front cover of Gaian Systems
Gaian Systems
Lynn Margulis, Neocybernetics, and the End of the Anthropocene
Bruce Clarke
University of Minnesota Press, 2020

A groundbreaking look at Gaia theory’s intersections with neocybernetic systems theory

 

Often seen as an outlier in science, Gaia has run a long and varied course since its formulation in the 1970s by atmospheric chemist James Lovelock and microbiologist Lynn Margulis. Gaian Systems is a pioneering exploration of the dynamic and complex evolution of Gaia’s many variants, with special attention to Margulis’s foundational role in these developments.

Bruce Clarke assesses the different dialects of systems theory brought to bear on Gaia discourse. Focusing in particular on Margulis’s work—including multiple pieces of her unpublished Gaia correspondence—he shows how her research and that of Lovelock was concurrent and conceptually parallel with the new discourse of self-referential systems that emerged within neocybernetic systems theory. The recent Gaia writings of Donna Haraway, Isabelle Stengers, and Bruno Latour contest its cybernetic status. Clarke engages Latour on the issue of Gaia’s systems description and extends his own systems-theoretical synthesis under what he terms “metabiotic Gaia.” This study illuminates current issues in neighboring theoretical conversations—from biopolitics and the immunitary paradigm to NASA astrobiology and the Anthropocene. Along the way, he points to science fiction as a vehicle of Gaian thought. 

Delving into many issues not previously treated in accounts of Gaia, Gaian Systems describes the history of a theory that has the potential to help us survive an environmental crisis of our own making.

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The Garden at the End of Time
Getting By in the Age of Climate Change
John Hanson Mitchell
University of Massachusetts Press, 2025

John Hanson Mitchell has long written about his garden outside of Boston, and about the plants and animals with whom he shares this land. In 2022, the United Nations and others started reporting the true severity of the climate crisis as the Earth passed a point of no return. All across the globe it was the worst year on record for climate-related disasters, including extinctions, deadly floods, massive fires, and dramatic droughts, all of which have worsened since that year. Mitchell, like so many, felt overwhelmed. He looked to the story of Voltaire’s Candide, and settled on the famous aphorism from that book: “We must cultivate our garden.”

The Garden at the End of Time features Mitchell’s trademark blend of science, literature, and anecdote as he processes both the information he is reading from various sources and what it prompts him to do in his own small corner of the world. The story that unfolds is one of Mitchell diversifying his plantings; fighting what he sees as unnecessary local development; walking through and observing changes in the wild lands nearby; continuing to read the news from around the world; and meditating on other moments, real and imagined, when people sought refuge even as they did their part to improve a personally and collectively stressful situation. 

Readers discover the impossibility of separating gardening from global warming, while also seeing the solace that exposure to plants can offer, in addition to their contribution to carbon consumption. With gravitas, kindness, and wit, Mitchell offers a model for maintaining a connection to nature even as it reels from manmade threats.  

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Globalists
The End of Empire and the Birth of Neoliberalism
Quinn Slobodian
Harvard University Press, 2020

George Louis Beer Prize Winner
Wallace K. Ferguson Prize Finalist
A Marginal Revolution Book of the Year


“A groundbreaking contribution…Intellectual history at its best.”
—Stephen Wertheim, Foreign Affairs


Neoliberals hate the state. Or do they? In the first intellectual history of neoliberal globalism, Quinn Slobodian follows a group of thinkers from the ashes of the Habsburg Empire to the creation of the World Trade Organization to show that neoliberalism emerged less to shrink government and abolish regulations than to redeploy them at a global level. It was a project that changed the world, but was also undermined time and again by the relentless change and social injustice that accompanied it.

“Slobodian’s lucidly written intellectual history traces the ideas of a group of Western thinkers who sought to create, against a backdrop of anarchy, globally applicable economic rules. Their attempt, it turns out, succeeded all too well.”
—Pankaj Mishra, Bloomberg Opinion

“Fascinating, innovative…Slobodian has underlined the profound conservatism of the first generation of neoliberals and their fundamental hostility to democracy.”
—Adam Tooze, Dissent

“The definitive history of neoliberalism as a political project.”
Boston Review

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Glossary for the End of Days
Stories
Ian Stansel
Acre Books, 2020
Following his acclaimed debut novel, The Last Cowboys of San Geronimo, the eleven stories of Ian Stansel’s Glossary for the End of Days explore today’s cultural and political climate with a disarming blend of speculation and realism. Whether faced with tragedy, approaching disaster, or an all-too-familiar uncertainty, Stansel’s protagonists—siblings, lovers, executives, drifters—reveal complex and often startling turns of mind, surprising themselves as well as the reader.

