A SCHOLARLY BOOK REPOSITORY
Karamanski explores both the navigational and sailing tools of First Nations peoples and the dismissive and foolhardy attitude of early European maritime sailors. He investigates the role played by commercial boats in the Underground Railroad, as well as how the federal development of crucial navigational resources exacerbated sectionalism in the antebellum United States. Ultimately Mastering the Inland Sea shows the undeniable environmental impact of technologies used by the modern commercial maritime industry. This expansive story illuminates the symbiotic relationship between infrastructure investment in the region's interconnected waterways and North America's lasting economic and political development.
Atlantic slavery can be overwhelming in its immensity and brutality, as it involved more than 15 million souls forcibly displaced by European imperialism and consumed in building the global economy. Mastering the Law: Slavery and Freedom in the Legal Ecology of the Spanish Empire lays out the deep history of Iberian slavery, explores its role in the Spanish Indies, and shows how Africans and their descendants used and shaped the legal system as they established their place in Iberoamerican society during the seventeenth century.
Ricardo Raúl Salazar Rey places the institution of slavery and the people involved with it at the center of the creation story of Latin America. Iberoamerican customs and laws and the institutions that enforced them provided a common language and a forum to resolve disputes for Spanish subjects, including enslaved and freedpeople. The rules through which Iberian conquerors, settlers, and administrators incorporated Africans into the expanding Empire were developed out of the need of a distant crown to find an enforceable consensus. Africans and their mestizo descendants, in turn, used and therefore molded Spanish institutions to serve their interests.Salazar Rey mined extensively the archives of secular and religious courts, which are full of complex disputes, unexpected subversions, and tactical alliances among enslaved people, freedpeople, and the crown.
The narrative unfolds around vignettes that show Afroiberians building their lives while facing exploitation and inequality enforced through violence. Salazar Rey deals mostly with cases originating from Cartagena de Indias, a major Atlantic port city that supported the conquest and rule of the Indies. His work recovers the voices and indomitable ingenuity that enslaved people and their descendants displayed when engaging with the Spanish legal ecology. The social relationships animating the case studies represent the broader African experience in the Americas during the sixteenth and seventeenth centuries.
Is there a plot against the life of letters today?!!!! A mysterious assailant has tied a nameless text to a railroad track near Boondock State University. While young untenured English professor Jane Marple enlists a group of odd and oddly rivalrous academicians to help her identify and save the text, a coalition of powerful conservatives begins to suspect and rally against a left-wing conspiracy. But all are foiled when the amnesiac text is abducted on the Euro-Centric Express, where Ms. Marple encounters a number of suspiciously eccentric theorists temporarily set loose from their usual haunts in Marxist, deconstructionist, new historicist, and postcolonial circles. You'll laugh with our heroine, you'll cry with her, but you'll never guess how--using the very latest technology and in the midst of sometimes sinister stage and screen celebrities--she brings the last of three thrilling episodes in the canon wars to an end at a WOW (Writers of the World) conference set in the heart of the Big Apple.
In this hilarious romp through the culture wars, Sandra M. Gilbert and Susan Gubar send up everyone including, sometimes, themselves, while at the same time they speculate seriously on the future of literature and literacy in a society where both are increasingly endangered. The cast includes well-known critics, politicians, writers, pop stars, media personalities, and a juicy assortment of technocrats, CEOs, and other culture vultures. Any similarities you find between these characters and actual persons, living or dead, are probably glaring. So, hum the opening notes of Masterpiece Theatre as you sit back, relax, and consider (yes!) the fate of the printed word in Western civilization.
Masterpiece Theatre is the latest--and funniest--round in the culture wars. No member of Modern Language Association, lover of literature and literacy, cultural pundit, or talking head should be without a copy.
In answering these questions, D. Graham Burnett brings to light the work of several such explorers, particularly Sir Robert H. Schomburgk, the man who claimed to be the first to reach the site of Ralegh's El Dorado. Commissioned by the Royal Geographical Society and later by the British Crown, Schomburgk explored and mapped regions in modern Brazil, Venezuela, and Guyana, always in close contact with Amerindian communities. Drawing heavily on the maps, reports, and letters that Schomburgk sent back to England, and especially on the luxuriant images of survey landmarks in his Twelve Views in the Interior of Guiana (reproduced in color in this book), Burnett shows how a vast network of traverse surveys, illustrations, and travel narratives not only laid out the official boundaries of British Guiana but also marked out a symbolic landscape that fired the British imperial imagination.
Engagingly written and beautifully illustrated, Masters of All They Surveyed will interest anyone who wants to understand the histories of colonialism and science.
Masters of Contemporary Brazilian Song is a critical study of MPB (música popular brasileira), a term that refers to varieties of urban popular music of the 1960s and 1970s, incorporating samba, Bossa Nova, and new materials.
An intervention in World War I historiography that foregrounds personal accounts of the conflict from its non-European participants and witnesses.
Accounts of World War I tend to focus on Europe, the epicenter of this conflict, and find in its battlefields the later death of empires, spreading revolution, and eventual decolonization. However, the war was also global, drawing in people from all over the world while rapidly circulating ideas and innovations far beyond Europe.
Almost two million non-Europeans participated in the war as soldiers, workers, and professionals, including Asians in particular. They could be found in the battlefields of France, behind the lines in munitions factories and military hospitals, in the frozen construction sites of the Murmansk Railway, and in Mesopotamia’s burning deserts. The voices of these volunteers and conscripts are rarely heard; the war’s narratives are mainly European. And yet, here and there, lone voices pierce the silence.
In a compelling intervention in World War I historiography, Masters of Their Own Destiny offers a history from below, demonstrating how rare personal accounts may illuminate broader historical forces. Alongside the story of Nguyen Xuan Mai, a Vietnamese military doctor whose pursuit of professional recognition ended in disillusionment with colonial promises, this study draws on a wealth of material like Indian soldiers’ letters, Vietnamese workers’ censored correspondence, and records of Chinese laborers who witnessed revolution in Russia. It gives voice to hitherto ignored wartime experiences that later transformed the expectations of millions of colonial subjects and seeded the anticolonial movements that followed.
When Isaac Newton published the Principia three centuries ago, only a few scholars were capable of understanding his conceptually demanding work. Yet this esoteric knowledge quickly became accessible in the nineteenth and early twentieth centuries when Britain produced many leading mathematical physicists. In this book, Andrew Warwick shows how the education of these "masters of theory" led them to transform our understanding of everything from the flight of a boomerang to the structure of the universe.
Warwick focuses on Cambridge University, where many of the best physicists trained. He begins by tracing the dramatic changes in undergraduate education there since the eighteenth century, especially the gradual emergence of the private tutor as the most important teacher of mathematics. Next he explores the material culture of mathematics instruction, showing how the humble pen and paper so crucial to this study transformed everything from classroom teaching to final examinations. Balancing their intense intellectual work with strenuous physical exercise, the students themselves—known as the "Wranglers"—helped foster the competitive spirit that drove them in the classroom and informed the Victorian ideal of a manly student. Finally, by investigating several historical "cases," such as the reception of Albert Einstein's special and general theories of relativity, Warwick shows how the production, transmission, and reception of new knowledge was profoundly shaped by the skills taught to Cambridge undergraduates.
Drawing on a wealth of new archival evidence and illustrations, Masters of Theory examines the origins of a cultural tradition within which the complex world of theoretical physics was made commonplace.
