role of women in early modern European dynastic networks through the study of Aragonese marriage alliances in late fifteenth-century Italy and Hungary. It challenges the frequent erasure of dynastic wives from diplomatic and political narratives to show how elite women were diplomatically active agents for two dynasties.
Chapters analyze the lives of Eleonora (1450-1493) and Beatrice d'Aragona (1457-1508), daughters of King Ferrante of Naples (1423-1494), and how they negotiated their natal and marital relationships to achieve diplomatic outcomes. While Ferrante expected his daughters to follow paternal imperatives and to remain engaged in collective dynastic strategy, the extent of his kinswomen's continued participation in familial projects was dependent on the nature of their marital relationships. The book traces the access to these relationships that enabled courtly women to re-enter the diplomatic space after marriage, not as objects, but as agents, with their own strategies, politics, and schemes.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
In this first in-depth historical study of homosexuality in Fascist Italy, Lorenzo Benadusi brings to light immensely important archival documents regarding the sexual politics of the Italian Fascist regime; he adds new insights to the study of the complex relationships of masculinity, sexuality, and Fascism; he explores the connections between new Fascist values and preexisting Italian traditional and Roman Catholic views on morality; he documents both the Fascist regime’s denial of the existence of homosexuality in Italy and its clandestine strategies and motivations for repressing and imprisoning homosexuals; he uncovers the ways that accusations of homosexuality (whether true or false) were used against political and personal enemies; and above all, he shows how homosexuality was deemed the enemy of the Fascist “New Man,” an ideal of a virile warrior and dominating husband vigorously devoted to the “political” function of producing children for the Fascist state.
Benadusi investigates the regulation and regimentation of gender in Fascist Italy, and the extent to which, in uneasy concert with the Catholic Church, the regime engaged in the cultural and legal engineering of masculinity and femininity. He cites a wealth of unpublished documents, official speeches, letters, coerced confessions, private letters and diaries, legal documents, and government memos to reveal and analyze how the orders issued by the regime attempted to protect the “integrity of the Italian race.” For the first time, documents from the Vatican archives illuminate how the Catholic Church dealt with issues related to homosexuality during the Fascist period in Italy.
This portrait of an early modern Rome examines the many conflicts, failures, and successes that shaped the city, as decision-makers tried to control not only Rome’s structures and infrastructures but also the people who lived there. Taking up visual images of the city created during the same period—most importantly in maps and urban representations, this book shows how in a time before the development of modern professionalism and modern bureaucracies, there was far more wide-ranging conversation among people of various backgrounds on issues of engineering and infrastructure than there is in our own times. Physicians, civic leaders, jurists, cardinals, popes, and clerics engaged with painters, sculptors, architects, printers, and other practitioners as they discussed, argued, and completed the projects that remade Rome.
In this unique and visually engaging book, Jessica Maier considers Rome through the eyes of mapmakers and artists who have managed to capture something of its essence over the centuries. Viewing the city as not one but ten “Romes,” she explores how the varying maps and art reflect each era’s key themes. Ranging from modest to magnificent, the images comprise singular aesthetic monuments like paintings and grand prints as well as more popular and practical items like mass-produced tourist plans, archaeological surveys, and digitizations. The most iconic and important images of the city appear alongside relatively obscure, unassuming items that have just as much to teach us about Rome’s past. Through 140 full-color images and thoughtful overviews of each era, Maier provides an accessible, comprehensive look at Rome’s many overlapping layers of history in this landmark volume.
The first English-language book to tell Rome’s rich story through its maps, The Eternal City beautifully captures the past, present, and future of one of the most famous and enduring places on the planet.
From the nineteenth century onwards, historians described the Middle Ages as the "cradle" of the nation state—then, after World War II, they increasingly identified the period as the "cradle" of Europe. A close look at the sources demonstrates that both interpretations are misleading: while "Europe" was not a rare word, its use simply does not follow modern expectations. This volume contrasts modern historians' constructions of "Europe in the Middle Ages" with a fresh analysis of the medieval sources and discourses. The results force us to recognize that medieval ideas of ordering the world differ from modern expectations, thereby inviting us to reflect upon the use and limits of history in contemporary political discourse.
