A SCHOLARLY BOOK REPOSITORY242 start with S start with S
famous battlefields through patriotic rhetoric, monument building, physical
preservation, and battle reenactment. But each site is also a place where
different groups of Americans come to compete for ownership of cherished
national stories and to argue about the meaning of war, the importance
of martial sacrifice, and the significance of preserving the nation's
patriotic landscape.
From the anniversary speeches at Lexington and Concord that shaped the
image of the minuteman to Alamo Day speeches invoking the Texas "freedom
fighters" of 1836 in support of the contras in Nicaragua; from passionate
arguments over the placement of Confederate monuments at Gettysburg to
confrontations between militant American Indian Movement and "Custer
loyalists" during the Little Bighorn centennial in 1976; from the
treatment of the USS Arizona at Pearl Harbor to continuing attempts
to maintain the purity of these places in the face of commercialization---Sacred
Ground details the ongoing struggles to define, control, and subvert
patriotic faith as expressed at these ceremonial sites.
This survey of Sally Potter’s work explores her cinematic development from the feminist reworking of La Bohème in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing themes and preoccupations and shows how Potter uses song, dance, performance, and poetry to expand our experience of cinema beyond the audiovisual.
Potter has relentlessly struggled against predictability and safe options. Again and again, her works grapple with the complexities of being a woman in charge. Instead of the quest to find a romantic partner that drives mainstream cinema, Potter’s films feature characters seeking answers to questions about their sexual, gendered, social, cultural, and ethnic identities. They find answers by retelling stories, investigating mysteries, and traveling and interacting with people. At the heart of Potter’s work is a concern with the ways narrative circumscribes women's ability to act, speak, look, desire, and think for themselves. Her first two films, Thriller and The Gold Diggers, largely deconstruct found stories, clichés, and images. By contrast, later films like Orlando and The Tango Lesson create new and original narratives that place female acts, voices, looks, desires, and thoughts at their center.
Fowler’s analysis is supplemented by a detailed filmography, bibliography, and an extensive interview with the director.
Originally published in 1923.
At the heart of Dukore's study is an extensive and detailed examination of Peckinpah's distinctive editing techniques. Focusing on representative sequences--including the breakout from the bank and the final battle in The Wild Bunch, the half-hour siege that concludes Straw Dogs, the killing of the title characters of Pat Garrett and Billy the Kid, and combat sequences in Cross of Iron--Dukore provides a shot-by-shot analysis that illuminates Peckinpah's mastery of pacing and mood.
Sam Peckinpah's Feature Films demonstrates that Peckinpah's genius as a director and editor marks not only The Wild Bunch, Straw Dogs, and other classics but also his lesser-known feature films, even those that suffered substantial cuts at the hands of studio producers. Dukore's organic approach to the feature films reveals a highly unified body of work that remains a pointed commentary on power, violence, affection, and moral values.
Acclaimed biographer Howard Pollack (Aaron Copland, George Gershwin) offers a multifaceted account of Barber’s life and music while placing the artist in his social and cultural milieu. Born into a musical family, Barber pursued his artistic ambitions from childhood. Pollack follows Barber’s path from his precocious youth through a career where, from the start, the composer consistently received prizes, fellowships, and other recognition. Stylistic analyses of works like the Adagio for Strings, the Violin Concerto, Knoxville: Summer of 1915 for voice and orchestra, the Piano Concerto, and the operas Vanessa and Antony and Cleopatra, stand alongside revealing accounts of the music’s commissioning, performance, reception, and legacy. Throughout, Pollack weaves in accounts of Barber’s encounters with colleagues like Aaron Copland and Francis Poulenc, performers from Eleanor Steber and Leontyne Price to Vladimir Horowitz and Van Cliburn, patrons, admirers, and a wide circle of eminent friends and acquaintances. He also provides an eloquent portrait of the composer’s decades-long relationship with the renowned opera composer Gian Carlo Menotti.
Informed by new interviews and immense archival research, Samuel Barber is a long-awaited critical and personal biography of a monumental figure in twentieth-century American music.
"Until Hank Williams came along, it was just Bob Willis," says Willie Nelson. "He was it." And indeed he was, especially for the thousands in the Southwest who knew and loved the King of Western Swing. The colorful band leader-composer-fiddler from Turkey, Texas, lassoed the emotions of country-and-western fans nationwide. In the early 1940s, his records outsold those of any other recording artist. He was voted not only into the Country Music Hall of Fame but also into the National Cowboy Hall of Fame, the only performer other than Gene Autry to be so honored.
Affectionately written by a Texan who responded to the legendary fiddler's style, San Antonio Rose captures Wills's magnetism and the musical excitement he created. Charles R. Townsend traces Wills's dynamic life from his birth into a family of frontier fiddlers through his career and stardom and on to the poignant last recording session in 1973 and his death two years later. Townsend shows how Wills brought black and white music together and examines the tremendous impact he had on both popular and country music through the more than 550 selections he recorded and the forty years he and his Texas Playboys performed in dance halls and on radio.
Now back in print with a new introduction by the author, this is the classic study of America's most admired instant city, from its days as a sleepy Mexican village, through the Gold Rush and into its establishment as a major international port. Roger Lotchin examines the urbanizing influences in San Francisco and compares these to other urban centers, doing so against a colorful backdrop of opium dens and other sinful institutions.
Founded in 1919, the Communist Party (CP) in San Francisco survived an ineffectual early period to become a force in the trade union heyday of the 1930s. Robert Cherny uses the lives and careers of more than fifty members to tell the story of the city’s CP from its founding through 1958.
Cherny draws on FBI files, the records of the CP at the Russian State Archive for Social and Political History, interviews, and memoirs to follow male and female party and union leaders, rank-and-file members, and others. His history reveals why people joined the CP while charting the frequent changes in policy, constant member turnover, and disruptive factionalism that limited party aims and successes. Cherny also follows his subjects through their resignations, expulsions, or other reasons for departure and looks at the CP’s influence on their lives in subsequent years.
