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Miraculous Simplicity
Essays on R.S. Thomas
William V. Davis
University of Arkansas Press, 1993
Pondering now the being and nature of God, now the mystery of time, now the assault of contemporary lifestyles on the natural world, R. S. Thomas’s poetry and prose reflect his Welsh heritage and his determination to be Welsh. Moved by his own personal attraction to the work of Thomas and guided by his careful reading of it, William V. Davis brings us this excellent collection of essays exploring the distinguished yet controversial poet-priest.

In the autobiographical essay, Thomas reveals his passion for his homeland and his ever-present hunger for spiritual and natural exploration:
 
As I stood in the sun and the sea wind, with my shadow falling upon
those rocks, I certainly was reminded of the transience of human existence,
and my own in particular. As Pindar put it: “A dream about a
shadow is man.” I began to ponder more the being and nature of God
and his relation to the late twentieth-century situation, which science and
technology had created in the western world. Where did the ancient
world of rock and ocean fit into an environment in which nuclear physics
and the computer were playing an increasingly prominent part? . . .
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Mirage
Florida and the Vanishing Water of the Eastern U.S.
Cynthia Barnett
University of Michigan Press, 2007

“Never before has the case been more compellingly made that America’s dependence on a free and abundant water supply has become an illusion. Cynthia Barnett does it by telling us the stories of the amazing personalities behind our water wars, the stunning contradictions that allow the wettest state to have the most watered lawns, and the thorough research that makes her conclusions inescapable. Barnett has established herself as one of Florida’s best journalists and Mirage is a must-read for anyone who cares about the future of the state.”

—Mary Ellen Klas, Capital Bureau Chief, Miami Herald

Mirage is the finest general study to date of the freshwater-supply crisis in Florida. Well-meaning villains abound in Cynthia Barnett’s story, but so too do heroes, such as Arthur R. Marshall Jr., Nathaniel Reed, and Marjorie Harris Carr. The author’s research is as thorough as her prose is graceful. Drinking water is the new oil. Get used to it.”

—Michael Gannon, Distinguished Professor of history, University of Florida, and author of Florida: A Short History

“With lively prose and a journalist’s eye for a good story, Cynthia Barnett offers a sobering account of water scarcity problems facing Florida—one of our wettest states—and the rest of the East Coast. Drawing on lessons learned from the American West, Mirage uses the lens of cultural attitudes about water use and misuse to plead for reform. Sure to engage and fascinate as it informs.”

—Robert Glennon, Morris K. Udall Professor of Law and Public Policy, University of Arizona, and author of Water Follies: Groundwater Pumping and the Fate of America’s Fresh Waters

Part investigative journalism, part environmental history, Mirage reveals how the eastern half of the nation—historically so wet that early settlers predicted it would never even need irrigation—has squandered so much of its abundant freshwater that it now faces shortages and conflicts once unique to the arid West.

Florida’s parched swamps and supersized residential developments set the stage in the first book to call attention to the steady disappearance of freshwater in the American East, from water-diversion threats in the Great Lakes to tapped-out freshwater aquifers along the Atlantic seaboard.

Told through a colorful cast of characters including Walt Disney, Jeb Bush and Texas oilman Boone Pickens, Mirage ferries the reader through the key water-supply issues facing America and the globe: water wars, the politics of development, inequities in the price of water, the bottled-water industry, privatization, and new-water-supply schemes.

From its calamitous opening scene of a sinkhole swallowing a house in Florida to its concluding meditation on the relationship between water and the American character, Mirage is a compelling and timely portrait of the use and abuse of freshwater in an era of rapidly vanishing natural resources.

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The Mirage of a Space between Nature and Nurture
Evelyn Fox Keller
Duke University Press, 2010
In this powerful critique, the esteemed historian and philosopher of science Evelyn Fox Keller addresses the nature-nurture debates, including the persistent disputes regarding the roles played by genes and the environment in determining individual traits and behavior. Keller is interested in both how an oppositional “versus” came to be inserted between nature and nurture, and how the distinction on which that opposition depends, the idea that nature and nurture are separable, came to be taken for granted. How, she asks, did the illusion of a space between nature and nurture become entrenched in our thinking, and why is it so tenacious? Keller reveals that the assumption that the influences of nature and nurture can be separated is neither timeless nor universal, but rather a notion that emerged in Anglo-American culture in the late nineteenth century. She shows that the seemingly clear-cut nature-nurture debate is riddled with incoherence. It encompasses many disparate questions knitted together into an indissoluble tangle, and it is marked by a chronic ambiguity in language. There is little consensus about the meanings of terms such as nature, nurture, gene, and environment. Keller suggests that contemporary genetics can provide a more appropriate, precise, and useful vocabulary, one that might help put an end to the confusion surrounding the nature-nurture controversy.
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The Mirage of Health
Utopia, Progress, and Biological Change
Dubos, Jean
Rutgers University Press, 1987
'Complete freedom from disease and from struggle is almost incompatible with the process of living, ' Rene Dubos asserted in this classic essay on ecology and health. All the accomplishments of science and technology, he argued, will not bring the utopian dream of universal well-being, because they ignore the dynamic process of adaptation to a constantly changing environment that every living organism must face.
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Mirage-Land
Images of Nevada
Wilbur S. Shepperson
University of Nevada Press, 1996
In a century-old edition of a British newspaper, a quaint narrative entitled "A Visit to the Comstock" was prefaced by the following poem: Paint me, Washoe, as you see it, / Tinting with a truthful touch; / Line it with a faithful pencil, / Do not colour overmuch. Many writers through the decades have "coloured overmuch" in their descriptions of Nevada by using picturesque words and extreme language when discussing the paradoxical state. Idah Meacham Strobridge, often called "Nevada's first woman of letters", pointed out that images of Nevada frequently suggest a "mirage-land", a place where nothing is quite what it seems. Wilbur S. Shepperson's examination of such mirages--imaginary, literary, historical, real--is the subject of Mirage-Land: Images of Nevada. In the pages of this book, readers will discover ways in which a variety of men and women image-makers envisioned the Silver State, as well as ways they communicated their visions to others. Shepperson explains the process of mirage building by introducing readers to details from myriad sources--journals, diaries, historic newspapers, government reports, essays, magazines, novels, and even chamber of commerce promotional brochures. The well-known accents of John C. Fremont, Mark Twain, and Dan De Quille mingle with such little-known voices as Louise M. Palmer, Henry T. Williams, and George Wharton James among others. While the exemplary voices may express paradox, self-contradiction, antithesis, even confusion, Shepperson arranges his examples in a way that shows readers an aggregate vision. For him, Nevada history and Nevada humanity together embrace the length of Highway 395, the width of Interstates 80 and 15, and the breadthof a good many gravel roads in between. Essentially Shepperson sees few meaningful differences between the Comstock of the 1860s, other mining camps, sheep and cattle operations, Reno of the 1930s, and the present-day Las Vegas.
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Mirages
The Unexpurgated Diary of Anaïs Nin, 1939–1947
Anaïs Nin
Ohio University Press, 2013
Mirages opens at the dawn of World War II, when Anaïs Nin fled Paris, where she lived for fifteen years with her husband, banker Hugh Guiler, and ends in 1947 when she meets the man who would be “the One,” the lover who would satisfy her insatiable hunger for connection. In the middle looms a period Nin describes as “hell,” during which she experiences a kind of erotic madness, a delirium that fuels her search for love. As a child suffering abandonment by her father, Anaïs wrote, “Close your eyes to the ugly things,” and, against a horrifying backdrop of war and death, Nin combats the world’s darkness with her own search for light.

Mirages collects, for the first time, the story that was cut from all of Nin’s other published diaries, particularly volumes 3 and 4 of The Diary of Anaïs Nin, which cover the same time period. It is the long-awaited successor to the previous unexpurgated diaries Henry and June, Incest, Fire, and Nearer the Moon. Mirages answers the questions Nin readers have been asking for decades: What led to the demise of Nin’s love affair with Henry Miller? Just how troubled was her marriage to Hugh Guiler? What is the story behind Nin’s “children,” the effeminate young men she seemed to collect at will? Mirages is a deeply personal story of heartbreak, despair, desperation, carnage, and deep mourning, but it is also one of courage, persistence, evolution, and redemption that reaches beyond the personal to the universal.
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Miranda
The Story of America’s Right to Remain Silent
Gary L. Stuart
University of Arizona Press, 2004
One of the most significant Supreme Court cases in U.S. history has its roots in Arizona and is closely tied to the state’s leading legal figures. Miranda has become a household word; now Gary Stuart tells the inside story of this famous case, and with it the legal history of the accused’s right to counsel and silence.

