A SCHOLARLY BOOK REPOSITORY13 start with U start with U
Uncanny Creatures then explores how this unusual interest in human-like figures continues a long tradition of thought devoted to conceptualizing “things,” from Immanuel Kant’s theory of the thing-in-itself to Martin Heidegger’s lecture on the thing, and Eduard Mörike or Rainer Maria Rilke’s thing-poems. Because dolls occupy a liminal space—not quite things and more than mere objects—they appear as uncanny creatures which have held a fascination for writers, thinkers, and artists alike. Uncanny Creatures moves past the Freudian discourse of fetishism to propose a new reading of doll artifacts in German culture centered on their ability to evoke a feeling of uncertainty and unsettlement in the viewer.
Heide Schlüpmann's classic study of early German cinema was published in German as Unheimlichkeit des Blicks: Das Drama des Frühen deutschen Kinos in 1990. For the first time in English, this translation makes available her feminist examination of German cinema and Germany in the sociopolitical context of Wilhelmine society. By examining then-unknown pre-World War I narrative films, this study paints a picture of the conflicted early years of the German cinema. During this period cinema and film production were able to develop independently from the cultural bourgeoisie and relied on those forces excluded from high "culture": technology, business, performers, showmen, and actors. In cinema, the dime novel and kitsch were exhibited for all, and the internationalism of modernity prevailed over the prevailing nationalism of the period.
Featuring a foreword by film scholar Miriam Hansen and a new afterword by Schlüpmann, this volume performs a critical perusal of film commentary and offers an in-depth look at little-known films in early German cinema.
“What a strange invention marriage is!” wrote Kierkegaard. “Is it the expression of that inexplicable erotic sentiment, that concordant elective affinity of souls, or is it a duty or a partnership . . . or is it a little of all that?”
Like Kierkegaard a few decades later, many of Germany’s most influential thinkers at the turn of the eighteenth century wondered about the nature of marriage but rejected the easy answers provided by biology and theology. In Uncivil Unions, Adrian Daub presents a truly interdisciplinary look at the story of a generation of philosophers, poets, and intellectuals who turned away from theology, reason, common sense, and empirical observation to provide a purely metaphysical justification of marriage.
Through close readings of philosophers like Fichte and Schlegel, and novelists like Sophie Mereau and Jean Paul, Daub charts the development of this new concept of marriage with an insightful blend of philosophy, cultural studies, and theory. The author delves deeply into the lives and work of the romantic and idealist poets and thinkers whose beliefs about marriage continue to shape ideas about gender, marriage, and sex to the present day.
Wildt’s study traces the intellectual evolution of key members of the Reich Security Main Office (RSHA) from their days as students until the end of World War II. Established in 1939, this office fused together the Gestapo, the Criminal Police, and the Sicherheitsdienst (Security Service) of the SS. Far from being small cogs in a big bureaucratic machine, Wildt finds that the people who made up the RSHA constructed the concepts and operated the apparatus that carried out the Holocaust.
At the center of both theory and practice of persecution and genocide in Nazi-occupied Europe, these young men of the RSHA—none of whom envisioned the systematic annihilation of the European Jews—became radicalized. How this occurred is the central question of Wildt’s book. Wildt also discusses the postwar careers of the members of the RSHA. Strikingly, he shows how the leaders of the RSHA evaded the consequences of their actions under the Nazi regime and went on to have important careers in the rebuilt West Germany.
An alternate selection of the History Book Club and Military Book Club
Bringing together the latest findings in Holocaust studies, the history of religion, and the history of sexuality in postwar—and now also postcommunist—Europe, Unlearning Eugenics shows how central the controversies over sexuality, reproduction, and disability have been to broader processes of secularization and religious renewal. Herzog also restores to the historical record a revelatory array of activists: from Catholic and Protestant theologians who defended abortion rights in the 1960s–70s to historians in the 1980s–90s who uncovered the long-suppressed connections between the mass murder of the disabled and the Holocaust of European Jewry; from feminists involved in the militant "cripple movement" of the 1980s to lawyers working for right-wing NGOs in the 2000s; and from a handful of pioneers in the 1940s–60s committed to living in intentional community with individuals with cognitive disability to present-day disability self-advocates.
