logo for University of Illinois Press
Sam Peckinpah's Feature Films
Bernard F. Dukore
University of Illinois Press, 1999
One of the greatest film directors America has produced, Sam Peckinpah revolutionized the way movies were made. In this detailed and insightful study, Bernard F. Dukore examines Peckinpah's fourteen feature films as a coherent body of work. He investigates the director's virtuosic editing techniques, thematic preoccupations that persist from his earliest to his last films, and the structure of his dramatic depiction of violence. He also addresses Peckinpah's cognizance of existentialism and the substantial traces this interest has left in the films.
 
At the heart of Dukore's study is an extensive and detailed examination of Peckinpah's distinctive editing techniques. Focusing on representative sequences--including the breakout from the bank and the final battle in The Wild Bunch, the half-hour siege that concludes Straw Dogs, the killing of the title characters of Pat Garrett and Billy the Kid, and combat sequences in Cross of Iron--Dukore provides a shot-by-shot analysis that illuminates Peckinpah's mastery of pacing and mood.
 
Sam Peckinpah's Feature Films demonstrates that Peckinpah's genius as a director and editor marks not only The Wild Bunch, Straw Dogs, and other classics but also his lesser-known feature films, even those that suffered substantial cuts at the hands of studio producers. Dukore's organic approach to the feature films reveals a highly unified body of work that remains a pointed commentary on power, violence, affection, and moral values.
 
[more]

front cover of Rosa Luxemburg, Women's Liberation, and Marx's Philosophy of Revolution
Rosa Luxemburg, Women's Liberation, and Marx's Philosophy of Revolution
Raya Dunayevskaya
University of Illinois Press, 1991
 
In this important and wide-ranging critique of Rosa Luxemburg (1871-1919) Raya Dunayevskaya examines the life, political thought, and action of one of the most critical revolutionary figures of our time. Dunayevskaya sheds new light on the questions of socialist democracy after the revolution, disclosing both the unprobed feminist dimension of Rosa Luxemburg and the previously unrecognized new moments in Marx's last decade concerning the role of women and the peasantry. As the founder of Marxist-Humanism in the United States, Dunayevskaya (1910-87) was an internationally respected writer, philosopher, and revolutionary. This new and expanded edition includes two previously unpublished articles by Dunayevskaya, including her "Challenge to all Post-Marx Marxists."
 
[more]

logo for University of Illinois Press
Natanya Duncan
University of Illinois Press
Black women and a far-reaching strategy for activism and action

Founded in 1914 by Amy Ashwood and Marcus Garvey, the Universal Negro Improvement Association and African Communities League (commonly called the UNIA) grew into one of the largest social justice organizations of the twentieth century. Natanya Duncan’s collective biography explores women’s role in building the UNIA and how Ashwood’s strategy of efficient womanhood equipped them to confront political and social issues--even when it meant defying gender norms. Efficient womanhood took a three-tiered approach that asked UNIA women to seek equitable partners, take on roles as mentors, and connect resources and people to their communities and Black people at large. Strong believers in the necessity of their presence and voices, UNIA women developed leadership skills within and beyond the organization and used these skills in service to their communities.

Enlightening and in-depth, An Efficient Womanhood tells the story of the women who shaped a framework for leadership and engagement that remains a blueprint for activists today.

[more]

logo for University of Illinois Press
NOTES OF A RED GUARD
Eduard Dune
University of Illinois Press, 1993
This compelling never-before-published
  account takes the reader into Red Guard and Red Army units, Moscow factories,
  workers' homes, and to the unfamiliar world of feudal Dagestan. Worker-revolutionary
  Eduard Dune was seventeen when the Russian revolution began. He joined the Bolshevik
  party and fought with the Moscow Red Guard during the October revolution. Notes
  of a Red Guard is his candid account of what happened through 1921. This
  uncensored account offers a rare glimpse of revolutionary Russia from the perspective
  of an educated, skilled worker who became a rank-and-file participant.
 
[more]

front cover of A History of the American Theatre from Its Origins to 1832
A History of the American Theatre from Its Origins to 1832
William Dunlap
University of Illinois Press, 2005

As America passed from a mere venue for English plays into a country with its own nationally regarded playwrights, William Dunlap lived the life of a pioneer on the frontier of the fledgling American theatre, full of adventures, mishaps, and close calls. He adapted and translated plays for the American audience and wrote plays of his own as well, learning how theatres and theatre companies operated from the inside out.