Vivid and exhaustively researched, San Francisco Reds is a long view account of the personal motivations and activism of an Old Left generation in a West Coast city.
Before Arnold Schwarzenegger, Steve Reeves, or Charles Atlas, there was German-born Eugen Sandow (1867-1925), a muscular vaudeville strongman who used his good looks, intelligence, and business savvy to forge a fitness empire.
David L. Chapman tells the story of the immensely popular showman who emphasized physique display rather than lifting prowess. But he also looks at Sandow's success off-stage, where the entertainer helped found the fitness movement by establishing a worldwide chain of gyms, publishing a popular magazine, selling exercise equipment, and pioneering the use of food supplements. Chapman explains physical culture's popularity in terms of its wider social implications while delving into how Sandow, by making exercise fashionable, ushered in the fitness craze that continues today.
This new edition has been revised and enlarged with an afterword that includes unpublished information, new photographs of Sandow and his contemporaries, and an updated index.
This fascinating urban anthropological analysis of Sarajevo and its cultural complexities examines contemporary issues of social divisiveness, pluralism, and intergroup dynamics in the context of national identity and state formation. Rather than seeing Bosnia-Herzegovina as a volatile postsocialist society, the book presents its capital city as a vibrant yet wounded center of multicultural diversity, where citizens live in mutual recognition of difference while asserting a lifestyle that transcends boundaries of ethnicity and religion. It further illuminates how Sarajevans negotiate group identity in the tumultuous context of history, authoritarian rule, and interactions with the built environment and one another.
As she navigates the city, Fran Markowitz shares narratives of local citizenry played out against the larger dramas of nation and state building. She shows how Sarajevans' national identities have been forged in the crucible of power, culture, language, and politics. Sarajevo: A Bosnian Kaleidoscope acknowledges this Central European city's dramatic survival from the ravages of civil war as it advances into the present-day global arena.
Cedric Cowing demonstrates that there were two Englands, one evangelistic and one rationalistic. In the northwest of the British Isles was a society that was pastoral, westering, otherworldly, and revivalist--in the southeast was another, more established and mercantile. These two strains set the stage and powered the action for the biggest religious event of the eighteenth century--the Great Awakening.
The leaders of the New Light in the Great Awakening were the Saving Remnant, mostly ministers with liberal education who retained their evangelical and seeker religiosity. The clearly identifiable regional religious parallels between old England and New are still discernable today and give a new slant to heretofore unresolved historiographical issues. Cowing shows how regionalism influenced the nature of New England Puritanism and how the presence of a strong and persistent link between regional origins and religious behavior led to the inevitability of the Salem witch trials.
Positing the household as the central institution of southern society, Edwards delineates the inseparable links between domestic relations and civil and political rights in ways that highlight women's active political role throughout the nineteenth century. She draws on diaries, letters, newspaper accounts, government records, legal documents, court proceedings, and other primary sources to explore the experiences and actions of individual women in the changing South, demonstrating how family, kin, personal reputation, and social context all merged with gender, race, and class to shape what particular women could do in particular circumstances.
Meet Harriet Jacobs, the escaped slave who hid in a tiny, unheated attic on her master's property for seven years until she could free her children and herself. Marion Singleton Deveaux Converse, the southern belle who leaped out a second-story window to escape her second husband's "discipline" and received temporary shelter from her slaves. Sarah Guttery, a white, poor, unwed mother of two, whose hard work and clean living earned her community's respect despite her youthful transgressions. Aunt Lucy, who led her fellow slaves in taking over her master's abandoned plantation and declared herself the new mistress.
Through vivid portraits of these and other slaves, free blacks, common whites, and the white elite, Edwards shows how women's domestic situations determined their lives before the war and their responses to secession and armed conflict. She also documents how women of various classes entered into the process of rebuilding, asserting new rights and exploring new roles after the war.
An ideal basic text on society in the Civil War era, Scarlett Doesn't Live Here Anymore demonstrates how women on every step of the social ladder worked actively throughout the period to shape southern society in ways that fulfilled their hopes for the future. They used the resources at their disposal to fashion their own positive identities, to create the social bonds that sustained them in difficult times, and to express powerful social critiques that helped them make sense of their lives.
Jennifer Rycenga recovers a pioneering example of antiracism and Black-white cooperation. At once an inspirational and cautionary tale, Canterbury Academy succeeded thanks to far-reaching networks, alliances, and activism that placed it within Black, women’s, and abolitionist history. Rycenga focuses on the people like Sarah Harris, the Academy’s first Black student; Maria Davis, Crandall’s Black housekeeper and her early connection to the embryonic abolitionist movement; and Crandall herself. Telling their stories, she highlights the agency of Black and white women within the currents, and as a force changing those currents, in nineteenth-century America.
Insightful and provocative, Schooling the Nation tells the forgotten story of remarkable women and a collaboration across racial and gender lines.
Georg Simmel pits the two German masters of philosophy of life against
each other in a play of opposition and supplementation. This first English
translation of Simmel's work includes an extensive introduction, providing
the reader with ready access to the text by mapping its discursive strategies.
In Science and Social Inequality, Sandra Harding makes the provocative argument that the philosophy and practices of today's Western science, contrary to its Enlightenment mission, work to insure that more science will only worsen existing gaps between the best and worst off around the world. She defends this claim by exposing the ways that hierarchical social formations in modern Western sciences encode antidemocratic principles and practices, particularly in terms of their services to militarism, the impoverishment and alienation of labor, Western expansion, and environmental destruction. The essays in this collection--drawing on feminist, multicultural, and postcolonial studies--propose ways to reconceptualize the sciences in the global social order.
