Bureaucrats of Liberation narrates the history of the Southern Africa Project of the Lawyers’ Committee for Civil Right under law, a civil rights organization founded in 1963 at the request of President John F. Kennedy. Between 1963 and 1994, the Southern Africa Project connected lawyers from Namibia, South Africa, and the United States. Within the Project’s network, activist lawyers exchanged funding resources, provided logistical support for political trials, and mediated new voting and governmental systems.
The Project’s history provides a lens into twentieth century geopolitics tied to anti-apartheid, decolonization, Cold War, and movements agitating against white supremacy. In doing so, it pays careful attention to the Project’s different eras, beginning with US Executive Branch officials helming the effort and evolving into a space where more activist-oriented attorneys on both sides of the Atlantic drove its mission and politics.
The Exposition of Artistic Research: Publishing Art in Academia introduces the pioneering concept of ‘expositions’ in the context of art and design research, where practice needs to be exposed as research to enter academic discourse. It brings together reflective and methodological approaches to exposition writing from a variety of artistic disciplines including fine art, music and design, which it links to questions of publication and the use of technology. The book proposes a novel relationship to knowledge, where the form in which this knowledge emerges and the mode in which it is communicated makes a difference to what is known.
In Praise of Ambiguity presents a discourse about the seriousness of play. Erasmus and Huizinga are its main subjects, their books In Praise of Folly (1511) and Homo Ludens (1938) its main texts. Though published more than four hundred years apart, Otterspeer treats those books as contemporaries and asks what they still have to say to us. The main theme of both books is the contrast between two attitudes of life: the conviction that each subject has two or more sides as opposed to the certainty that there is always only one side to the subject. It is relativism versus essentialism, play versus seriousness.
In these times of populism and fundamentalism, the relationship between play and seriousness is more significant than ever. Erasmus and Huizinga conceive a compromise as brilliant as it is paradoxical: turn seriousness into play, play into seriousness. Their solution is the life blood of literature. Literature is always paradoxical, always "true" and "not true' at the same time, both reality and fiction. Ambiguity is its home territory. Literature is the best answer to the purity and peremptoriness of prophets.
This book presents three of the works of Abduʾl-Bahā, son of the founder of the Bahāʾi Faith, which deal with social and political issues.
In The Secret of Divine Civilization (1875) Abduʾl-Bahā supports the administrative and broader social reforms of Mirzā Hosayn Khān, but looks mainly for organic reform through the efforts of Iranian intellectuals to awaken and educate the masses. In this work, Abduʾl-Bahā gives virtuous and progressive Islamic clerics a leading role among these intellectuals—indeed most of his appeals are directed specifically to them. A Traveller’s Narrative (1889/90) is an authoritative statement of the overarching concepts of Bahā’i social and political thinking. The Art of Governance (1892/93) was written as Iran entered a prerevolutionary phase, and ideas that we recognize today as the precursors of political Islam were spreading. It sets out the principles underlying the ideal relationship between religion and politics and between the government and the people.
In addition to presenting the first parallel text translations of these works, the Persian texts incorporate notes on variants in the early published sources. An introduction outlines the intellectual and political landscape from which Abduʾl-Bahā wrote, and in which his readers lived.
The aim of this book is to offer a fresh approach to the history and archaeology of the Cyclades in Late Antiquity and the Byzantine Early Middle Ages in light of current archaeological investigations. It is an attempt to interpret human-environmental interaction in order to read the relationship between islands, settlements, landscapes, and seascapes in the context of the diverse and highly interactive Mediterranean world.
It offers an interdisciplinary approach, which combines archaeological evidence, literary sources, and observations of the sites and microlandscapes as a whole, using the advantages offered by the application of new technologies in archaeological research (Geographic Information Systems). The islands of Paros and Naxos are used as case-studies. The author traces how these neighboring insular communities reacted under the same general circumstances pertaining in the Aegean and to what extent the landscape played a role in this process.
Since the collected poems of eleventh- and twelfth-century Persian philosopher Omar Khayyám were first translated into English in 1859 by Patrick Fitzgerald, the Rubáiyát has become one of the most popular books of verse in the world. In addition to English, it has been translated into Arabic, Chinese, Dutch, French, German, Hebrew, Hindi, Russian, Urdu, and many other languages. It has been published in numerous editions: precious volumes with bejeweled bindings, artist’s books, scholarly and critical editions, forgeries and fake editions, making it a perfect object for both book collectors and lovers of poetry. This comprehensive volume is the first bibliography of Khayyám’s classic work since the first Rubáiyát bibliography by A. G. Potter, which was published in 1929
This work analyzes ritual practices and knowledge related to the Mesoamerican calendar with the aim of contributing to an understanding of the use and conceptualization of this calendar system in the contemporary K’iche’ community of Momostenango in the Highlands of Guatemala. The research presented here discusses the indigenous calendar system, forms of synergy between the Christian and the Highland Guatemalan calendar, the indigenous perception of history, and continuity in time-related symbolism.
Van den Akker argues that the social role of cultural anthropologists and archaeologists is to contribute to the ongoing process of cultural healing and spiritual recovery of the peoples that suffer(ed) from colonization and oppression. This study therefore places an emphasis on cultural continuity and approaches the continuation of Maya calendar practices as a possible tool for restoring breaks in social memory, which are caused by dramatic events such as colonization.
Throughout this book it is argued that time is an authority which directs human behavior in a cyclical manner through the landscape on a local and regional scale. Time is related to morality and cultural values, and a shared perception of time contributes to the cohesion of the community as it recreates and reaffirms the identity of its members by reiterating their shared social conventions and history. Finally, the conjunction of time and ritual provides a tool to overcome the rupture caused by death and to transmit messages from generation to generation over a long span of time.
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