Dunlap's masterpiece, A History of American Theatre was the first of its kind, drawing on the author's own experiences. In it, he describes the development of theatre in New York, Philadelphia, and South Carolina as well as Congress's first attempts at theatrical censorship. Never before previously indexed, this edition also includes a new introduction by Tice L. Miller. 

[more]

front cover of
"Baad Bitches" and Sassy Supermamas
Black Power Action Films
Stephane Dunn
University of Illinois Press, 2008

Blaxploitation action narratives as well as politically radical films like Sweet Sweetback's Baadasssss Song typically portrayed black women as trifling "bitches" compared to the supermacho black male heroes. But starting in 1973, the emergence of "baad bitches" and "sassy supermamas" reversed the trend as self-assured, empowered, and tough black women took the lead in the films Cleopatra Jones, Coffy, and Foxy Brown.

Stephane Dunn unpacks the intersecting racial, sexual, and gender politics underlying the representations of racialized bodies, masculinities, and femininities in early 1970s black action films, with particular focus on the representation of black femininity. Recognizing a distinct moment in the history of African American representation in popular cinema, Dunn analyzes how it emerged from a radical political era influenced by the Black Power movement and feminism. Dunn also engages blaxploitation's legacy in contemporary hip-hop culture, as suggested by the music’s disturbing gender politics and the "baad bitch daughters" of Foxy Brown and Cleopatra Jones, rappers Foxy Brown and Lil' Kim.

[more]

front cover of Mr. Dooley in Peace and in War
Mr. Dooley in Peace and in War
Finley Peter Dunne
University of Illinois Press, 1988
Welcome to Mr. Dooley's place, a neighborhood saloon in the working-class community of Bridgeport, located on Chicago's near southwest side. Here matters of the gravest import are perused with homespun philosophy and good cheer. Covering the waterfront from Mack's (President McKinley's) foreign policies and political appointments to the Alaskan gold rush and juvenile delinquency, Martin T. Dooley holds forth from behind the bar, benevolently dispensing equal portions of wisdom and comical misunderstanding.

As Charlie McCarthy is to Edgar Bergen, so is Martin T. Dooley to newspaper humorist Finley Peter Dunne. Mr. Dooley in Peace and in War, originally published in 1898, collects brief, humorous pieces Dunne wrote for the Chicago Evening Post and the Chicago Journal. In an Irish-American dialect as thick as the foam on a pint of stout, Mr. Dooley and his friends discuss the military "sthrateejy" for American action in Cuba, "iliction" day shenanigans, Queen Victoria's jubilee, the "new woman," and the strange American sport of football, in which a player puts "a pair iv matthresses on his legs, a pillow behind, [and] a mask over his nose" and tries to kill his fellow men. Through his tall tales and speculations, Mr. Dooley reveals the pleasure and pain of being Irish in Chicago at the turn of the twentieth century.

Clothed in the charming hyperbole and mislocution of the unflappable Mr. Dooley, Dunne's incisive social criticism flies unerringly to the target, exposing prejudice, hypocrisy, insensitivity, and plain old-fashioned humbug.

[more]

front cover of Eight Women Philosophers
Eight Women Philosophers
Theory, Politics, and Feminism
Jane Duran
University of Illinois Press, 2005
Spanning over nine hundred years, Eight Women Philosophers is the first singly-authored work to trace the themes of standard philosophical theorizing and feminist thought across women philosophers in the Western tradition. Jane Duran has crafted a comprehensive overview of eight women philosophers--Hildegard of Bingen, Anne Conway, Mary Astell, Mary Wollstonecraft, Harriet Taylor Mill, Edith Stein, Simone Weil, and Simone de Beauvoir--that underscores the profound and continuing significance of these thinkers for contemporary scholars.
Duran devotes one chapter to each philosopher and provides a sustained critical analysis of her work, utilizing aspects of Continental theory, poststructuralist theory, and literary theory. She situates each philosopher within her respective era and in relation to her intellectual contemporaries, and specifically addresses the contributions each has made to major areas such as metaphysics/epistemology, theory of value, and feminist theory. She affirms the viability and importance of recovering these women's overlooked work and provides a powerful answer to the question of why the rubric "women philosophers" remains so valuable.
 
