Although partisan polarization gets much of the attention in political science scholarship about Congress, members of Congress represent diverse communities around the country. Home Field Advantage demonstrates the importance of this understudied element of American congressional elections and representation in the modern era: the local, place-based roots that members of Congress have in their home districts. Charles Hunt argues that legislators’ local roots in their district have a significant and independent impact on their campaigns, election outcomes, and more broadly on the relationship between members of the U.S. House of Representatives and their constituents. Drawing on original data, his research reveals that there is considerable variation in election outcomes, performance relative to presidential candidates, campaign spending, and constituent communication styles that are not fully explained by partisanship, incumbency, or other well-established theories of American political representation. Rather, many of these differences are the result of the depth of a legislator’s local roots in their district that predate their time in Congress. Hunt lays out a detailed “Theory of Local Roots” and their influence in congressional representation, demonstrating this influence empirically using multiple original measures of local roots over a full cross-section of legislators and a significant period of time.

Tim Hunt’s The Textuality of Soulwork: Jack Kerouac’s Quest for Spontaneous Proseexamines Kerouac’s work from a new critical perspective with a focus on the author’s unique methods of creating and working with text. Additionally, The Textuality of Soulwork delineates Kerouac’s development of “Spontaneous Prose” to differentiate the preliminary experiment of On the Road from the more radical experiment of Visions of Cody, and to demonstrate Kerouac’s transition from working within the textual paradigm of modern print to the textual paradigm of secondary orality. From these perspectives, Tim Hunt crafts a new critical approach to Beat poetics and textual theory, marking an important contribution to the current revival of Kerouac and Beat studies underway at universities in the U.S. and abroad, as reflected by a growing number of conferences, courses, and a renewal in scholarship.

From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts Movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study.