Tender, plump, and tasty, the blue mussel (Mytiius edulis) is treasured in most of the world's cuisines but strangely ignored in North American cooking. This edible mollusk is naturally abundant on both American coasts and easily cultivated. As over-harvesting makes many other seafoods ever more scarce and expensive, the blue mussel offers an inexpensive and attractive alternative to more costly and wasteful sources of protein. To tempt American palates and draw attention to this remarkably versatile and nutritious seafood, Sarah Hurlburt has written The Mussel Cookbook.

In her entertaining introduction, Hurlburt tells about mussels—how they live, how they saved a bridge from collapsing, why barrels of them appeared in American police stations, how they are farmed in Spain, France, and Holland. Then she offers over a hundred recipes. Whether you are a beginning cook or a devotee of haute cuisine, you will find recipes to match your abilities: simple dishes for the out-of-doors, appetizers, soups and stews, salads, casseroles, main dishes from abroad, and elegant party entrees. From Europe Hurlburt brings back paella, cannelloni, and souffle of mussels, among many others. From Asia come curried and stir-fried mussels as well as the delectable midia dolma. There are a dozen quick-and-easy tricks; there are flamed mussels and mussels Rockefeller. She describes how to clean and freeze mussels, and gives tips on how to use them.

Sarah Hurlburt in collaboration with her husband, Graham, has spent many years learning about the blue mussel. Together they have studied European methods of mussel farming and begun their own experimental Cultivation project in Massachusetts. Ms. Hurlburt's recipes have been featured in the New York Times, the Boston Globe, the Boston Herald American, and Harvard Magazine. Stories about the Hurlburts' adventures with mussels have appeared in the Washington Post, the Cornell Quarterly, and the Marine Fisheries Review. A discussion of their work has appeared in the Congressional Record.

Images play a fundamental role in relations among peoples. American and Japanese scholars have been among the foremost students of images in international and intercultural relations. Building on the historiographical achievements in the two countries, these essays aim further to explore aspects of Japanese-American mutual perceptions.

The contributors to this volume provide pieces of a puzzle, authentic but partial elements of a total picture. They examine the sources, ranges, uses (and misuses), and constituencies of images. They propose various ways of studying this extremely elusive subject and show how an examination of American-Japanese perception can contribute to a better understanding of Japanese history and American history. We see instances of misperceptions and misunderstandings, but also a streak of open-mindedness and flexibility in both Japan and the United States.

“A wonderfully vivid account of the momentous era they lived through, underscoring the chaotic, often improvisatory circumstances that attended the birth of the fledgling nation and the hardships of daily life.”
—Michiko Kakutani, New York Times

In 1762, John Adams penned a flirtatious note to “Miss Adorable,” the 17-year-old Abigail Smith. In 1801, Abigail wrote to wish her husband John a safe journey as he headed home to Quincy after serving as president of the nation he helped create. The letters that span these nearly forty years form the most significant correspondence—and reveal one of the most intriguing and inspiring partnerships—in American history.

As a pivotal player in the American Revolution and the early republic, John had a front-row seat at critical moments in the creation of the United States, from the drafting of the Declaration of Independence to negotiating peace with Great Britain to serving as the first vice president and second president under the U.S. Constitution. Separated more often than they were together during this founding era, John and Abigail shared their lives through letters that each addressed to “My Dearest Friend,” debating ideas and commenting on current events while attending to the concerns of raising their children (including a future president).

Full of keen observations and articulate commentary on world events, these letters are also remarkably intimate. This new collection—including some letters never before published—invites readers to experience the founding of a nation and the partnership of two strong individuals, in their own words. This is history at its most authentic and most engaging.

“Lots of Romanians, in my day, dreamed of France; not many got there,” writes the author in his introduction. “Fortuitousness, contingency, and sheer good luck made me fall into France, just as one falls into love.” Fifty years after reaching France, by way of school in England, Eugen Weber presents a series of illuminations on the country he loves, and whose civilization he has made the center of his life's work as an interpreter of European history, subspecialty France.