[more]

front cover of 100 Years of Women's Suffrage
100 Years of Women's Suffrage
A University of Illinois Press Anthology
Dawn Durante
University of Illinois Press, 2019
100 Years of Women’s Suffrage commemorates the centennial of the Nineteenth Amendment by bringing together essential scholarship on the women's suffrage movement and women's voting previously published by the University of Illinois Press. With an original introduction by Nancy A. Hewitt, the volume illuminates the lives and work of key figures while uncovering the endeavors of all women—across lines of gender, race, class, religion, and ethnicity—to gain, and use, the vote. Beginning with works that focus on cultural and political suffrage battles, the chapters then look past 1920 at how women won, wielded, and continue to fight for access to the ballot.

A curation of important scholarship on a pivotal historical moment, 100 Years of Women’s Suffrage captures the complex and enduring struggle for fair and equal voting rights.

Contributors: Laura L. Behling, Erin Cassese, Mary Chapman, M. Margaret Conway, Carolyn Daniels, Bonnie Thornton Dill, Ellen Carol DuBois, Julie A. Gallagher, Barbara Green, Nancy A. Hewitt, Leonie Huddy, Kimberly Jensen, Mary-Kate Lizotte, Lady Constance Lytton, and Andrea G. Radke-Moss

[more]

front cover of Women's Activist Organizing in US History
Women's Activist Organizing in US History
A University of Illinois Press Anthology
Dawn Durante
University of Illinois Press, 2022
Women in the United States organized around their own sense of a distinct set of needs, skills, and concerns. And just as significant as women's acting on their own behalf was the fact that race, class, sexuality, and ethnicity shaped their strategies and methods. This authoritative anthology presents some of the powerful work and ideas about activism published in the acclaimed series Women, Gender, and Sexuality in American History. Assembled to commemorate the series' thirty-fifth anniversary, the collection looks at two hundred years of labor, activist, legal, political, and community organizing by women against racism, misogyny, white supremacy, and inequality. The authors confront how the multiple identities of an organization's members presented challenging dilemmas and share the histories of how women created change by working against inequitable social and structural systems.

Insightful and provocative, Women’s Activist Organizing in US History draws on both classic texts and recent bestsellers to reveal the breadth of activism by women in the United States in the nineteenth and twentieth centuries.

Contributors: Daina Ramey Berry, Melinda Chateauvert, Tiffany M. Gill, Nancy A. Hewitt, Treva B. Lindsey, Anne Firor Scott, Charissa J. Threat, Anne M. Valk, Lara Vapnek, and Deborah Gray White

[more]

front cover of The Sexual Politics of Empire
The Sexual Politics of Empire
Postcolonial Homophobia in Haiti
Erin L. Durban
University of Illinois Press, 2023
Evangelical Christians and members of the global LGBTQI human rights movement have vied for influence in Haiti since the 2010 earthquake. Each side accuses the other of serving foreign interests. Yet each proposes future foreign interventions on behalf of their respective causes despite the country’s traumatic past with European colonialism and American imperialism. As Erin L. Durban shows, two discourses dominate discussions of intervention. One maintains imperialist notions of a backward Haiti so riddled with cultural deficiencies that foreign supervision is necessary to overcome Haitians’ resistance to progress. The other sees Haiti as a modern but failed state that exists only through its capacity for violence, including homophobia. In the context of these competing claims, Durban explores the creative ways that same-sex desiring and gender creative Haitians contend with anti-LGBTQI violence and ongoing foreign intervention.

Compelling and thought-provoking, The Sexual Politics of Empire examines LGBTQI life in contemporary Haiti against the backdrop of American imperialism and intervention.

