From steamships to steam rooms and sweat lodges to sweatshops, processes of pleasures and desire have shaped the regulation and classification of bodies in a wide variety of colonial settings. On beaches and online, and in boardrooms, temples, and taverns, sexual practices have always influenced imperial power relations. In the many places and relationships where colonialism still affects economics, sex and sexuality remain a driving—if sometimes hidden—force. The contributors to this provocative issue contemplate empire as a global process involving sexualized subjects and objects, with essays that consider the history of sex and (or in) empire across several disciplines. Their topics include a "bewitched" nun in colonial Peru, contemporary call-center workers in the Philippines, and General Douglas MacArthur’s mixed-race Filipina mistress, among many others.
Ben Cowan is assistant professor of world history at George Mason University. Nicole M. Guidotti-Hernández is associate professor of American studies at the University of Texas at Austin and the author of Unspeakable Violence: Remapping U.S. and Mexican National Imaginaries, also published by Duke University Press. Jason Ruiz is assistant professor of American studies at the University of Notre Dame and the author of Americans in the Treasure House: Travel to Porfirian Mexico and the Cultural Politics of Empire.
Contributors: Laura Briggs, Keith Camacho, Ben Cowan, Emmanuel David, Vernadette Vicuña Gonzalez, Nicole M. Guidotti-Hernández, Elizabeth Mesok, Rachel Sarah O’Toole, Katrina Phillips, Jason Ruiz
Coyle and Filreis present the entire extant correspondence between the two men. The fifty-one Rodriguez Feo letters and ten of the numerous Stevens letters are printed here for the first time, and the exchange between the two is unusually complete. The work includes a critical introduction and complete annotation of the letters.
Contributors examine the role of the fruit fly Drosophila and nematode worms in biology, troops of baboons in primatology, box and digital simulations of the movement of the earth’s crust in geology, and meteorological models in climatology. They analyze the intensive study of the prisoner’s dilemma in game theory, ritual in anthropology, the individual case in psychoanalytic research, and Athenian democracy in political theory. The contributors illuminate the processes through which particular organisms, cases, materials, or narratives become foundational to their fields, and they examine how these foundational exemplars—from the fruit fly to Freud’s Dora—shape the knowledge produced within their disciplines.
Contributors
Rachel A. Ankeny
Angela N. H. Creager
Amy Dahan Dalmedico
John Forrester
Clifford Geertz
Carlo Ginzburg
E. Jane Albert Hubbard
Elizabeth Lunbeck
Mary S. Morgan
Josiah Ober
Naomi Oreskes
Susan Sperling
Marcel Weber
M. Norton Wise
Adam’s visit prompted Creech to re-evaluate his belief that homosexuality was a sin, and to research the scriptural basis for the church’s position. He determined that the church was mistaken, that scriptural translations and interpretations had been botched and dangerously distorted. As a Christian, Creech came to believe that discriminating against lesbian, gay, bisexual, and transgender people was morally wrong. This understanding compelled him to perform same-gender commitment ceremonies, which conflicted with church directives. Creech was tried twice by The United Methodist Church, and, after the second trial, his ordination credentials were revoked. Adam’s Gift is a moving story and an important chapter in the unfinished struggle for lesbian, gay, bisexual, and transgender civil and human rights.
Contributors. Sabrina Barton, Edith Becker, Rhona J. Berenstein, Nayland Blake, Michelle Citron, Danae Clark, Corey K. Creekmur, Alexander Doty, Richard Dyer, Heather Findlay, Jan Zita Grover, Essex Hemphill, John Hepworth, Jeffrey Hilbert, Lucretia Knapp, Bruce La Bruce, Al LaValley, Julia Lesage, Michael Moon, Michael Musto, B. Ruby Rich, Marlon Riggs, Arlene Stein, Chris Straayer, Anthony Thomas, Mark Thompson, Valerie Traub, Thomas Waugh, Patricia White, Robin Wood
Contributors. Sheri Berman, James Cronin, Jean-Michel de Waele, Arthur Goldhammer, Christopher Howard, Jane Jenson, Gerassimos Moschonas, Sofia Pérez, Jonas Pontusson, George Ross, James Shoch, Sorina Soare, Ruy Teixeira
Credit economies constituted "economies of regard" in which reputation depended on embodied performances of credibility. Crowston explores the role of fashionable appearances and sexual desire in leveraging credit and reconstructs women's vigorous participation in its gray markets. The scandalous relationship between Queen Marie Antoinette and fashion merchant Rose Bertin epitomizes the vertical loyalties and deep social divides of the credit regime and its increasingly urgent political stakes.