At issue here are not only social justice and environmental issues but also the accuracy and comprehensiveness of our understandings of natural and social worlds. The inadvertent complicity of the sciences with antidemocratic projects obscures natural and social realities and thus blocks the growth of scientific knowledge. Scientists, policy makers, social justice movements and the consumers of scientific products (that is, the rest of us) can work together and separately to improve this situation.
Zacher's account delves into details inside a major newspaper operation during World War I and provides fascinating accounts of its struggles with competition, attending to patriotic duties, and internal editorial dissent. Zacher also looks at war-related issues, considering the newspapers' relationship with President Woodrow Wilson, American neutrality, the move to join the war, and fallout from disillusionment over the actuality of war. As Zacher shows, the progressive spirit and political independence at the Scripps newspapers came under attack and was changed forever during the era.
Hitchcock allowed his writers a great deal of creative freedom, which resulted in dynamic screenplays that expanded traditional narrative and defied earlier conventions. Critically examining the question of authorship in film, Raubicheck and Srebnick argue that Hitchcock did establish visual and narrative priorities for his writers, but his role in the writing process was that of an editor. While the writers and their contributions have generally been underappreciated, this study reveals that all the dialogue and much of the narrative structure of the films were the work of screenwriters Jay Presson Allen, Joseph Stefano, and Evan Hunter. The writers also shaped American cultural themes into material specifically for actors such as Janet Leigh, Tippi Hedren, and Tony Perkins. This volume gives due credit to those writers who gave narrative form to Hitchcock's filmic vision.
Based on an ethnographic study of the barrio of San Antón in the city of Ponce, Scripts of Blackness examines institutional and local representations of blackness as developing from a power-laden process that is inherently selective and political, not neutral or natural. Godreau traces the presumed benevolence or triviality of slavery in Puerto Rico, the favoring of a Spanish colonial whiteness (under a hispanophile discourse), and the insistence on a harmonious race mixture as discourses that thrive on a presumed contrast with the United States that also characterize Puerto Rico as morally superior. In so doing, she outlines the debates, social hierarchies, and colonial discourses that inform the racialization of San Antón and its residents as black.
Mining ethnographic materials and anthropological and historical research, Scripts of Blackness provides powerful insights into the critical political, economic, and historical context behind the strategic deployment of blackness, whiteness, and racial mixture.
Antebellum secret societies ranged politically from those with progressive or even revolutionary agendas to those that pursued conservative or oppressive goals. This book shows how, in the years leading up to the Civil War, these clandestine organizations exacerbated existing sectional tensions in the United States. Lause's research indicates that the pervasive influence of secret societies may have played a part in key events such as the Freesoil movement, the beginning of the Republican party, John Brown's raid on Harpers Ferry, Lincoln's election, and the Southern secession process of 1860-1861.
This exceptional study encompasses both white and African American secret society involvement, revealing the black fraternal experience in antebellum America as well as the clandestine operations that provided assistance to escaped slaves via the Underground Railroad. Unraveling these pervasive and extensive networks of power and influence, A Secret Society History of the Civil War demonstrates that antebellum secret societies played a greater role in affecting Civil War-era politics than has been previously acknowledged.
Drawing on the letters, diaries, and other reminiscences of these raw recruits on both sides of the conflict, “Seeing the Elephant” gives a vivid and valuable primary account of the terrible struggle.
From the wide range of voices included in this volume emerges a nuanced picture of the psychology and motivations of the novice soldiers and the ways in which their attitudes toward the war were affected by their experiences at Shiloh.
This landmark volume collects Lucretia Mott's correspondence for the first time, highlighting the length and breadth of her work as an activist dedicated to reform of almost every kind and providing an intimate glimpse of her family life.
Mott’s achievements left a mark on reform movements from abolition to women's rights. The letters cover her work in these causes as well as her founding of key antislavery organizations; her friendships with Harriet Tubman and Sojourner Truth; her efforts to bring Quakers into the abolitionist movement; and her part in organizing the 1848 Seneca Falls Woman's Rights Convention. Other correspondence cover her fifty-six-year marriage, the five children she raised to adulthood, and informal insights and news with and about her cherished family.
An invaluable resource, Selected Letters of Lucretia Coffin Mott reveals the incisive mind, sense of mission, and level-headed personality that made this extraordinary figure a major force in nineteenth-century American life.
For all her public compassion and visibility as an outspoken pacifist, Progressive reformer, and founder of Hull-House, Addams was an intensely private person who revealed her personal side only to family and close friends. Drawing on letters, diaries, and other writings from her childhood in Cedarville, Illinois, and her education at the Rockford Female Seminary, this volume provides heretofore unavailable insight into her developing ideas, educational experiences, and personal relationships.
More than just biographical records, The Selected Papers of Jane Addams defines the era in which Addams lived. Unique yet representative of the spiritual ideals and political sensibilities of post-Civil War women and society, Addams's lesser-known, personal writings are necessary reading for scholars and historians. The volume explores important themes, including the migration of families westward, the first generation of college women, and the religious and domestic lives of nineteenth-century Americans. The editors' rich annotation of individuals and events featured in the documents and appendix of biographical profiles represent a trove of primary research and place the documents in historical context.
Artfully annotated, The Selected Papers of Jane Addams offers an evocative choice of correspondence, photographs, and other primary documents, presenting a multi-layered narrative of Addams's personal and emerging professional life. Themes inaugurated in the previous volume are expanded here, including dilemmas of family relations and gender roles; the history of education; the dynamics of female friendship; religious belief and ethical development; changes in opportunities for women; and the evolution of philanthropy, social welfare, and reform ideas.
The third volume in this acclaimed series documents Addams’s creation of Hull-House and her rise to worldwide fame as the acknowledged female leader of progressive reform. It also provides evidence of her growing commitment to pacifism. Here we see Addams, a force of thought, action, and commitment, forming lasting relationships with her Hull-House neighbors and the Chicago community of civic, political, and social leaders, even as she matured as an organizer, leader, and fund-raiser, and as a sought-after speaker, and writer. The papers reveal her positions on reform challenges while illuminating her strategies, successes, and responses to failures. At the same time, the collection brings to light Addams’s private life. Letters and other documents trace how many of her Hull-House and reform alliances evolved into deep, lasting friendships and also explore the challenges she faced as her role in her own family life became more complex.