My France focuses on some of the most intriguing aspects of French life: polities, myths, personalities, public problems, actions, conflicts. The topics Weber treats range from sports to religion, and include comments on folklore, peasant politicization, national socialism, the nature of the French right, antisemitism, and famous Frenchmen such as Pierre de Coubertin, Maurice Barres, and Marc Bloch. In every chapter he questions established assumptions, asks if things are quite as they are taken to be, and points out links between apparently unrelated doings (literature and private income, religion and superstition, fairy tales and everyday life). Every essay reflects his unique insight and is enlivened by his witty and graceful style, making My France irresistible not only to students of modern European history, but also to Francophiles and pundits of Europe everywhere.

Francesco Petrarca (1304–1374), one of the greatest of Italian poets, was also the leading spirit in the Renaissance movement to revive literary Latin, the language of the Roman Empire, and Greco-Roman culture in general. My Secret Book (Secretum) records “the private conflict of my thoughts,” in the form of a dialogue between Franciscus and Augustinus in the presence of a beautiful woman, Truth personified. The discussion reveals remarkable self-awareness as Petrarca probes and evaluates the springs of his own morally dubious addictions to Fame and Love.

Here is a vividly written and fully illustrated assessment of the figured decoration on Late Bronze Age vessels from the Greek mainland, Cyprus, and the Aegean islands. It will become a standard source on the Mycenaean imagination.

Emily Vermeuele and Vassos Karageorghis describe the hunting scenes, chariots, sphinxes and griffins, bulls and birds, people dancing or fighting, and cult scenes on Mycenaean pottery. They analyze forms and styles, sources and influences, and the development of conventions. They relate what is known about the painters and their workshops, and the overseas trade. A catalogue of the 700 remaining whole and broken examples, now in museums around the world, is appended. Over 950 illustrations provide a comprehensive view of the art.

This study tells us much about Bronze Age civilization, and it opens the way to an understanding of the relationship of Greek art to figure drawing in pre-Classical times.

Few of us spend much time thinking about courage, but we know it when we see it--or do we? Is it best displayed by marching into danger, making the charge, or by resisting, enduring without complaint? Is it physical or moral, or both? Is it fearless, or does it involve subduing fear? Abner Small, a Civil War soldier, was puzzled by what he called the "mystery of bravery"; to him, courage and cowardice seemed strangely divorced from character and will. It is this mystery, just as puzzling in our day, that William Ian Miller unravels in this engrossing meditation.

Miller culls sources as varied as soldiers' memoirs, heroic and romantic literature, and philosophical discussions to get to the heart of courage--and to expose its role in generating the central anxieties of masculinity and manhood. He probes the link between courage and fear, and explores the connection between bravery and seemingly related states: rashness, stubbornness, madness, cruelty, fury; pride and fear of disgrace; and the authority and experience that minimize fear. By turns witty and moving, inquisitive and critical, his inquiry takes us from ancient Greece to medieval Europe, to the American Civil War, to the Great War and Vietnam, with sidetrips to the schoolyard, the bedroom, and the restaurant. Whether consulting Aristotle or private soldiers, Miller elicits consistently compelling insights into a condition as endlessly interesting as it is elusive.

Far more than an intellectual puzzle for pundits, economists, and policymakers, economic growth--its makings and workings--is a subject that affects the well-being of billions of people around the globe. In The Mystery of Economic Growth, Elhanan Helpman discusses the vast research that has revolutionized understanding of this subject in recent years, and summarizes and explains its critical messages in clear, concise, and accessible terms.

The tale of growth economics, as Helpman tells it, is organized around a number of themes: the importance of the accumulation of physical and human capital; the effect of technological factors on the rate of this accumulation; the process of knowledge creation and its influence on productivity; the interdependence of the growth rates of different countries; and, finally, the role of economic and political institutions in encouraging accumulation, innovation, and change.

One of the leading researchers of economic growth, Helpman succinctly reviews, critiques, and integrates current research--on capital accumulation, education, productivity, trade, inequality, geography, and institutions--and clarifies its relevance for global economic inequities. In particular, he points to institutions--including property rights protection, legal systems, customs, and political systems--as the key to the mystery of economic growth. Solving this mystery could lead to policies capable of setting the poorest countries on the path toward sustained growth of per capita income and all that that implies--and Helpman's work is a welcome and necessary step in this direction.