Modern Rome is a city rife with contradictions. Once the seat of ancient glory, it is now often the object of national contempt. It plays a significant part on the world stage, but the concerns of its residents are often deeply parochial. And while they live in the seat of a world religion, Romans can be vehemently anticlerical. These tensions between the past and the present, the global and the local, make Rome fertile ground to study urban social life, the construction of the past, the role of religion in daily life, and how a capital city relates to the rest of the nation.
Michael Herzfeld focuses on Rome’s historic Monti district and the wrenching dislocation caused by rapid economical, political, and social change. Evicted from Eternity tells the story of the gentrification of Monti—once the architecturally stunning home of a community of artisans and shopkeepers now displaced by an invasion of rapacious real estate speculators, corrupt officials, dithering politicians, deceptive clerics, and shady thugs. As Herzfeld picks apart the messy story of Monti’s transformation, he ranges widely over many aspects of life there and in the rest of the city, richly depicting the uniquely local landscape of globalization in Rome.
In 1907, Pavel Muratov, a budding littérateur and art connoisseur from Moscow, set off for Italy with his wife, three friends, and a dozen books on the Italian Renaissance. This journey, the first of over a dozen he would make in a decade, inspired an obsession with the country’s art and culture that would produce, in the words of Clive James, “one of the most dazzling books of its type ever written.” First published in Russian between 1911 and 1924, Evocations of Italy(Obrazy Italii) chronicles Muratov’s encounters with the art, myth, and land of Italy. A classic of the Silver Age, it built on the tradition of Italian travelogues by Goethe, Stendhal, John Ruskin, and Henry James and defined the idea of Italy for generations of Russian artists and writers. Finally available in English, this three-volume collector's edition illuminates the personalities, conditions, and dreams that gave us the Italian Renaissance. At once intimate and authoritative, and here richly illustrated with photographs that echo Muratov’s shimmering juxtapositions of image and sensation, Evocations of Italy is as timely and compelling a guide today as it was a hundred years ago.
—Maria Galli Stampino
Associate Professor of French and Italian
University of Miami
Founded by Prince Federico Cesi in 1603, the Linceans took as their task nothing less than the documentation and classification of all of nature in pictorial form. In this first book-length study of the Linceans to appear in English, Freedberg focuses especially on their unprecedented use of drawings based on microscopic observation and other new techniques of visualization. Where previous thinkers had classified objects based mainly on similarities of external appearance, the Linceans instead turned increasingly to sectioning, dissection, and observation of internal structures. They applied their new research techniques to an incredible variety of subjects, from the objects in the heavens studied by their most famous (and infamous) member Galileo Galilei—whom they supported at the most critical moments of his career—to the flora and fauna of Mexico, bees, fossils, and the reproduction of plants and fungi. But by demonstrating the inadequacy of surface structures for ordering the world, the Linceans unwittingly planted the seeds for the demise of their own favorite method—visual description-as a mode of scientific classification.
Profusely illustrated and engagingly written, Eye of the Lynx uncovers a crucial episode in the development of visual representation and natural history. And perhaps as important, it offers readers a dazzling array of early modern drawings, from magnificently depicted birds and flowers to frogs in amber, monstrously misshapen citrus fruits, and more.
Written by Pound in the months following his first visit, the four poems grouped as "The Malatesta Cantos" celebrate the church and the man who sponsored its construction, Sigismondo Malatesta. Upon receiving news of the building's devastation by Allied bombings in 1944, Pound wrote two more cantos that invoked the event as a rallying point for the revival of fascist Italy. These "forbidden" cantos were excluded from collected editions of his works until 1987. Pound even announced an abortive plan in 1958 to build a temple inspired by the church, and in 1963, at the age of eighty, he returned to Rimini to visit the Tempio Malatestiano one last, haunting time.
Drawing from hundreds of unpublished materials, Rainey explores the intellectual heritage that surrounded the church, Pound's relation to it, and the interpretation of his work by modern critics. The Malatesta Cantos, which have been called "one of the decisive turning-points in modern poetics" and "the most dramatic moment in The Cantos," here engender an intricate allegory of Pound's entire career, the central impulses of literary modernism, the growth of intellectual fascism, and the failure of critical culture in the twentieth century. Included are two-color illustrations from the 1925 edition of Pound's cantos and numerous black-and-white photographs.
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