In Masters of Uncertainty, Phaedra Daipha develops a new conceptual framework for the process of decision making, after spending years immersed in the life of a northeastern office of the National Weather Service. Arguing that predicting the weather will always be more craft than science, Daipha shows how forecasters have made a virtue of the unpredictability of the weather. Impressive data infrastructures and powerful computer models are still only a substitute for the real thing outside, and so forecasters also enlist improvisational collage techniques and an omnivorous appetite for information to create a locally meaningful forecast on their computer screens. Intent on capturing decision making in action, Daipha takes the reader through engrossing firsthand accounts of several forecasting episodes (hits and misses) and offers a rare fly-on-the-wall insight into the process and challenges of producing meteorological predictions come rain or come shine. Combining rich detail with lucid argument, Masters of Uncertainty advances a theory of decision making that foregrounds the pragmatic and situated nature of expert cognition and casts into new light how we make decisions in the digital age.
Masterworks of the Orchestral Repertoire was first published in 1968. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The fullest enjoyment of an orchestral performance or a record concert comes with a background of knowledge about the music itself. This handbook is designed to help music lovers get the ultimate pleasure from their listening by providing them with that background about a large portion of the orchestral repertoire.
Professor Ferguson analyzes and interprets the most important classical symphonies, overtures, and concertos, as well as selected orchestral works of modern composers. He goes beyond a conventional analysis of structure since he believes (with a majority of the music-loving public) that great music is actually a communication -- that it expresses significant emotions. The great composers, on their own testimony, have striven not merely to create perfect forms but to interpret human experience. Mingled with the analyses, then, the reader will find comments on the expressive purport of the music.
For twenty-five years Professor Ferguson has supplied the program notes for the subscription concerts of the Minneapolis Symphony Orchestra, and this volume is an outgrowth of that activity. In preparing the material for book publication, however, he studied the musical compositions anew, and the resulting chapters provide a much deeper exploration of the musical subjects than did the program notes. The themes of important works are illustrated by musical notations, and a brief glossary explains technical terms.
Since the 1960s, American liberalism and the Democratic Party have been remade along professional class lines, widening liberalism’s impact but narrowing its social and political vision. In Mastery and Drift, historians Brent Cebul and Lily Geismer have assembled a group of scholars to address the formation of “professional-class liberalism” and its central role in remaking electoral politics and the practice of governance. Across subjects as varied as philanthropy, consulting, health care, welfare, race, immigration, economics, and foreign conflicts, the authors examine not only the gaps between liberals’ egalitarian aspirations and their approaches to policymaking but also how the intricacies of contemporary governance have tended to bolster professional-class liberals’ power.
The contributors to Mastery and Drift all came of age amid the development of professional-class liberalism, giving them distinctive and important perspectives in understanding its internal limitations and its relationship to neoliberalism and the Right. With never-ending disputes over the meaning of liberalism, the content of its governance, and its relationship to a resurgent Left, now is the time to consider modern liberalism’s place in contemporary American life.
Taussig seeks to move us away from the manipulation of nature and reorient us to different metaphors and sources of inspiration to develop a new ethical stance toward the world. His ultimate goal is to undo his readers’ sense of control and engender what he calls “mastery of non-mastery.” This unique book developed out of Taussig’s work with peasant agriculture and his artistic practice, which brings performance art together with aspects of ritual. Through immersive meditations on Walter Benjamin, D. H. Lawrence, Emerson, Bataille, and Proust, Taussig grapples with the possibility of collapse and with the responsibility we bear for it.
Was Nashville once home to a giant race of humans?
No, but in 1845, you could have paid a quarter to see the remains of one who allegedly lived here before The Flood. That summer, Middle Tennessee well diggers had unearthed the skeleton of an American mastodon. Before it went on display, it was modified and augmented with wooden “bones” to make it look more like a human being and passed off as an antediluvian giant. Then, like so many Nashvillians, after a little success here, it went on tour and disappeared from history.
But this fake history of a race of Pre-Nashville Giants isn’t the only bad history of what, and who, was here before Nashville. Sources written for schoolchildren and the public lead us to believe that the first Euro-Americans arrived in Nashville to find a pristine landscape inhabited only by the buffalo and boundless nature, entirely untouched by human hands. Instead, the roots of our city extend some 14,000 years before Illinois lieutenant-governor-turned-fur-trader Timothy Demonbreun set foot at Sulphur Dell.
During the period between about AD 1000 and 1425, a thriving Native American culture known to archaeologists as the Middle Cumberland Mississippian lived along the Cumberland River and its tributaries in today’s Davidson County. Earthen mounds built to hold the houses or burials of the upper class overlooked both banks of the Cumberland near what is now downtown Nashville. Surrounding densely packed village areas including family homes, cemeteries, and public spaces stretched for several miles through Shelby Bottoms, and the McFerrin Park, Bicentennial Mall, and Germantown neighborhoods. Other villages were scattered across the Nashville landscape, including in the modern neighborhoods of Richland, Sylvan Park, Lipscomb, Duncan Wood, Centennial Park, Belle Meade, White Bridge, and Cherokee Park.
This book is the first public-facing effort by legitimate archaeologists to articulate the history of what happened here before Nashville happened.
Was Nashville once home to a giant race of humans?
No, but in 1845, you could have paid a quarter to see the remains of one who allegedly lived here before The Flood. That summer, Middle Tennessee well diggers had unearthed the skeleton of an American mastodon. Before it went on display, it was modified and augmented with wooden “bones” to make it look more like a human being and passed off as an antediluvian giant. Then, like so many Nashvillians, after a little success here, it went on tour and disappeared from history.
But this fake history of a race of Pre-Nashville Giants isn’t the only bad history of what, and who, was here before Nashville. Sources written for schoolchildren and the public lead us to believe that the first Euro-Americans arrived in Nashville to find a pristine landscape inhabited only by the buffalo and boundless nature, entirely untouched by human hands. Instead, the roots of our city extend some 14,000 years before Illinois lieutenant-governor-turned-fur-trader Timothy Demonbreun set foot at Sulphur Dell.
During the period between about AD 1000 and 1425, a thriving Native American culture known to archaeologists as the Middle Cumberland Mississippian lived along the Cumberland River and its tributaries in today’s Davidson County. Earthen mounds built to hold the houses or burials of the upper class overlooked both banks of the Cumberland near what is now downtown Nashville. Surrounding densely packed village areas including family homes, cemeteries, and public spaces stretched for several miles through Shelby Bottoms, and the McFerrin Park, Bicentennial Mall, and Germantown neighborhoods. Other villages were scattered across the Nashville landscape, including in the modern neighborhoods of Richland, Sylvan Park, Lipscomb, Duncan Wood, Centennial Park, Belle Meade, White Bridge, and Cherokee Park.
This book is the first public-facing effort by legitimate archaeologists to articulate the history of what happened here before Nashville happened.
In light of the scarcity of first-hand information and primary sources, Anderson makes remarkable use of interviews and oral histories to develop this invaluable and searing record of injustice.
As Mutongi shows, matatus offer a window onto the socioeconomic and political conditions of late-twentieth-century Africa. In their diversity of idiosyncratic designs, they reflect multiple and divergent aspects of Kenyan life—including, for example, rapid urbanization, organized crime, entrepreneurship, social insecurity, the transition to democracy, and popular culture—at once embodying Kenya’s staggering social problems as well as the bright promises of its future. Offering a shining model of interdisciplinary analysis, Mutongi mixes historical, ethnographic, literary, linguistic, and economic approaches to tell the story of the matatu and explore the entrepreneurial aesthetics of the postcolonial world.
When Moniek (Morris) Goldner and his family were uprooted from their Polish farming village during a German action, the child-sized sixteen-year-old fled into the forests. He eventually met up with his father, who had also escaped, and together they managed to survive until a former friend betrayed the pair. Wounded and left for dead beneath his father’s murdered body, Goldner was rescued by the enigmatic outlaw Jan Kopec, who was also in hiding, looking for ways to profit from his criminal expertise.
