A SCHOLARLY BOOK REPOSITORY17 start with M start with M
Mark Dugan brings reality to the forefront in The Making of Legends. Some of the characters in his accounts are practically unknown but deserve more recognition than the bandits whose names are mythic. Exhaustive archival research enables him to recreate such colorful lives as North Carolina’s Malina Blaylock, who, disguised as a man, joined her outlaw husband in the Confederate army; slippery escape artist David Lewis, the Robin Hood of the Cumberland, who finally stopped two bullets in a chaotic Pennsylvania shoot-out; Wyatt Earp, in his mysterious post-OK Corral year, amidst the Coeur d’Alene gold rush; and grim “Laughing Sam” Hartman, of South Dakota.
Dugan sets the stage by explaining how newspapers and dime novels fanned the flames of public fascination with outlaws. He unmasks the real Billy the Kid, traces the paths of Butch Cassidy and the Sundance Kid to their historic shoot-out in South America, and masterfully summarizes the Civil War grudges, bloodshed, and wanton destruction along the Kansas-Missouri border that spawned Jesse and Frank James and the Younger brothers gang.
In researching the lawless era of the American frontier, Dugan discovered much information that has never been published — material that will expand readers' views of frontier history and people, both good and bad. The Making of Legends proves that the actual stories of notorious legends can be more exciting, moving, and intriguing than anything dreamed up in a dime novel or a Hollywood fantasy.
With The Making of Legends Mark Dugan’s pursuit of outlaws takes him to Pennsylvania, North Carolina, Texas, California, South Dakota, Idaho, Oregon, Nebraska, Indiana, Wyoming, and Montana.
Texas has been home to so many colorful characters, out-of-staters might wonder if any normal people live here. And it's true that the "Texian" desire to act out sometimes overcomes even the most sober citizens—which makes it a real challenge for the genuine eccentrics to distinguish themselves from the rest of us. Fortunately, though, many maverick Texans have risen to the test, and in this book, Gene Fowler introduces us to a gallery of Texas eccentrics from the worlds of oil, ranching, real estate, politics, rodeo, metaphysics, showbiz, art, and folklore.
Mavericks rounds up dozens of Fowler's favorite Texas characters, folks like the Trinity River prophet Commodore Basil Muse Hatfield; the colorful poet-politician Cyclone Davis Jr.; Big Bend tourist attraction Bobcat Carter; and the dynamic chief executive of the East Texas Oil Field Governor Willie. Fowler persuasively argues that many of these characters should be viewed as folk performance artists who created "happenings" long before the modern art world took up that practice in the 1960s. Other featured mavericks run the demographic gamut from inspirational connoisseurs of the region's native quirkiness to creative con artists and carnival oddities. But, artist or poser, all of the eccentrics in Mavericks completely embody the style and spirit that makes Texas so interesting, entertaining, and culturally unique.
In 2005 Kate Jackson ventured into the remote swamp forests of the northern Congo to collect reptiles and amphibians. Her camping equipment was rudimentary, her knowledge of Congolese customs even more so. She knew how to string a net and set a pitfall trap, but she never imagined the physical and cultural difficulties that awaited her.
Culled from the mud-spattered pages of her journals, Mean and Lowly Things reads like a fast-paced adventure story. It is Jackson’s unvarnished account of her research on the front lines of the global biodiversity crisis—coping with interminable delays in obtaining permits, learning to outrun advancing army ants, subsisting on a diet of Spam and manioc, and ultimately falling in love with the strangely beautiful flooded forest.
The reptile fauna of the Republic of Congo was all but undescribed, and Jackson’s mission was to carry out the most basic study of the amphibians and reptiles of the swamp forest: to create a simple list of the species that exist there—a crucial first step toward efforts to protect them. When the snakes evaded her carefully set traps, Jackson enlisted people from the villages to bring her specimens. She trained her guide to tag frogs and skinks and to fix them in formalin. As her expensive camera rusted and her Western soap melted, Jackson learned what it took to swim with the snakes—and that there’s a right way and a wrong way to get a baby cobra out of a bottle.