Fully annotated and packed with illustrations, The Selected Papers of Jane Addams, Volume 3 is a portrait of a woman as she changed—and as she changed history.
This volume focuses on Sanger from her groundbreaking overseas advocacy during the interwar years through her postwar role in creating the International Planned Parenthood Federation. The documents reconstruct Sanger's dramatic birth control advocacy tours through early 1920s Germany, Japan, and China in the midst of significant government and religious opposition to her ideas. They also trace her tireless efforts to build a global movement through international conferences and tours. Letters, journal entries, writings, and other records reveal Sanger's contentious dealings with other activists, her correspondence with the likes of Albert Einstein and Eleanor Roosevelt, and Sanger's own dramatic evolution from gritty grassroots activist to postwar power broker and diplomat.
A powerful documentary history of a transformative twentieth-century figure, The Selected Papers of Margaret Sanger, Volume 4 is a primer for the debates on individual choice, sex education, and planned parenthood that remain all-too-pertinent in our own time.
Selected Poems is compiled from the best works in Jean Garrigue's eight published collections. Garrigue (1914-72) is recognized as a leading American poet of the fifties and sixties. Among her awards and honors were a Guggenheim fellowship and a National Institute of Arts and Letters grant.
Balancing essays on Herbert Blumer with Blumer's own writings on race relations, labor and management conflict, urbanization, and popular culture, this volume--originally published as Social Order and the Public Philosophy--establishes Blumer's thought as a basis for a public policy that remains faithful to the essential character of human life in a permanently pluralized and segmented society.
Stanford M. Lyman and Arthur J. Vidich situate Blumer's ideas in the context of earlier public philosophers, such as William Graham Sumner, Herbert Croly, and Walter Lippmann. They consider the implications of Blumer's works for America's most pressing social issues and propose a sophisticated civic sociology of their own based on his studies and methods. Their new afterword affirms the rich harvest Blumer's philosophy continues to yield for postmodern society.
Understanding instead of lamenting the popularity of self-help books
Based on a reading of more than three hundred self-help books, Sandra K. Dolby examines this remarkably popular genre to define "self-help" in a way that's compelling to academics and lay readers alike. Self-Help Books also offers an interpretation of why these books are so popular, arguing that they continue the well-established American penchant for self-education, they articulate problems of daily life and their supposed solutions, and that they present their content in a form and style that is accessible rather than arcane.
Using tools associated with folklore studies, Dolby then examines how the genre makes use of stories, aphorisms, and a worldview that is at once traditional and contemporary. The overarching premise of the study is that self-help books, much like fairy tales, take traditional materials, especially stories and ideas, and recast them into extended essays that people happily read, think about, try to apply, and then set aside when a new embodiment of the genre comes along.
The post-World War II years in the United States were marked by the business community's efforts to discredit New Deal liberalism and undermine the power and legitimacy of organized labor. In Selling Free Enterprise, Elizabeth Fones-Wolf describes how conservative business leaders strove to reorient workers away from their loyalties to organized labor and government, teaching that prosperity could be achieved through reliance on individual initiative, increased productivity, and the protection of personal liberty.
Based on research in a wide variety of business and labor sources, this detailed account shows how business permeated every aspect of American life, including factories, schools, churches, and community institutions.
the semantic conception of theories by one of its chief developers. Suppe has
always seen the semantic conception as providing a way of moving beyond empiricist
philosophies of science. This book provides the definitive account of his views
not only on the issue of realism, but also on a variety of other issues central
to the philosophy of science."
-- Ronald N. Giere, author of Explaining Science: A Cognitive Approach
Walsh fought throughout his long career against corruption and monopoly power. During his early years as a lawyer-politician in Helena, he was often in conflict with the "Copper Kings" and other powerful figures. As a senator, he became an internationalist, working throughout the 1920s for naval disarmament, the World Court, the St. Lawrence Seaway, and the Kellogg-Briand Pact for the "outlawry" of war.
In his most celebrated coup, breaking open the Teapot Dome scandal of 1923-24, Walsh revealed that the secretary of the interior had accepted "loans" from oil men in return for leases of U.S. naval oil reserves. Working through the Public Lands Committee of the Senate, Walsh enjoyed support for his investigation from members of both parties, and the Supreme Court endorsed his interpretation of the scandal in 1927. Shortly before his death, he presided over the Democratic National Convention that nominated Franklin Roosevelt and served for a brief time as a key figure in the new leader's circle.
Drawing on archival sources of unprecedented depth, including personal letters between Walsh and his first wife, Elinor McClements Walsh, Bates's expansive study paints a richly detailed portrait of an influential and principled figure whose political career spanned world war, depression, and the administrations of six presidents.
In Sensing Chicago, Adam Mack lets fresh air into the sensory history of Chicago in the nineteenth and early twentieth centuries by examining five case studies: the Chicago River, the Great Fire, the 1894 Pullman Strike, the publication of Upton Sinclair's The Jungle, and the rise and fall of the White City amusement park. His vivid recounting of the smells, sounds, and tactile miseries of city life reveals how input from the five human senses influenced the history of class, race, and ethnicity in the city. At the same time, he transports readers to an era before modern refrigeration and sanitation, when to step outside was to be overwhelmed by the odor and roar of a great city in progress.
apostle of religious tolerance and a foe of religious establishments.
In Separating Church and State, Timothy Hall combines impressive
historical and legal scholarship to explore Williams's theory of religious
liberty and relate it to current debate. Williams's fierce religious dogmaticism,
Hall argues, is precisely what led to his religious tolerance, making
him one of the most articulate champions of the argument for the necessary
separation of church and state.
