Games of Inheritance explores the thought of Argentine author and public intellectual Jorge Luis Borges (1899–1986) on questions of authorship and literary tradition. The book focuses on Borges’s engagement with Jewish literary and intellectual traditions, highlighting the role of this engagement in developing and expressing his views on these questions. The book argues that the primary relevance of Borges’s persistent reference to “the Judaic” is not for understanding his attitude toward Jews and Judaism but for understanding his position in contemporary Argentinian debates about nationalism and literature, empire and postcolonialism, and populism and aesthetics. By broadening the frame of Borges and the Judaic, this book shifts the scholarly focus to the poetic utility of Borges’s engagement with Jewish literary and intellectual traditions. This allows a better understanding of the nuance of his views on the issues that most animate his oeuvre: authorship and writing, literature and tradition.

The second in a series of prayerbooks for early childhood use, Gates of Awe contains rich and enchanting illustrations combined with poetic text that enhances the sense of awe found during the Holy Days. The special qualities of Rosh HaShanah and Yom Kippur are skillfully introduced to young worshippers through the inspiration of prayer, the excitement of the Shofar and the lessons in the stories of Abraham and Torah.

Shaarei Selicha contains an evening service adapted from Gates of Prayer, as well as extensive meditations and a complete new service for Selichot, the penitential service in preparation for the Rosh HaShanah and the Days of Awe.

Gates of Prayer for Shabbat and Weekdays contains services for Shabbat and weekdays, evening and morning, within the covers of a single, elegantly designed, hardbound volume.  The selection of three complete services for Erev Shabbat enables congregations to use this book regularly for most worship purposes.

Gates of Prayer for Shabbat and Weekdays contains services for Shabbat and weekdays, evening and morning, within the covers of a single, elegantly designed, hardbound volume.  The selection of three complete services for Erev Shabbat enables congregations to use this book regularly for most worship purposes.

Includes services for the funeral home and the house of the bereaved, afternoon and evening services, special “At a House of Mourning” service, additional readings, meditations and Kaddish. 

Deeply rooted in Jewish tradition, while expressing that tradition within the context of Reform Judaism, this prayerbook contains a variety of services for weekdays, Shabbat and festivals, Israeli Independence Day, Holocaust Remembrance Day and Tisha B'Av.  It also includes special readings, meditations and 40 pages of songs complete with transliterations.

Deeply rooted in Jewish tradition, while expressing that tradition within the context of Reform Judaism, this prayerbook contains a variety of services for weekdays, Shabbat and festivals, Israeli Independence Day, Holocaust Remembrance Day and Tisha B'Av.  It also includes special readings, meditations and 40 pages of songs complete with transliterations.

Gates of Repentance for Young People is the Machzor designed for children's High Holy Day services; it completes the series begun with Gates of Wonder, Gates of Awe, and Gates of Prayer for Young People. Each service emphasizes the significant themes of the High Holy Days in engaging ways. The volume includes services for Rosh HaShanah and Yom Kippur for both early and late primary grades in contemporary, gender-inclusive language, along with new translations of the High Holy Day readings from the Torah and Haftarot and illustrations by award-winning artist Neil Waldman.

A book about prayer, written to enrich Gates of Prayer, for which it gives sources of al the prayers, additional meditatios and songs. Explores the worship service, obstacles to prayer, the function of the prayer book, and other topics.

This is the first official prayerbook for young children ever produced by the Reform Movement. Intended for pre-school children through six years of age, Gates of Wonder is beautifully illustrated by award-winning artist Neil Waldman. As young children enter the Gates of Wonder they will experience a world of beauty, a world of mystery and the enduring world of Jewish prayer.

The fascinating history of German Jews who built a community just outside Jerusalem.

In the 1920s, before the establishment of Israel, a group of German Jews settled in a garden city on the outskirts of Jerusalem. During World War II, their quiet community, nicknamed Grunewald on the Orient, emerged as both an immigrant safe haven and a lively expatriate hotspot, welcoming many famous residents including poet-playwright Else Lasker-Schüler, historian Gershom Scholem, and philosopher Martin Buber. It was an idyllic setting, if fraught with unique tensions on the fringes of the long-divided holy city. After the war, despite the weight of the Shoah, the neighborhood miraculously repaired shattered bonds between German and Israeli residents. In German Jerusalem, Thomas Sparr opens up the history of this remarkable community and the forgotten borderland they called home.
 