For eighteen months Kopec hid the boy with him, moving from one area to another, often staying in hideouts he had fashioned years earlier. At first Kopec trained Goldner simply to serve as his accomplice in robberies and black market activities. But before long he pushed the training to a whole new level, making it possible for him to sell Goldner’s services to a shadowy resistance group which was becoming interested in the daring young saboteur.
And through it all, these two disparate personalities—the quiet, small-framed boy and the stocky, callous mercenary—forged an remarkable friendship and co-dependency born of need and desperation in a hellish time and place.
Despite the many obstacles it had to overcome—including a naval blockade, lack of a strong industrial base, and personnel unaccustomed to military life—the Richmond-based Confederate Army Medical Department developed into a robust organization that nimbly adapted to changing circumstances. In the first book to address the topic, Guy R. Hasegawa describes the organization and management of the Confederate army’s medical department. At its head was Surgeon General Samuel Preston Moore, a talented multitasker with the organizational know-how to put in place qualified medical personnel to care for sick and wounded Confederate soldiers.
Hasegawa investigates how political considerations, personalities, and, as the war progressed, the diminishing availability of human and material resources influenced decision-making in the medical department. Amazingly, the surgeon general’s office managed not only to provide care but also to offer educational opportunities to its personnel and collect medical and surgical data for future use, regardless of constant and growing difficulties.
During and after the war, the medical department of the Confederate army was consistently praised as being admirably organized and efficient. Although the department was unable to match its Union counterpart in manpower and supplies, Moore’s intelligent management enabled it to help maintain the fighting strength of the Confederate army.
Working with the archives of the Gay Lesbian Bisexual Transgender Historical Society, artist E.G. Crichton decided to do something to bridge this generation gap. She selected 19 innovative LGBTQ artists, writers, and musicians, then paired each of them with a deceased person whose personal artifacts are part of the archive.
Including 25 pages of vivid images, Matchmaking in the Archive documents this monumental creative project and adds essays by Jonathan D. Katz, Michelle Tea, and Chris Vargas, who describe their own unique encounters with the ghosts of LGBTQ history. Together, they make the archive come alive in remarkably intimate ways.
A picture of a disappearing way of life, a tale of feud and displacement, and imbued with the tastes, tales, and songs of his native Istria, Koslovic's story is a testament to the intertwined ethnic roots of Balkan history.
This exciting new study draws on objects excavated or discovered in the late nineteenth or early twentieth century at three Mediterranean sites. Through the three case studies, Materia Magica identifies specific forms of magic that may be otherwise unknown. It isolates the practitioners of magic and examines whether magic could be used as a form of countercultural resistance. Andrew T. Wilburn discovers magic in the objects of ancient daily life, suggesting that individuals frequently turned to magic, particularly in crises. Local forms of magic may have differed, and Wilburn proposes that the only way we can find small-town sorcerers is through careful examination of the archaeological evidence.
Studying the remains of spells enacted by practitioners, Wilburn's work unites the analysis of the words written on artifacts and the physical form of these objects. He situates these items within their contexts, to study how and why they were used. Materia Magica approaches magic as a material endeavor, in which spoken spells, ritual actions, and physical objects all played vital roles in the performance of a rite.
Materia Magica develops a new method for identifying and interpreting the material remains of magical practice by assessing artifacts within their archaeological contexts. Wilburn suggests that excavations undertaken in recent centuries can yield important lessons about the past, and he articulates the ways in which we can approach problematic data.
Material Culture and (Forced) Migration argues that materiality is a fundamental dimension of migration. People take things with them, or they lose, find, and engage things along the way. Movements themselves are framed by objects such as borders, passports, tents, camp infrastructures, boats, and mobile phones. This volume brings together chapters on a broad range of movements—from forced migration and displacement to retirement migration. What ties the chapters together is their perspective of material culture.
Centering on four interconnected themes—temporality and materiality, methods of object-based migration research, the affective capacities of objects, and the engagement of things in place-making practices—the volume provides a material culture perspective for migration scholars around the globe, from a wide range of disciplines. The chapters’ focus on everyday objects and practices will appeal to all those interested in the tangible experiences of migration.
The collection features scholars across the disciplines—such as art, art history, English, museum studies, and writing studies—who work as teachers, historians, museum curators/conservators, and faculty. Each chapter features methods and questions from contributors’ own disciplines while at the same time speaking to writing studies’ interest in writers, writing identity, and writing practice. The authors in this volume also work with a variety of methodologies, including literary analysis, archival research, and qualitative research, providing models for the types of research possible using a material culture studies framework. The collection is organized into three sections—Writing Identity, Writing Work, Writing Genre—each with a contextualizing introduction from the editors that introduces the chapters themselves and imagines possible directions for writing studies research facilitated by material culture studies.
The Material Culture of Writing serves as an accessible introduction to work in material culture studies for writing studies scholars, graduate students, and undergraduates, especially as it makes a distinctive contribution to writing studies in its material culture studies approach. Because of the interdisciplinarity of material culture studies and this volume’s contributors, this collection will appeal to a wide range of scholars and readers, including those interested in writing studies, the history of the book, print culture, genre studies, archival methods, and authorship studies.
Contributors: Cydney Alexis, Debby Andrews, Diane Ehrenpreis, Keri Epps, Desirée Henderson, Kevin James, Jenny Krichevsky, Anne Mackay, Emilie Merrigan, Laura R. Micciche, Hannah J. Rule, Kate Smith
The diversity of the essays is mediated by their common commitment to ethnography with a material focus. Rather than examine objects as mirages of media or language, Material Cultures emphasizes how the study of objects not only contributes to an understanding of artifacts but is also an effective means for studying social values and contradictions.
Renowned contributors use the late work of this crucial figure to open new speculations on "materiality."
A "material event," in one of Paul de Man’s definitions, is a piece of writing that enters history to make something happen. This interpretation hovers over the publication of this volume, a timely reconsideration of de Man’s late work in its complex literary, critical, cultural, philosophical, political, and historical dimensions.
A distinguished group of scholars responds to the problematic of "materialism" as posed in Paul de Man’s posthumous final book, Aesthetic Ideology. These contributors, at the forefront of critical theory, productive thinking, and writing in the humanities, explore the question of "material events" to illuminate not just de Man’s work but their own. Prominent among the authors here is Jacques Derrida, whose extended essay “Typewriter Ribbon: Limited Inc (2)” returns to a celebrated episode in Rousseau’s Confessions that was discussed by de Man in Allegories of Reading.
The importance of de Man’s late work is related to a broad range of subjects and categories and-in Derrida’s provocative reading of de Man’s concept of "materiality"-the politico-autobiographical texts of de Man himself. This collection is essential reading for all those interested in the present state of literary and cultural theory.
Contributors: Judith Butler, UC Berkeley; T. J. Clark, UC Berkeley; Jacques Derrida, École des Hautes Études en Sciences Sociales and UC Irvine; Barbara Johnson, Harvard U; Ernesto Laclau, U of Essex; Arkady Plotnitsky, Purdue U; Laurence A. Rickels, UC Santa Barbara; and Michael Sprinker.
Law is part of the process by which people construct their views of the world. In Material Law, distinguished scholar John Brigham focuses on the places where law and material life intersect, and how law creates and alters our social reality. Brigham looks at an eclectic group of bodies and things—from maps and territories and trends in courthouse architecture to a woman's womb and a judge's body— to make connections between the material and the legal.
Theoretically sophisticated, and consistently fascinating, Material Law integrates law and society, political science, and popular culture in a truly interdisciplinary fashion. Brigham examines how the meaning of law is influenced by politics, reviewing, for example, whether the authority of global law supersedes that of national law in the context of anglo-american cultural colonialism. What emerges is a well-reasoned look at how the authority of law constitutes what we see as real in our lives.
Material Meanings focuses on the social context in which things are produced and in which they are given meaning.