"Both timely and provocative. . . . Offers Williams's largely overlooked
but deeply important perspective on the peaceful coexistence of committed
believers of diverse faiths. The book also brings into question crucial
tenets of the United States Supreme Court's First Amendment religion clause
jurisprudence at a time when many are raising questions about it."
-- Marci A. Hamilton, Benjamin N. Cardozo School of Law, New York City
"Hall has the entire Williams corpus under his command, and he plays
the relevant texts like a master organist. He also has the legal corpus
equally at his fingertips. One of the great strengths of his book is that
it bridges the too often separate fields of history and jurisprudence."
-- Edwin Gaustad, author of Liberty of Conscience: Roger Williams in
America
Deftly merging political and social history, Serbia under the Swastika looks at the interactions between Germany’s occupation policies, the various forces of resistance and collaboration, and the civilian population. Alexander Prusin reveals a German occupying force at war with itself. Pragmatists intent on maintaining a sedate Serbia increasingly gave way to Nazified agencies obsessed with implementing the expansionist racial vision of the Third Reich. As Prusin shows, the increasing reliance on terror catalyzed conflict between the nationalist Chetniks, communist Partisans, and the collaborationist government. Prusin unwraps the winding system of expediency that at times led the factions to support one-another against the Germans--even as they fought a ferocious internecine civil war to determine the future of Yugoslavia.
Comprehensive and judicious, Serbia under the Swastika is a rare English-language foray into the still-fraught history of Serbia in World War II.
Serving Genius tells the life story of Carlo Maria Giulini, one of the most renowned and beloved conductors of the twentieth century. Detailing Giulini's extraordinary professional career, Thomas D. Saler also chronicles Giulini's personal life, including his musical awakening while growing up amid the spectacular beauty of the Dolomite mountains, his years as a student in Rome's Academy of St. Cecilia, his conscription into the Italian army during World War II, his nine months in hiding for his anti-fascist and pacifist beliefs, and his selfless devotion to his wife, Marcella.
A humble master who shunned the limelight, Giulini took a deeply emotional and subjective approach to making music. Saler provides uniquely detailed analysis of Giulini's nuanced musicianship and the way he conveyed that musicianship to the orchestra through physical gestures. Meditating on the very art of conducting at which Giulini excelled, Saler discusses each of the conductor's major musical appointments, including stints with the Chicago Symphony Orchestra, Philharmonia Orchestra, Vienna Symphony, and Los Angeles Philharmonic. The book also addresses his repertoire of choice, leadership style, and moral framework.
Drawing on extensive interviews with Giulini's family, music critics, arts administrators, orchestra members, and collaborating soloists, Serving Genius draws out the personal amid the professional life of this giant among twentieth-century conductors.
Tracing the views of the church through its official and unofficial publications and through interviews with dozens of Adventist informants, Laura Vance reveals a significant shift around the turn of the century in women's roles advocated by the church: from active participation in the functioning, spiritual leadership, teaching, and evangelism of Adventism to an insistence on homemaking as a woman's sole proper vocation. These changes in attitude, Vance maintains, are inextricably linked to Adventism's shift from sect to church: in effect, to its maturation as a denomination.
Vance suggests that the reemergence of women in positions of influence within the church in recent decades should be viewed not as a concession to secular feminist developments but rather as a return to Adventism's earlier conception of gender roles. By examining changes in the movement's relationship with the world and with its own history, Seventh-day Adventism in Crisis offers a probing examination of how a sect founded on the leadership of women came to define women's roles in ways that excluded them from active public participation and leadership in the church.
When seeking approaches for sex education, few look to the past for guidance. But Susan K. Freeman's investigation of the classrooms of the 1940s and 1950s offers numerous insights into the potential for sex education to address adolescent challenges, particularly for girls. From rural Toms River, New Jersey, to urban San Diego and many places in between, the use of discussion-based classes fostered an environment that focused less on strictly biological matters of human reproduction and more on the social dimensions of the gendered and sexual worlds that the students inhabited.
Although the classes reinforced normative heterosexual gender roles that could prove repressive, the discussion-based approach also emphasized a potentially liberating sense of personal choice and responsibility in young women's relationship decisions. In addition to the biological and psychological underpinnings of normative sexuality, teachers presented girls' sex lives and gendered behavior as critical to the success of American families and, by extension, the entire way of life of American democracy. The approaches of teachers and students were sometimes predictable and other times surprising, yet almost wholly without controversy in the two decades before the so-called Sexual Revolution of the 1960s. Sex Goes to School illuminates the tensions between and among adults and youth attempting to make sense of sex in a society that was then, as much as today, both sex-phobic and sex-saturated.
In charting the growth of the sex radical movement, Joanne E. Passet draws on a host of documents from the period -- letters, periodicals, lectures, and pamphlets -- to establish a strong link between the rise of print culture and the freedom of citizens, especially women, to build geographically dispersed communities of ideas. She also advances models of sexuality that challenge the restrictive mores of society at large and shows that the majority of correspondents who participated in the sex radical movement resided in the Midwest and the Great Plains states, where ideas of individual freedom and sovereignty resonated particularly strongly.
Passet vividly demonstrates how this sex radical movement laid the foundations upon which later generations of women’s rights crusaders and feminists would build, placing discussions of sex and sexuality squarely in the public arena.
Sex, Sexuality, and the Anthropologist recounts the real-life experiences of anthropologists who are forced to acknowledge that their hosts in the field view them as gendered beings in a social context, not as asexual, objective observers. Far from controlling the research environment and defining the terms of interviewer-informant relationships, these researchers find they must engage in a process of negotiating their position—including their sexual position—within the communities they study.
Ranging from public baths in Austria to lesbian bars in Taiwan and from Mexico to Nigeria to Finland to Japan, Sex, Sexuality, and the Anthropologist raises critical questions about ethnographers' reflexivity, subjectivity, and detachment, confronting the challenge of a holistic approach to the anthropological enterprise.