First published in 1985, German Jews Beyond Judaism is George L. Mosse’s sweeping exploration of German Jewish secular identity across the nineteenth and twentieth centuries. In Germany, Jews were emancipated at a time when cultural education was becoming an integral part of German society. They felt a powerful urge to find their Jewish substance within German culture and thus craft an identity as both Germans and Jews. Mosse argues that they did so by adopting the concept of Bildung―the idea of intellectual and moral self-cultivation―combined with key Enlightenment ideals of human potential, individualism, and the connection between knowledge and morality through aesthetics. He traces how Jewish artists, writers, and thinkers actively sought to participate in German culture through popular culture, scholarship, and political activity. Despite the eventual dissolution of German-Jewish dialogue due to the emergence of a virulently racist nationalism, important Jewish heritage emerged as a result of this attempt to integrate both identities.

German Jews Beyond Judaism was, in Mosse’s own estimation, his “most personal book, almost a confession of faith.” David J. Sorkin’s new critical introduction illustrates how Mosse’s life and values both shaped and exemplified his historical analysis and offers potential meanings of his intellectual legacy for the present day.

Just as European Jews were being emancipated and ghettos in their original form—compulsory, enclosed spaces designed to segregate—were being dismantled, use of the word ghetto surged in Europe and spread around the globe. Tracing the curious path of this loaded word from its first use in sixteenth-century Venice to the present turns out to be more than an adventure in linguistics.

Few words are as ideologically charged as ghetto. Its early uses centered on two cities: Venice, where it referred to the segregation of the Jews in 1516, and Rome, where the ghetto survived until the fall of the Papal States in 1870, long after it had ceased to exist elsewhere.

Ghetto: The History of a Word offers a fascinating account of the changing nuances of this slippery term, from its coinage to the present day. It details how the ghetto emerged as an ambivalent metaphor for “premodern” Judaism in the nineteenth century and how it was later revived to refer to everything from densely populated Jewish immigrant enclaves in modern cities to the hypersegregated holding pens of Nazi-occupied Eastern Europe. We see how this ever-evolving word traveled across the Atlantic Ocean, settled into New York’s Lower East Side and Chicago’s Near West Side, then came to be more closely associated with African Americans than with Jews.

Chronicling this sinuous transatlantic odyssey, Daniel B. Schwartz reveals how the history of ghettos is tied up with the struggle and argument over the meaning of a word. Paradoxically, the term ghetto came to loom larger in discourse about Jews when Jews were no longer required to live in legal ghettos. At a time when the Jewish associations have been largely eclipsed, Ghetto retrieves the history of a disturbingly resilient word.

The poignant story of Holocaust survivors who returned to their hometown in Poland and tried to pick up the pieces of a shattered world.

In the immediate aftermath of World War II, the lives of Polish Jews were marked by violence and emigration. But some of those who had survived the Nazi genocide returned to their hometowns and tried to start their lives anew. Lukasz Krzyzanowski recounts the story of this largely forgotten group of Holocaust survivors. Focusing on Radom, an industrial city about sixty miles south of Warsaw, he tells the story of what happened throughout provincial Poland as returnees faced new struggles along with massive political, social, and legal change.

Non-Jewish locals mostly viewed the survivors with contempt and hostility. Many Jews left immediately, escaping anti-Semitic violence inflicted by new communist authorities and ordinary Poles. Those who stayed created a small, isolated community. Amid the devastation of Poland, recurring violence, and bureaucratic hurdles, they tried to start over. They attempted to rebuild local Jewish life, recover their homes and workplaces, and reclaim property appropriated by non-Jewish Poles or the state. At times they turned on their own. Krzyzanowski recounts stories of Jewish gangs bent on depriving returnees of their prewar possessions and of survivors shunned for their wartime conduct.

The experiences of returning Jews provide important insights into the dynamics of post-genocide recovery. Drawing on a rare collection of documents—including the postwar Radom Jewish Committee records, which were discovered by the secret police in 1974—Ghost Citizens is the moving story of Holocaust survivors and their struggle to restore their lives in a place that was no longer home.

Whether they came from Sioux Falls or the Bronx, over half a million Jews entered the U.S. armed forces during the Second World War. Uprooted from their working- and middle-class neighborhoods, they joined every branch of the military and saw action on all fronts. Deborah Dash Moore offers an unprecedented view of the struggles these GI Jews faced, having to battle not only the enemy but also the prejudices of their fellow soldiers.

Through memoirs, oral histories, and letters, Moore charts the lives of fifteen young Jewish men as they faced military service and tried to make sense of its demands. From confronting pork chops to enduring front-line combat, from the temporary solace of Jewish worship to harrowing encounters with death camp survivors, we come to understand how these soldiers wrestled with what it meant to be an American and a Jew.

