front cover of The Making of Handel’s Messiah
The Making of Handel’s Messiah
Andrew Gant
Bodleian Library Publishing, 2020
The first performance of George Frideric Handel’s Messiah in Dublin in 1742 is now legendary. Gentlemen were asked to leave their swords at home and ladies to come without hoops in their skirts in order to fit more people into the audience. The initial performance was so well-received in Dublin that an encore performance was given a few weeks later. Why then, did this now famous and beloved oratorio receive a somewhat cool reception when it premiered in London less than a year later?

Placing Handel’s best-known work in the context of its times, this vivid account charts the composer’s working relationship with his librettist, the gifted but demanding Charles Jennens, and looks at Handel’s varied and evolving company of singers together with his royal patronage. Through examination of the original composition manuscript and Handel’s own conducting score, held in the Bodleian Library’s collection, The Making of Handel’s Messiah sheds new light on the piece’s construction, performance, and reception. Exploring the complex history of one of the most successful pieces of choral music of all time, this volume examines issues around the performance of sacred texts in a non-sacred context, particularly Handel’s collaboration with the men and boys of the Chapel Royal. This book also explores the later reception and performance history of the piece, including the festival performance attended by Haydn, the massed-choir tradition of the Victorian period, and today’s “come-and-sing” events.
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What Is Red?
Suzanne Gottlieb
Bodleian Library Publishing, 2016
Children will discover a world of colors as they set out on an adventure with a cheerful boy named Jonny. From the moment he wakes bright-eyed to the yellow sunlight streaming through his bedroom window, the colors of the day dance merrily around him. He sees green grass and purple flowers and pauses to dip his toes in a bubbling blue brook. Best of all, when the time comes to harvest, he digs in the brown earth and discovers an enormous orange pumpkin! But, before he knows it, the blue sky has turned black, and it’s time for Jonny to sleep before waking to the wonders of a new day.

A joyous celebration of colors that will encourage young readers’ curiosity about the world around them, What Is Red? is packed with illustrations in bright, primary colors. Originally published in 1961, the book is one of the most recent additions to the Bodleian Library’s children’s book imprint.
 
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front cover of There was an Old Lady
There was an Old Lady
Abner Graboff
Bodleian Library Publishing, 2018
One day an old lady swallows a fly and the only way she can get rid of it is to then swallow a wriggling, tickling spider . . .
            For more than a century, this deceptively simple rhyme has delighted children and parents alike. Its galloping rhythm is perfect for reading out loud, becoming a memory game as the list of animals grows—from fly and spider to bird, cat, dog, and goat. Abner Graboff’s bright and startling illustrations combine beautifully with the original verse to bring this subversive, irreverent tale to life.
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front cover of What Can Cats Do?
What Can Cats Do?
Abner Graboff
Bodleian Library Publishing, 2018
There are many things cats can do that children can’t, such as lap up milk, leap double the length of their bodies, and use their tongues as combs. There are also a number of things that cats can’t do, like sing children to sleep, or get down from trees . . .
            Abner Graboff combines the voice of childhood innocence with a wonderful sense of fun in his quirky book about the mysteries of cats and their secret lives, inspired by the Graboff family’s own beloved cat Tarzan. Told from the point of view of a young child, this whimsical tale is complemented by Graboff’s characteristically playful and bold illustrations.
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front cover of A Pocket Guide to Vietnam, 1962
A Pocket Guide to Vietnam, 1962
Bruns Grayson
Bodleian Library Publishing, 2012

For most Americans in the 1960s, Vietnam was a faraway land of which they had little or no knowledge. Yet soon, hundreds of thousands of young American men and women would find themselves on the other side of the globe, fighting—and, in many cases, living—with the Vietnamese people. To lessen the culture shock, the Department of Defense prepared A Pocket Guide to Vietnam, 1962, a remarkably compact and surprisingly timeless crash course in Vietnamese culture for visitors to this foreign land.

Republished by the Bodleian Library with original illustrations and a new foreword by Bruns Grayson, who served as a US Army captain in Vietnam, the Pocket Guide takes the reader on a need-to-know tour through the culture, customs, geography, and politics of Vietnam. Among the straightforward words of wisdom on offer are “Don’t think Americans know everything” and “You will fulfill your duty best by remembering at all times that you are in a land where dignity, restraint, and politeness are highly regarded.” The Pocket Guide was designed to instill in soldiers an understanding of and respect for the Vietnamese people—crucial to the success of the venture—and it therefore also sheds further light on the political aspirations of the time.
 
Famously controversial, the Vietnam War is among the defining conflicts of the latter half of the twentieth century and, as such, the key battles and strategies have been dealt with in considerable depth. But beyond these purely militaristic concerns are the everyday lives of the soldiers who served there. A behind-the-front-lines look at a wide range of social situations they might have encountered, the book makes for captivating reading for anyone interested in Vietnam and its cultural, social, political, and military history.
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front cover of Thinking 3D
Thinking 3D
Books, Images and Ideas from Leonardo to the Present
Daryl Green
Bodleian Library Publishing, 2019
During the Renaissance, artists and illustrators developed the representation of truthful three-dimensional forms into a highly skilled art. As reliable illustrations of three-dimensional subjects became more prevalent, they also influenced the ways in which disciplines developed: architecture could be communicated much more clearly, mathematical concepts and astronomical observations could be quickly relayed, and observations of the natural world moved towards a more realistic method of depiction.

Through essays on some of the world’s greatest artists and thinkers—such as Leonardo da Vinci, Luca Pacioli, Andreas Vesalius, Johann Kepler, Galileo Galilei, William Hunter, and many more—this book tells the story of how of we learned to communicate three-dimensional forms on the two-dimensional page. It features some of Leonardo da Vinci’s ground-breaking drawings now in the Royal Collections and British Library as well as extraordinary anatomical illustrations, early paper engineering such as volvelles and flaps, beautiful architectural plans, and even views of the moon. With in-depth analysis of more than forty manuscripts and books, Thinking 3D also reveals the impact that developing techniques had on artists and draftsmen throughout time and across space, culminating in the latest innovations in computer software and 3D printing.
 
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front cover of Superstitions
Superstitions
Omens, Charms, Cures 1787
Francis Grose
Bodleian Library Publishing, 2011

Superstitions are surprisingly enduring. From dodging black cats to crossing one’s fingers while making a wish to an aversion to staff meetings on Friday the thirteenth, it is remarkable how many superstitions remain intact—even in this age of rationalism and swift scientific advancement.

First published in 1787 as part of the disparate collection A Provincial Glossary, with a Collection of Local Proverbs, and Popular Superstitions, Francis Grose’s Superstitions represents years of careful data collection and fieldwork and presents a full catalog of ways the supernatural might be expected to interfere in one’s life. Organized thematically into chapters like “Witches, Sorcerers, and Witchcraft,” “Things Lucky and Unlucky,” “Second Sight,” “Omens,” and “Superstitious Methods of Obtaining a Knowledge of Future Events,” Superstitions offers a systematic overview of the superstitious beliefs of the day as well as those held by earlier generations. Here, Grose’s work is reproduced under its original headings and supplemented by an informative introduction by Oxford English Dictionary editor John Simpson, setting the superstitions in proper historical and cultural context.
          
The resulting collection is a delightfully quirky guide to traditional sayings and beliefs, many archaic but some still surprisingly common today.
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