Association of American University Presses Book Jacket Award, 1977 "As a key to Philadelphia's historic environment, this will become a standard work." --Museum News Today, William Penn's town is the living history of 300 years of architecture told in outstanding examples of Colonial, Federal, Italianate, and other early styles, and in the twentieth-century innovations of LeCorbusier, Kahn, and Wright. This new paperback edition updates the Historic American Buildings Survey collection, with new information on buildings lost through fire or demolition, or altered to restore the original architecture. Organized by the traditional sections of the city, the entries include extensive physical descriptions of the structures, analyses of architecturally notable features, dates of construction, alteration, or demolition, and a new street index. The book contains more than 100 drawings, photos, and maps from the HABS collection. "[F]rom Colonial, Federal and Italiante styles to the 20th-century innovation of LeCorbusier, Kahn, and Wright." --Philadelphia Inquirer "A cause for celebration. The editor's introductions set each part of the city into understandable units. The book is a clearly told story of success and failure in historic preservation." --J.E. Mooney, Director, Historical Society of Pennsylvania "A lovely portrait of Philadelphia's rich history of buildings." --The Pennsylvania Magazine of History and Biography

Physiocratic economic views have hitherto gained much more attention than the political theories of this advanced set of economic thinkers in eighteenth century France. Mario Einaudi here discusses one element in their political thought, the doctrine of judicial review, an indispensable safeguard of the rights of individuals in a state. The fundamental importance of this doctrine at the center of our own constitutional system and the controversies concerning it, emphasize the need of a study which treats of these significant principles wherever they are found.

A gorgeously illustrated look at snuff boxes and bottles carved from the Brazilian coquilla nut reveals a larger history of commerce, cultural exchange, and power in the Atlantic world.
 
Portraits in a Nutshell showcases intricately carved snuff boxes and bottles sculpted from the Brazilian coquilla nut between the seventeenth and mid-nineteenth centuries. Both utilitarian and decorative, these bottles and boxes were produced and used by diverse people of wide-ranging geographic origin, racial background, and social standing. As a result, coquilla nut snuff boxes present a rich material archive of the Atlantic world and the central role of Indigenous and Black histories within it.
 
Despite being just three or four inches long, these coquilla nut snuff boxes encapsulate an early modern history of transoceanic movement and creativity. The carvings depict animals and fantastical creatures, scenes of religious and courtly life, portraits of political and military leaders, abolitionists and activists, and people at the margins of colonial society. These images are available to the public and to scholars for the first time in this book and will be of interest to antique collectors, art historians, social historians, and anyone interested in the unusual and the curious.
 
Over 250 detailed photographs of snuff bottles and boxes from the unique and wide-ranging collection of David Badger not only illustrate the exceptional skill of their creators but also tell the story of millions of Africans transported to Brazil during centuries of the transatlantic slave trade. The text demonstrates the interconnectedness of the Atlantic world, the movements of peoples and ideas, and the commercial exchange of goods and cultural and material objects in Africa, Brazil, the Caribbean, and North America. In this beautiful book, these objects reveal a story never before told.
 
With a preface by Matthew Francis Rarey, associate professor of African and Black Atlantic art history at Oberlin College, and an introduction by Gwendolyn DuBois Shaw, professor of art history at the University of Pennsylvania and director of the Arthur Ross Gallery.

The final installment in the definitive series of catalogues of the Robert Woods Bliss Collection, Pre-Columbian Art from Central America and Colombia at Dumbarton Oaks examines a comprehensive and expertly curated collection of jade and gold objects from Costa Rica, Panama, and Colombia. This lavish catalogue provides over two hundred detailed and illustrated descriptions of objects that span approximately two millennia. Illustrated in detail with hundreds of high-quality photographs in full color and with stunning clarity, these breathtaking works of art reveal the ingenuity, skill, and vision of Indigenous artists and artisans.

With a dozen accompanying chapters by thirty contributors from the United States, Europe, and Latin America, this landmark publication describes the objects in the context of a history of the collection, production techniques, technical analyses, iconographic interpretations, and evaluations of material from specific archaeological sites. Pre-Columbian Art from Central America and Colombia at Dumbarton Oaks is a major watershed in the archaeology of the Isthmo-Colombian Area, representing an essential contribution to scholarship on fascinating cultures from an area located between Mesoamerica and the Andes, with ties to the Antilles and Amazonia, in the center of the Americas.