Ernesto Miranda was an uneducated Hispanic man arrested in 1963 in connection with a series of sexual assaults, to which he confessed within hours. He was convicted not on the strength of eyewitness testimony or physical evidence but almost entirely because he had incriminated himself without knowing it—and without knowing that he didn’t have to. Miranda’s lawyers, John P. Frank and John F. Flynn, were among the most prominent in the state, and their work soon focused the entire country on the issue of their client’s rights. A 1966 Supreme Court decision held that Miranda’s rights had been violated and resulted in the now-famous "Miranda warnings."

Stuart personally knows many of the figures involved in Miranda, and here he unravels its complex history, revealing how the defense attorneys created the argument brought before the Court and analyzing the competing societal interests involved in the case. He considers Miranda's aftermath—not only the test cases and ongoing political and legal debate but also what happened to Ernesto Miranda. He then updates the story to the Supreme Court’s 2000 Dickerson decision upholding Miranda and considers its implications for cases in the wake of 9/11 and the rights of suspected terrorists. Interviews with 24 individuals directly concerned with the decision—lawyers, judges, and police officers, as well as suspects, scholars, and ordinary citizens—offer observations on the case’s impact on law enforcement and on the rights of the accused.

Ten years after the decision in the case that bears his name, Ernesto Miranda was murdered in a knife fight at a Phoenix bar, and his suspected killer was "Mirandized" before confessing to the crime. Miranda: The Story of America’s Right to Remain Silent considers the legacy of that case and its fate in the twenty-first century as we face new challenges in the criminal justice system.
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Miranda's Waning Protections
Police Interrogation Practices after Dickerson
Welsh S. White
University of Michigan Press, 2003
Did the Supreme Court's upholding of Miranda in 2000 adversely impact law enforcement, as conservatives have complained, or was it a reaffirmation of individual rights?

Welsh S. White looks at both sides of the issue, emphasizing that Miranda represents just one stage in the Court's ongoing struggle to accommodate a fundamental conflict between law enforcement and civil liberties, and assessing whether the Court's present decisions (including Miranda) strike an appropriate balance between promoting law enforcement's interest in obtaining reliable evidence and the individual's interest in being protected from overreaching police practices.

Welsh S. White is Professor of Law, University of Pittsburgh School of Law. He is best known for his work on capital punishment and has published and lectured on the death penalty for the past twenty years.
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MIRIAM CAHN
I AS HUMAN
Marta Dziewanska et al.
Museum of Modern Art in Warsaw, 2019
A rebel and feminist, the Switzerland-born Miriam Cahn is one of the major artists of her generation. Widely known for her drawings and paintings, she also experiments with photography, moving images, sculptures, and performance art. Cahn’s diverse body of work is disturbing and dreamlike, filled with striking human figures pulsing with an energy both passionate and violent. These pieces, along with Cahn’s reflections on artistic expression, have always responded to her contemporary moment. In the 1980s, her work addressed the feminist, peace, and environmental movements, while the work she produced in the 1990s and early 2000s contains allusions to the war in the former Yugoslavia, the conflict in the Middle East, and the September 11 terrorist attacks. Her recent production tackles ever-evolving political conflicts, engaging with the European refugee crisis and the “#metoo” movement.

Miriam Cahn: I as Human examines different facets of the artist’s prolific and troubling oeuvre, featuring contributions from art historians, critics, and philosophers including Kathleen Bühler, Paul B. Preciado, Elisabeth Lebovici, Adam Szymczyk, Natalia Sielewicz and .
 
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Miriam Hansen
Cinema, Experience, and the Public Sphere
David Bathrick, Andreas Huyssen, and Eric Rentschler, special issue editors
Duke University Press
This issue is dedicated to the thought and writing of Miriam Hansen, whose contributions broke ground in film history, film theory, and the politics of mass culture and the public sphere.  The collection focuses on the areas in which she was most influential: early cinema, its reception, and the legacy of vernacular modernism, including essays touching on the concept’s impact on contemporary thinking about Russian and Chinese cinemas. The issue also features extensive commentary on Hansen’s pioneering book Cinema and Experience, expanding on the book’s inquiry into the continuing legacy of the Frankfurt School.
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Miriam Hearing Sister
A Memoir
Miriam Zadek
Gallaudet University Press, 2022
Miriam Zadek shares her story in this memoir that documents her experiences growing up in a New York Jewish family with both deaf and hearing members from the 1930s through World War II and beyond. Her story is personal and reflective, revealing the sometimes complex and heart-rending dynamics within her family and her community. Through brief and evocative vignettes, Zadek relates her memories of family life, capturing the innocence of childhood, the confusion of adolescence, and then progressing through adulthood. Her recollections evolve from a childlike observance to awareness, pain, and understanding as she matures. Throughout this journey, the author presents a narrative of historical and cultural importance centered on her personal account of the lives of deaf and hearing Jewish people in the mid-twentieth century.

       The prevailing ideological movements of the time permeate her family life. Zadek reveals the traumatic impact of eugenics and the fears surrounding the genetic transmission of deafness. She considers the effects of adhering to the oral method of communication in her home when sign language could have given her family the ability to interact with each other more fully. In this environment, Zadek became an astute communicator and learned to adapt to both the hearing and the deaf world, where she was known as “Miriam Hearing Sister.” Her memoir is an elegant literary work that offers an understanding of how biases and stigmas resonate and evolve, and it showcases her loving family of strong women who pushed against stereotypes and have thrived across generations.
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The Miriam Tradition
Teaching Embodied Torah
Cia Sautter
University of Illinois Press, 2010
The Miriam Tradition works from the premise that religious values form in and through movement, with ritual and dance developing patterns for enacting those values. Cia Sautter considers the case of Sephardic Jewish women who, following in the tradition of Miriam the prophet, performed dance and music for Jewish celebrations and special occasions. She uses rabbinic and feminist understandings of the Torah to argue that these women, called tanyaderas, "taught" Jewish values by leading appropriate behavior for major life events.
 
Sautter considers the religious values that are in music and dance performed by tanyaderas and examines them in conjunction with written and visual records and evidence from dance and music traditions. Explaining the symbolic gestures and motions encoded in dances, Sautter shows how rituals display deeply held values that are best expressed through the body. The book argues that the activities of women in other religions might also be examined for their embodiment and display of important values, bringing forgotten groups of women back into the historical record as important community leaders
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Mirror Affect
Seeing Self, Observing Others in Contemporary Art
Cristina Albu
University of Minnesota Press, 2016

For decades, contemporary artworks with reflective properties have stimulated public forms of spectatorship. According to Cristina Albu, these artworks, which can include elements such as mirrors, live video feedback, or sensors, draw attention to affective interdependence and mechanisms of social control. 

In Mirror Affect, Albu provides a historical account of mirroring processes in contemporary art and offers insight into the phenomenological and sociopolitical concerns that have inspired artists to stage processes of affective, perceptual, and behavioral mirroring between art viewers. Beginning with the 1960s, Albu charts the rise of interpersonal modes of art spectatorship. She reveals contemporary artists’ strategic use of reflective and responsive interfaces to instill doubt in visual representation and appeal to active scrutiny of the changing social dynamics. She suggests that the mirroring processes envisioned by contemporary artists such as Joan Jonas, Dan Graham, Lynn Hershman Leeson, Olafur Eliasson, and Rafael Lozano-Hemmer trigger visual disjunctions to upset narcissistic inclinations. They invite viewers to see themselves in relation to others and to ponder their role within complex social systems.

From sculpture and performance to art and technology projects, video art, and installation art, Mirror Affect analyzes forms of interpersonal spectatorship, revising and expanding current historiographies of participatory art.