Ranging from Cold War tensions to gender anxiety to controversies around doping, Lindsay Parks Pieper explores sex testing in sport from the 1930s to the early 2000s. Pieper examines how the IOC in particular insisted on a misguided binary notion of gender that privileged Western norms. Testing evolved into a tool to identify--and eliminate--athletes the IOC deemed too strong, too fast, or too successful. Pieper shows how this system punished gifted women while hindering the development of women's athletics for decades. She also reveals how the flawed notions behind testing--ideas often sexist, racist, or ridiculous--degraded the very idea of female athleticism.
The incisive and innovative readings in Sexual Generations provide food for thought about how the final frontier can clarify pressing questions of our own space and time.
Compelling and thought-provoking, The Sexual Politics of Empire examines LGBTQI life in contemporary Haiti against the backdrop of American imperialism and intervention.
Pete Daniel's book is about this largely ignored form of twentieth-century slavery. It is in part "the record of an American failure, the inability of federal, state, and local law-enforcement officers to end peonage." In a series of case studies and histories, Daniel re-creates the neglected and frightening world of peonage, demanding, "If a form of slavery yet exists in the United States, as so much evidence suggests, then the relevant questions are why, and by whose irresponsibility?"
Peonage grew out of labor settlements following emancipation, when employers forbade croppers to leave plantations because of debt (often less than $30). At the turn of the century the federal government acknowledged that the "labyrinth of local customs and laws" binding men in debt was peonage. They outlawed debt servitude and slowly moved against it, but with no large success. Disappearing witnesses and acquitted employers characterized the cases that did go to court.
Daniel holds that peonage persists for many reasons: the corruption and apathy of law-enforcement, racist traditions in the South, and the impotence of the Justice Department in prosecuting this violation of federal law. He draws extensively on complaints and trial transcripts from the peonage records of the Justice Department.
Despite uncertain beginnings, public broadcasting emerged as a noncommercial media industry that transformed American culture. Josh Shepperd looks at the people, institutions, and influences behind the media reform movement and clearinghouse the National Association of Educational Broadcasters (NAEB) in the drive to create what became the Public Broadcasting Service and National Public Radio.
Founded in 1934, the NAEB began as a disorganized collection of undersupported university broadcasters. Shepperd traces the setbacks, small victories, and trial and error experiments that took place as thousands of advocates built a media coalition premised on the belief that technology could ease social inequality through equal access to education and information. The bottom-up, decentralized network they created implemented a different economy of scale and a vision of a mass media divorced from commercial concerns. At the same time, they transformed advice, criticism, and methods adopted from other sectors into an infrastructure that supported public broadcasting in the 1960s and beyond.
From a behind-the-scenes perspective, David Witwer describes how Pegler and his publisher, the politically powerful Roy W. Howard, shaped the news coverage of this scandal in ways that obscured the corrupt ties between employers and the mob while emphasizing the perceived menace of union leaders empowered by New Deal legislation that had legitimized organized labor. Pegler, Howard, and the rest of the mainstream press pointedly ignored evidence of the active role that business leaders took in the corruption, which badly tarnished the newly reborn labor movement.
Because he was more concerned with pursuing political gains for the conservative movement, Pegler's investigative journalism did little to reform union governance or organized crime's influence on labor unions. The union corruption scandal only undercut the labor movement. Pegler's continuing campaign against labor corruption framed the issue in ways that set the stage for postwar political defeats, culminating with the 1947 Taft-Hartley Act, which greatly limited the power of labor unions in the United States.
Demonstrating clearly and convincingly how journalism is wielded as a political weapon, Witwer studies a broad range of forces at play in the labor union scandal and its impact, including the influence of the press, organized crime, political corruption, and businessmen following their own economic imperatives.
Innovative and engaging, Shadow Traces illuminates how photographs shape the history of marginalized people and outlines a method for using such materials in interdisciplinary research.
will move and inform generations. As we lose eyewitnesses to this ultimate
horror, the Kuperhands present us with an elegantly restrained, yet hard-hitting,
Kaddish to Polish Jewry.
Miriam was the daughter of a prosperous furrier; Saul was the son of
a poor shoemaker. Miriam was sixteen when she and her brother roamed the
wild countryside of Poland, searching for food and shelter--and for their
parents. Saul was only a few years older when he watched the smoke rising
from the crematoria and knew that his parents, sister, and eight brothers
were gone forever. Miriam lived by hiding; Saul lived by escaping from
the camp.
The authors emphasize the essential role that Polish Christians played
in their survival and stress that wit, courage, faith, luck, and even
a strong will to live were worthless without their help.
The travail of their survival is wrenching yet comforting, tragic yet
upbeat, cinematic yet intimate. Shadows of Treblinka will haunt
and inspire its readers.
Peter N. Stearns draws on his long career as a historian of emotions to provide the foundational text on shame’s history and how this history contributes to contemporary issues around the emotion. Summarizing current research, Stearns unpacks the major debates that surround this complex emotion. He also surveys the changing role of shame in the United States from the nineteenth century to today, including shame’s revival as a force in the 1960s and its place in today’s social media. Looking ahead, he maps the abundant opportunities for future historical research and historically informed interdisciplinary scholarship.
Written for interested readers and scholars alike, Shame combines significant new research with a wider synthesis.
An original and moving analysis, Shapeshifting Subjects draws on unpublished archival material to apply Anzaldúa's ideas to new areas of thought and action.
This eloquent volume examines how memoirs, films, photographs, art, and literature, as well as family conversations and personal remembrances, embody the impulse to preserve what is destroyed. The contributors -- all distinguished women scholars, most of them survivors or daughters of survivors--examine classic memorializations such as Claude Lanzmann's film Shoah and Roman Vishniac's photographs of prewar Jews as well as several less-well-known works. They also address ways in which children of survivors of the Holocaust--and of other catastrophic traumas--struggle with inherited or vicarious memory, striving to come to terms with losses that centrally define them although they experience them only indirectly.