Fabricating Women examines the social institution of the seamstresses’ guild in France from the time of Louis XIV to the Revolution. In contrast with previous scholarship on women and gender in the early modern period, Clare Haru Crowston asserts that the rise of the absolute state, with its centralizing and unifying tendencies, could actually increase women’s economic, social, and legal opportunities and allow them to thrive in corporate organizations such as the guild. Yet Crowston also reveals paradoxical consequences of the guild’s success, such as how its growing membership and visibility ultimately fostered an essentialized femininity that was tied to fashion and appearances.
Situating the seamstresses’ guild as both an economic and political institution, Crowston explores in particular its relationship with the all-male tailors’ guild, which had dominated the clothing fabrication trade in France until women challenged this monopoly during the seventeenth century. Combining archival evidence with visual images, technical literature, philosophical treatises, and fashion journals, she also investigates the techniques the seamstresses used to make and sell clothing, how the garments reflected and shaped modern conceptions of femininity, and guild officials’ interactions with royal and municipal authorities. Finally, by offering a revealing portrait of these women’s private lives—explaining, for instance, how many seamstresses went beyond traditional female boundaries by choosing to remain single and establish their own households—Crowston challenges existing ideas about women’s work and family in early modern Europe.
Although clothing lay at the heart of French economic production, social distinction, and cultural identity, Fabricating Women is the first book to investigate this immense and archetypal female guild in depth. It will be welcomed by students and scholars of French and European history, women’s and labor history, fashion and technology, and early modern political economy.
Contributors. Ruth Beilin, Tim Bonyhady, John Bradley, Tom Conley, Michael Crizier, Thomas Lahusen, Artemis Leontis, Anders Linde-Laursen, Robert M. Markley, Louis A. Ruprecht Jr., Susan Willis
Using information based on thirty years of research, Cumings offers a new perspective on a wide range of issues that originated with the cold war—with particular focus on the possibly inappropriate collaboration between universities, foundations, and intelligence agencies. Seeking to explode the presuppositions that Americans usually bring to the understanding of our relations with East Asia, the study ranges over much of the history of the twentieth century in East Asian–American relations—Pearl Harbor, Hiroshima and Nagasaki, the Korean War, and more recent difficulties in U.S. relations with China and Japan. Cumings also rebuts U.S. media coverage of North Korea’s nuclear diplomacy in the 1990s and examines how experiences of colonialism and postcolonialism have had varying effects on economic development in each of these countries. Positing that the central defining experience of twentieth-century East Asia has been its entanglement first with British and Japanese imperialism, and then with the United States, Cumings ends with a discussion of how the situation could change over the next century as the economic and political global clout of the United States declines.
Illuminating the sometimes self-deluded ideology of cold war America, Parallax Visions will engage historians, political scientists, and students and scholars of comparative politics and social theory, as well as readers interested in questions of modernity and the role of the United States in shaping the destinies of modernizing societies in Asia.
“Curtis effectively settles a serious legal debate: whether the framers of the 14th Amendment intended to incorporate the Bill of Rights guarantees and thereby inhibit state action. Taking on a formidable array of constitutional scholars, . . . he rebuts their argument with vigor and effectiveness, conclusively demonstrating the legitimacy of the incorporation thesis. . . . A bold, forcefully argued, important study.”—Library Journal
An Archive of Feelings brings together oral histories from lesbian activists involved in act up/New York; readings of literature by Dorothy Allison, Leslie Feinberg, Cherríe Moraga, and Shani Mootoo; videos by Jean Carlomusto and Pratibha Parmar; and performances by Lisa Kron, Carmelita Tropicana, and the bands Le Tigre and Tribe 8. Cvetkovich reveals how activism, performance, and literature give rise to public cultures that work through trauma and transform the conditions producing it. By looking closely at connections between sexuality, trauma, and the creation of lesbian public cultures, Cvetkovich makes those experiences that have been pushed to the peripheries of trauma culture the defining principles of a new construction of sexual trauma—one in which trauma catalyzes the creation of cultural archives and political communities.
Cvetkovich draws on an unusual archive, including accounts of early Christian acedia and spiritual despair, texts connecting the histories of slavery and colonialism with their violent present-day legacies, and utopian spaces created from lesbian feminist practices of crafting. She herself seeks to craft a queer cultural analysis that accounts for depression as a historical category, a felt experience, and a point of entry into discussions about theory, contemporary culture, and everyday life. Depression: A Public Feeling suggests that utopian visions can reside in daily habits and practices, such as writing and yoga, and it highlights the centrality of somatic and felt experience to political activism and social transformation.
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