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The Mirror Dance
Identity in a Women's Community
Susan Krieger
Temple University Press, 1983

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The Mirror Diary
Selected Essays
Garrett Hongo
University of Michigan Press, 2017
A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.
 
The Mirror Diary tracks the emergence of an original poetic voice and a learned consciousness amid multiple and sometimes competing influences of complex literary traditions and regional and ethnic histories. Beginning with a literary inquiry into the history of Japanese Americans in Hawai`i and California, Garrett Hongo draws on his own history to consider the mosaic of American identities—personal, cultural, and poetic—in the context of a postmodern diaspora.

Hongo’s essays attest to the breadth of what he considers his cultural inheritance and literary antecedents, ranging from the poets of China’s T’ang Dynasty to American poets such as Walt Whitman and Charles Olson. He explains free-verse prosody by way of John Coltrane’s jazz; praises his contemporaries, poets David Mura, Edward Hirsch, and Mark Jarman; and acknowledges his mentors, Bert Meyers and Charles Wright. In other pieces he engages with controversies and contestations in contemporary Asian American literature, confronts the politics of race and the legacy of Japanese American internment during World War II, offers paeans to the Hawaiian landscape, and addresses immigrants newly arrived in America with a warm welcome. The Mirror Diary is the work of a poet fully engaged with contemporary politics and poetics and committed to the study and celebration of diverse traditions.
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"A Mirror for Magistrates" and the Politics of the English Reformation
Scott Lucas
University of Massachusetts Press, 2009
Perhaps no other work of secular poetry was as widely read in Tudor England as the historical verse tragedy collection A Mirror for Magistrates. For over sixty years (1559–1621), this compendium of tragic monologues presented in the voices of fallen political figures from England's past remained almost constantly in print, offering both exemplary warnings to English rulers and inspiring models for literary authors, including Spenser and Shakespeare.

In a striking departure from previous scholarship, Scott Lucas shows that modern critics have misconstrued the purpose of the tragic verse narratives of the Mirror, approaching them primarily as uncontroversial meditations on abstract political and philosophical doctrines. Lucas revises this view, revealing many of the Mirror tragedies to be works topically applicable in form and politically contentious in nature.

Lucas returns the earliest poems of A Mirror for Magistrates to the troubled context of their production, the tumultuous reign of the Catholic Queen Mary (1553–1558). As Protestants suffering from the traumatic collapse of King Edward VI's "godly" rule (1547–1553) and from the current policies of Mary's government, the Mirror authors radically reshaped their poems' historical sources in order to craft emotionally moving narratives designed to provide models for interpreting the political failures of Edward VI's reign and to offer urgent warnings to Marian magistrates.

Lucas's study also reveals how, in later poems, the Mirror authors issued oblique appeals to Queen Elizabeth's officers, boldly demanding that they allow the realm of "the literary" to stand as an unfettered discursive arena of public controversy. Lucas thus provides a provocative new approach to this seminal but long-misunderstood collection, one that restores the Mirror to its rightful place as one of the greatest works of sixteenth-century English political literature.
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Mirror in Parchment
The Luttrell Psalter and the Making of Medieval England
Michael Camille
University of Chicago Press, 1998
What is the status of visual evidence in history? Can we actually see the past through images? Where are the traces of previous lives deposited? Michael Camille addresses these important questions in Mirror in Parchment, a lively, searching study of one medieval manuscript, its patron, producers, and historical progeny.

The richly illuminated Luttrell Psalter was created for the English nobleman Sir Geoffrey Luttrell (1276-1345). Inexpensive mechanical illustration has since disseminated the book's images to a much wider audience; hence the Psalter's representations of manorial life have come to profoundly shape our modern idea of what medieval English people, high and low, looked like at work and at play. Alongside such supposedly truthful representations, the Psalter presents myriad images of fantastic monsters and beasts. These patently false images have largely been disparaged or ignored by modern historians and art historians alike, for they challenge the credibility of those pictures in the Luttrell Psalter that we wish to see as real.

In the conviction that medieval images were not generally intended to reflect daily life but rather to shape a new reality, Michael Camille analyzes the Psalter's famous pictures as representations of the world, imagined and real, of its original patron. Addressed are late medieval chivalric ideals, physical sites of power, and the boundaries of Sir Geoffrey's imagined community, wherein agricultural laborers and fabulous monsters play a similar ideological role. The Luttrell Psalter thus emerges as a complex social document of the world as its patron hoped and feared it might be.
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The Mirror in the Text
Lucien Dällenbach
University of Chicago Press, 1989
The Mirror in the Text is concerned with the literary and artistic device of mise en abyme, the use of an element within a work which mirrors the work as a whole—like the 'play within a play' in Hamlet.

In this classic study, Lucien Dällenbach provides the first systematic analysis of this device and its literary and artistic applications from Van Eyck and Velasquez to Gide, Beckett and the French nouveau roman.

Alongside this wealth of examples, Dällenbach constructs his theoretical argument with elegance and clarity, assuming no previous knowledge of arcane and specialized theory, but guiding the reader helpfully through the maze of literary criticism. The result is a new conceptual field, a new grammar of the mise en abyme, and an examination of its function within the work of art and literature.

The highly original study has been acclaimed as one of the most important works of contemporary literary theory. It will be of interest to all students of English and European literature, as well as to students of the visual arts.
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The Mirror Makers
A History of American Advertising and Its Creators
Stephen Fox
University of Illinois Press, 1997
Stephen Fox explores the consistently cyclical nature of advertising from its beginning. A substantial new introduction updates this lively, anecdotal history of advertising into the mid-1990s.
 
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Mirror, Mirror
Reflections on Philly Style, Finding My Voice, and Social Justice
Elizabeth Wellington
Temple University Press, 2027

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The Mirror of Spain, 1500-1700
The Formation of a Myth
J. N. Hillgarth
University of Michigan Press, 2000
In this major new work, J. N. Hillgarth investigates how Spain was seen by non-Spaniards in the period when it was the leading power in Europe. The author brings together a wide range of sources that elucidate Spanish history and Spanish character. He demonstrates the ways that propaganda has distorted both these things in the past and even continues to do so in the present.
In the first of the volume's four parts, the author discusses the reasons--geographic, political, and religious--why Spain has proved a hard country to understand. Hillgarth looks at travelers to Spain, from pilgrims to diplomats, spies, exiles, and foreign residents. In its second part, special attention is devoted to the interaction between Christians, Jews, and Muslims, including Jewish and Muslim exiles and secret Jews within Spain.
In its third section, The Mirror of Spain explores reactions to Spain by those who saw it from the outside, the Italians, Dutch, French, and English. One chapter deals with the English, Scottish, and Irish Catholics, who, like the Jewish and Muslim exiles, played a double role in that they were at once "insiders" and outsiders. Finally, Hillgarth attempts to show how two crucial centuries have affected the way Spain has been seen down to the present.
The Mirror of Spain draws on a wide range of sources in different languages. It relies on documents in the Public Record Office and the British Library, the Archivo General de Simancas and the collections of the colleges founded by exiles in Spain, and on major libraries in Venice and Jerusalem. The volume will be of interest to a broad spectrum of scholars--to medievalists, historians of Spain, scholars of political and literary thought, and all those interested in notions of national identity.
J. N. Hillgarth has taught for many years at the University of Toronto and the Pontifical Institute of Mediaeval Studies. He is a Fellow of the British Academy and has received awards and honors from a wide variety of distinguished institutions in Europe and North America.
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Mirror of the Darkest Night
Mahasweta Devi
Seagull Books
It’s the mid-to-late 1800s and the British have banished Wajid Ali Shah—the nawab of Awadh in Lucknow—to Calcutta. To the sound of the soulful melody of the sarangi, the mercurial courtesan Laayl-e Aasman is playing a dangerous game of love, loyalty, deception, and betrayal. Bajrangi and Kundan, bound by their love for each other and for Laayl-e, struggle to keep their balance. Ranging across generations and geography, the scale of Laayl-e’s story sweeps the devil, a crime lord, and many other remarkable characters into a heady mix.