Exemplary wisdom from ancient Rome.
Valerius Maximus compiled his handbook of notable deeds and sayings during the reign of Tiberius (AD 14–37). The collection was admired in antiquity and has recently been attracting renewed scholarly attention. Yet to date there has been no modern English translation of Memorable Doings and Sayings. This work is now added to the Loeb Classical Library, in two volumes, a freshly edited Latin text facing D. R. Shackleton Bailey’s pleasing and authoritative translation.
Valerius arranges his instructive examples in short chapters, each focused on a particular virtue, vice, religious practice, or traditional custom—including Omens, Dreams, Anger, Cruelty, Bravery, Fidelity, Gratitude, Friendship, Parental Love. The moral undercurrent of this collection is readily apparent. But Valerius tells us that the book’s purpose is simply practical: he decided to select worthwhile material from famous writers so that people looking for illustrative examples might be spared the trouble of research. Whatever the author’s intention, his book is an interesting source of information on Roman attitudes toward religion and moral values in the first century.
Exemplary wisdom from ancient Rome.
Valerius Maximus compiled his handbook of notable deeds and sayings during the reign of Tiberius (AD 14–37). The collection was admired in antiquity and has recently been attracting renewed scholarly attention. Yet to date there has been no modern English translation of Memorable Doings and Sayings. This work is now added to the Loeb Classical Library, in two volumes, a freshly edited Latin text facing D. R. Shackleton Bailey’s pleasing and authoritative translation.
Valerius arranges his instructive examples in short chapters, each focused on a particular virtue, vice, religious practice, or traditional custom—including Omens, Dreams, Anger, Cruelty, Bravery, Fidelity, Gratitude, Friendship, Parental Love. The moral undercurrent of this collection is readily apparent. But Valerius tells us that the book’s purpose is simply practical: he decided to select worthwhile material from famous writers so that people looking for illustrative examples might be spared the trouble of research. Whatever the author’s intention, his book is an interesting source of information on Roman attitudes toward religion and moral values in the first century.
Seeking a closer connection with nature than the manicured lawns of suburbia, naturalist Fred Gehlbach and his family built a house on the edge of a wooded ravine in Central Texas in the mid-1960s. On daily walks over the hills, creek hollows, and fields of the ravine, Gehlbach has observed the cycles of weather and seasons, the annual migrations of birds, and the life cycles of animals and plants that also live in the ravine.
In this book, Gehlbach draws on thirty-five years of journal entries to present a composite, day-by-day almanac of the life cycles of this semiwild natural island in the midst of urban Texas. Recording such events as the hatching of Eastern screech owl chicks, the emergence of June bugs, and the first freeze of November, he reminds us of nature's daily, monthly, and annual cycles, from which humans are becoming ever more detached in our unnatural urban environments. The long span of the almanac also allows Gehlbach to track how local and even global developments have affected the ravine, from scars left by sewer construction to an increase in frost-free days probably linked to global warming.
This long-term record of natural cycles provides one of only two such baseline data sets for North America. At the same time, the book is an eloquent account of one keen observer's daily interactions with his wild and human neighbors and of the lessons in connectedness and the "play of life" that they teach.
The text includes sketches, vignettes, and anecdotes from Isaac’s notebooks, revealing his perspective first as a precocious boy and then as a young man. Isaac reflects on Buñuel’s presence among a community of exiles, artists, actors, writers, and intellectuals in Mexico City. These are at once touching, perceptive, and critical glimpses into Buñuel’s roles as husband and father, friend and colleague, surrealist, philosopher, and iconoclast during his last years. Throughout, Isaac’s words reveal his deep admiration and affection for an older friend full of contradictions. Intimate photographs from the Isaac family archive complement the writing, and Bryan Thomas Scoular’s careful translation makes this text available for the first time in English.
Part biography, part memoir, Midday with Buñuel brings to life the creative milieu of Mexico City and gives readers a privileged view of the relationship between these two filmmakers.