With firm roots in antiquarianism, archaeology began as the study and collection of things. Even today objects take center stage in many areas of archaeological inquiry. But the past few decades have seen a proliferation of the ways anthropological archaeologist analyze raw materials, tools, techniques, finished products, and discarded objects.
Material Meanings examines current approaches to material culture in the archaeological record from three perspective: ethnoarchaeology and technological traditions, material science, and theoretical approaches to materiality. The focus of this book is not on artifacts themselves but on the social context in which things are produced and in which they are given meaning, the technical choices of an artifact producer within a larger technical system, and their interpretation by modern researchers.
The chapters represent a broad range of theoretical perspectives, methods, and data sets. Several chapters consider methodological issues in reconstructing technical systems. Most contributions, however, apply this understanding to larger questions of social identity and ethnicity, emphasizing historical context or models of cultural process.
Today’s world offers no shortage of media for us to consume, and the ever-expanding array of available media has changed the way scholars think about its production and reception. Missing from these conversations about new media, however, is the maker—the one with the power to produce media from their own pocket.
In Material Media-Making in the Digital Age, Daniel Binns looks at the current media landscape in order to understand his own media practice. The result is a personal journey through media theory, history, and technology, furnished with practical lessons on the digital form for teachers, students, professionals, and enthusiasts. A refreshing combination of theory and practice written in a personal, engaging style, this book will enable readers to understand how a personal creative practice might unlock deeper thinking about media and its place in the world.
They examine the production, use, and disposal of marriage figurines from six sites—Campo Dos, Cerro Palenque, Copán, Currusté, Tenampua, and Travesia—and explore their role in rituals and ceremonies, as well as in the forming of social bonds and the celebration of relationships among communities. They find evidence of historical traditions reproduced over generations through material media in social relations among individuals, families, and communities, as well as social differences within this network of connected yet independent settlements.
Material Relations provides a new and dynamic understanding of how social houses functioned via networks of production and reciprocal exchange of material objects and will be of interest to Mesoamerican archaeologists, anthropologists, and art historians.
---From the introduction by David Lehman
"In this lifetime of letters, Fairfield Porter reveals the complexity and passion of a protagonist in a novel by Dostoevsky or Henry James."
---Jane Freilicher
Fairfield Porter (1907-75) has been called by poet John Ashbery "perhaps the major American artist of the century." He was also known as a gifted art critic.
Beyond shedding light on his personal views, this collection of Fairfield Porter's letters demonstrates his profound contribution to American art and literature and displays his acumen as a political critic. The letters tell the story of a reserved artist and intellectual, torn between the tensions and pressures he felt among politics, family life, and painting-a man who forged a painting style outside the politically correct artistic perceptions of both left and right.
The collection includes letters from Porter's early travels to the Soviet Union, including a description of an interview with Trotsky, as well as some of his later letters to close friends, including Frank O'Hara, Kenneth Koch, Rod Padgett, Larry Rivers, and James Schuyler, among others. While the letters reveal many sides of the brilliant and independent-minded Porter, they also provide a cultural context for the time period and the circle of artists and poets with whom Porter associated. The letters not only tell a story of the artist himself but are also valuable documents of the political and artistic upheavals of the 1930s, 40s, and 50s.
This rich collection is introduced by poet and critic David Lehman and includes notes by Justin Spring, author of Porter's biography.
Materialising the Roman Empire defines an innovative research agenda for Roman archaeology, highlighting the diverse ways in which the Empire was made materially tangible in the lives of its inhabitants. The volume explores how material culture was integral to the process of imperialism, both as the Empire grew, and as it fragmented, and in doing so it provides up-to-date overviews of major topics in Roman archaeology.
Each chapter offers a thorough overview of a major field within the archaeology of the Roman Empire. The book’s authors explore the distinctive contribution that archaeology and the study of material culture can make to our understanding of the key institutions and fields of activity in the Roman Empire. The opening chapters address major technologies that, at first glance, appear to be mechanisms of integration across the Roman Empire: roads, writing, and coinage. The focus then shifts to the analysis of key social structures oriented around material forms and activities found all over the Roman world, such as trade, urbanism, slavery, craft production, and frontiers. Finally, the book extends to more abstract dimensions of the Roman world: art, empire, religion, and ideology, in which the significant themes remain the dynamics of power and influence. The whole builds towards a broad exploration of the nature of imperial power and the interconnections that stimulated new community identities and created new social divisions.
Considering topics as diverse as theology, technology, finance, and art, the contributors—most of whom are anthropologists—examine the many different ways in which materiality has been understood and the consequences of these differences. Their case studies show that the latest forms of financial trading instruments can be compared with the oldest ideals of ancient Egypt, that the promise of software can be compared with an age-old desire for an unmediated relationship to divinity. Whether focusing on the theology of Islamic banking, Australian Aboriginal art, derivatives trading in Japan, or textiles that respond directly to their environment, each essay adds depth and nuance to the project that Materiality advances: a profound acknowledgment and rethinking of one of the basic properties of being human.
Contributors. Matthew Engelke, Webb Keane, Susanne Küchler, Bill Maurer, Lynn Meskell, Daniel Miller, Hirokazu Miyazaki, Fred Myers, Christopher Pinney, Michael Rowlands, Nigel Thrift
An interdisciplinary excavation of colonoware as a material archive of African, Indigenous, and colonial entanglements across the early American South.
In Materializing Colonial Identities in Clay, Jon Bernard Marcoux, Corey A. H. Sattes, and contributors examine colonoware to explore the active roles that African Americans and Indigenous people played in constructing southern colonial culture and part of their shared history with Europeans.
Colonoware was most likely produced by African and Indigenous potters and used by all colonial groups for cooking, serving, and storing food. It formed the foundation of colonial foodways in many settlements across the southeastern United States. Even so, compared with other ceramics from this period, less has been understood about its production and use because of the lack of documentation. This collection of essays fills this gap with valuable, recent archaeological data from which much may be surmised about the interaction among Europeans, Indigenous, and Africans, especially within the contexts of the African and Indigenous slave trade and plantation systems.
The chapters represent the full range of colonoware research: from the beginning to the end of its production, from urban to rural contexts, and from its intraregional variation in the Lowcountry to the broad patterns of colonialism across the early American Southeast. The book summarizes current approaches in colonoware research and how these may bridge the gaps between broader colonial American studies, Indigenous studies, and African Diaspora studies.
A concluding discussion contextualizes the chapters through the perspectives of intersectionality and Black feminist theory, drawing attention to the gendered and racialized meanings embodied in colonoware, and considering how colonialism and slavery have shaped these cultural dimensions and archaeologists’ study of them.
Covering topics ranging from rights discourse to Native American performance, from identity politics to gay marriage, and from rituals of public mourning to the Clinton-Lewinsky affair, the contributors seek to understand the practices, ideas, and material conditions that enable or foreclose democracy’s possibilities. Through readings of subjects as diverse as Will Rogers, Alexis de Tocqueville, slave narratives, interactions along the Texas-Mexico border, and liberal arts education, the contributors also explore ways of making democracy available for analysis. Materializing Democracy suggests that attention to disparate narratives is integral to the development of more complex, vibrant versions of democracy.
Contributors. Lauren Berlant, Wendy Brown, Chris Castiglia, Russ Castronovo, Joan Dayan, Wai Chee Dimock, Lisa Duggan, Richard R. Flores, Kevin Gaines, Jeffrey C. Goldfarb, Michael Moon, Dana D. Nelson, Christopher Newfield, Donald E. Pease
Ritual action produces sequences of creation, destruction, and transformation, which involve a variety of materials that are active and agential. The materialities of ritual may persist at temporal scales long beyond the lives of humans or be as ephemeral as spoken words, music, and scents. In this book, archaeologists and ethnographers, including specialists in narrative, music, and ritual practice, explore the rhythms and materiality of rituals that accompany everyday actions, like the construction of houses, healing practices, and religious festivals, and that paced commemoration of rulers, ancestor veneration, and relations with spiritual beings in the past.