Mirror of the Darkest Night is almost an aberration in Mahasweta Devi’s oeuvre. Known for her activism and hard-hitting indictment of social inequalities, she pays close attention to detail in this sparkling novel. It offers a rare glimpse of Devi’s talent for telling the sort of story she normally eschewed—and it’s a cracker of a tale.
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The Mirror of the Sea
Joseph Conrad
Northwestern University Press, 1988
First published in 1906, The Mirror of the Sea was the first of Joseph Conrad's two autobiographical memoirs. Discussing it, he called the book "a very intimate revelation. . . . I have attempted here to lay bare with the unreserve of a last hour's confession the terms of my relation with the sea, which beginning mysteriously, like any great passion the inscrutable Gods send to mortals, went on unreasoning and invincible, surviving the test of disillusion, defying the disenchantment that lurks in every day of a strenuous life; went on full of love's delight and love's anguish, facing them in open-eyed exultation without bitterness and without repining, from the first hour to the last."
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The Mirror of the Self
Sexuality, Self-Knowledge, and the Gaze in the Early Roman Empire
Shadi Bartsch
University of Chicago Press, 2006
People in the ancient world thought of vision as both an ethical tool and a tactile sense, akin to touch. Gazing upon someone—or oneself—was treated as a path to philosophical self-knowledge, but the question of tactility introduced an erotic element as well.  In The Mirror of the Self, Shadi Bartsch asserts that these links among vision, sexuality, and self-knowledge are key to the classical understanding of the self. 

Weaving together literary theory, philosophy, and social history, Bartsch traces this complex notion of self from Plato’s Greece to Seneca’s Rome. She starts by showing how ancient authors envisioned the mirror as both a tool for ethical self-improvement and, paradoxically, a sign of erotic self-indulgence. Her reading of the Phaedrus, for example, demonstrates that the mirroring gaze in Plato, because of its sexual possibilities, could not be adopted by Roman philosophers and their students. Bartsch goes on to examine the Roman treatment of the ethical and sexual gaze, and she traces how self-knowledge, the philosopher’s body, and the performance of virtue all played a role in shaping the Roman understanding of the nature of selfhood. Culminating in a profoundly original reading of Medea, The Mirror of the Self illustrates how Seneca, in his Stoic quest for self-knowledge, embodies the Roman view, marking a new point in human thought about self-perception.

Bartsch leads readers on a journey that unveils divided selves, moral hypocrisy, and lustful Stoics—and offers fresh insights about seminal works. At once sexy and philosophical, The Mirror of the Self will be required reading for classicists, philosophers, and anthropologists alike.
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Mirror to the Cage
Three Contemporary Hungarian Plays
Clara Györgyey
University of Arkansas Press, 1993
This volume presents the works of three distinguished contemporary Hungarian playwrights which together mirror and elucidate the calamitous history of East Central Europe from World War II to the 1970s. Genre 3:
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Mirrors Beneath the Earth
Short Fiction by Chicano Writers
Ray González
Northwestern University Press, 1995
Mirrors Beneath the Earth is an historic and unique collection of contemporary Chicano fiction: 31 stories depicting the richly varied experiences of Mexican-Americans in the U.S. Some, like Sandra Cisneros, Rudolfo Anaya, Ana Castillo, are already celebrated writers. The special strength of this anthology is that it introduces others who have never before been published in book form, like Ana Baca, Patricia Blanca, Rafael Jesus Gonzalez, and Natalia Trevino. These writers open our eyes and enrich our understanding.
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Mirrors of Our Playing
Paradigms and Presences in Modern Drama
Thomas R. Whitaker
University of Michigan Press, 1999
For centuries, theater has maintained a central role in the development and preservation of artistic, social, and political themes in society. Yet in recent decades, theater has taken an increasingly marginal role. In this book, Thomas R. Whitaker examines the reasons for the marginalization of this important and influential art form, considering not only histories of various dramatic forms, but also the individual histories of various playwrights and their times. In so doing, he explores the importance of perceiving drama in a different light: as a participatory tool, a mirror that reflects life as it unfolds and plays out before us. Whitaker's unique and comprehensive study of drama poses theater as a collaborative and interactive experience, an experience that involves not only the playwright, the text, and the artists, but the audience as well as the society and culture of that audience.Contrary to the common critical belief that drama can only be theorized as a “performed action,” Whitaker conceptualizes drama as an interaction between a “performed action” and an “action of performance.” The whole of Mirrors of Our Playing is founded on the understanding that a play is a manifold mirror of the “playing” that is our lives; therefore, the play is shaped by a complex interaction between the paradigms that make up our view of the world and the reflection of these paradigms in the “mirror” that is the play.Focusing on both scripts and performance, Mirrors of Our Playing takes a fresh look at modern English-speaking drama, from its Anglo-Irish beginnings to its contemporary cross-fertilizations and international dispersals. It shows how most important English-speaking theater has been shaped in accord with several major paradigms, while it examines four major presences in that theater: Lord Byron, Samuel Beckett, Wole Soyinka, and Peter Brook. Mirrors of Our Playing stands on the borderlands between text-oriented and performanceoriented criticism. It seeks to extend our knowledge of the history of modern drama in English as that drama has engaged certain paradigms of performance. It is therefore grounded in close textual analysis of a great many texts that are understood as scripts for performance. Its several chapters incorporate, as they proceed, a variety of subordinate strategies: the placing of theater in historical context, the comparison of closely related plays, the charting of historical sequences of development within a given genre or paradigm, examination of the influence of a historical figure or of contemporary works, and the tracing of the exploratory development of a major director.
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Mirtilla, A Pastoral
A Bilingual Edition
Isabella Andreini
Iter Press, 2018
Isabella Andreini was the most famous actress of the Italian Renaissance, the darling of dukes and kings, as well as of less-moneyed theatergoers. As a founding member with her husband, Francesco, of the Compagnia dei Gelosi, she performed ceaselessly throughout Italy and France, and was prized for the new role she invented for women on stage, that of the ingénue with a comic bent. She was also a playwright; in fact, the first woman to publish a pastoral. This modern edition and translation subtly captures the novelty, as well as the imaginative pyrotechnics, of a brilliant, self-made virtuosa of the stage.

The Other Voice in Early Modern Europe - The Toronto Series: Volume 62
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Misalignment of Exchange Rates
Effects on Trade and Industry
Edited by Richard C. Marston
University of Chicago Press, 1988
Economists writing on flexible exchange rates in the 1960s foresaw neither the magnitude nor the persistence of the changes in real exchange rates that have occurred in the last fifteen years. Unexpectedly large movements in relative prices have lead to sharp changes in exports and imports, disrupting normal trading relations and causing shifts in employment and output. Many of the largest changes are not equilibrium adjustments to real disturbances but represent instead sustained departures from long-run equilibrium levels, with real exchange rates remaining "misaligned" for years at a time.

Contributors to Misalignment of Exchange Rates address a series of questions about misalignment. Several papers investigate the causes of misalignment and the extent to which observed movements in real exchange rates can be attributed to misalignment. These studies are conducted both empirically, through the experiences of the United States, Great Britain, Japan, and the countries of the European Monetary System, and theoretically, through models of imperfect competition. Attention is then turned to the effects of misalignment, especially on employment and production, and to detailed estimates of the effects of changes in exchange rates on several industries, including the U.S. auto industry. In response to the contention that there is significant "hysteresis" in the adjustment of employment and production to changes in exchange rates, contributors also attempt to determine whether the effects of misalignment can be reversed once exchange rates return to earlier levels. Finally, the issue of how to avoid—or at least control—misalignment through macroeconomic policy is confronted.
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Misbehaving Science
Controversy and the Development of Behavior Genetics
Aaron Panofsky
University of Chicago Press, 2014
Behavior genetics has always been a breeding ground for controversies. From the “criminal chromosome” to the “gay gene,” claims about the influence of genes like these have led to often vitriolic national debates about race, class, and inequality. Many behavior geneticists have encountered accusations of racism and have had their scientific authority and credibility questioned, ruining reputations, and threatening their access to coveted resources.  

