"A great read about some great ladies, Pat Majher's Ladies of the Lights pays long overdue homage to an overlooked part of Great Lakes maritime history in which a select group of stalwart women beat the odds to succeed in a field historically reserved for men."
---Terry Pepper, Executive Director of Great Lakes Lighthouse Keeper's Association

Michigan once led the country in the number of lighthouses, and they're still a central part of the mystique and colorful countryside of the state. What even the region's lighthouse enthusiasts might not know is the rich history of female lighthouse keepers in the area.

Fifty women served the sailing communities on Lakes Huron, Michigan, and Superior, as well as on the Detroit River, for more than 100 years. From Catherine Shook, who raised eight children while maintaining the Pointe Aux Barques light at the entrance to Saginaw Bay; to Eliza Truckey, who assumed responsibility for the lighthouse in Marquette while her husband fought for four years in the Civil War; to Elizabeth Whitney, whose combined service on Beaver Island and in Harbor Springs totaled forty-one years---the stories of Michigan's "ladies of the light" are inspiring.

This is no technical tome documenting the minutiae of Michigan's lighthouse specifications. Rather, it's a detailed, human portrait of the women who kept those lighthouses running, defying the gender expectations of their time.

Patricia Majher is Editor of Michigan History magazine, published by the Historical Society of Michigan. Prior, she was Assistant Director of the Michigan Women's Historical Center and Hall of Fame in Lansing, Michigan. In addition, she has been writing both advertising and editorial copy for almost thirty years and has been a frequent contributor to Michigan newspapers and magazines.

Winner of the Frederick Jackson Turner Award
Winner of the George Perkins Marsh Prize
Winner of the John Brinckerhoff Jackson Book Prize

“A major work of history that brings together African-American history and environmental studies in exciting ways.”
—Davarian L. Baldwin, Journal of Interdisciplinary History

Between 1915 and 1940, hundreds of thousands of African Americans left the rural South to begin new lives in the urban North. In Chicago, the black population quintupled to more than 275,000. Most historians map the integration of southern and northern black culture by looking at labor, politics, and popular culture. An award-winning environmental historian, Brian McCammack charts a different course, considering instead how black Chicagoans forged material and imaginative connections to nature.

The first major history to frame the Great Migration as an environmental experience, Landscapes of Hope takes us to Chicago’s parks and beaches as well as to the youth camps, vacation resorts, farms, and forests of the rural Midwest. Situated at the intersection of race and place in American history, it traces the contours of a black environmental consciousness that runs throughout the African American experience.

“Uncovers the untold history of African Americans’ migration to Chicago as they constructed both material and immaterial connections to nature.”
—Teona Williams, Black Perspectives

“A beautifully written, smart, painstakingly researched account that adds nuance to the growing field of African American environmental history.”
—Colin Fisher, American Historical Review

“If in the South nature was associated with labor, for the inhabitants of the crowded tenements in Chicago, nature increasingly became a source of leisure.”
—Reinier de Graaf, New York Review of Books

Gentrification is not inevitable, reveals Sharon Cornelissen, in this surprising, close look at the Detroit neighborhood of Brightmoor and the harsh reality of depopulation and urban decline. 

In the minds of many, Detroit is undergoing a renaissance thanks to gentrifying urbanites who’ve been drawn to the city with the promise of cheap housing and thriving culture. But what happens when gentrification attempts to come to one of the most depopulated neighborhoods in the country—a place where every other property in the neighborhood was a vacant lot and every third house stood empty? To find out, Sharon Cornelissen moved to the Brightmoor neighborhood of Detroit for three years and became the owner of a $7,000 house.
 
The Last House on the Block takes us to Brightmoor to meet Cornelissen’s fellow residents. She introduces us to the long-time residents of the neighborhood who reveal their struggles to keep a home while keeping violence, tall grass, and yes—gentrification—at bay. We also meet the eclectic white newcomers of Brightmoor and learn about their real estate bargains, urban farms, and how they became the unlikely defenders of urban desolation. Where oldtimers take pride in neatly mowed lawns and hope for a return to residential density, newcomers love the open space and aim to buy more empty lots to raise chickens and goats. It is a story of gentrification, but not at all in the usual sense: it is a case of failed gentrification. We often think about gentrification as an unstoppable force—once the first white newcomers with yoga mats enter an often brown or Black community, the coffee shops and restaurants follow. But in Brightmoor, the dreams of white newcomers met the harsh reality of decade-long decline. Nearly a decade after Cornelissen’s fieldwork began, Brightmoor is even emptier than it was when she started.  
 
