The Renaissance was a period of great intellectual change and innovation as philosophers rediscovered the philosophy of classical antiquity and passed it on to the modern age. Renaissance philosophy is distinct both from the medieval scholasticism, based on revelation and authority, and from philosophers of the seventeenth and eighteenth centuries who transformed it into new philosophical systems. Despite the importance of the Renaissance to the development of philosophy over time, it has remained largely understudied by historians of philosophy and professional philosophers. This anthology aims to correct this by providing scholars and students of philosophy with representative translations of the most important philosophers of the Renaissance. Its purpose is to help readers appreciate philosophy in the Renaissance and its importance in the history of philosophy. The anthology includes translations from philosophers from the thirteenth to the seventeenth centuries, and it ranges from works on moral and political philosophy, to metaphysics, epistemology, and natural philosophy, thereby providing historians and students of philosophy with a sense for the nature, breadth, and complexity of philosophy in the Renaissance. Each translation is accompanied by an introduction by a historian of Renaissance philosophy, as well as select secondary sources, in order to encourage further study. This anthology is a companion to Philosophers of the Renaissance, edited by Paul Richard Blum and published by Catholic University of America Press in 2010, which included essays on the writings of the same group of philosophers of the Renaissance: Raymond Llull, Gemistos Plethon, George of Trebizond, Basil Bessarion, Lorenzo Valla, Nicholas of Cusa, Leon Battista Alberti, Giovanni Pico della Mirandola, Marsilio Ficino, Pietro Pomponazzi, Niccolò Machiavelli, Heinrich Cornelius Agrippa von Nettesheim, Juan Luis Vives, Philipp Melanchthon, Petrus Ramus, Bernardino Telesio, Jacopo Zabarella, Michel de Montaigne, Francesco Patrizi, Giordano Bruno, Francisco Suàrez, Tommaso Campanella.

Poetic Justice is the first anthology of contemporary Moroccan poetry in English. The work is primarily composed of poets who began writing after Moroccan independence in 1956 and includes work written in Moroccan Arabic (darija), classical Arabic, French, and Tamazight.

Why Poetic Justice? Moroccan poetry (and especially zajal, oral poetry now written in Moroccan Arabic) is often published in newspapers and journals and is thus a vibrant form of social commentary; what’s more, there is a law, a justice, in the aesthetic act that speaks back to the law of the land. Poetic Justice because literature has the power to shape the cultural and moral imagination in profound and just ways.

Reading this oeuvre from independence until the new millennium and beyond, it is clear that what poet Driss Mesnaoui calls the “letters of time” have long been in the hands of Moroccan poets, as they write their ethics, their aesthetics, as well as their gendered and political lives into poetic being.

This volume offers the most wide-ranging and comprehensive collection of Puerto Rican poetry available in English. It includes the work of sixty-four poets, as well as many previously inaccessible selections from Puerto Rico's tradition of popular verse forms—coplas, décimas, bombas—produced by anonymous writers. All are presented in English, contextualized and individually introduced by Roberto Márquez, a distinguished translator and literary scholar.

Book I, “Before Columbus and After, 1400–1820,” focuses on the foundational origins of Puerto Rican poetry and the clash of competing visions embodied in the rich and heterogeneous corpus of anonymous popular verse forms. Book II, “The Creole Matrix: Notions of Nation, 1821–1950s,” concentrates on the period in which a distinctively Puerto Rican consciousness emerged and the island's subsequent experience as a U. S. colony in the decades after the Spanish-Cuban-American War up to formal establishment of Commonwealth status. Books III and IV are devoted, respectively, to the era of insular “Critique, Revolt, and Renewal” in the mid-twentieth century, and to the “New Creoles, New Definitions” that developed in the late twentieth century, including the distinct and parallel growth of Puerto Rican poetry in the mainland United States.

In addition to a general introduction and concise biographical profiles of each poet, Márquez provides a detailed “Chronology” of the history of the island that has shaped the poets and informed their work. The resulting volume is a major contribution to our understanding and appreciation of Puerto Rican literature and the heterogeneous society in which it has been produced.