In Misbehaving Science, Aaron Panofsky traces the field of behavior genetics back to its origins in the 1950s, telling the story through close looks at five major controversies. In the process, Panofsky argues that persistent, ungovernable controversy in behavior genetics is due to the broken hierarchies within the field. All authority and scientific norms are questioned, while the absence of unanimously accepted methods and theories leaves a foundationless field, where disorder is ongoing. Critics charge behavior geneticists with political motivations; champions say they merely follow the data where they lead. But Panofsky shows how pragmatic coping with repeated controversies drives their scientific actions. Ironically, behavior geneticists’ struggles for scientific authority and efforts to deal with the threats to their legitimacy and autonomy have made controversy inevitable—and in some ways essential—to the study of behavior genetics.
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Miscellaneous Studies in Mexican Prehistory
Michael W. Spence, Jeffrey R. Parsons, and Mary H. Parsons
University of Michigan Press, 1972
In this volume, the authors present research on three important classes of artifacts from Mexico: Michael W. Spence and Jeffrey R. Parsons report on prehispanic obsidian exploitation in Central Mexico and Mary Hrones Parsons writes about Aztec figurines and spindle whorls from the Teotihuacán Valley.
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Miscellaneous Studies in Typology and Classification
Anta M. White, Lewis R. Binford and Mark L. Papworth
University of Michigan Press, 1963
This volume includes a report on excavations at three Late Archaic sites in Michigan: the Eastport site in Antrim County, the Hodges site in Saginaw County, and the Pomranky site in Midland County. White contributes a description of chipped stone from the Snyders site in Calhoun County, Illinois, and Binford provides a proposed attribute list for classifying projectile points.
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Miscellaneous Verdicts
Writings on Writers
Anthony Powell
University of Chicago Press, 1992
Miscellaneous Verdicts represents the best of Anthony Powell's critical writing over a period of four decades. Drawn from his regular reviews for the Daily Telegraph, from his occasional humorous pieces for Punch, and from his more sustained pieces of critical and anecdotal writing on writers, this collection is as witty, fresh, surprising, and entertaining as one would expect from the author of Dance to the Music of Time.

Powell begins with a section on the British, exploring his fascination both with genealogy and with figures like John Aubrey, and writing in depth about writers like Kipling, Conrad, and Hardy. The second section, on America, also opens with discussions of family trees (in this case presidential ones) and includes pieces on Henry James, James Thurber, American booksellers in Paris, Hemingway, and Dashiell Hammett. Personal encounters, and absorbing incidents from the lives of his subjects, frequently fill these pages—as they do even more in the section on Powell's contemporaries—Connolly, Orwell, Graham Greene, and others. Finally, and aptly, the book closes with a section on Proust and matters Proustian, including a marvellous essay on what is eaten and drunk, and by whom, in A la Recherche du Temps Perdu.

"An urbane book, quietly erudite, very sensible, highly civilized, remarkably useful."—Anthony Burgess, Observer

"An acute intelligence and fastidious sense of humor make [Powell] the funniest and most profound living writer of the English language."—Hugh Montgomery-Massingberd, Sunday Telegraph

Anthony Powell was born in London in 1905. He is the author of seven novels, a biography of John Aubrey, two plays, a collection of memoirs, and the twelve-volume novel sequence Dance to the Music of Time.
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Miscellaneous Writings
G.W.F. Hegel
Northwestern University Press, 2000
This anthology, reflecting virtually every stage of G. W. F. Hegel's life and every area of his interests, provides the most complete picture yet of the intellectual development and activity of this towering figure of philosophy. Previously scattered and often hard to find, the writings collected here are of markedly different genres: introductions, rough drafts, book reviews, poems, speeches, sermons, individual treatises, even student notes and other firsthand reports. By virtue of their heterogeneity, these works bring out the full scope of Hegel's intellectual interests and activities, and often surprising sides of his personality and intellectual character emerge as he plays the unaccustomed roles of poet, priest, reformer, and polemicist.
[more]

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Misconceiving Merit
Paradoxes of Excellence and Devotion in Academic Science and Engineering
Mary Blair-Loy and Erin A. Cech
University of Chicago Press, 2022
An incisive study showing how cultural ideas of merit in academic science produce unfair and unequal outcomes.
 
In Misconceiving Merit, sociologists Mary Blair-Loy and Erin A. Cech uncover the cultural foundations of a paradox. On one hand, academic science, engineering, and math revere meritocracy, a system that recognizes and rewards those with the greatest talent and dedication. At the same time, women and some racial and sexual minorities remain underrepresented and often feel unwelcome and devalued in STEM. How can academic science, which so highly values meritocracy and objectivity, produce these unequal outcomes?
 
Blair-Loy and Cech studied more than five hundred STEM professors at a top research university to reveal how unequal and unfair outcomes can emerge alongside commitments to objectivity and excellence. The authors find that academic STEM harbors dominant cultural beliefs that not only perpetuate the mistreatment of scientists from underrepresented groups but hinder innovation. Underrepresented groups are often seen as less fully embodying merit compared to equally productive white and Asian heterosexual men, and the negative consequences of this misjudgment persist regardless of professors’ actual academic productivity. Misconceiving Merit is filled with insights for higher education administrators working toward greater equity as well as for scientists and engineers striving to change entrenched patterns of inequality in STEM.
 
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Misconceiving Mothers
Legislators, Prosecutors, and the Politics of Prenatal Drug Exposure
Laura Gomez
Temple University Press, 1997
A tiny African-American baby lies in a hospital incubator, tubes protruding from his nostrils, head, and limbs. "He couldn't take the hit," the caption warns. "If you're pregnant, don't take drugs." Ten years earlier, this billboard would have been largely unintelligible to many of us. But when it appeared in 1991, it immediately conjured up several powerful images: the helpless infant himself; his unseen environment, a newborn intensive care unit filled with babies crying inconsolably; and the mother who did this -- crack-addicted and unrepentant.

Misconceiving Mothers is a case study of how public policy about reproduction and crime is made. Laura E. Gomez uses secondary research and first-hand interviews with legislators and prosecutors to examine attitudes toward the criminalization and/or medicalization of drug use during pregnancy by the legislature and criminal justice systems in California. She traces how an initial tendency toward criminalization gave way to a trend toward seeing the problem of "crack babies" as an issue of social welfare and public health.

It  is no surprise that in an atmosphere of mother-blaming, particularly targeted at poor women and women of color, "crack babies" so easily captured the American popular imagination in the late 1980s. What is surprising is the was prenatal drug exposure came to be institutionalized in the state apparatus. Gomez attributes this circumstance to four interrelated cause: the gendered nature of the social problem; the recasting of the problem as fundamentally "medical" rather than "criminal"; the dynamic nature of t he process of institutionalization; and the specific feature of the legal institutions -- that is, the legislature and prosecutors' offices -- the became prominent in the case.

At one level Misconceiving Mothers tells the story of a particular problem at a particular time and place -- how the California legislature and district attorneys grappled with pregnant women's  drug use in the late 1980s and early 1990s. At another level, the book tells a more general story about the political nature of contemporary social problems. The story it tells is political not just because it deals with the character of political institutions but because the process itself and the nature of the claims-making concern the power to control the allocation of state resources.