With decades of combined teaching experience, McDermott and Benner Dixon share practical craft-of-writing advice with the reader, including over fifty engaging writing prompts to spark the creative process. These prompts guide readers toward the freedom and joy that comes with finding one’s authentic voice. Embracing both the painful and the playful, Millions of Suns is an ideal text for classrooms, professional development, or daily writing practice. Through humor, lyricism, and poignancy, the fundamental message of the book remains the same for newcomers and career authors, whether they write poetry, fiction, non-fiction, or memoir. Let Millions of Suns open a door for you into your creative work, inviting imagination, memory, and inspiration into your writing life.
Utah's ethnic diversity is often overlooked. In a society sometimes presumed to be homogeneous, there is a danger that the varied experiences of its members will be lost to history. Missing Stories, available here for the first time in paperback, effectively counters such misconceptions and explores the rich history of ethnic and minority groups in the state. Several representatives from each of eight such groups tell in their own voices stories of themselves, their families, and their communities. The groups represented are Utes, African-Americans, Jews, Chinese, Italians, Japanese, Greeks, and Hispanics. In a preface to each section of oral history interviews, a respected historian of the community introduces background and heritage, setting the context for the personal recollections that follow. Also included are striking photographs by Kent Miles and George Janecek that capture much of the personality and character of the interviewees.
These oral histories recount migrations to new homes in Utah or adjustment to white settlement of traditional homelands in the state. They bring to light the struggles of individuals and families to survive and the formation and maintenance of communities in frequently adverse conditions, whether on reservations or farms, in small towns or large cities. The histories are enriched by accounts of challenges met and overcome and enlivened by stories of events and persons who sometimes achieved legendary status within and outside the groups. Missing Stories reveals the many ways that ethnic and minority groups have contributed to Utah's history and fills in missing pieces necessary to a complete portrayal of the state's society and culture.
Missouri has been likened to a “cave factory” because its limestone bedrock can be slowly dissolved by groundwater to form caverns, and the state boasts more than six thousand caves in an unbelievable variety of sizes, lengths, and shapes. Dwight Weaver has been fascinated by Missouri’s caves since boyhood and now distills a lifetime of exploration and research in a book that will equally fascinate readers of all ages.
Missouri Caves in History and Legend records a cultural heritage stretching from the end of the ice age to the twenty-first century. In a grand tour of the state’s darkest places, Weaver takes readers deep underground to shed light on the historical significance of caves, correct misinformation about them, and describe the ways in which people have used and abused these resources.
Weaver tells how these underground places have enriched our knowledge of extinct animals and early Native Americans. He explores the early uses of caves: for the mining of saltpeter, onyx, and guano; as sources of water; for cold storage; and as livestock shelters. And he tells how caves were used for burial sites and moonshine stills, as hideouts for Civil War soldiers and outlaws—revealing how Jesse James became associated with Missouri caves—and even as venues for underground dance parties in the late nineteenth century.
Bringing caves into the modern era, Weaver relates the history of Missouri’s “show caves” over a hundred years—from the opening of Mark Twain Cave in 1886 to that of Onyx Mountain Caverns in 1990—and tells of the men and women who played a major role in expanding the state’s tourism industry. He also tracks the hunt for the buried treasure and uranium ore that have captivated cave explorers, documents the emergence of organized caving, and explains how caves now play a role in wildlife management by providing a sanctuary for endangered bats and other creatures.
Included in the book is an overview of cave resources in twelve regions, covering all the counties that currently have recorded caves, as well as a superb selection of photos from the author’s extensive collection, depicting the history and natural features of these underground wonders. Missouri Caves in History and Legend is a riveting account that marks an important contribution to the state’s heritage and brings this world of darkness into the light of day.
A dispatch from a foreign land, when crafted by an attentive and skilled writer, can be magical, transmitting pleasure, drama, and seductive strangeness.
