Presenting a new Teaching Arabic as a Foreign Language (TAFL) curriculum that can be used in secondary and postsecondary educational settings, Kalima wa Nagham, volume 3, is a textbook that uniquely and simultaneously introduces Modern Standard Arabic (MSA) and salient aspects of Educated Spoken Arabic (ESA) to students whose proficiency level is at least intermediate high according to ACTFL’s rating scale. Students who fully use this book should be able to develop important language skills—listening, speaking, reading, writing, and expressing deep cultural knowledge—and reach the advanced high proficiency level by the end of the book.
Written by Arabic language teaching practitioners and experienced educators who are certified language testers, Kalima wa Nagham employs a threaded story that introduces language concepts along with music to enhance vocabulary retention and recall. At the core of the textbook are written and oral texts that present students and teachers with examples of Arabic grammatical concepts and important cultural aspects, as well as related vocabulary. These are supplemented by drills and activities that can be used in a classroom setting or pursued individually. Dialogues and pronunciation and listening drills that accompany the lessons are available on the University of Texas Press website. This volume is student-centered in content and methodology, which will enable learners to meet and exceed linguistic and cultural proficiency expectations.
Russian history was typically studied through liberal or socialist lenses until Richard Pipes first published his translation of Karamzin's Memoir. Almost fifty years later, it is still the only English-language edition of this classic work. Still fresh and readable today, the Memoir-in which Alexander I's state historian elaborates his arguments for a strong Russian state-remains the most accessible introduction to the conservatism of Russia's ancien regime. This annotated translation is a "faithful rendition of the letter and spirit of the original," which not only introduces readers to the sweep of Karamzin's ideas, but also weaves together a fascinating version of Russia's rich history. With a new foreword by Richard Pipes, Karamzin's Memoir on Ancient and Modern Russia is a touchstone for anyone interested in Russia's fascinating and turbulent past.
Richard Pipes is Baird Professor of History at Harvard University.
Nikolai M. Karamzin (1766-1826) was a Russian historian, poet, and journalist. He was appointed court historian by Tsar Alexander I.
Agrarian reforms transformed the Mexican countryside in the late twentieth century but without, in many cases, altering fundamental power relationships. This study of the Tehuacán Valley in the state of Puebla highlights different strategies to manipulate the local implementation of federal government programs. With their very differing successes in the struggle to regain and maintain control of land and water rights, these strategies raise important questions about the meaning of the phrase "locally controlled development."
Because Mexico is dependent on irrigation for 45 percent of its cash crop production, national policy has focused on developing vast government controlled and financed irrigation systems. In the Tehuacán Valley, however, the inhabitants have developed a complex irrigation system without government aid or supervision. Yet, in contrast to most parts of Mexico, water rights can be bought and sold as a commodity, leading to accumulation, stratification, and emergence of a regional elite whose power is based on ownership of land and water. The analysis provides an important contribution to the understanding of local control.
The findings of this study will be important to a wide audience involved in the study of irrigation, local agricultural systems, and the interplay between local power structures and the national government in developing countries. The book also presents unique material on gravity-fed, horizontal wells, known as qanat in the Middle East, which had been unknown in the literature on Latin America before this book.
An epic poem about life in America in the early 20th century, as perceived by a Jewish immigrant.
Kentucky is the first major work in Yiddish literature to present America as its primary theme. The long epic poem paints a rich picture of life in Kentucky just after the Civil War. Written between 1918 and 1922 by Lithuanian-born writer, I. J. Schwartz, it first appeared in the Yiddish journal Zukunft and later, in 1925, was published as a book. Although unknown to English readers until this translation, the book was a primary text for immigrants and potential immigrants in places as remote as Poland and Argentina who received their first impressions of America from its pages. Parts of it were even set to music and sung in choruses around the world.
Explores the representation of slave revolt in video games—and the trouble with making history playable
Kill the Overseer! profiles and problematizes digital games that depict Atlantic slavery and “gamify” slave resistance. In videogames emphasizing plantation labor, the player may choose to commit small acts of resistance like tool-breaking or working slowly. Others dramatically stage the slave’s choice to flee enslavement and journey northward, and some depict outright violent revolt against the master and his apparatus. In this work, Sarah Juliet Lauro questions whether the reduction of a historical enslaved person to a digital commodity in games such as Mission US, Assassin’s Creed, and Freedom Cry ought to trouble us as a further commodification of slavery’s victims, or whether these interactive experiences offer an empowering commemoration of the history of slave resistance.
Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
What can we know of the private lives of early British sovereigns? Through the unusually large number of letters that survive from King James VI of Scotland/James I of England (1566-1625), we can know a great deal. Using original letters, primarily from the British Library and the National Library of Scotland, David Bergeron creatively argues that James' correspondence with certain men in his court constitutes a gospel of homoerotic desire. Bergeron grounds his provocative study on an examination of the tradition of letter writing during the Renaissance and draws a connection between homosexual desire and letter writing during that historical period.
King James, commissioner of the Bible translation that bears his name, corresponded with three principal male favorites—Esmé Stuart (Lennox), Robert Carr (Somerset), and George Villiers (Buckingham). Esmé Stuart, James' older French cousin, arrived in Scotland in 1579 and became an intimate adviser and friend to the adolescent king. Though Esmé was eventually forced into exile by Scottish nobles, his letters to James survive, as does James' hauntingly allegorical poem Phoenix. The king's close relationship with Carr began in 1607. James' letters to Carr reveal remarkable outbursts of sexual frustration and passion.
A large collection of letters exchanged between James and Buckingham in the 1620s provides the clearest evidence for James' homoerotic desires. During a protracted separation in 1623, letters between the two raced back and forth. These artful, self-conscious letters explore themes of absence, the pleasure of letters, and a preoccupation with the body. Familial and sexual terms become wonderfully intertwined, as when James greets Buckingham as "my sweet child and wife."
King James and Letters of Homoerotic Desire presents a modern-spelling edition of seventy-five letters exchanged between Buckingham and James. Across the centuries, commentators have condemned the letters as indecent or repulsive. Bergeron argues that on the contrary they reveal an inward desire of king and subject in a mutual exchange of love.
Includes a gallery of images that brings Diedrich Knickerbocker, his myth, time, and place to life Knickerbocker engagingly traces the creation, evolution, and prevalence of Irving's imaginary historian in New York literature and history, art and advertising, from the early nineteenth century to the present day. Who would imagine this satiric character, at once a snob and a champion of the people, would endure for two hundred years? In Elizabeth L. Bradley's words, "Whether you call it 'blood,' style, attitude, or moxie, the little Dutchman could deliver." And, from this engaging work, it is clear that he does.
Bradley's stunning volume offers a surprising and delightful glimpse behind the scenes of New York history, and invites readers into the world of Knickerbocker, the antihero who surprised everyone by becoming the standard-bearer for the city's exceptional sense of self, or what we now call a New York "attitude."
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