A number of studies have looked at how the initial criminalization of social problems takes place. Misconceiving Mothers looks at the process by which a criminalized social problem is institutionalized through the attitudes and policies of elite decision-makers.
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Misconception
Social Class and Infertility in America
Bell, Ann V.
Rutgers University Press, 2014
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Misers, Shrews, and Polygamists
Sexuality and Male-Female Relations in Eighteenth-Century Chinese Fiction
Keith McMahon
Duke University Press, 1995
Having multiple wives was one of the mainstays of male privilege during the Ming and Qing dynasties of late imperial China. Based on a comprehensive reading of eighteenth-century Chinese novels and a theoretical approach grounded in poststructuralist, psychoanalytic, and feminist criticism, Misers, Shrews, and Polygamists examines how such privilege functions in these novels and provides the first full account of literary representations of sexuality and gender in pre-modern China.
In many examples of rare erotic fiction, and in other works as well-known as Dream of the Red Chamber, Keith McMahon identifies a sexual economy defined by the figures of the "miser" and the "shrew"—caricatures of the retentive, self-containing man and the overflowing, male-enervating woman. Among these and other characters, the author explores the issues surrounding the practice of polygamy, the logic of its overvaluation of masculinity, and the nature of sexuality generally in Chinese society. How does the man with many wives manage and justify his sexual authority? Why and how might he escape or limit this presumed authority, sometimes to the point of portraying himself as abject before the shrewish woman? How do women accommodate or coddle the man, or else oppose, undermine, or remold him? And in what sense does the man place himself lower than the spiritually and morally superior woman?
The most extensive English-language study of Chinese literature from the eighteenth century, this examination of polygamy will interest not only students of Chinese history, culture, and literature but also all those concerned with histories of gender and sexuality.
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Misery and Company
Sympathy in Everyday Life
Candace Clark
University of Chicago Press, 1997
In a kind of social tour of sympathy, Candace Clark reveals that the emotional experience we call sympathy has a history, logic, and life of its own. Although sympathy may seem to be a natural, reflexive reaction, people are not born knowing when, for whom, and in what circumstances sympathy is appropriate. Rather, they learn elaborate, highly specific rules—different rules for men than for women—that guide when to feel or display sympathy, when to claim it, and how to accept it. Using extensive interviews, cultural artifacts, and "intensive eavesdropping" in public places, such as hospitals and funeral parlors, as well as analyzing charity appeals, blues lyrics, greeting cards, novels, and media reports, Clark shows that we learn culturally prescribed rules that govern our expression of sympathy.

"Clark's . . . research methods [are] inventive and her glimpses of U.S. life revealing. . . . And you have to love a social scientist so respectful of Miss Manners."—Clifford Orwin, Toronto Globe and Mail

"Clark offers a thought-provoking and quite interesting etiquette of sympathy according to which we ought to act in order to preserve the sympathy credits we can call on in time of need."—Virginia Quarterly Review
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Misery Islands
January Gill O’Neil
CavanKerry Press, 2014
At the center of her second book are two islands off the coast of Salem, Massachusetts, through which O’Neil finds the rough terrain of marriage and what it means to love in the face of adversity. She navigates the waters of transition with exuberance and reflection, and discovers new ways to make the ordinary extraordinary.
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Misery Prefigured
J. Allyn Rosser
Southern Illinois University Press, 2001

In her second collection of poems, J. Allyn Rosser explores the human condition in all its gloriously valiant pathos. Misery Prefigured dwells on our continual reinventions of self and world and the restless dynamic that vibrates between them.Whether contemplating a failed marriage, a visit from God, or a pearl dropped into a bottle of Prell shampoo, Rosser's wry yet impassioned eye looks hard for a habitable and abiding truth. Alternating between deadpan and dead serious, these poems are often darkly funny, exposing the contradictions inherent in every desire. Misery Prefigured is fueled by a cocky, unsentimental determination to make some consolatory sense of what passes for reality.

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The Misfit of the Family
Balzac and the Social Forms of Sexuality
Michael Lucey
Duke University Press, 2003
In more than ninety novels and novellas, Honoré de Balzac (1799–1850) created a universe teeming with over two thousand characters. The Misfit of the Family reveals how Balzac, in imagining the dense, vividly rendered social world of his novels, used his writing as a powerful means to understand and analyze—as well as represent—a range of forms of sexuality. Moving away from the many psychoanalytic approaches to the novelist's work, Michael Lucey contends that in order to grasp the full complexity with which sexuality was understood by Balzac, it is necessary to appreciate how he conceived of its relation to family, history, economics, law, and all the many structures within which sexualities take form.

The Misfit of the Family is a compelling argument that Balzac must be taken seriously as a major inventor and purveyor of new tools for analyzing connections between the sexual and the social. Lucey’s account of the novelist’s deployment of "sexual misfits" to impel a wide range of his most canonical works—Cousin Pons, Cousin Bette, Eugenie Grandet, Lost Illusions, The Girl with the Golden Eyes—demonstrates how even the flexible umbrella term "queer" barely covers the enormous diversity of erotic and social behaviors of his characters. Lucey draws on the thinking of Michel Foucault and Pierre Bourdieu and engages the work of critics of nineteenth-century French fiction, including Naomi Schor, D. A. Miller, Franco Moretti, and others. His reflections on Proust as Balzac’s most cannily attentive reader suggest how the lines of social and erotic force he locates in Balzac’s work continued to manifest themselves in twentieth-century writing and society.

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A Misfit's Manifesto
The Sociological Memoir of a Rock & Roll Heart
Gaines, Donna
Rutgers University Press, 2007

Dubbed the Margaret Mead of heavy metal, Donna Gaines is a walking, talking oxymoron, a turnpike intellectual. A Misfit's Manifesto is the story of her wild-in-the-burbs odyssey-from overweight yeshiva girl to savvy street-punk sociologist. Isolated, angry, and depressed through most of her adolescence and early adulthood, she found truth and beauty in the least likely places. Wandering the craggy terrain of Rockaway Beach, Queens, Gaines embarked upon a path to enlightenment involving sex, drugs, rock & roll, sociology, cosmetology, True Love, the occult, tattoos, science fiction, pizza, guns, comic books, and surfing-by Web and by sea.

For Gaines, dignity, joy, and communion came not from family, organized religion, or mandatory schooling, but in the sound of doo-wop, surf music, acid rock, then punk, trash metal, and hardcore. "For most of my life," she writes, "music was the only way to connect that wouldn't eventually kill me."

Through all the ripped nights of binge-drinking, pill-popping, and nightclubbing, Gaines became an acclaimed author, scholar, and expert on teen suicide. In an age of conformity and censorship, she defends popular culture as a powerful spiritual force-a vibrant, valid connection to God. A meditation on alienation and engagement, this memoir is an outcast's journey into the black-hole sun, where Divine love and light are found-even in Ramones songs.

This edition includes a scholarly introduction that considers memoir as a sociological as well as literary genre, as a reflexive means of understanding the self in social context while nurturing a sociological imagination. Social memoir, Gaines argues, illuminates problems like alienation, marginality, addiction, and suicide, while making sociology more user-friendly and public. Now this work of dazzling originality and iconoclasm that has inspired misfits everywhere is an ideal text for classroom use, making complex social theory exciting, timely, and relevant for students.


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The Misfortunes of Alonso Ramírez
The True Adventures of a Spanish American with 17th-Century Pirates
By Fabio López Lázaro
University of Texas Press, 2011

In 1690, a dramatic account of piracy was published in Mexico City. The Misfortunes of Alonso Ramírez described the incredible adventures of a poor Spanish American carpenter who was taken captive by British pirates near the Philippines and forced to work for them for two years. After circumnavigating the world, he was freed and managed to return to Mexico, where the Spanish viceroy commissioned the well-known Mexican scholar Carlos de Sigüenza y Góngora to write down Ramírez's account as part of an imperial propaganda campaign against pirates.

The Misfortunes of Alonso Ramírez has long been regarded as a work of fiction—in fact, as Latin America's first novel—but Fabio López Lázaro makes a convincing case that the book is a historical account of real events, albeit full of distortions and lies. Using contemporary published accounts, as well as newly discovered documents from Spanish, English, French, Portuguese, and Dutch archives, he proves that Ramírez voyaged with one of the most famous pirates of all time, William Dampier. López Lázaro's critical translation of The Misfortunes provides the only extensive Spanish eyewitness account of pirates during the period in world history (1650–1750) when they became key agents of the European powers jockeying for international political and economic dominance. An extensive introduction places The Misfortunes within the worldwide struggle that Spain, England, and Holland waged against the ambitious Louis XIV of France, which some historians consider to be the first world war.

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Misframing Men
The Politics of Contemporary Masculinities
Kimmel, Michael
Rutgers University Press, 2010

This past decade has witnessed an extraordinary transformation in men's lives. For years, wave after wave of the women's movement, a movement that reshaped every aspect of American life, produced nary a ripple among men. But suddenly men are in the spotlight.