In The Moon, Come to Earth, Philip Graham offers an expanded edition of a popular series of dispatches originally published on McSweeney’s, an exuberant yet introspective account of a year’s sojourn in Lisbon with his wife and daughter. Casting his attentive gaze on scenes as broad as a citywide arts festival and as small as a single paving stone in a cobbled walk, Graham renders Lisbon from a perspective that varies between wide-eyed and knowing; though he’s unquestionably not a tourist, at the same time he knows he will never be a local. So his lyrical accounts reveal his struggles with (and love of) the Portuguese language, an awkward meeting with Nobel laureate José Saramago, being trapped in a budding soccer riot, and his daughter’s challenging transition to adolescence while attending a Portuguese school—but he also waxes loving about Portugal’s saudade-drenched music, its inventive cuisine, and its vibrant literary culture. And through his humorous, self-deprecating, and wistful explorations, we come to know Graham himself, and his wife and daughter, so that when an unexpected crisis hits his family, we can’t help but ache alongside them.
A thoughtful, finely wrought celebration of the moment-to-moment excitement of diving deep into another culture and confronting one’s secret selves, The Moon, Come to Earth is literary travel writing of a rare intimacy and immediacy.
In a series of moving vignettes, the author begins by describing a particular representation of Water-Moon Kuan Yin, a Buddhist teacher and goddess associated with compassion, who often sits on a precarious overhang or floats on a flimsy petal. Then Kuan Yin steps out of the frame to join the author in the mundane challenges of caring for her father-transferring his health insurance, struggling with a wheelchair van, managing adult diapers, or playing in the fictions of dementia. From perplexed to poignant to funny, the vignettes record the working-class English of a fading but still wise dad, and they find other human versions of Kuan Yin in a doctor who will still make house calls or kind strangers in the street.
The book includes ten illustrations: both classical representations of Kuan Yin and also the author's own drawings, which adapt Kuan Yin in an act of practical spirituality, reading art through life and life through art. Each vignette invites the harried caregiver to take a deep breath and meditate on the trials and joys of caring for an aging parent.
An oral history with the women of Parliament-Funkadelic, from forming the band to landing the mothership.
Parliament-Funkadelic is perhaps the greatest funk band ever assembled. Yet at the time of the group’s induction into the Rock & Roll Hall of Fame, none of the women who helped create the sound and performed in P-Funk were invited to the ceremony and their contributions have been largely overlooked.
Mothership Connected tells the story of Mallia Franklin, Lynn Mabry, Dawn Silva, Debbie Wright, and Shirley Hayden, all of whom were instrumental in making Parliament-Funkadelic, as well as the spin-off groups Parlet and the Brides of Funkenstein, into the legends they are today. Assembled by Seth Neblett, son of the “Queen of Funk” Mallia Franklin, and filled with the voices of funk icons like George Clinton, Sly Stone, Bootsy Collins, and the women themselves, this oral history makes clear why these “architects” at the “core” of P-Funk were both essential—and erased. From Franklin introducing Bootsy Collins to Clinton, to the Brides’ top-10 hit “Disco to Go,” to the drugs that helped destroy the group, this book reveals the hidden lives and uncomfortable truths of life in P-Funk. More than sex, drugs, and rock and roll, Mothership Connected is about Black women navigating a tumultuous era and industry to become musical pioneers. Now, after decades in the shadows, these genre-defining women are finally telling their story.
She reports the catastrophes: losing daytime access during building-wide renovations; assaults from a mockingbird during his mating season. And the joys: a peach tree fruited for fifteen years; the windswept birches lasted for twenty-five. Butterflies and bees pay annual visits. She pampers a buddleia, a honeysuckle, roses, hydrangeas, and more. Her adventures celebrate the tenacity of nature, inviting readers to marvel at her garden’s resilience, and her own.
Enhanced by over thirty color photographs, this passionate account of green life in a gritty, urban environment will appeal to readers and gardeners wherever they dwell.
These witty and poignant short essays explore reasons for diva-worship as diverse as the writers themselves. My Diva offers both depth and glamour as it pays tribute with joy, intelligence, and fierce, fierce love.
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