In Dark Symbols, Obscure Signs, Riggins R. Earl Jr. investigates how slave owners intentionally manipulated Christianity as they passed it on to slaves and demonstrates how slaves successfully challenged that distorted interpretation. Analyzing slaves’ response to Christianity as expressed in testimonies, songs, stories, and sermons, Earl reveals the conversion experience as the initial step toward an autonomy that defied white control. Contrary to what their white owners expected or desired, enslaved African Americans found in Christianity a life-affirming identity and strong sense of community.

Slave owners believed Christianity would instill docility and obedience, but the slaves discovered in the Bible a different message, sharing among themselves the “dark symbols and obscure signs” that escaped the notice of their captors. Finding a sense of liberation rather than submission in their conversion experience, slaves discovered their own self-worth and their values as children of God.

Originally published in 1993, Dark Symbols, Obscure Signs traces the legacy of slaves’ embrace of Christianity both during and after the slavery era. In a new introduction, the author places the book within the context of contemporary scholarship on the roots of the African American cultural experience. He argues that any interpretation of this experience must begin with a foundational study of the theological and ethical constructs that have shaped the way blacks understand themselves in relationship to God, their oppressors, and each other.

The Author: Riggins R. Earl Jr. teaches at the Interdenominational Theological Center in Atlanta.

After more than four decades, the Viet Nam War continues to haunt our national memory, culture, politics, and military actions. In this probing interdisciplinary study, Susan Lyn Eastman examines a range of cultural productions—from memorials and poetry to cinematic and fictional narratives—that have tried to grapple with the psychic afterlife of traumatic violence resulting from the ill-fated conflict in Southeast Asia.

Underpinning the book is the notion of “prosthetic memory,” which involves memories acquired by those with no direct experience of the war, such as readers and filmgoers. Prosthetic memories, Eastman argues, refuse to relegate the war to the forgotten past and challenge the authenticity of experience, thus ensuring its continued relevance to debates over America’s self-conception, specifically her coinage of the “New Vietnam Syndrome,” and the country’s role in world affairs when it comes to contemporary military interventions.

With the notable exception of the Veterans’ Memorial in Washington, Eastman’s focus is on works produced from the Persian Gulf War (1990–91) through the post-9/11 “War on Terror.” She looks not only at American representations of the war—from movies like Randall Wallace’s We Were Soldiers to poems by W. D. Ehrhart, Yusef Komunyakaa, and others—but also at novels by Vietnamese authors Bao Ninh and Huong Thu Duong. The experiences of women figure prominently in the book: Eastman devotes a chapter to the Vietnam Women’s Memorial and another to Sandie Frazier’s novel I Married Vietnam and Oliver Stone’s film Heaven and Earth, based on memoirs by Le Ly Hayslip. And by examining Jessica Hagedorn’s Dream Jungle, a novel inspired by the filming of Apocalypse Now, she considers how the war’s repercussions were felt in other countries, in this case the Philippines. Her investigation of Vietnamese American authors Lan Cao, Andrew Lam, and GB Tran adds a transnational dimension to the study.

With its up-to-date perspective on recent works that have heretofore received scant critical notice, this book offers new ways of thinking about one of the most polemic chapters in U.S. history.

SUSAN LYN EASTMAN teaches in the Department of English at the University of Tennessee at Chattanooga.

Scholars who teach, write, or speak on the history and culture of the Appalachian region are frequently asked by students, administrators, or colleagues to recommend a relatively short, comprehensive book about Appalachia. Until now, there has been no interdisciplinary introductory text in Appalachian studies. A Handbook to Appalachia comprises a collection of concise, accessible overviews of the region written by top academics in a variety of fields, all directed at a general audience. Accompanied by dozens of inviting photographs, the essays offer information to those becoming acquainted with Appalachia for the first time as well as to more experienced observers of the region. The essays are arranged to show how various features of Appalachia are related. Each essay is followed by a list of suggested readings for further study. A Handbook to Appalachia provides a clear, concise first step toward understanding the expanding field of Appalachian studies, from the history of the area to its sometimes conflicted image, from its music and folklore to its outstanding literature.Chapters: History, The Peoples of Appalachia, Natural Resources and Environment, Economics, Politics of Change, Health Care, Education, Folklife, Literature, Religion, Visual Arts, and Appalachians Outside the Region.