Today, depopulation remains more common than gentrification in poor communities. Cornelissen’s story offers deep insights into what it is like to live in a declining neighborhood, and through the example of Brightmoor, Cornelissen reveals why depopulation continues and helps us imagine a more inclusive and equitable city turnaround.

The history of Latinos in Michigan is one of cultural diversity, institutional formation, and an ongoing search for leadership in the midst of unique, often intractable circumstances. Latinos have shared a vision of the American Dream--made all the more difficult by the contemporary challenge of cultural assimilation. The complexity of their local struggles, moreover, reflects far-reaching developments on the national stage, and suggests the outlines of a common identity. While facing adversity as rural and urban immigrants, exiles, and citizens, Latinos have contributed culturally, economically, and socially to many important developments in Michigan's history.

This illustrated monograph is an innovative analysis of forager archaeology in general and Paleo-Indian studies in particular. This is a companion volume to Thedford II: A Paleo-Indian Site in the Ausable River Watershed of Southwestern Ontario (Memoir 24).

President of the Archaeological Institute of America, professor at the University of Michigan from 1889 to 1927, and president of the American Philological Association, Francis Kelsey was crucially involved in the founding or growth of major educational institutions. He came to maturity in a period of great technological change in communications, transportation, and manufacturing. Kelsey took full advantage of such innovations in his ceaseless drive to promote education for all, to further the expansion of knowledge, and to champion the benefits of the study of antiquity.

A vigorous traveler around the United States, Europe, and the Mediterranean, Kelsey strongly believed in the value of personally viewing sites ancient and modern and collecting artifacts that could be used by the new museums and universities that were springing up in the United States. This collecting habit put him in touch with major financiers of the day, including Charles Freer, Andrew Carnegie, and J. P. Morgan, as he sought their help for important projects.

Drawing heavily on Kelsey's daily diaries now held at the University of Michigan's Bentley Historical Library, John Griffiths Pedley gives us a biography that records the wide-ranging activities of a gifted and energetic scholar whose achievements mirrored the creative and contributive innovations of his contemporary Americans.

For six years Maya Stovall staged Liquor Store Theatre, a conceptual art and anthropology video project---included in the Whitney Biennial in 2017---in which she danced near the liquor stores in her Detroit neighborhood as a way to start conversations with her neighbors. In this book of the same name, Stovall uses the project as a point of departure for understanding everyday life in Detroit and the possibilities for ethnographic research, art, and knowledge creation. Her conversations with her neighbors—which touch on everything from economics, aesthetics, and sex to the political and economic racism that undergirds Detroit's history—bring to light rarely acknowledged experiences of longtime Detroiters. In these exchanges, Stovall enacts an innovative form of ethnographic engagement that offers new modes of integrating the social sciences with the arts in ways that exceed what either approach can achieve alone.

Historians and readers alike often overlook the everyday experiences of workers. Drawing on years of interviews and archival research, Daniel J. Clark presents the rich, interesting, and sometimes confounding lives of men and women who worked in Detroit-area automotive plants in the 1950s.

In their own words, the interviewees frankly discuss personal matters like divorce and poverty alongside recollections of childhood and first jobs, marriage and working women, church and hobbies, and support systems and workplace dangers. Their frequent struggles with unstable jobs and economic insecurity upend notions of the 1950s as a golden age of prosperity while stories of domestic violence and infidelity open a door to intimate aspects of their lives. Taken together, the narratives offer seldom-seen accounts of autoworkers as complex and multidimensional human beings.

Compelling and surprising, Listening to Workers foregoes the union-focused strain of labor history to provide ground-level snapshots of a blue-collar world.