Shaping Losses considers the limitations of Holocaust representations and testimonies that capture shards of the experience but are necessarily selective and reductive. Contributors discuss artistic efforts to "preserve the rawness" of memory, to resist redemptive closure in Holocaust narratives and public memorials, and to prevent the Holocaust from being sealed in "the cold storage of history." The authors probe the nature of memory and of trauma, studying the use of language within and outside a traumatic context such as Auschwitz and pinpointing the qualities that make traumatic memory ineffable, untransmittable, and perhaps unreliable. Within the "haunted terrain of traumatized memory" that all Holocaust testimonies inhabit, the impulse to give form to emptiness--to shape loss--emerges as a necessary betrayal, a vital effort to bridge the gap between history and memory.
topics. Rather than offering a Band-Aid approach to curricular offerings,
the contributors demonstrate inclusive, innovative ways to integrate multicultural
issues and media into existing courses.
In "Struggling for America's Soul: A Search for Some Common Ground
in the Multicultural Debate," Lester Friedman leads off the volume
with an analysis of the value and necessity of multicultural approaches
for today's students and for society at large. The essays that follow
provide a wealth of material for organizing courses, including week-by-week
syllabi detailing specific writing assignments, bibliographical information
on readings, and sources for films and videos. The contributors, who teach
at institutions ranging from community colleges through major research
universities, describe their experiences teaching students of various
ages, backgrounds, and interests.
Shared Differences will be of value to all who use media as a
tool in their teaching, whether in history, literature, or the social
sciences, as well as to those who teach film and video production.
By examining the mutual influence of history and folk culture, Shared Traditions reveals the essence of southern culture in the complex and dynamic interactions of descendants of Europeans, Africans, and Native Americans. The book covers a broad spectrum of southern folk groups, folklore expressions, and major themes of southern history, including antebellum society, slavery, the coming of the Civil War, economic modernization in the Appalachians and the Sea Islands, immigration, the civil rights movement, and the effects of cultural tourism.
Joyner addresses the convergence of African and European elements in the Old South and explores how specific environmental and demographic features shaped the acculturation process. He discusses divergent practices in worship services, funeral and burial services, and other religious ceremonies. He examines links between speech patterns and cultural patterns, the influence of Irish folk culture in the American South, and the southern Jewish experience. He also investigates points of intersection between history and legend and relations between the new social history and folklore.
Ranging from rites of power and resistance on the slave plantation to the creolization of language to the musical brew of blues, country, jazz, and rock, Shared Traditions reveals the distinctive culture born of a sharing by black and white southerners of their deep-rooted and diverse traditions.
Until recently, historians have assumed that Central Algonquians derive from politically unified tribes, but by analyzing the crucial role that individuals, institutions, and policies played in shaping modern tribal governments, Warren reveals a messier, more complicated history of migration and conflict. Ultimately, Warren establishes that the form of the modern Shawnee "tribe" was coerced in accordance with the U.S. government's desire for an entity with whom to do business, rather than as a natural development of traditional Shawnee ways.
Jason Strange shows where homesteaders fit, and don't fit, within contemporary America. Blending history with personal stories, Strange visits pig roasts and bohemian work parties to find people engaged in a lifestyle that offers challenge and fulfillment for those in search of virtues like self-employment, frugality, contact with nature, and escape from the mainstream. He also lays bare the vast differences in education and opportunity that leave some homesteaders dispossessed while charting the tensions that arise when people seek refuge from the ills of modern society—only to find themselves indelibly marked by the system they dreamed of escaping.
The battle around Chattanooga in the late fall of 1863 were among the most decisive of the Civil War, opening the Deep South to the Union and setting the stage for the Atlanta campaign and the March to the Sea. After Chattanooga, the principal Confederate army in the West fought without spirit or hope of victory. Cozzens's comprehensive account details movements of individual regiments, even as it reveals the larger impact of the campaign on the outcome of the war.
In The Shipwreck of Their Hopes, Cozzens draws on his acclaimed storytelling skills and exhaustive research efforts to fully chronicle one of the South's most humiliating defeats. As in his earlier books, he brings to life the officers and enlisted men who fought the war.
Shouting Down the Silence presents the first complete biography of Stanley Elkin, a preeminent novelist who consistently won high marks from critics but whose complexities of style seemed destined to elude the popular acclaim he hoped to attain. From the publication of his second novel, A Bad Man, in 1967 to his death in 1995, Elkin was tormented by the desire for both material and artistic success.
Elkin's novels were taught in colleges and universities, his fiction received high praise from critics and reviewers (two of his novels won National Book Critics Circle Awards), and his short stories were widely anthologized--and yet he was unable to achieve renown beyond the avant-garde, or to escape the stigma of being an "academic writer." He wanted to be Faulkner, but he had trouble being Elkin.
Drawing on personal interviews and an intimate knowledge of Elkins's life and works, David C. Dougherty captures Elkin's early life as the son of a charismatic, intimidating, and remarkably successful Jewish immigrant from Russia, as well as his later career at Washington University in St. Louis. A frequent participant at the annual Bread Loaf Writers' conference, he was the friend--and sometime antagonist--of other important writers, particularly Saul Bellow, William Gass, Howard Nemerov, and Robert Coover.
Despite failed attempts to bridge the gap from his academic post to wide popular success, Elkin continued to write essays, stories, and novels that garnered unerring praise. His was a classic dilemma of an intellectual aesthete loath to make use of the common devices of popular appeal. The book details the ambition, the success, the friction, and the foibles of a writer who won fame, but not the fame he wanted.
[brings] new levels of scholarship and sophistication to the study of
western films.... Should prove useful in the classroom, both for social
history and film history courses. It will introduce readers to a new way
to view some of the old horse operas that they had once taken for granted
as fluffy entertainment."