"In The Road John Ehle's skill as a storyteller brings an early episode of road building in the North Carolina mountains to rich and vivid life. Hardship and humor, suffering and dreams are the balance for survival in a landscape that makes harsh demands on its intruders. Ehle lets us experience this place, people, and past in a fully realized novel."—Wilma Dykeman

"The Road is a strong novel by one of our most distinguished authors. Muscular, vivid, and pungent, it is broad in historical scope and profound in its human sympathies. We welcome its return with warm pleasure."—Fred Chappell

Originally published in 1967, The Road  is epic historical fiction at its best. At the novel's center is Weatherby Wright, a railroad builder who launches an ambitious plan to link the highlands of western North Carolina with the East. As a native of the region, Wright knows what his railway will mean to the impoverished settlers. But to accomplish his grand undertaking he must conquer Sow Mountain, "a massive monolith of earth, rock, vegetation and water, an elaborate series of ridges which built on one another to the top."

Wright's struggle to construct the railroad—which requires tall trestles crossing deep ravines and seven tunnels blasted through shale and granite—proves to be much more than an engineering challenge. There is opposition from a child evangelist, who preaches that the railroad is the work of the devil, and there is a serious lack of funds, which forces Wright to use convict labor. How Wright confronts these challenges and how the  mountain people respond to the changes the railroad brings to their lives make for powerfully compelling reading.

The Author: A native of Asheville, North Carolina, John Ehle has written seventeen novels and works of nonfiction. His books include The Land Breakers, The Journey of August King, The Winter People, and Trail of Tears: The Rise and Fall of the Cherokee Nation. Among the honors he has received are the Lillian Smith Prize and the Thomas Wolfe Memorial Award.

John Calvin Brown was a Confederate general, Tennessee politician, railroad executive, and lawyer, and yet he is little known to today’s Americans. He left behind few personal papers and died relatively young despite his remarkably productive life, leaving his voice silent while historical debate raged over events in which he was a significant player.

John C. Brown of Tennessee is the first full-scale biography of this understudied figure. Author Sam Davis Elliott’s comprehensive research reveals how Brown rose to the rank of general in the Confederate Army of Tennessee. A five-time wounded veteran of nearly every one of the army’s battles from Fort Donelson to Franklin, Brown played a unique utility role as a division commander in the 1864 Atlanta Campaign. There is a substantial likelihood he was an early leader of the Ku Klux Klan after the war, but more well-established is his role as leader in the anti-Brownlow movement that sought to end Radical Reconstruction in Tennessee. He was selected president of the 1870 constitutional convention, which helped lead to his election as governor later that year. After his tumultuous time as governor seeking to resolve economic conflicts that began before the Civil War, he became a railroad executive and industrialist. He had a significant role in the struggle between rival financiers for control of the southern route to the Pacific, and was in the front lines of management on behalf of the Texas and Pacific Railroad during the Great Southwest Railroad Strike of 1886. His wide-ranging and successful career reflects not only the attributes of Brown’s character, but provides insight into many key events of nineteenth-century America.

John C. Brown of Tennessee fills not only a biographical but a historiographical gap in the literature on the Civil War and Reconstruction in Tennessee and the post-Confederate South.

In North Carolina English, 1861–1865, Michael E. Ellis offers an Oxford English Dictionary–like take on regional language based on more than two thousand letters and diaries composed by North Carolinians during the Civil War. These documents are part of a larger project, the Corpus of American Civil War Letters (CACWL), aimed at locating, photographing, and transcribing letters written during the period from all parts of the country. With little formal education, the correspondents were men and women who wrote “by ear,” often reproducing their spoken language through unconventional spellings and grammatical forms, as well as regional or archaic words and usages.
    The core of the book is an alphabetically arranged glossary of words and expressions characteristic of mid–nineteenth century North Carolina, each containing excerpts from the letters themselves to illustrate meaning and usage. While the majority of the writers were Confederate soldiers and their family members, the collection also includes letters from slaves, former slaves, and African Americans from North Carolina serving in the Union Army. The soldiers’ letters rarely contain details about battles, except to list the names of relatives or neighbors among the killed or wounded. After a battle, a soldier might simply write, “the Like of ded men an horses I never saw before” or “we hav lost a heep of men and kild a heep of yankeys.” As Joel Howard of Lincoln County wrote home in June 1863, “I have bin in the ware and Saw the ware and heard tell of the ware till I have got tired of it. if I Could get clear of this ware I neve[r] want to Read of A nother.”
    Food is perhaps the most common topic, followed by illness. Numerous terms relate to farming, clothing, religion, and the effects of the war itself, as well as entries for expressions that have long since disappeared from American English: in the gants, on the goose, and up the spout.
    In addition to the glossary, Ellis offers an extensive overview of North Carolina English of the period, delves into the social background of the letter writers, and provides invaluable guidance to the ways in which Civil War letters should be read. A unique window into a largely neglected corner of our extraordinarily rich and regionally distinct language, this volume will prove an indispensable reference for scholars and students seeking to reconstruct the world of the common Civil War soldier.