With the recent Sokal hoax--the publication of a prominent physicist's pseudo-article in a leading journal of cultural studies--the status of science moved sharply from debate to dispute. Is science objective, a disinterested reflection of reality, as Karl Popper and his followers believed? Or is it subjective, a social construction, as Thomas Kuhn and his students maintained? Into the fray comes Mystery of Mysteries, an enlightening inquiry into the nature of science, using evolutionary theory as a case study.

Michael Ruse begins with such colorful luminaries as Erasmus Darwin (grandfather of Charles) and Julian Huxley (brother of novelist Aldous and grandson of T. H. Huxley, "Darwin's bulldog" ) and ends with the work of the English game theorist Geoffrey Parker--a microevolutionist who made his mark studying the mating strategies of dung flies--and the American paleontologist Jack Sepkoski, whose computer-generated models reconstruct mass extinctions and other macro events in life's history. Along the way Ruse considers two great popularizers of evolution, Richard Dawkins and Stephen Jay Gould, as well as two leaders in the field of evolutionary studies, Richard Lewontin and Edward O. Wilson, paying close attention to these figures' cultural commitments: Gould's transplanted Germanic idealism, Dawkins's male-dominated Oxbridge circle, Lewontin's Jewish background, and Wilson's southern childhood. Ruse explicates the role of metaphor and metavalues in evolutionary thought and draws significant conclusions about the cultural impregnation of science. Identifying strengths and weaknesses on both sides of the "science wars," he demonstrates that a resolution of the objective and subjective debate is nonetheless possible.

“Exposes the vast gap between the actual science underlying AI and the dramatic claims being made for it.”
—John Horgan

“If you want to know about AI, read this book…It shows how a supposedly futuristic reverence for Artificial Intelligence retards progress when it denigrates our most irreplaceable resource for any future progress: our own human intelligence.”
—Peter Thiel

Ever since Alan Turing, AI enthusiasts have equated artificial intelligence with human intelligence. A computer scientist working at the forefront of natural language processing, Erik Larson takes us on a tour of the landscape of AI to reveal why this is a profound mistake.

AI works on inductive reasoning, crunching data sets to predict outcomes. But humans don’t correlate data sets. We make conjectures, informed by context and experience. And we haven’t a clue how to program that kind of intuitive reasoning, which lies at the heart of common sense. Futurists insist AI will soon eclipse the capacities of the most gifted mind, but Larson shows how far we are from superintelligence—and what it would take to get there.

“Larson worries that we’re making two mistakes at once, defining human intelligence down while overestimating what AI is likely to achieve…Another concern is learned passivity: our tendency to assume that AI will solve problems and our failure, as a result, to cultivate human ingenuity.”
—David A. Shaywitz, Wall Street Journal

“A convincing case that artificial general intelligence—machine-based intelligence that matches our own—is beyond the capacity of algorithmic machine learning because there is a mismatch between how humans and machines know what they know.”
—Sue Halpern, New York Review of Books

Biological races do not exist—and never have. This view is shared by all scientists who study variation in human populations. Yet racial prejudice and intolerance based on the myth of race remain deeply ingrained in Western society. In his powerful examination of a persistent, false, and poisonous idea, Robert Sussman explores how race emerged as a social construct from early biblical justifications to the pseudoscientific studies of today.

The Myth of Race traces the origins of modern racist ideology to the Spanish Inquisition, revealing how sixteenth-century theories of racial degeneration became a crucial justification for Western imperialism and slavery. In the nineteenth century, these theories fused with Darwinism to produce the highly influential and pernicious eugenics movement. Believing that traits from cranial shape to raw intelligence were immutable, eugenicists developed hierarchies that classified certain races, especially fair-skinned “Aryans,” as superior to others. These ideologues proposed programs of intelligence testing, selective breeding, and human sterilization—policies that fed straight into Nazi genocide. Sussman examines how opponents of eugenics, guided by the German-American anthropologist Franz Boas’s new, scientifically supported concept of culture, exposed fallacies in racist thinking.