In Boulder, a man calls into a radio program with an altered tale of his brother’s murder—and faces the consequences when the story goes viral. In Tampa, a woman attends a convention of people believing themselves to be targets of clandestine government agencies. In Houston, a family with many secrets attempts to escape an oncoming tropical storm. In an East Coast college town, a professor has a charged run-in with a young woman from the radical right. And in Iowa, a cult suicide spurs the lone survivor to create a “glossary” in an effort to come to terms with his experience.

Simultaneously gritty and lyrical, grounded and visionary, Glossary for the End of Days gives us characters grappling with how to push on through dark days and dark times. This arresting, relevant collection tunes into and seeks to illuminate shared anxieties about the present—and future—of our world.
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God and The End of Satan / Dieu and La Fin de Satan
Selections: In a Bilingual Edition
Victor Hugo
Swan Isle Press, 2014
While living in exile with his family on the Channel Islands off the coast of Normandy, Victor Hugo wrote some of his greatest poetry and prose, including Les Misérables and two epic poems: Dieu and La Fin de Satan. Dieu pictures the imaginary search for God by a nameless protagonist, who must face the possibility of failure in this quest. La Fin de Satan, an indictment of prison, war, and capital punishment, depicts an attempt at reconciliation between good and evil.

This book brings together abbreviated editions of these two book-length poems—unfinished and unpublished at the time of the author’s death—comprised of selections that capture their visionary and mystical essence. The poems are accompanied by an introduction framing them within the author’s experience as an exile and tracing their publication history.

Victor Hugo is one of the most important figures in the history of French literature, and this beautifully rendered translation brings two of his lesser-known works deservedly to the forefront.

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Going Viral
Zombies, Viruses, and the End of the World
Schweitzer, Dahlia
Rutgers University Press, 2018
Outbreak narratives have proliferated for the past quarter century, and now they have reached epidemic proportions. From 28 Days Later to 24 to The Walking Dead, movies, TV shows, and books are filled with zombie viruses, bioengineered plagues, and disease-ravaged bands of survivors. Even news reports indulge in thrilling scenarios about potential global pandemics like SARS and Ebola. Why have outbreak narratives infected our public discourse, and how have they affected the way Americans view the world?

In Going Viral, Dahlia Schweitzer probes outbreak narratives in film, television, and a variety of other media, putting them in conversation with rhetoric from government authorities and news organizations that have capitalized on public fears about our changing world. She identifies three distinct types of outbreak narrative, each corresponding to a specific contemporary anxiety: globalization, terrorism, and the end of civilization. Schweitzer considers how these fears, stoked by both fictional outbreak narratives and official sources, have influenced the ways Americans relate to their neighbors, perceive foreigners, and regard social institutions. 

Looking at everything from I Am Legend to The X Files to World War Z, this book examines how outbreak narratives both excite and horrify us, conjuring our nightmares while letting us indulge in fantasies about fighting infected Others. Going Viral thus raises provocative questions about the cost of public paranoia and the power brokers who profit from it.  

Supplemental Study Materials for "Going Viral": 
https://www.rutgersuniversitypress.org/going-viral-dahlia-schweitzer
Dahlia Schweitzer- Going Viral: https://www.youtube.com/watch?v=5xF0V7WL9ow
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front cover of Governing the End
Governing the End
The Making of Climate Change Loss and Damage
Lisa Vanhala
University of Chicago Press, 2025

A searing account of how the international community is trying—and failing—to address the worst effects of climate change and the differential burdens borne by rich and poor countries.

Climate change is increasingly accepted as a global emergency creating irrevocable losses for the planet. Yet, each country experiences these losses differently, and reaching even inadequate political agreements is fraught with contestation. Governing the End untangles the complex relationship between deteriorating environmental conditions, high politics, and everyday diplomatic practices, focusing on the United Nations’ agreement to address “loss and damage” and subsequent battles over implementation.

Lisa Vanhala looks at the differing assumptions and strategic framings that poor and rich countries bring to bear and asks why some norms emerge and diffuse while others fail to do so. Governing the End is based on ethnographic observation of eight years of UN meetings and negotiations and more than one hundred and fifty interviews with diplomats, policymakers, UN secretariat staff, experts, and activists. It explores explicit political contestation, as well as the more clandestine politics that have stymied implementation and substantially reduced the scope of compensation to poor countries. In doing so, Governing the End elucidates the successes and failures of international climate governance, revealing the importance of how ideas are constructed and then institutionally embodied.

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