Weinert proposes an account of making human centered on five mechanisms: reflection, recognition, resistance, replication of dominant mores, and responsibility. Examining cases such as the UN Security Council’s engagements with crises and the International Court of Justice’s grappling with Kosovo’s unilateral declaration of independence, he illustrates the distinct and contingent ways these mechanisms have been deployed. Theoretically, the cases evince a complex, evolving relationship between state-centric and human-centric views of society, ultimately revealing the normative potentialities of both.

Though the case studies concern specific human relations issues on an international level, Weinert argues in favor of starting from the shared problem of being human and of living in a world in which the humanity of countless groups has been demeaned or denied. Working outward from that point, he proposes, we obtain a more pragmatically grounded understanding of the social construction of the human being.

As the fight for same-sex marriage rages across the United States and lesbian and gay couples rush to marriage license counters, the goal of marriage is still fiercely questioned within the LGBT movement. Rarely has an objective so central to a social movement’s political agenda been so controversial within the movement itself. While antigay forces work to restrict marriage to one man and one woman, lesbian and gay activists are passionately arguing about the desirability, viability, and social consequences of same-sex marriage.

The Marrying Kind? is the first book to draw on empirical research to examine these debates and how they are affecting marriage equality campaigns. The essays in this volume analyze the rhetoric, strategies, and makeup of the LGBT social movement organizations pushing for same-sex marriage, and address the dire predictions of some LGBT commentators that same-sex marriage will spell the end of queer identity and community. Case studies from California, Connecticut, Massachusetts, New Jersey, Oklahoma, Vermont, and Canada illuminate the complicated politics of same-sex marriage, making clear that the current disagreements among LGBT activists over whether marriage is conforming or transformative are far too simplistic. Instead, the impact of the marriage equality movement is complex and often contradictory, neither fully assimilationist nor fully oppositional.

Contributors: Ellen Ann Andersen, U of Vermont; Mary C. Burke, U of Vermont; Adam Isaiah Green, U of Toronto; Melanie Heath, McMaster U, Ontario; Kathleen E. Hull, U of Minnesota; Katrina Kimport, U of California, San Francisco; Jeffrey Kosbie; Katie Oliviero, U of Colorado, Boulder; Kristine A. Olsen; Timothy A. Ortyl; Arlene Stein, Rutgers U; Amy L. Stone, Trinity U; Nella Van Dyke, U of California, Merced.

A dramatisation of Martin Monath's short life (1913-1944) would need little artistic embellishment; his identity shrouded in mystery, and executed by the Gestapo - twice - the historical record reads like a detective novel. Pieced together for the first time by Wladek Flakin, this biography tells the story of the Jewish socialist and editor of Arbeiter und Soldat ('Worker and Soldier'), and his efforts to turn German rank-and-file soldiers against their Nazi officers in occupied France. Born in Berlin in 1913, Martin Monath was a child of war and revolution. In the 1930s he became a leader of the socialist Zionist youth organisation Hashomer Hatzair in Germany. Fleeing from Berlin to Brussels in 1939, he joined the underground Trotskyist party led by Abraham Leon, and soon became a leading member of the Fourth International in Europe. His relocation to Paris in 1943 saw the birth of Arbeiter und Soldat and his work organising illegal cells of German soldiers for a revolutionary struggle against the Nazis. Drawing on extensive archival research, Flakin uses letters, testimonies and unpublished documents to bring Monath's story to life - weaving a tale rich with conviction and betrayal, ideology and espionage.

After twenty-one years of military dictatorship, Brazil returned to democratic rule in 1985. Yet over the following two decades, the country largely ignored human rights crimes committed by state security agents, crimes that included the torture, murder, and disappearance of those who opposed the authoritarian regime.
            In clear and engaging prose, Rebecca J. Atencio tells the story of the slow turn to memory in Brazil, a turn that has taken place in both politics and in cultural production. She shows how testimonial literature, telenovelas, literary novels, theatrical plays, and memorials have interacted with policies adopted by the Brazilian state, often in unexpected ways. Under the right circumstances, official and cultural forms of reckoning combine in Brazil to produce what Atencio calls cycles of cultural memory. Novel meanings of the past are forged, and new cultural works are inspired, thus creating the possibility for further turns in the cycle.
            The first book to analyze Brazil’s reckoning with dictatorship through both institutional and cultural means, Memory’s Turn is a rich, informative exploration of the interplay between these different modes of memory reconstruction.

Winner, Alfred B. Thomas Award, Southeastern Council of Latin American Studies

Honorable Mention, Roberto Reis Book Prize, Brazilian Studies Association

During the late Soviet period, the art collective known as the Mitki emerged in Leningrad. Producing satirical poetry and prose, pop music, cinema, and conceptual performance art, this group fashioned a playful, emphatically countercultural identity with affinities to European avant-garde and American hippie movements.

More broadly, Alexandar Mihailovic shows, the Mitki pioneered a form of political protest art that has since become a centerpiece of activism in post-Soviet Russia, most visibly today in groups such as Pussy Riot. He draws on extensive interviews with members of the collective and illuminates their critique of the authoritarian state, militarism, and social strictures from the Brezhnev years to the present.

During the late 1960s and early 1970s, Brazil’s dictatorship arrested, tortured, and interrogated many people it suspected of subversion; hundreds of those arrested were killed in prison. In May 1970, Marcos P. S. Arruda, a young political activist, was seized in São Paulo, imprisoned, and tortured. A Mother’s Cry is the harrowing story of Marcos’s incarceration and his family’s efforts to locate him and obtain his release. Marcos’s mother, Lina Penna Sattamini, was living in the United States and working for the U.S. State Department when her son was captured. After learning of his arrest, she and her family mobilized every resource and contact to discover where he was being held, and then they launched an equally intense effort to have him released. Marcos was freed from prison in 1971. Fearing that he would be arrested and tortured again, he left the country, beginning eight years of exile.

Lina Penna Sattamini describes her son’s tribulations through letters exchanged among family members, including Marcos, during the year that he was imprisoned. Her narrative is enhanced by Marcos’s account of his arrest, imprisonment, and torture. James N. Green’s introduction provides an overview of the political situation in Brazil, and Latin America more broadly, during that tumultuous era. In the 1990s, some Brazilians began to suggest that it would be best to forget the trauma of that era and move on. Lina Penna Sattamini wrote her memoir as a protest against historical amnesia. First published in Brazil in 2000, A Mother’s Cry is testimonial literature at its best. It conveys the experiences of a family united by love and determination during years of political repression.

Donna Solecka Urbikas grew up in the Midwest during the golden years of the American century. But her Polish-born mother and half sister had endured dehumanizing conditions during World War II, as slave laborers in Siberia. War and exile created a profound bond between mother and older daughter, one that Donna would struggle to find with either of them.
            In 1940, Janina Ślarzynska and her five-year-old daughter Mira were taken by Soviet secret police (NKVD) from their small family farm in eastern Poland and sent to Siberia with hundreds of thousands of others. So began their odyssey of hunger, disease, cunning survival, desperate escape across a continent, and new love amidst terrible circumstances.
            But in the 1950s, baby boomer Donna yearns for a “normal” American family while Janina and Mira are haunted by the past. In this unforgettable memoir, Donna recounts her family history and her own survivor’s story, finally understanding the damaged mother who had saved her sister.

Finalist, Best Traditional Non-Fiction Book, Chicago Writers Association