In 1963, nearly two decades after the end of the most destructive war in human history, George L. Mosse assembled a group of interdisciplinary scholars from diverse backgrounds to answer a seemingly simple question: What is fascism? The landmark seminar that followed, held at Stanford University, came to define the intellectual conversation about European fascism throughout the postwar era. Mosse strove to better understand the legacy of fascism by debating its origins—often contentiously—with the sharpest minds of his generation.
In this volume, which collects Mosse’s lectures as well as his peers’ responses, Mosse and his colleagues wrestle with fascism’s origins and impact. The straightforward question that launched the seminar quickly expands to deeper debates: What are the intellectual foundations of right-wing populist political movements? How had these particular movements risen to power so quickly and then left so much devastation in their wakes? Were charismatic leaders like Hitler and Mussolini driving forces or did the various incarnations of fascism throughout Europe and beyond constitute a broader “revolution”? What was the relationship of religious and cultural institutions to fascism’s rise and cataclysmic fall?
As the word “fascism” takes on new meaning in the twenty-first century, it is more urgent than ever to revisit the work of scholars who witnessed its birth—and its defeat. In the foreword, Stanley G. Payne situates the lively debate in its historical context, and in the critical introduction, James J. Sheehan shares his own memories of the seminar and reflects on how the experience drove Mosse’s later work.
Michele Campo is living the bourgeois Italian dream. Now a speech pathologist in his forties, he resides in an expensive Naples home with his partner, Costanza, daughter of an upper-class family. Michele’s own family origins, however, are murkier. When he is assigned to work with five-year-old foster child Martina, he grows increasingly engrossed by her case, as his own buried family history slowly claws its way back to the surface. The first novel by acclaimed Italian writer Angelo Cannavacciuolo to be translated into English, When Things Happen tells a powerful and intriguing story of what we lose when we leave our origins behind. It presents a panoramic view of Neapolitan society unlike any in literature, revealing a city of extreme contrasts, with a glamorous center ringed by suburban squalor. Above all, it is a psychologically nuanced portrait of a man struggling to locate what he values in life and the poor vulnerable child who helps him find it.
Literary evidence is often silent about the lives of women in antiquity, particularly those from the buried cities of Pompeii and Herculaneum. Even when women are considered, they are often seen through the lens of their male counterparts. In this collection, Brenda Longfellow and Molly Swetnam-Burland have gathered an outstanding group of scholars to give voice to both the elite and ordinary women living on the Bay of Naples before the eruption of Vesuvius.
Using visual, architectural, archaeological, and epigraphic evidence, the authors consider how women in the region interacted with their communities through family relationships, businesses, and religious practices, in ways that could complement or complicate their primary social roles as mothers, daughters, and wives. They explore women-run businesses from weaving and innkeeping to prostitution, consider representations of women in portraits and graffiti, and examine how women expressed their identities in the funerary realm. Providing a new model for studying women in the ancient world, Women’s Lives, Women’s Voices brings to light the day-to-day activities of women of all classes in Pompeii and Herculaneum.
The Bolognese nun Diodata Malvasia was presumed to have authored only one work, The Arrival and the Miraculous Workings of the Glorious Image of the Virgin (1617). In her recently discovered second manuscript chronicle, A Brief Discourse on What Occurred to the Most Reverend Sisters of the Joined Convents of San Mattia and San Luca (1575), her writing demonstrates active resistance to Tridentine convent reform. Together, Malvasia’s works read as the bookends to a lifelong crusade on behalf of her convent.
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