Yet, the public discussions often seem strained, silly, and sometimes flat-out wrong. The spotlight itself seems to obscure as much as it illuminates. Old tired clichTs about men's resistance to romantic commitment or reluctance to be led to the marriage altar seem perennially recyclable in advice books and on TV talk shows, but these days the laughter feels more forced, the defensiveness more pronounced. Pop biologists avoid careful confrontation with serious scientific research in their quest to find anatomical or evolutionary bases for promiscuity or porn addiction, hoping that by fiat, one can pronounce that "boys will be boys" and render it more than a flaccid tautology. And political pundits wring their hands about the feminization of American manhood, as if gender equality has neutered these formerly proud studs. Misframing Men, a collection of Michael Kimmel's commentaries on contemporary debates about masculinity, argues that the media have largely misframed this debate.

Kimmel, among the world's best-known scholars in gender studies, discusses political moments such as the Virginia Military Institute and Citadel cases that reached the Supreme Court (he participated as expert witness for the Justice Department) along with Promise Keepers rallies, mythopoetic gatherings, and white supremacists. He takes on antifeminists as the real male bashers, questions the unsubstantiated assertions that men suffer from domestic violence to the same degree as women, and examines the claims made by those who want to rescue boys from the "misandrous" reforms initiated by feminism.

In writings both solidly grounded and forcefully argued, Kimmel pushes the boundaries of today's modern conversation about men and masculinity.
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Mishearing Home
A Sinophone Poetics of Sound
Yun Emily Wang
Duke University Press, 2027

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Mishima
A Vision of the Void
Maguerite Yourcenar
University of Chicago Press, 2001
On November 25, 1970, Japan's most renowned postwar novelist, Yukio Mishima, stunned the world by committing ritual suicide. Here, Marguerite Yourcenar, a brilliant reader of Mishima and a scholar with an eye for the cultural roles of fiction, unravels the author's life and politics: his affection for Western culture, his family and his homosexuality, his brilliant writings, and his carefully premeditated death.
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Mishkan Aveilut
Where Grief Resides
Rabbi Eric Weiss
Central Conference of American Rabbis, 2019
Grief often reweaves our lives into a different way of experiencing the world. Mishkan Aveilut is designed to complement the anchors of our tradition that contain, guide, and support us as we familiarize ourselves with and move through our terrain of grief. This beautiful companion to Mishkan R'fuah: Where Healing Resides offers readings, poems, and meditations to support the emotional and spiritual needs that naturally arise at a time of loss. With opportunities for nourishment, contemplation, and emotional renewal, the collection is meant to be used as a resource for spiritual leaders and individuals alike.
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Mishkan Ga'avah
Where Pride Dwells: A Celebration of LGBTQ Jewish Life and Ritual
Rabbi Denise L. Eger
Central Conference of American Rabbis, 2020

This groundbreaking collection of LGBTQ prayers, poems, liturgy, and rituals is both a spiritual resource and a celebratory affirmation of Jewish diversity. Giving voice to the private and public sectors of queer Jewish experience, Mishkan Ga'avah is also a commemoration of the fiftieth anniversary of both the Stonewall Riots and the first pride march, reflecting the longtime advocacy of the Reform Movement for full LGBTQ inclusion.

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Mishkan HaLev
S'lichot - Visual T'filah - Pro: Prayers for S'lichot and the Month of Elul
Rabbi Janel Marder
CCAR Presentations, 2020

The complete S'lichot Service from Mishkan HaLev, as a Visual T'filah™.

This is the Pro version. "Pro" services allow users to edit each element of a prayer slide (including text, images, and more) for an advanced opportunity to customize the Visual T'filah™. Also available is a basic version. 

Once you've purchased your Visual T'filah™, there will be a download link on the order confirmation page. You will also be emailed a link to the file.

Mishkan HaLev: Prayers for S'lichot and the Month of Elul offers two complete services, one for Erev Shabbat during the month of Elul, and a S'lichot service. Like the new machzor, Mishkan HaLev is full of beautiful readings, poetry, meditations, commentary, and translations to ready the heart and the mind to enter the High Holy Days. Fully transliterated.

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Mishkan HaLev
S'lichot - Visual T'filah: Prayers for S'lichot and the Month of Elul
Rabbi Janel Marder
CCAR Presentations, 2020

The complete S'lichot Service from Mishkan HaLev, as a Visual T'filah™.

Individual prayers/slides can be removed in order to create a custom service.

Once you've purchased your Visual T'filah™, there will be a download link on the order confirmation page. You will also be emailed a link to the file.

Mishkan HaLev: Prayers for S'lichot and the Month of Elul offers two complete services, one for Erev Shabbat during the month of Elul, and a S'lichot service. Like the new machzor, Mishkan HaLev is full of beautiful readings, poetry, meditations, commentary, and translations to ready the heart and the mind to enter the High Holy Days. Fully transliterated.

This is the "Basic" version of the file, meaning you can remove prayer slides and insert new slides, but the elements of each slide (including text and images) are not editable. To be able to edit and customize the contents of each prayer slide, download the Pro version. 

PowerPoint file download. Keynote version available. Visual T'filah products are not returnable. Contact info@ccarpress.org for more info.

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Mishkan HaSeder - Visual T'filah - Basic
A Passover Haggadah
Hara E. Person
CCAR Presentations, 2022

Mishkan HaSeder Visual T'filah™ provides the complete text, poetry, commentary, and art from Mishkan HaSeder: A Passover Haggadah formatted for the screen. Suitable for both projection and screensharing, the slides feature the familiar layout of the print book in a widescreen digital design. Page numbers on each slide match the print version, with dots indicating how many slides are used for longer readings.

Mishkan HaSeder Visual T'filah™ includes the Haggadah's beautiful new translations by Rabbis Janet and Sheldon Marder in conversation with the book's extraordinary collection of poetry. The running commentary by Rabbis Oren Hayon, Seth Limmer, and Amy Scheinerman draws out the historic background of the seder rituals, builds on the social justice issues of our day, and offers contemporary connections to Passover. The text is complemented by full-color works from acclaimed artist Tobi Kahn.

Mishkan HaSeder Visual T'filah™ features poems by Yehuda Amichai, Ellen Bass, Lucille Clifton, Edward Hirsch, Ross Gay, Emma Lazarus, Denise Levertov, Ada Limon, Grace Paley, Dan Pagis, Adrienne Rich, and many more. It also includes the traditional songs "Adir Hu," "Echad Mi Yodei-a (Who Knows One?)," "Chad Gadya," and "Dayeinu." With both the depth to stimulate experienced seder leaders and accessible explanations for those joining the table for the first time, Mishkan HaSeder sets a new standard in Passover Haggadot.

This is the "Basic" version of the file, meaning you can remove prayer slides and insert new slides, but the elements of each slide (including text and images) are not editable. To be able to edit and customize the contents of each prayer slide, please purchase the
Pro version.

Once you've purchased your Visual T'filah™, there will be a download link on the order confirmation page. You will also be emailed a link to the file.

PowerPoint file download. Visual T'filah products are not returnable. Contact info@ccarpress.org for more info.

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Mishkan HaSeder - Visual T'filah - Pro
A Passover Haggadah
Hara E. Person
CCAR Presentations, 2022

Mishkan HaSeder Visual T'filah™ provides the complete text, poetry, commentary, and art from Mishkan HaSeder: A Passover Haggadah formatted for the screen. Suitable for both projection and screensharing, the slides feature the familiar layout of the print book in a widescreen digital design. Page numbers on each slide match the print version, with dots indicating how many slides are used for longer readings.

Mishkan HaSeder Visual T'filah™ includes the Haggadah's beautiful new translations by Rabbis Janet and Sheldon Marder in conversation with the book's extraordinary collection of poetry. The running commentary by Rabbis Oren Hayon, Seth Limmer, and Amy Scheinerman draws out the historic background of the seder rituals, builds on the social justice issues of our day, and offers contemporary connections to Passover. The text is complemented by full-color works from acclaimed artist Tobi Kahn.

Mishkan HaSeder Visual T'filah™ features poems by Yehuda Amichai, Ellen Bass, Lucille Clifton, Edward Hirsch, Ross Gay, Emma Lazarus, Denise Levertov, Ada Limon, Grace Paley, Dan Pagis, Adrienne Rich, and many more. It also includes the traditional songs "Adir Hu," "Echad Mi Yodei-a (Who Knows One?)," "Chad Gadya," and "Dayeinu." With both the depth to stimulate experienced seder leaders and accessible explanations for those joining the table for the first time, Mishkan HaSeder sets a new standard in Passover Haggadot.