[more]

front cover of Josephine Baker and Katherine Dunham
Josephine Baker and Katherine Dunham
Dances in Literature and Cinema
Hannah Durkin
University of Illinois Press, 2019
Josephine Baker and Katherine Dunham were the two most acclaimed and commercially successful African American dancers of their era and among the first black women to enjoy international screen careers. Both also produced fascinating memoirs that provided vital insights into their artistic philosophies and choices. However, difficulties in accessing and categorizing their works on the screen and on the page have obscured their contributions to film and literature. Hannah Durkin investigates Baker and Dunham’s films and writings to shed new light on their legacies as transatlantic artists and civil rights figures. Their trailblazing dancing and choreography reflected a belief that they could use film to confront racist assumptions while also imagining—within significant confines—new aesthetic possibilities for black women. Their writings, meanwhile, revealed their creative process, engagement with criticism, and the ways each mediated cultural constructions of black women's identities. Durkin pays particular attention to the ways dancing bodies function as ever-changing signifiers and de-stabilizing transmitters of cultural identity. In addition, she offers an overdue appraisal of Baker and Dunham's places in cinematic and literary history.
[more]

logo for University of Illinois Press
Cyber-Marx
Cycles and Circuits of Struggle in High Technology Capitalism
Nick Dyer-Witheford
University of Illinois Press, 1999
In this highly readable and thought-provoking work, Nick Dyer-Witheford assesses the relevance of Marxism in our time and demonstrates how the information age, far from transcending the historic conflict between capital and its laboring subjects, constitutes the latest battleground in their encounter.
 
Dyer-Witheford maps the dynamics of modern capitalism, showing how capital depends for its operations not just on exploitation in the immediate workplace, but on the continuous integration of a whole series of social sites and activities, from public health and maternity to natural resource allocation and the geographical reorganization of labor power. He also shows how these sites and activities may become focal points of subversion and insurgency, as new means of communication vital for the smooth flow of capital also permit otherwise isolated and dispersed points of resistance to connect and combine with one another.
 
Cutting through the smokescreen of high-tech propaganda, Dyer-Witheford predicts the advent of a reinvented, "autonomist" Marxism that will rediscover the possibility of a collective, communist transformation of society. Refuting the utopian promises of the information revolution, he discloses the real potentialities for a new social order in the form of a twenty-first-century communism based on the common sharing of wealth.
 
[more]

front cover of John Dygon's Proportiones practicabiles secundum Gaffurium
John Dygon's Proportiones practicabiles secundum Gaffurium
John Dygon
University of Illinois Press, 2006

A rare example of musical scholarship from the Tudor period, in translation and fully annotated

John Dygon was the prior of St. Augustine’s monastery in Canterbury when Henry VIII boldly dissolved the English Catholic Church during the 1530s and reorganized it under royal control. Only a single copy of Dygon’s manuscript on music theory has survived, held by Trinity College, Cambridge.  This volume will be the first publication of these two treatises, providing both a scholarly transcription and English translation.

Dygon’s treatise provides a rare and important example of musical scholarship from the early Tudor period, demonstrating the status of music education at the time, the affiliations of English scholarship with music study in Europe, and the music that was actually performed in England. The treatises address questions of musical notation, especially regarding rhythmic proportions, as well as practical issues about performance. Theodor Dumitrescu’s introduction situates Dygon’s treatises within the larger history of European music, paying close attention to its borrowings from and adaptations of prior treatises. 

[more]

front cover of Making the American Team
Making the American Team
Sport, Culture, and the Olympic Experience
Mark Dyreson
University of Illinois Press, 1998

Sport dominates television and the mass media. Politics and business are a-bustle with sports metaphors. Endorsements by athletes sell us products. "Home run," "slam dunk," and the rest of the vocabulary of sport color daily conversation. Even in times of crisis and emergency, the media reports the scores and highlights. 

Marky Dyreson delves into how our obsession with sport came into being with a close look at coverage of the Olympic Games between 1896 and 1912. How people reported and consumed information on the Olympics offers insight into how sport entered the heart of American culture as part of an impetus for social reform. Political leaders came to believe in the power of sport to revitalize the "republican experiment." Sport could instill a new sense of national identity that would forge a new sense of community and a healthy political order while at the same time linking America's intellectual and power elite with the experiences of the masses.

[more]

front cover of The Lecherous Professor
The Lecherous Professor
Sexual Harassment on Campus
Billie Wright Dziech
University of Illinois Press, 1990
How does society view and define sexual harassment of students by academicians? Does the collegiate environment exacerbate the problem and contribute to its current epidemic proportions? What can students, faculty, and administrators do about the problem? The Lecherous Professor addresses these timely issues, including the dilemma of teacher-student dating, newly devised policy statements on sexual harassment from several institutions, and faculty uneasiness about administrative directives on sexual harassment.
 
[more]


Send via email Share on Facebook Share on Twitter