Although eugenics is now widely discredited, some groups and individuals today claim a new scientific basis for old racist assumptions. Pondering the continuing influence of racist research and thought, despite all evidence to the contrary, Sussman explains why—when it comes to race—too many people still mistake bigotry for science.

Who, exactly, were the French bourgeoisie? Unlike the Anglo-Americans, who widely embraced middle-class ideals and values, the French--even the most affluent and conservative--have always rejected and maligned bourgeois values and identity.

In this new approach to the old question of the bourgeoisie, Sarah Maza focuses on the crucial period before, during, and after the French Revolution, and offers a provocative answer: the French bourgeoisie has never existed. Despite the large numbers of respectable middling town-dwellers, no group identified themselves as bourgeois. Drawing on political and economic theory and history, personal and polemical writings, and works of fiction, Maza argues that the bourgeoisie was never the social norm. In fact, it functioned as a critical counter-norm, an imagined and threatening embodiment of materialism, self-interest, commercialism, and mass culture, which defined all that the French rejected.

A challenge to conventional wisdom about modern French history, this book poses broader questions about the role of anti-bourgeois sentiment in French culture, by suggesting parallels between the figures of the bourgeois, the Jew, and the American in the French social imaginary. It is a brilliant and timely foray into our beliefs and fantasies about the social world and our definition of a social class.

This volume, originally published in 1937, is reissued with a new preface and a few small corrections. A brilliant study of the continuing and changing uses of classical mythology in English poetry, it treats most of the major and many of the minor English poets since 1680 and includes a chapter on the use of myth in American verse. It provides an illuminating overview of English poetry since the end of the Renaissance.

In his Preface to the new printing, Bush briefly surveys the various approaches to classical myth over the centuries. "During the last two generations," he observes, "most of the leading British and American poets (not to mention Rilke and others) have renewed the mythic or mythological tradition with fresh power. Thus, in spite of the accumulated pressures and threats of our time, the vitality and the necessity of myth remain." He also reminisces engagingly about the writing of the book and acknowledges that after three decades he does not find a great deal in it that he would wish to change.

Around the world, more than a million people die by suicide each year. Yet many of us know very little about a tragedy that may strike our own loved ones—and much of what we think we know is wrong. This clear and powerful book dismantles myth after myth to bring compassionate and accurate understanding of a massive international killer.

Drawing on a fascinating array of clinical cases, media reports, literary works, and scientific studies, Thomas Joiner demolishes both moralistic and psychotherapeutic clichés. He shows that suicide is not easy, cowardly, vengeful, or selfish. It is not a manifestation of "suppressed rage" or a side effect of medication. Threats of suicide, far from being idle, are often followed by serious attempts. People who are prevented once from killing themselves will not necessarily try again.

The risk for suicide, Joiner argues, is partly genetic and is influenced by often agonizing mental disorders. Vulnerability to suicide may be anticipated and treated. Most important, suicide can be prevented.

An eminent expert whose own father's death by suicide changed his life, Joiner is relentless in his pursuit of the truth about suicide and deeply sympathetic to such tragic waste of life and the pain it causes those left behind.

An epochal event in French history, the St. Bartholomew’s Day religious massacres are still the subject of controversy. A leading historian of the early modern period, Robert Kingdon, writes about the reactions to the massacres that were published at the time, showing how the relatively new medium of print was used by the Protestants to shape reaction to the catastrophe an early example of the printing press as an agent of social and political change.

Kingdon describes the loosely connected network of printers in Geneva, Basel, Strasbourg, Frankfurt, Heidelberg, London, La Rochelle, and other cities that printed and distributed the grisly accounts of the murders of thousands of Protestants by Catholic zealots. But the pamphlets encompassed more than the making of martyrs. Some linked the massacres with an evil international conspiracy led by the French monarchy, Rome, and Spain. Others were political treatises arguing for a type of government that would no longer claim absolute power and would permit the survival of an ideological minority. Thus, the book contributes to an understanding of the history of printed propaganda and the role of myths in historical events, and illuminates important aspects of international diplomacy and political thought during the period of the later Reformation.