Connecting the kinds of observed material discursive practices that ethnographers witness to the sedimented practices from which archaeologists infer similar practices in the past, Materializing Ritual Practices addresses how specific materialities encourage repetition in ritual actions and, in other circumstances, resist changes to ritual sequences. The volume will be of interest to cultural anthropologists, archaeologists, and linguists with interests in Central America, ritual, materiality, and time.
Contributors: M. Charlotte Arnauld, Giovani Balam Caamal, Isaac Barrientos, Cedric Becquey, Johann Begel, Valeria Bellomia, Juan Carillo Gonzalez, Maire Chosson, Julien Hiquet, Katrina Kosyk, Olivier Le Guen, Maria Luisa Vasquez de Agredos Pascual, Alessandro Lupo, Philippe Nondedeo, Julie Patrois, Russel Sheptak, Valentina Vapnarsky, Francisca Zalaquett Rock
Compiled by a team of experts, each with an intimate knowledge of his or her subject, the entries are written in clear, accessible language and supplemented by numerous photographs and drawings. Each core material (glass, ceramics, textiles, paper, plastics, leather, metal, stone, wood, and paint) is covered from its raw state through any processing or preparation to various craft stages and finally, to any surface finishing.
Traditionally, the kind of information found in these pages has been passed on from craftsman to craftsman or confined to highly specialized books, and even common terms are often misunderstood. This dictionary makes the subject accessible to all—from art and architectural historians, curators, collectors, restoration specialists, artists, and museum staff to decorators, aficionados, and those who enjoy watching Antiques Roadshow. In short, this book is for all those who are intrigued by the materials and techniques used to create the beautiful objects that surround us.
It is often assumed that natural philosophy was the forerunner of early modern natural sciences. But where did these sciences’ systematic observation and experimentation get their starts? In Materials and Expertise in Early Modern Europe, the laboratories, workshops, and marketplaces emerge as arenas where hands-on experience united with higher learning. In an age when chemistry, mineralogy, geology, and botany intersected with mining, metallurgy, pharmacy, and gardening, materials were objects that crossed disciplines.
Here, the contributors tell the stories of metals, clay, gunpowder, pigments, and foods, and thereby demonstrate the innovative practices of technical experts, the development of the consumer market, and the formation of the observational and experimental sciences in the early modern period. Materials and Expertise in Early Modern Europe showcases a broad variety of forms of knowledge, from ineffable bodily skills and technical competence to articulated know-how and connoisseurship, from methods of measuring, data gathering, and classification to analytical and theoretical knowledge. By exploring the hybrid expertise involved in the making, consumption, and promotion of various materials, and the fluid boundaries they traversed, the book offers an original perspective on important issues in the history of science, medicine, and technology.
Phrenology was the most popular mental science of the Victorian age. From American senators to Indian social reformers, this new mental science found supporters around the globe. Materials of the Mind tells the story of how phrenology changed the world—and how the world changed phrenology.
This is a story of skulls from the Arctic, plaster casts from Haiti, books from Bengal, and letters from the Pacific. Drawing on far-flung museum and archival collections, and addressing sources in six different languages, Materials of the Mind is an impressively innovative account of science in the nineteenth century as part of global history. It shows how the circulation of material culture underpinned the emergence of a new materialist philosophy of the mind, while also demonstrating how a global approach to history can help us reassess issues such as race, technology, and politics today.
Evolutionary maternal effects occur whenever a mother’s phenotypic traits directly affect her offspring’s phenotype, independent of the offspring’s genotype. Some of the phenotypic traits that result in maternal effects have a genetic basis, whereas others are environmentally determined. For example, the size of a litter produced by a mammalian mother—a trait with a strong genetic basis—can affect the growth rate of her offspring, while a mother’s dominance rank—an environmentally determined trait—can affect the dominance rank of her offspring.
The first volume published on the subject in more than a decade, Maternal Effects in Mammals reflects advances in genomic, ecological, and behavioral research, as well new understandings of the evolutionary interplay between mothers and their offspring. Dario Maestripieri and Jill M. Mateo bring together a learned group of contributors to synthesize the vast literature on a range of species, highlight evolutionary processes that were previously overlooked, and propose new avenues of research. Maternal Effects in Mammals will serve as the most comprehensive compendium on and stimulus for interdisciplinary treatments of mammalian maternal effects.
Through readings of Armance, Le Rouge et le noir, La Vie de Henry Brulard, and Les Cenci, Lukacher exposes Stendhal's preoccupation with his dead mother, who is obsessively retrieved throughout his work. George Sand's identity is, in effect, divided between two mothers, her biological mother and her grandmother, and in Histoire de ma vie, Indiana, and Mauprat, we see the writer's efforts to break the impasse created by this divided identity. In the extraordinary but too little known work of Rachilde (Marguerite Eymery), Lukacher finds the maternal figure identified as the secret inner force of patriarchal oppression. This resistance to feminism continues in the pseudonymous work of Georges Bataille. In Ma mère, Le coupable, and L’Expérience intérieure Lukacher traces Bataille’s representation of the mother as a menacing, ever subversive figure who threatens basic social configurations.
Maternal Fictions establishes a new pseudonymous genealogy in modern French writing that will inform and advance our understanding of the act of self-creation that occurs in fiction.
The idea that a woman may leave a biological trace on her gestating offspring has long been a commonplace folk intuition and a matter of scientific intrigue, but the form of that idea has changed dramatically over time. Beginning with the advent of modern genetics at the turn of the twentieth century, biomedical scientists dismissed any notion that a mother—except in cases of extreme deprivation or injury—could alter her offspring’s traits. Consensus asserted that a child’s fate was set by a combination of its genes and post-birth upbringing.
Over the last fifty years, however, this consensus was dismantled, and today, research on the intrauterine environment and its effects on the fetus is emerging as a robust program of study in medicine, public health, psychology, evolutionary biology, and genomics. Collectively, these sciences argue that a woman’s experiences, behaviors, and physiology can have life-altering effects on offspring development.
Tracing a genealogy of ideas about heredity and maternal-fetal effects, this book offers a critical analysis of conceptual and ethical issues—in particular, the staggering implications for maternal well-being and reproductive autonomy—provoked by the striking rise of epigenetics and fetal origins science in postgenomic biology today.
Estelle B. Freedman draws from Van Waters's diaries, letters, and personal papers to recreate her complex personal life, unveiling the disparity between Van Waters's public persona and her agonized private soul. With the power and elegance of a novel, Maternal Justice illuminates this historical context, casting light on the social welfare tradition, on women's history, on the American feminist movement, and on the history of sexuality.
"Maternal Justice is as much a work of history as it is biography, bringing to life not only a remarkable woman but also the complex political and social milieu within which she worked and lived."—Kelleher Jewett, The Nation
"This sympathetic biography reclaims Van Waters for history."—Publishers Weekly
"The Van Waters legacy, as Freedman gracefully presents, is that she cared about the lives of women behind bars. It is a strikingly unfashionable sentiment today."—Jane Meredith Adams, San Francisco Chronicle Book Review, Editor's Recommended Selection
"This finely crafted biography is both an engrossing read and a richly complicated account of a reformer whose work . . . bridged the eras of voluntarist charitable activism and professional social service."—Sherri Broder, Women's Review of Books
"This is a sympathetic, highly personal biography, revealing of both the author's responses to her subject's life and, in considerable detail, Van Waters's family traumas, illnesses, and love affairs."—Elizabeth Israels Perry, Journal of American History
On May 19, 1920, gunshots rang through the streets of Matewan, West Virginia, in an event soon known as the “Matewan Massacre.” Most historians of West Virginia and Appalachia see this event as the beginning of a long series of tribulations known as the second Mine Wars. But was it instead the culmination of an even longer series of proceedings that unfolded in Mingo County, dating back at least to the Civil War? Matewan Before the Massacre provides the first comprehensive history of the area, beginning in the late eighteenth century continuing up to the Massacre. It covers the relevant economic history, including the development of the coal mine industry and the struggles over land ownership; labor history, including early efforts of unionization; transportation history, including the role of the N&W Railroad; political history, including the role of political factions in the county’s two major communities—Matewan and Williamson; and the impact of the state’s governors and legislatures on Mingo County.