-- Western American Literature
'"The best of the recent
books to deal with Westerns produced since World War II --- in fact, probably
the best recent study of the Western."
-- Journal of the West
"Recommended for the
student of film and the hardcore film buff. The rest of you will be surprised,
delighted, perhaps even angered by some of the conclusions Lenihan has
come to."
-- Film World
Some contributors explore the physical objects and industrial relations that make up an infrastructure. Others venture into the marginalized communities orphaned from the knowledge economies, technological literacies, and epistemological questions linked to infrastructural formation and use. The wide-ranging insights delineate the oft-ignored contrasts between industrialized and developing regions, rich and poor areas, and urban and rural settings, bringing technological differences into focus.
Contributors include Charles R. Acland, Paul Dourish, Sarah Harris, Jennifer Holt and Patrick Vonderau, Shannon Mattern, Toby Miller, Lisa Parks, Christian Sandvig, Nicole Starosielski, Jonathan Sterne, and Helga Tawil-Souri.
Perman's encounters with the spirits, the mediums who bring them back, and the accompanying rituals form the heart of his ethnographic account of how the Ndau experience ceremonial musicking. As Perman witnessed other ceremonies, he discovered that music and dancing shape the emotional lives of Ndau individuals by inviting them to experience life's milestones or cope with its misfortunes as a group. Signs of the Spirit explores the historical, spiritual, and social roots of ceremonial action and details how that action influences the Ndau's collective approach to their future. The result is a vivid ethnomusicological journey that delves into the immediacy of musical experience and the forces that transform ceremonial performance into emotions and community.
We can trace many important strategic decisions to compelling official fictions such as Kennedy's "missile gap" and Reagan's "window of vulnerability." Over the years, antinuclear movements have had mixed success debunking these fictions, raising public consciousness, and reorienting government policy.
Andrew Rojecki explores links between nuclear arms policy and the visibility of opposition groups in the media. He pays particular interest to two cycles of protest: the test ban movement of the Eisenhower and the Kennedy administrations and the Reagan-era nuclear freeze movement. As Rojecki shows, space devoted to the opposition as well as the quality of the coverage varied widely from the first to the second period. The change reflected different climates of public opinion and foreign policy but also a subtle shift in political culture that undermined the legitimacy of citizen protest. As the rationalized policymaking of government agencies, think tanks, and university departments increasingly restricted public debate, the potential for citizens to influence nuclear politics became more circumscribed while nuclear weapons continued to proliferate.
By exploring the life and work of the influential feminist thinker Simone de Beauvoir, this book shows how each of us lives within political and social structures that we can--and must--play a part in transforming. It argues that Beauvoir’s careful examination of her own existence can also be understood as a dynamic method for political thinking.
As the contributors illustrate, Beauvoir's political thinking proceeds from the bottom up, using examples from individual lives as the basis for understanding and transforming our collective existence. For example, she embraced her responsibility as a French citizen as making her complicit in the French war against Algeria. Here, she sees her role as an oppressor. In other contexts, she looks to the lives of individual women, including herself, to understand the dimensions of gender inequality.
This volume’s six tightly connected essays home in on the individual’s relationship to community, and how one’s freedom interacts with the freedom of other people. Here, Beauvoir is read as neither a liberal nor a communitarian. The authors focus on her call for individuals to realize their freedom while remaining consistent with ethical obligations to the community. Beauvoir's account of her own life and the lives of others is interpreted as a method to understand individuals in relations to others, and as within structures of personal, material, and political oppression. Beauvoir's political thinking makes it clear that we cannot avoid political action. To do nothing in the face of oppression denies freedom to everyone, including oneself.
Sing a Sad Songs tells the story of Hank Williams's rise from impoverished Alabama roots, his coming of age during and after World War II, his meteoric climb to national acclaim and star status on the Grand Ole Opry, his star-crossed marriages and recurring health problems, the chronic bouts with alcoholism and the alienation it caused in those he loved and sang for, and finally his tragic death at twenty-nine and subsequent emergence as a folk hero.
In addition, the book includes an essential discography compiled by Bob Pinson of the Country Music Foundation.
"An extremely accurate and valuable work. There is nothing like it in either the extensive holocaust literature or the ethnomusicology literature."
-- Mark Slobin, author of Chosen Voices: The Story of the American Cantorate
Beginning with two turn-of-the-century operas--Frederick Delius's A Village Romeo and Juliet and Claude Debussy's Pelléas et Mélisande -- that present humankind as lost in a tangled wood that is at once internal and external, Mellers develops the theme of wilderness in sociological, psychological, ecological, and even geological terms. He discusses Leoš Janá ek's Cunning Little Vixen ("the ultimate ecological opera") as a parable of redemption and explores the delicate yet dangerous equilibrium between civilization and the dark forest in works by Charles Koechlin and Darius Milhaud. Elements of wilderness and the city combine to infuse the music of Heitor Villa-Lobos and Carlos Chávez with a blend of primitivism and sophistication, while a creative tension between desert landscape and industrial mechanization inspires the works of Carl Ruggles, Harry Partch, Steve Reich, and Australia's Peter Sculthorpe. The volume culminates in a discussion of two American urban folk musicians, Duke Ellington and George Gershwin.
By suggesting how the "musicking" of ecological issues articulates twinned perspectives on music and our place in the world, Mellers raises intriguing questions about the links among tradition, talent, learning, and instinct. Brimming over with fresh ideas and unexpected cross-pollinations, Singing in the Wilderness is a stimulating addition to the oeuvre of a distinguished and inventive scholar.
"The women who contributed to this book are among the best of the Mormon literati . . . [they] hold that there is hope within the church for change, for reform, for expansion of the place of women." -- Women's Review of Books
"Historians of women in America have a great deal to learn from the history of Mormon women. This fine set of essays provides an excellent introduction to a subject about which we should all know more." -- Anne Firor Scott, author of Making the Invisible Woman Visible.
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