"Grace Lee Boggs has made a fundamental difference in keeping alive the traditions of the struggles for freedom and democracy." Cornel West "More than a deeply moving memoir, this is a book of revelation. Grace Lee Boggs, Chinese American, middle class, highly educated, discovers through her encounters with remarkable rebels, blue collars as well as philosophers, where the body is buried: who is doing what to whom in our society. It is an adventure that is truly liberating." Studs Terkel "It seems to me that the life of Grace Lee Boggs has been an exercise of will. Through sheer will, without waiting for social conditions to come around and without waiting to explore her identity, she turned her back on who she was and barged into new territories. She was a woman who barged into men's territory; she was a Chinese who barged into black territory; she was an intellectual who barged into workers territory." from a letter from Louis Tsen "Throught these pages walk causes, gatherings, confrontations, movements, and the men and women who made them: workers, and students, and committees of the People; Christians, Black Muslims, Black Panthers, Labor Unions; C.L.R. James. Rev. Cleage, Rev. Cleveland, Coleman Young, Malcolm and Martin; artists, musicians, poets, actors, strikers, and seekers of revolution." from the foreword by Ossie Davis Living for Change is a sweeping account of the life of an untraditional radical from the end of the thirties, through the cold war, the civil rights era, and the rise of Black Power, the Nation of Islam, and the Black Panthers to the present efforts to rebuild our crumbling urban communities. This fascinating autobiography traces the story of a woman who transcended class and racial boundaries to pursue her passionate belief in a better society. Grace Lee Boggs was raised in New York City during a time when her father was not allowed to buy land for their home because he was Chinese. Educated at Barnard and Bryn Mawr, Boggs was in her twenties when radical politics beckoned, and she was inspired to become a revolutionary focusing on the black community. During her early years as an activist in New York, Boggs began a twenty-year friendship and collaboration with C. L. R. James, the brilliant and influential West Indian Marxist to whom she devotes a revelatory chapter of this book. In 1953, she moved to Detroit where, she writes, "radical history had been made and could be made again." It was also the home of James Boggs, an African American auto worker (and later author and revolutionary theoretician) who would become one of the movement's freshest and most persuasive voices, as well as Grace's husband. Beginning with their work together on the newsletter Correspondence, Grace and James formed the core of a network that over the years would include Malcolm X, Lyman Paine, Ping Ferry, Ossie Davis and Ruby Dee, Kwame Nkrumah, Stokely Carmichael, and inner-city youth. Rich in the personalities and anecdotes of twentieth-century progressive activism, Living for Change is an involving and inspiring look at a remarkable woman who continues to dedicate her life to social justice. Grace Lee Boggs is a first-generation Chinese American who has been a speaker, writer, and movement activist in the African American community for fifty-five years.

It began in late winter of 2004. Almost 100 years had passed since the last spotting of a wild wolverine in Michigan when coyote hunters caught a glimpse of one of the animals in a frozen farm field in the northern thumb region. For the next six years, Jeff Ford, a local science teacher and amateur naturalist, devoted himself to locating and filming the wolverine that had unexpectedly and inexplicably appeared in the Wolverine State. By the time hikers found the animal dead in early 2010, Ford had taken hundreds of rare live action photos and shot numerous hours of video, with the story of the "Wolverine Guy" attracting national attention through countless newspaper and magazine articles and appearances on Animal Planet and PBS Nature.

This is the tale of Ford's quest as he uncovered answers to mysteries surrounding the animal's territory and movement patterns, while sparking a flurry of controversy surrounding the elusive predator's origin, much of which remains unresolved today. It's an intimate look at research in the raw, from DNA samples stuck on barbed wire to a sophisticated, motion-sensing infrared camera unit strategically placed to observe nocturnal behavior.

The Lone Wolverine brings to vivid life this unforgettable piece of American wildlife lore, using candid interviews, public records, and Ford's own vast storehouse of notes, personal writings, correspondence, and images, offering an extraordinary chronicle of a wild wolverine in its natural habitat, at play and in fierce competition for food and survival. This is a wildlife detective story, recounting years of study and fierce debate as researchers pondered the riddles of Michigan's last wolverine---her origins, habits, and ultimately the cause of her untimely death.