How Cold War urgency, academic ambition, and federal power converged to make math the cornerstone of American education policy.
The Math Mafia by Emily T. Hamilton is a historical account of mathematics education reform in twentieth-century America and how that movement played a role in shaping the broader contours of national education policy. Hamilton contends that a cohesive and well-organized community of advocates was instrumental in the rise of standardized testing and curriculum reforms, as well as federal involvement in classrooms, especially during the Cold War. By positioning mathematics as central to national strength and security, these reformers established math education as a key area of federal focus.
The “mafia” at the center of Hamilton’s story includes mathematicians, educators, and researchers from universities, as well as members of government-funded organizations such as the National Science Foundation and various educational psychology circles. Prominent figures such as Edward Begle, who led the School Mathematics Study Group during the “new math” movement, played key roles. Other influential participants include federal education officials, advocates from professional organizations such as the National Council of Teachers of Mathematics, and cognitive scientists, who contributed both research and theoretical frameworks that informed curriculum design and assessment methods.
The Math Mafia offers historians, educators, policymakers, and other interested readers a compelling perspective on the legacy of the math education reforms on federal education policy in the United States and is a welcome contribution to ongoing discourse around “teaching toward the test,” educational equity, school performance, and other hot-button issues in US education today.
Over the last several decades, mathematical models have become central to the study of social evolution, both in biology and the social sciences. But students in these disciplines often seriously lack the tools to understand them. A primer on behavioral modeling that includes both mathematics and evolutionary theory, Mathematical Models of Social Evolution aims to make the student and professional researcher in biology and the social sciences fully conversant in the language of the field.
Teaching biological concepts from which models can be developed, Richard McElreath and Robert Boyd introduce readers to many of the typical mathematical tools that are used to analyze evolutionary models and end each chapter with a set of problems that draw upon these techniques. Mathematical Models of Social Evolution equips behaviorists and evolutionary biologists with the mathematical knowledge to truly understand the models on which their research depends. Ultimately, McElreath and Boyd’s goal is to impart the fundamental concepts that underlie modern biological understandings of the evolution of behavior so that readers will be able to more fully appreciate journal articles and scientific literature, and start building models of their own.
"Jokes, paradoxes, riddles, and the art of non-sequitur are revealed with great perception and insight in this illuminating account of the relationship between humor and mathematics."—Joseph Williams, New York Times
"'Leave your mind alone,' said a Thurber cartoon, and a really complete and convincing analysis of what humour is might spoil all jokes forever. This book avoids that danger. What it does. . .is describe broadly several kinds of mathematical theory and apply them to throw sidelights on how many kinds of jokes work."—New Scientist
"Many scholars nowadays write seriously about the ludicrous. Some merely manage to be dull. A few—like Paulos—are brilliant in an odd endeavor."—Los Angeles Times Book Review
Mathematics and Religion: Our Languages of Sign and Symbol is the sixth title published in the Templeton Science and Religion Series, in which scientists from a wide range of fields distill their experience and knowledge into brief tours of their respective specialties. In this volume, Javier Leach, a mathematician and Jesuit priest, leads a fascinating study of the historical development of mathematical language and its influence on the evolution of metaphysical and theological languages.
Leach traces three historical moments of change in this evolution: the introduction of the deductive method in Greece, the use of mathematics as a language of science in modern times, and the formalization of mathematical languages in the nineteenth and twentieth centuries. As he unfolds this fascinating history, Leach notes the striking differences and interrelations between the two languages of science and religion. Until now there has been little reflection on these similarities and differences, or about how both languages can complement and enrich each other.
"In this brief, elegant treatise, assessable to anyone who likes to think, Ivar Ekelund explains some philosophical implications of recent mathematics. He examines randomness, the geometry involved in making predictions, and why general trends are easy to project (it will snow in January) but particulars are practically impossible (it will snow from 2 p.m. to 5 p.m. on the 21st)."—Village Voice
In a substantive introductory essay, the editors explain the notion of "postclassical theory" and discuss the significance of ideas such as emergence and undecidability in current work in and on science and mathematics. Other essays include a witty examination of the relations among mathematical thinking, writing, and the technologies of virtual reality; an essay that reconstructs the conceptual practices that led to a crucial mathematical discovery—or construction—in the 19th century; a discussion of the implications of Bohr’s complementarity principle for classical ideas of reality; an examination of scientific laboratories as "hybrid" communities of humans and nonhumans; an analysis of metaphors of control, purpose, and necessity in contemporary biology; an exploration of truth and lies, and the play of words and numbers in Shakespeare, Frege, Wittgenstein, and Beckett; and a final chapter on recent engagements, or nonengagements, between rationalist/realist philosophy of science and contemporary science studies.
Contributors. Malcolm Ashmore, Michel Callon, Owen Flanagan, John Law, Susan Oyama, Andrew Pickering, Arkady Plotnitsky, Brian Rotman, Barbara Herrnstein Smith, John Vignaux Smyth, E. Roy Weintraub
One of the most stimulating and provocative figures of the new music scene, Mathias Spahlinger has long been a touchstone for leftist, “critical” composition in Germany, yet his work has received very little attention in Anglophone scholarship until now.
Spahlinger’s practice offers a unique negotiation of the modernist legacy as well as passionate political and philosophical engagement. Born in 1944, today his position as one of the most venerable exponents of post-WWII modernism in his homeland is undeniable: his music is regularly performed, he has received commissions from many of the major orchestras and new music groups in Germany, and in 2014 he received the Berliner Kunstpreis, Berlin’s top art prize.
Bringing a critical perspective to Spahlinger’s life and work, this monograph provides an essential reference for scholars of new music and twentieth-century modernism.
Matinee Melodrama is the first book about the adventure serial as a distinct artform, one that uniquely encouraged audience participation and imaginative play. Media scholar Scott Higgins proposes that the serial’s incoherent plotting and reliance on formula, far from being faults, should be understood as some of its most appealing attributes, helping to spawn an active fan culture. Further, he suggests these serials laid the groundwork not only for modern-day cinematic blockbusters like Star Wars and Raiders of the Lost Ark, but also for all kinds of interactive media that combine spectacle, storytelling, and play.
As it identifies key elements of the serial form—from stock characters to cliffhangers—Matinee Melodrama delves deeply into questions about the nature of suspense, the aesthetics of action, and the potentials of formulaic narrative. Yet it also provides readers with a loving look at everything from Zorro’s Fighting Legion to Daredevils of the Red Circle, conveying exactly why these films continue to thrill and enthrall their fans.
With deftness and sensitivity, Louise Rogers Lalaurie reintroduces us to Matisse by considering how in each volume, Matisse constructed an intriguing dialogue between word and image. Examining this page-by-page interplay, translating key sequences, and discussing the books’ distinct themes and production histories, Lalaurie offers the thoughtful analysis these works deserve. Together Matisse’s artist books reveal his deep engagement with questions of beauty and truth; his faith; his perspectives on aging, loss, and inspiration; and his relationship to his critics, the French art establishment, and the women in his life. In addition, Lalaurie illuminates Matisse’s often misunderstood political affinities—though Matisse was vilified in his time for choosing to live in the collaborationist Vichy zone, his wartime books reveal a body of work that stands as a deeply personal statement of resistance.