One of America's most enduring forms of public worship, the camp meeting had its beginnings at the dawn of the nineteenth century during the “Great Revival” that swept the newly settled regions of the young republic. Camping out at religious gatherings brought people from diverse backgrounds into close and sustained contact, creating a small society governed by religious harmony. The culmination of this phenonenon came in 1801 at Cane Ridge Presbyterian meetinghouse in Kentucky, where more than ten thousand people gathered for a week of worship and fellowship.

To trace the origins of the camp meeting, Ellen Eslinger follows Kentucky's development from its initial settlement in 1775 to the eve of the Great Revival. She describes how a region first characterized by border warfare during the Revolution quickly cast off its frontier beginnings. Even so, she demonstrates, settlers found it difficult to cope with challenges posed by economic competition, political partisanship, and cultural conflict. In this time of uncertainty, camp meetings brought a restored sense of community attachment, merging Christian and republican ideals to create a new model of American society.

Citizens of Zion does more than explain a particular instance of religious revivalism; it explores the creation of a new form of worship that enabled people to relate more comfortably to a changing society through an intense collective experience. It explains how early camp meeting revivalism—as exemplified by the Cane Ridge gathering—differed significantly from both earlier evangelical forms and later manifestations. Camp meeting revivalism, Eslinger shows, eventually came to reflect the emerging liberal culture, but its early years reveal it as an important mechanism for reintegration into a rapidly transforming world.

The Author: Ellen Eslinger is associate professor of history at DePaul University.

     Discussions of Tennessee women’s history during the Progressive Era tend to focus narrowly on the critical issue of suffrage and the ratification of the Nineteenth Amendment. While the achievement of Tennessee’s suffragists remains a feather in the state’s historic cap—pushing the legislature to cast the votes that settled the issue for the nation—reform-minded Tennessee women in the late-nineteenth and early-twentieth centuries participated in a wide range of other public-sphere activities. The first exploration of the work and lives of Progressive Era Tennessee women beyond their involvement in the battle for the right to vote, this pioneering compilation provides a fuller portrait of the work undertaken by these bold activists to improve the lives of their fellow citizens.
     Ranging in subject matter from the role of women’s missionary organizations and efforts to end lynching to the challenges of agricultural reform and the development of stronger educational institutions, these essays consider a wide variety of reform efforts that engaged progressive women in Tennessee before, during, and after the suffrage movement. Throughout, the contributors emphasize the influence of religion on women’s reform efforts and examine the ways in which these women expanded their public roles while at the same time professing loyalty to more traditional models of womanhood. In demonstrating Tennessee women’s engagement with politics long before they had the vote, ran for office, or served on juries, these essays also support the argument that a broader definition of “politics” permits a fuller incorporation of women’s public activities into U.S. political history.
     By focusing on the actual work reform-minded women performed, whether paid employment or volunteer efforts, this anthology illustrates myriad ways in which these individuals engaged their communities and reveals the motivations that drove them to improve society. Marshaling precise and detailed evidence that illuminates the meanings of progressivism to Tennessee’s female activists, the essays in this valuable compendium connect Tennessee women to the larger movements for reform that dominated the early-twentieth-century American experience.

After the Civil War, the city of Chattanooga, Tennessee, forged a different path than most southern urban centers. Long a portal to the Deep South, Chattanooga was largely rebuilt by northern men, using northern capital, and imbued with northern industrial values. As such, the city served as a cultural and economic nexus between North and South, and its northern elite stood out distinctively from the rest of the region’s booster class. In Chattanooga, 1865–1900, Tim Ezzell explores Chattanooga’s political and economic development from the close of the Civil War through the end of the nineteenth century, revealing how this unique business class adapted, prospered, and governed in the postwar South.
    After reviewing Chattanooga’s wartime experience, Ezzell chronicles political and economic developments in the city over the next two generations. White Republicans, who dominated municipal government thanks to the support of Chattanooga’s large African American population, clashed repeatedly with Democrats, who worked to “redeem” the city from Republican rule and restore “responsible,” “efficient” government. Ezzell shows that, despite the efforts by white Democrats to undermine black influence, black Chattanoogans continued to wield considerable political leverage into the 1890s.
     On the economic front, an extensive influx of northern entrepreneurs and northern capital into postwar Chattanooga led to dynamic if unstable growth. Ezzell details the city’s efforts to compete with Birmingham as the center of southern iron and steel production.  At times, this vision was within reach, but these hopes faded by the 1890s, and Chattanooga grew into something altogether different: not northern, not southern, but something peculiar “set down in Dixie.”
    Although Chattanooga never reached its Yankee boosters’ ideal of “a northern industrial city at home in the southern hills,” Ezzell demonstrates that it forged a legacy of resilience and resourcefulness that continues to serve the community to the present day.