Available only in the USA and Canada.
The baby abandoned on the doorstep is a phenomenon that has virtually disappeared from our experience, but in the early modern world, unwanted children were a very real problem for parents, government officials, and society. The Unwanted Child skillfully recreates sixteenth-century Nuremberg to explore what befell abandoned, neglected, abused, or delinquent children in this critical period.
Joel F. Harrington tackles this question by focusing on the stories of five individuals. In vivid and poignant detail, he recounts the experiences of an unmarried mother-to-be, a roaming mercenary who drifts in and out of his children’s lives, a civic leader handling the government’s response to problems arising from unwanted children, a homeless teenager turned prolific thief, and orphaned twins who enter state care at the age of nine. Braiding together these compelling portraits, Harrington uncovers and analyzes the key elements that link them, including the impact of war and the vital importance of informal networks among women. From the harrowing to the inspiring, The Unwanted Child paints a gripping picture of life on the streets five centuries ago.
A comprehensive overview of the controversy surrounding Hitler’s Willing Executioners.
Few if any books of the past fifty years have moved a broad section of the German public to think about their country’s Nazi past as has Daniel Jonah Goldhagen’s Hitler’s Willing Executioners. The main argument of his book is that Germans committed the unthinkable acts of the Holocaust not because they were forced to but out of a deeply held conviction that killing Jews was morally just. Unwilling Germans? traces the intense and varied reception of a book that has created more heated debate than any other treatment of Germany’s genocidal past.
When Goldhagen’s book first appeared, it was almost universally dismissed by journalists and historians alike. However, following a book tour in Germany, Goldhagen started winning over many of his ardent detractors and finding a young, receptive audience. Although German scholars reacted to Goldhagen and his argument with outrage and dismissal, ironically the German public was mesmerized by both the book and Goldhagen himself.Unwilling Germans? reprints articles that originally appeared in German newspapers, the popular press, and journals, as well as offering original essays. Among the writers whose work is represented are historians, journalists, political scientists, and literary critics, including Jürgen Habermas and Klaus Theweleit. The book traces the initial reactions in Germany to the debate surrounding the U.S. publication of the book, the subsequent reviews and reactions upon the publication of the German translation, and recent commentary by Goldhagen and the American historian Christopher Browning. A unique and fascinating collection, Unwilling Germans? will help to sort out the confusing nature of the response to the “Goldhagen Debate,” and shed light on both Germany’s continuing process of coming to terms with its Nazi past and the resonances of that debate in the United States.ISBN 0-8166-3100-X Cloth $44.95xxISBN 0-8166-3101-8 Paper $17.95224 pages 5 7/8 x 9 JuneTranslation inquiries: University of Minnesota Press
This volume is the second in the series Cold War Documentary Readers, a project of the US National Security Archive and the Cold War International History Project.
The volume is the first documented account of this early Cold War crisis from both sides of the Iron Curtain. Based on the recent unprecedented access to the once-closed archives of several member states of the Warsaw Pact, this collection of primary-source documents presents one of the most notorious events of post-war European history in a highly readable format.
Previously unreleased Kremlin records, once highly classified American documents, materials from the Soviet Foreign Ministry, and transcripts of internal East German Communist Party Politburo meetings in the days leading to the uprising in the German Democratic Republic (GDR) are among the highlights of this sensational documentary.
In this volume, as in the previous one in the series, each part is preceded by a detailed introductory essay to provide the necessary historical and political context. The individual documents are introduced by short headnotes summarizing the contents and orienting the reader. A chronology, glossary and bibliography offer further background information.
Drawing on a broad range of sources, including building documents, correspondence, diaries, and court regulations, Klingensmith investigates the intricacies of Bavarian court practice and shows that Versailles was only one among several influences on German palace planning. Klingensmith offers a cogent, detailed understanding of the relations between architectural spaces and the ceremonial, social, and private life that both required and used them. Handsomely illustrated with photographs and plans, The Utility of Splendor will appeal to anyone interested in how life was lived among the nobility during the last centuries of the old regime.
Samuel John Klingensmith (1949-1986) was assistant professor of art history at Tulane University.
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