John Tyndall (c. 1822–1893), is best known as a leading natural philosopher and trenchant public intellectual of the Victorian age, who spoke and wrote controversially on the relationship between science and religion. Far fewer people know that he also wrote poetry.
 
The Poetry of John Tyndall contains annotated transcriptions of all 76 of Tyndall’s extant poems, the majority of which have not been published before. The poems are complemented by an extended introduction, which explores what the poems can tell us about Tyndall’s self-fashioning, his values and beliefs, and the role of poetry for him and his circle. More broadly, this introduction addresses the relationship between the scientific and poetic imaginations, and wider questions of the purpose of poetry in relation to science and religion in the nineteenth century.
 

An account of the rise from obscurity to icon of Mauryan emperor Chandragupta Maurya.

The writing and reception of history fundamentally influence how we engage with the past, and nowhere is that more clear than in the rise from obscurity of Chandragupta Maurya (350–295 BCE), the first emperor of the Mauryan Empire. The key moment in the transformation of Chandragupta into a contemporary national icon was a peace-making meeting between Chandragupta and Seleucus, founder of the Seleucid empire and one of Alexander the Great’s generals. But no reliable account exists in early sources, and it is not even clear which ruler was victorious in battle. That uncertainty enabled British and Indian historians of the nineteenth and twentieth centuries to interpret the sources in radically different ways. With Chandragupta representing India and Seleucus standing in for Britain, British scholars argued that Seleucus defeated Chandragupta, while Indian academics contended the opposite. In India, the image of Chandragupta as an idealized hero who vanquished the foreign invader has prevailed and found expression in contemporary popular culture. In plays, films, television series, comic books, and historical novels, Chandragupta is the powerful and virtuous Hindu ruler par excellence. Sushma Jansari shows how that transformation came about and points out the lessons we can learn from it for understanding other historical figures.
 

A study on urban risk and resettlement programs in the Global South in the era of climate change.

Environmental changes impact everyone, but the burden is especially heavy upon the lives and livelihoods of the urban poor and those living in informal settlements. In an effort to reduce urban residents’ exposure to climate change and natural disasters, resettlement programs are becoming widespread across the Global South. Yet, while resettlement may reduce a region’s future climate-related disaster risk, it can also often increase poverty and vulnerability. This volume collates the findings from a research project that examined urban areas across the globe, including case studies from India, Uganda, Peru, Colombia, Mexico, Cambodia, and the Philippines. The book offers a unique approach to resettlement, providing an opportunity for urban planners to re-think how disaster risk management can better address the accumulation of urban risks in the era of climate change.
 

Bentham and the Arts considers the skeptical challenge presented by Bentham’s hedonistic utilitarianism to the existence of the aesthetic, as represented in the oft-quoted statement that, ‘Prejudice apart, the game of push-pin is of equal value with the arts and sciences of music and poetry. If the game of push-pin furnish more pleasure, it is more valuable than either.’ Ranging from poetry and sexual nonconformity to the auto-icon and public sculpture, from Hume, Kant, and de Staël to Freud and Michel Onfray, an excellent crew of contributors brings Jeremy Bentham out from the shadow cast by John Stuart Mill with much new to say on taste and politics.
 

A close look at people’s adaptivity and their capacities to adjust to new circumstances and environments in the face of urban displacement, with a special focus on Dakar.

The Malian market at the terminus in Dakar was bulldozed in 2009 and, following the privatization of the railway, passenger services in Senegal soon ceased altogether. The consequences were felt especially by women traders who had traveled the line since its inauguration, making the terminus in Dakar the center of a thriving network of traders and migrants. To examine the fates of those whose livelihoods were destroyed or disrupted, Gunvor Jónsson spent a year with the women evicted from the terminus. Urban Displacement and Trade in a Senegalese Market explores what happens at the end of urban displacement, when people find themselves scattered in sometimes unfamiliar surroundings, trying to pick up the pieces and create something meaningful.

In this book, Jónsson argues that rupture and ensuing displacement do not produce a clean slate where identities, networks, and histories must be produced from scratch. When evicted, traders and their markets do not simply vanish into thin air. The book examines not only what is lost but what emerges when a dense node, such as the terminus, is dissolved and fragmented. The ethnography of the traders reveals that the aftermath of eviction in cities may lead to diasporic forms of consciousness and identity formations. Displacement, whether on a local or global scale, demands difficult adjustments, and people’s capacities to adapt to new circumstances and environments vary. This book uncovers the different capacities and variations in traders’ reactions to displacement.