Lavishly illustrated, Matisse: The Books showcases a rich group of underappreciated works and brings unprecedented clarity to a controversial period in the artist’s life.
Concerned with collective trauma and memory, Ettinger’s own experience as an Israeli living with the memory of the Holocaust is a deep source of inspiration for her paintings, several of which are reproduced in the book. The paintings, like the essays, replay the relation between the visible and invisible, the sayable and ineffable; the gaze, the subject, and the other.
Bracha Ettinger is a painter and a senior clinical psychologist. She is professor of psychoanalysis and aesthetics at the University of Leeds, England, and Bezalel Academy, Jerusalem.
Judith Butler is professor of rhetoric and comparative literature at the University of California, Berkeley. Griselda Pollock is professor of fine arts at the University of Leeds. Brian Massumi is professor of communication at the University of Montreal.
From 1914 to 1934 the US government sent Native American girls to work as domestic servants in the homes of white families. Matrons and Maids tells this forgotten history through the eyes of the women who facilitated their placements. During those two decades, “outing matrons” oversaw and managed the employment of young Indian women. In Tucson, Arizona, the matrons acted as intermediaries between the Indian and white communities and between the local Tucson community and the national administration, the Office of Indian Affairs.
Based on federal archival records, Matrons and Maids offers an original and detailed account of government practices and efforts to regulate American Indian women. Haskins demonstrates that the outing system was clearly about regulating cross-cultural interactions, and she highlights the roles played by white women in this history. As she compellingly argues, we cannot fully engage with cross-cultural histories without examining the complex involvement of white women as active, if ambivalent, agents of colonization.
Including stories of the entwined experiences of Indigenous and non-Indigenous women that range from the heart-warming to the heart-breaking, Matrons and Maids presents a unique perspective on the history of Indian policy and the significance of “women’s work.”
“When I was a saint,” begins the first poem, “I did not have visions but I could see and did note the color of the world.” Matter is an examination of and a report on the world’s variable colors and possibilities for, if not sanctity, then a certain sanity, a kindness, and some form of salvation.
As the nineteenth century came to a close and questions concerning the future of African American life reached a fever pitch, many social scientists and reformers approached post-emancipation Black life as an empirical problem that could be systematically solved with the help of new technologies like the social survey, photography, and film. What ensued was nothing other than a “racial data revolution,” one which rendered African American life an inanimate object of inquiry in the name of social order and racial regulation. At the very same time, African American cultural producers and intellectuals such as W. E. B. Du Bois, Kelly Miller, Sutton Griggs, and Zora Neale Hurston staged their own kind of revolution, un-disciplining racial data in ways that captured the dynamism of Black social life.
The Matter of Black Living excavates the dynamic interplay between racial data and Black aesthetic production that shaped late nineteenth-century social, cultural, and literary atmosphere. Through assembling previously overlooked archives and seemingly familiar texts, Womack shows how these artists and writers recalibrated the relationship between data and Black life. The result is a fresh and nuanced take on the history of documenting Blackness. The Matter of Black Living charts a new genealogy from which we can rethink the political and aesthetic work of racial data, a task that has never been more urgent.
Ajzenberg-Selove came to America at the age of 15 after narrowly escaping the Nazi takeover of France. She had planned to become an engineer like her father, but switched to physics after she was told the only engineering jobs open to women were in drafting: Marie Curie's example proved to her that women could do physics. Her first attempt at graduate work at Columbia University was a disaster, but she was sturck with the intellectual beauty of the field. After taking a Ph.D. in physics at University of Wisconsin, she did post-doctoral work with Thomas Lauritsen at the California Institute of Technology, where she began writing the first of a series of major review papers on the nuclear spectroscopy of the light nuclei, a subject of fundamental importance to nuclear physics, astrophysics, and applied physics. She continued this work and experimental research for thirty-eight years while teaching at Boston University, Haverford College, and the University of Pennsylvania.
During her early career, Ajzenberg-Selove was shielded by her male mentors from experiencing much of the discrimination directed against women in science. Her simultaneous battles to become a tenured professor and to overcome breast cancer opened her eyes and confirmed her as a feminist.
The lay reader and the scientist alike will be fascinated by Ajzenberg-Selove's clear portrayal of her interlinked lives as physicist, teacher, wife of particle physicist, Walter Selove, and a woman who relishes both competition and friendship in a male-dominated field. An invaluable book for anyone contemplating a career in science.
In this radical reconsideration of ethical reasoning in contemporary European philosophy, Drew M. Dalton makes the case for an absolutely grounded account of ethical normativity developed from a scientifically informed and purely materialistic metaphysics. Expanding on speculative realist arguments, Dalton argues that the limits placed on the nature of ethical judgments by Kant’s critique can be overcome through a moral evaluation of the laws of nature—specifically, the entropic principle that undergirds the laws of physics, chemistry, and biology. In order to extract a moral meaning from this simple material fact, Dalton scrutinizes the presumptions of classical accounts and traditional understandings of good and evil within the history of Western philosophy and ultimately asserts that ethical normativity can be reestablished absolutely without reverting to dogmatism.
By overturning our assumptions about the nature and value of reality, The Matter of Evil: From Speculative Realism to Ethical Pessimism presents a provocative new model of ethical responsibility that is both logically justifiable and scientifically sound. Dalton argues for “ethical pessimism,” a position previously marginalized in the West, as a means to cultivate an account of ethical responsibility and political activism that takes seriously the unbecoming of being and the moral horror of existence.
The safeguarding of authentic facts is essential, especially in this disruptive Orwellian age, where digital technologies have opened the door to a post-truth world in which “alternative facts” can be so easily accepted as valid. And because facts matter, evidence matters. In this urgent manifesto, archives luminary Millar makes the case that authentic and accurate records, archives, data, and other sources of documentary proof are crucial in supporting and fostering a society that is respectful, democratic, and self-aware. An eye-opening treatise for the general public, an invaluable resource for archives students, and a provocative call-to-arms for information and records professionals, Millar’s book
- explains the concept of evidence and discusses the ways in which records, archives, and data are not just useful tools for our daily existence but also essential sources of evidence both today and in the future;
- includes plentiful examples that illustrate the critical role evidence plays in upholding rights, enforcing responsibilities, tracing family or community stories, and capturing and sharing memories; and
- examines the impact of digital technologies on how records and information are created and used.
With documentary examples ranging from Mesopotamian clay tablets to World War II photographs to today’s Twitter messages and Facebook posts, Millar’s stirring book will encourage readers to understand more fully the importance of their own records and archives, for themselves and for future generations.
If the twentieth century was the century in which language was at the center of thought, the twenty-first century has, so far, been the century of matter. The Matter of Language is a critical intervention that aims to return to the relationship between language and matter to think of our present moment as one dominated by abstractions that rule our lives. In a series of dated chapters, that form punctual moments of intervention, this book both rehabilitates key thinkers, like Marx, Freud, and Saussure, and engages with poetic thinking on matter in David Jones, Diane di Prima, William Blake, Leslie Kaplan, and others. It is a matter of understanding language as a site of struggle, which is intimately bound to the material but also crucial in formulating and expressing the material and the abstractions that shape language and matter. Working between theory and poetry, The Matter of Language reconceives notions of alienation and class struggle as essential modes of reading and analysis for our fractured present.
In A Matter of Life and Death, anthropologist Marc Boglioli puts a human face on a group widely regarded as morally suspect, one that currently stands in the crossfire of America's so-called culture wars. Drawing on extensive ethnographic fieldwork in Addison County, Vermont, which took him from hunting camps and sporting goods stores to local bars and kitchen tables, Boglioli focuses on how contemporary hunters, women as well as men, understand their relationship to their prey. He shows how hunters' attitudes toward animals flow directly from the rural lifeways they have continued to maintain in the face of encroaching urban sensibilities. The result is a rare glimpse into a culture that experiences wild animals in a way that is at once violent, consumptive, and respectful, and that regards hunting as an enduring link to a vanishing past. It is a book that will challenge readers—hunters, non-hunters, and anti-hunters alike—to reconsider what constitutes a morally appropriate relationship with the non-human residents of this planet.