This is the "Pro" version of the file, meaning that the elements of each slide are editable. A
Basic version is also available. 

Once you've purchased your Visual T'filah™, there will be a download link on the order confirmation page. You will also be emailed a link to the file.

PowerPoint file download. Visual T'filah products are not returnable. Contact info@ccarpress.org for more info.

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Mishkan Moeid
A Guide to the Jewish Seasons
Rabbi Peter S. Knobel, PhD
Central Conference of American Rabbis, 2013
Newly revised and updated edition of the CCAR classic Gates of the Seasons, this new volume presents a survey of the sacred days of the Jewish yearly cycle. Providing detailed guidance on observing Shabbat and the Jewish holidays, including historical background, essays, and extensive notes, Mishkan Moeid is perfect for Introduction to Judaism classes and conversion candidates, as well as personal study for those wishing to reconnect or deepen their relationship to Judaism.
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Mishkan R'fuah
Where Healing Resides
Rabbi Eric Weiss
Central Conference of American Rabbis, 2013

This beautiful compilation contains contemplative readings and prayers for many different moments of spiritual need, including illness, surgery, treatment, hearing good news, transitions, addiction, infertility, end-of-life, and more.

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front cover of Mishkan T'filah - Visual T'filah - Shabbat -  All Pro
Mishkan T'filah - Visual T'filah - Shabbat - All Pro
A Reform Siddur
Elyse D. Frishman
CCAR Presentations, 2022

The Mishkan T'filah Visual T'filah™ series provides the complete prayers, readings, and commentary from Mishkan T'filah: A Reform Siddur formatted for the screen. Suitable for both projection and screensharing, the slides feature the familiar layout of the print book in a contemporary digital design. Full translation and transliteration are included alongside the Hebrew text. Page numbers on each slide match the print versions, with dots indicating how many slides are used in longer prayers and readings. Photographs, art, and other imagery can be added to each slide to enhance participants' experiences.

Shabbat Visual T'filah™ All Pro is a bundle containing both the Shabbat Evening and Shabbat Morning files. The Shabbat Evening file contains the full Friday evening liturgy along with the Shabbat Torah service, including Mi Shebeirach, for those communities that read the Torah in the evening. The Shabbat Morning file contains the Shabbat morning liturgy including the Torah service. Both Visual T'filah files also include the following closing songs: Adon Olam, Ein Keiloheinu, and Shalom Aleichem.

This bundle contains the Pro versions of the files. "Pro" services allow users to edit each element of a prayer slide (including text, images, and more) for an advanced opportunity to customize the Visual T'filah™. Also available is a Basic version of the bundle. 

Once you've purchased your Visual T'filah™, there will be a download link on the order confirmation page. You will also be emailed a link to the file.

PowerPoint file download. Visual T'filah products are not returnable. Contact info@ccarpress.org for more info.

[more]

front cover of Mishkan T'filah - Visual T'filah - Shabbat Evening - Basic
Mishkan T'filah - Visual T'filah - Shabbat Evening - Basic
A Reform Siddur
Rabbi Elyse Frishman
CCAR Presentations, 2007
[more]

front cover of Mishkan T'filah - Visual T'filah - Shabbat Evening - Pro
Mishkan T'filah - Visual T'filah - Shabbat Evening - Pro
A Reform Siddur
Rabbi Elyse Frishman
CCAR Presentations, 2007
[more]

front cover of Mishkan T'filah - Visual T'filah - Shabbat Morning - Pro
Mishkan T'filah - Visual T'filah - Shabbat Morning - Pro
A Reform Siddur
Elyse D. Frishman
CCAR Presentations, 2007
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front cover of Mishkan T'filah
Mishkan T'filah
A Reform Siddur, non-transliterated (Shabbat, Weekdays, Festivals): A Reform Siddur
Rabbi Elyse D. Frishman
Central Conference of American Rabbis, 2007

Includes services for Shabbat, weekdays, and festivals, as well as other occasions of public worship and texts for more than a hundred songs. Mishkan T'filah reflects the full diversity of our Movement.

This volume does not contain transliteration.

This Siddur includes:

  • Broad selection of readings, including beloved passages from our Reform liturgical tradition and great poetic writings from throughout Jewish history
  • Faithful, elegant translations
  • Contemporary, gender-inclusive English
  • Theological and stylistic diversity
  • Extensive commentaries, source notes and usage guides
  • More than 100 contemporary and traditional song texts
  • Innovative design in two-page spreads (additional Shabbat services in linear style also included)
  • Two-color printing to enhance usability


  •  
[more]

front cover of Mishkan T'filah
Mishkan T'filah
A Reform Siddur, transliterated (Shabbat, Weekdays, Festivals): A Reform Siddur
Rabbi Elyse D. Frishman
Central Conference of American Rabbis, 2007

Includes services for Shabbat, weekdays, and festivals, as well as other occasions of public worship and texts for more than a hundred songs. Mishkan T'filah reflects the full diversity of our Movement.

This Siddur includes:

  • Broad selection of readings, including beloved passages from our Reform liturgical tradition and great poetic writings from throughout Jewish history
  • Faithful, elegant translations
  • Contemporary, gender-inclusive English
  • Theological and stylistic diversity
  • Full transliteration
  • Extensive commentaries, source notes and usage guides
  • More than 100 contemporary and traditional song texts
  • Innovative design in two-page spreads (additional Shabbat services in linear style also included)
  • Two-color printing to enhance usability
[more]











front cover of Mishkan T'filah for Gatherings
Mishkan T'filah for Gatherings
A Reform Siddur
Rabbi Sue Ann Wasserman
Central Conference of American Rabbis, 2009

A lightweight edition combining weekday and Shabbat services. Perfect for meetings, conferences, kallot, and retreats.

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front cover of Mishkan T'filah for Shabbat Evening
Mishkan T'filah for Shabbat Evening
Rabbi Elsye D. Frishman, Rabbi Hara E Person, Rafael Chaiken, Rabbi Annie Villarreal-Belford
Central Conference of American Rabbis, 2026

Mishkan T’filah: Siddur for Shabbat Evening is a comprehensively revised twentieth-anniversary edition of the prayer book for Friday night. Since its publication in 2007, under the leadership of Rabbi Elyse Frishman, Mishkan T’filah: A Reform Siddur has reinvigorated worship and become a beloved part of the Jewish landscape. 

This new edition includes the complete Kabbalat Shabbat and Arvit services, along with the Torah service for communities that read Torah on Friday nights as well as an appendix of favorite songs. This lightweight yet durable hardcover features updated translations, full transliteration, additional liturgical texts, and a refreshed and streamlined layout. A wealth of new readings have been added to the left-hand pages, alongside indispensable classics. Gender-neutral and nonbinary options ensure that all worshipers can feel welcome. Songs that have become integral to Reform services in the past twenty years are conveniently placed next to prayers. Mishkan T’filah: Siddur for Shabbat Evening will rejuvenate your Shabbat experience.

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front cover of Mishkan T'filah for the House of Mourning
Mishkan T'filah for the House of Mourning
A Reform Siddur
Rabbi Elaine S. Zecher and Rabbi Hara E. Person
Central Conference of American Rabbis, 2010
An innovative approach to services in the house of mourning. Includes thoughtful readings and commentary from traditional and contemporary sources. Easy-to-transport paperback format.
 
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front cover of Mishkan T'filah for the House of Mourning, Large Print
Mishkan T'filah for the House of Mourning, Large Print
A Reform Siddur
Rabbi Elaine S. Zecher and Rabbi Hara E. Person
Central Conference of American Rabbis

An innovative approach to services in the house of mourning. Includes thoughtful readings and commentary from traditional and contemporary sources. Easy-to-transport paperback format. Available in large print for those with vision impairments.
 

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front cover of Mishkan T'filah for Travelers
Mishkan T'filah for Travelers
A Reform Siddur
Rabbi Sue Ann Wasserman
Central Conference of American Rabbis, 2009
This compact, paperback version of Mishkan T'filah integrates weekday and Shabbat services into an easily transportable volume while still remaining faithful to the style and spirit of Mishkan T'filah.

Also includes Festival liturgy.
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