Moore shows how military service in World War II transformed this generation of Jews, reshaping Jewish life in America and abroad. These men challenged perceptions of Jews as simply victims of the war, and encouraged Jews throughout the diaspora to fight for what was right. At the same time, service strengthened Jews' identification with American democratic ideals, even as it confirmed the importance of their Jewish identity. GI Jews is a powerful, intimate portrayal of the costs of a conflict that was at once physical, emotional, and spiritual, as well as its profound consequences for these hitherto overlooked members of the "greatest generation."

Good for the Jews is a smart, funny, sexy novel set in Madison, Wisconsin, during the Bush administration. Part mystery and part stranger-comes-to town story, Good for the Jews is loosely based on the biblical book of Esther. Like Esther, Debra Spark's characters deal with anti-Semitism and the way that powerful men—and the women who love them—negotiate bureaucracies.

At the core of the story of right and wrong are young, attractive Ellen Hirschorn and her older cousin Mose, a high school teacher who thinks he knows, in fact, what is "good for the Jews"—and for Ellen, too. Their stories intertwine with those of the school superintendent, his ex-wife and son, and a new principal. Workplace treachery, the bonds of family, coming of age, and romantic relationships all take center stage as the characters negotiate the fallout from a puzzling fire.

Spark's evocative writing style and sharp, understanding treatment of her diverse characters draw the reader into this surprising page-turner, a finalist for the 2009 Foreword Magazine Book of the Year Award.

Employing geographical and political structures to her analyses, Laini Kavaloski argues that spatial forms that represent boundaries such as walls, ghettos, and war zones together with the artistic renderings of emotion, gendered experiences, and cultural narratives make visible the consequences of war on bodies and political futures. Representations of Jewish territorial positions are not only metaphoric but are also active forces in determining the effects of boundaries—political and cultural— on Jewish lives. Through an archive of contemporary memoirs that grapple with Jewish experiences of war, Graphic War makes visible the consequences of state structures, militarized environments, and nationalisms on the female body and in doing so registers a shift from the persistent Jewish identification with 20th-century oppression toward a narrative of Jewish belonging based in transnational agency and activism in the 21st Century.

Winner of the 2025 Friends of American Writers Adult Literature Award
A 2024 Foreword INDIES Finalist
A 2025 Sophie Brody Medal Notable Book
A Jewish Women's Archive Summer Book Club Pick

At twenty-three, Michelle Ephraim was failing at everything. The only child of reclusive Holocaust-survivor parents who were dismayed by her literary studies, she found herself dumped by her boyfriend and bombing out of graduate school. Then, one night, she crashed a Shakespeare recitation party. Loopy from vodka and never having read a single line of Shakespeare, she was transfixed. Shakespeare, she decided, was the lifeline she needed.

Green World is the hilarious and heartbreaking story of Ephraim’s quest to become a Shakespeare scholar and to find community and home. As she studies Shakespeare, Ephraim’s world uncannily begins to mirror the story of the Jewish daughter in The Merchant of Venice, and she finds herself in a Green World, an idyllic place where Shakespeare’s heroines escape their family trauma. Green World reckons with global, historical, and personal tragedy and shows how literature—comic and tragic—can help us brave every kind of anguish.

Growing Up Ethnic examines the presence of literary similarities between African American and Jewish American coming-of-age stories in the first half of the twentieth century; often these similarities exceed what could be explained by sociohistorical correspondences alone. Martin Japtok argues that these similarities result from the way both African American and Jewish American authors have conceptualized their "ethnic situation." The issue of "race" and its social repercussions certainly defy any easy comparisons. However, the fact that the ethnic situations are far from identical in the case of these two groups only highlights the striking thematic correspondences in how a number of African American and Jewish American coming-of-age stories construct ethnicity. Japtok studies three pairs of novels--James Weldon Johnson's Autobiography of an Ex-Coloured Man and Samuel Ornitz's Haunch, Paunch and Jowl, Jessie Fauset's Plum Bun and Edna Ferber's Fanny Herself, and Paule Marshall's Brown Girl, Brownstones and Anzia Yezierska's Bread Giver--and argues that the similarities can be explained with reference to mainly two factors, ultimately intertwined: cultural nationalism and the Bildungsroman genre. Growing Up Ethnic shows that the parallel configurations in the novels, which often see ethnicity in terms of spirituality, as inherent artistic ability, and as communal responsibility, are rooted in nationalist ideology. However, due to the authors' generic choice--the Bildungsroman--the tendency to view ethnicity through the rhetorical lens of communalism and spiritual essence runs head-on into the individualist assumptions of the protagonist-centered Bildungsroman. The negotiations between these ideological counterpoints characterize the novels and reflect and refract the intellectual ferment of their time. This fresh look at ethnic American literatures in the context of cultural nationalism and the Bildungsroman will be of great interest to students and scholars of literary and race studies.