Like thousands of African American women, Charlotte Adelmond and Dollie Robinson worked in New York’s power laundry industry in the 1930s. Jenny Carson tells the story of how substandard working conditions, racial and gender discrimination, and poor pay drove them to help unionize the city’s laundry workers. Laundry work opened a door for African American women to enter industry, and their numbers allowed women like Adelmond and Robinson to join the vanguard of a successful unionization effort. But an affiliation with the powerful Congress of Industrial Organizations (CIO) transformed the union from a radical, community-based institution into a bureaucratic organization led by men. It also launched a difficult battle to secure economic and social justice for the mostly women and people of color in the plants. As Carson shows, this local struggle highlighted how race and gender shaped worker conditions, labor organizing, and union politics across the country in the twentieth century.
Meticulous and engaging, A Matter of Moral Justice examines the role of African American and radical women activists and their collisions with labor organizing and union politics.
Kumar's ruminations on one of the world's oldest cities, the capital of India's poorest province, are also a meditation on how to write about place. His memory is partial. All he has going for him is his attentiveness. He carefully observes everything that surrounds him in Patna: rats and poets, artists and politicians, a girl's picture in a historian's study, and a sheet of paper on his mother's desk. The result is this unique book, as cutting as it is honest.
Ancient and medieval literary texts often call attention to their existence as physical objects. Shane Butler helps us to understand why. Arguing that writing has always been as much a material struggle as an intellectual one, The Matter of the Page offers timely lessons for the digital age about how creativity works and why literature moves us.
Butler begins with some considerations about the materiality of the literary text, both as a process (the draft) and a product (the book), and he traces the curious history of “the page” from scroll to manuscript codex to printed book and beyond. He then offers a series of unforgettable portraits of authors at work: Thucydides struggling to describe his own diseased body; Vergil ready to burn an epic poem he could not finish; Lucretius wrestling with words even as he fights the madness that will drive him to suicide; Cicero mesmerized by the thought of erasing his entire career; Seneca plumbing the depths of the soul in the wax of his tablets; and Dhuoda, who sees the book she writes as a door, a tunnel, a womb. Butler reveals how the work of writing transformed each of these authors into his or her own first reader, and he explains what this metamorphosis teaches us about how we too should read.
All Greek and Latin quotations are translated into English and technical matters are carefully explained for general readers, with scholarly details in the notes.
Experimental in its approach and unflinching in its execution, Matter Out of Place is an exploration of bright spots of humanity in dark underbellies, a feminist reckoning with “sin,” and a love letter to the strange mirage that is northern Nevada. It inhabits physical and digital spaces with equal wariness, and its characters—filled with grit—navigate the fraught divide between appearances and reality, approval and judgment, gambling everything despite knowing that the house always wins.
To care can feel good, or it can feel bad. It can do good, it can oppress. But what is care? A moral obligation? A burden? A joy? Is it only human? In Matters of Care, María Puig de la Bellacasa presents a powerful challenge to conventional notions of care, exploring its significance as an ethical and political obligation for thinking in the more than human worlds of technoscience and naturecultures.
Matters of Care contests the view that care is something only humans do, and argues for extending to non-humans the consideration of agencies and communities that make the living web of care by considering how care circulates in the natural world. The first of the book’s two parts, “Knowledge Politics,” defines the motivations for expanding the ethico-political meanings of care, focusing on discussions in science and technology that engage with sociotechnical assemblages and objects as lively, politically charged “things.” The second part, “Speculative Ethics in Antiecological Times,” considers everyday ecologies of sustaining and perpetuating life for their potential to transform our entrenched relations to natural worlds as “resources.”
From the ethics and politics of care to experiential research on care to feminist science and technology studies, Matters of Care is a singular contribution to an emerging interdisciplinary debate that expands agency beyond the human to ask how our understandings of care must shift if we broaden the world.
In Matters of Choice, Iris Lopez presents a comprehensive analysis of the dichotomous views that have portrayed sterilization either as part of a coercive program of population control or as a means of voluntary, even liberating, fertility control by individual women. Drawing upon her twenty-five years of research on sterilized Puerto Rican women from five different families in Brooklyn, Lopez untangles the interplay between how women make fertility decisions and their social, economic, cultural, and historical constraints. Weaving together the voices of these women, she covers the history of sterilization and eugenics, societal pressures to have fewer children, a lack of adequate health care, patterns of gender inequality, and misinformation provided by doctors and family members.
Lopez makes a stirring case for a model of reproductive freedom, taking readers beyond victim/agent debates to consider a broader definition of reproductive rights within a feminist anthropological context.
Considering theme parks, cyberspace, cinematic special effects, superhero comics, and musical films, Matters of Gravity highlights phenomena that make technology spectacular, permit unfettered flights of fantasy, and free us momentarily from the weight of gravity and history, of past and present. Bukatman delves into the dynamic ways pop culture imagines that apotheosis of modernity: the urban metropolis. He points to two genres, musical films and superhero comics, that turn the city into a unique site of transformative power. Leaping in single bounds from lively descriptions to sharp theoretical insights, Matters of Gravity is a deft, exhilarating celebration of the liberatory effects of popular culture.
A thoughtful examination of dignity at the end of life and the ethical limits of choice in modern medicine.
For most of human history, death was shaped by circumstance, custom, and human presence. Today, it is increasingly mediated by medicine, law, and the language of choice. Our expanding capacity to prolong life and manage dying has outstripped the moral habits that once helped us make sense of such moments. What confronts us now is not only the question of what may be done, or what is permitted, but also how moral responsibility is borne when knowledge is partial and responsibility is dispersed.
Resisting moral certainty and procedural comfort, Stephanie O’Connor considers what is revealed and obscured when complex situations are reduced to questions of choice or rights alone. Considering dignity as a guiding moral concern at the limits of life, and drawing on healthcare ethics, case law, and contemporary debates—including those surrounding assisted dying and artificial intelligence—this book examines how decisions made under conditions of vulnerability are shaped not only by autonomy and consent, but also by dependence, unequal power, and institutional practice. Acutely attentive to the tensions that exist between compassion and restraint, as well as personal agency and shared responsibility, O’Connor does not propose solutions or offer moral closure. Instead, she asks what is owed: to those whose lives are ending, to those who care for them, and to the fragile shared moral life that binds personal decisions to their public consequences.
Application of scientific findings to effective practice and informed policymaking is an aspiration for much research in the biomedical, behavioral, and developmental sciences. But too often translations of science to practice are conceptually narrow and developed quickly as salves to an urgent problem. For developmental science, widely implemented parenting interventions are prime examples of technical translations from knowledge about the causes of children’s mental distress. Aiming to support family relationships and facilitate adaptive child development, these programs are rushed through when the scientific findings on which they are based remain contested and without enough evidence of success from randomized controlled trials.
In Matters of Significance, the authors draw on forty years of experience with theoretical, empirical, meta-analytic, and translational work in child development research to highlight the complex relations between replication, translation, and academic freedom. They argue that challenging fake facts promulgated by under-replicated and underpowered studies is also a method of translation. Such a challenge can, in the highlighted field of attachment and emotion regulation research, bust popular myths about the decisive role of genes, hormones, or the brain on parenting and child development, with a balancing impact on practice and policy making. The authors argue that academic freedom from interference by pressure groups, stakeholders, funders, or university administrators in the core stages of research is a necessary but besieged condition for adversarial research and myth-busting.
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